Assignment 28: Summary of ideas in group
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The document contains ideas for music videos for three songs: "Born to Run", "Tenerife Sea", and "Sober". For "Born to Run", the idea is a performance-based narrative of a singer traveling through different areas to eventually join the band. For "Tenerife Sea", the idea is a mainly narrative video using memories of a couple to cut between and include scattered performance clips. For "Sober", the idea is 60% narrative and 40% performance, showing a man rushing to make a date after a night of drinking, as he acquires items along the way and is also seen singing in a dimly lit room.
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Question three
1. The document summarizes feedback from an audience on the creator's music video. Phoebe and others felt the use of black and white versus color successfully conveyed the intended emotions.
2. While some like the storyline, Phoebe found it confusing. The creator notes introducing the story earlier may have helped.
3. Multiple people felt more shot variety was needed since many shots were long shots, and close-ups could have better shown the story and characters.
4. Suggestions were also made to change some shot durations and angles, use better transitions, and remove distracting elements in shots.
Ideas for a promotional package
The document provides details for creating a promotional package for an indie/rock music artist, including ideas for an album cover, music video, and CD packaging. The album cover and music video would have a black and white color scheme with splashes of color, drawing inspiration from bands like Arctic Monkeys. The music video concept involves telling a story about a past relationship through shots of the band playing and the ex-girlfriend appearing unaware as the band plays nearby. The 6-panel CD packaging would feature consistent branding across the front cover and inside panels, including photos representing the band's live and studio work.
Music video assignment
The document provides ideas for three potential music videos based on selected songs. For the song "Black Skinhead" by Kanye West, the ideas include filming a running scene in a rundown area to fit the song's theme, shooting at different locations to set the scene, and depicting images that anger people to represent the song's lyrics. Ideas for "Bittersweet Symphony" by The Verve include a group walking through a busy street with one disappearing at the end, and portraying a character running from pursuers. Techniques from other music videos are discussed like using contrasting colors and shots to set different ambiences.
Mv assignment (not theory) pro forma copy
The music video will celebrate the 25th anniversary of Oasis' album "(What's the Story) Morning Glory?" by incorporating the number 25 throughout. It will include shots of a record being played and footage of someone/something matching the depressing lyrics about drugs and alcohol. The pace and tone of the fast-paced song will be reflected in the video by using quick transitions and a black and white filter to fit the mood.
Analysis of digipack
The document analyzes and summarizes the digipack designs of three different artists - Arctic Monkeys, The Weeknd, and The Kooks. For each artist, it describes the simplistic monochrome color scheme and minimalist designs of the album covers, fronts, and backs. It notes how the designs reflect the style and image of each artist. The analysis concludes by stating how these designs have inspired the author's own preferred simple color scheme and style for minimalist, yet stylish and professional-looking packaging.
Evaluation question magazine
The document discusses the conventions used in media products like music videos, as well as how the author's products both follow and challenge some of these conventions. Specifically:
- The author's music video includes performance elements and lip syncing to connect to the song, but challenges conventions by showing both the male protagonist and a female lip syncing to represent the song's perspective.
- Elements like costumes, fonts, and imagery are carried over across the music video, album packaging, and advertisement to create cohesion and a recognizable brand.
- The author aimed to both utilize standard conventions like promotional information but also add their own style and narrative, such as setting the products in a 1950s era, to make their
Music videoanalysisworksheet (1)
The music video for The Knife's "Pass This On" appeals to a wide target audience through its LGBT protagonist and blend of electronic and Hawaiian genres. It features a single room where people initially refuse to get along but are united through dance after the unnamed singer starts performing. The video uses consistent medium shots and close-ups of the singer and characters' emotions throughout. With low-budget production values like low saturation, it relies on continuity editing and fast cuts between shots to tell its story of bringing divided people together through music.
Music videoanalysisworksheet (2)
The music video for The Knife's song "Pass This On" features a protagonist dressed as a woman to appeal to the LGBT community and electronic music fans. The lyrics describe a one-night stand, set to a upbeat electronic song with Hawaiian influences. Throughout the video, the protagonist's singing gradually unites the isolated people in the room, getting them to dance together through the power of music. The video uses consistent medium shots and close-ups, with low saturation and fast cuts between shots to tell the story on a low budget. No digital effects are used.
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Question three
1. The document summarizes feedback from an audience on the creator's music video. Phoebe and others felt the use of black and white versus color successfully conveyed the intended emotions.
2. While some like the storyline, Phoebe found it confusing. The creator notes introducing the story earlier may have helped.
3. Multiple people felt more shot variety was needed since many shots were long shots, and close-ups could have better shown the story and characters.
4. Suggestions were also made to change some shot durations and angles, use better transitions, and remove distracting elements in shots.
Ideas for a promotional package
The document provides details for creating a promotional package for an indie/rock music artist, including ideas for an album cover, music video, and CD packaging. The album cover and music video would have a black and white color scheme with splashes of color, drawing inspiration from bands like Arctic Monkeys. The music video concept involves telling a story about a past relationship through shots of the band playing and the ex-girlfriend appearing unaware as the band plays nearby. The 6-panel CD packaging would feature consistent branding across the front cover and inside panels, including photos representing the band's live and studio work.
Music video assignment
The document provides ideas for three potential music videos based on selected songs. For the song "Black Skinhead" by Kanye West, the ideas include filming a running scene in a rundown area to fit the song's theme, shooting at different locations to set the scene, and depicting images that anger people to represent the song's lyrics. Ideas for "Bittersweet Symphony" by The Verve include a group walking through a busy street with one disappearing at the end, and portraying a character running from pursuers. Techniques from other music videos are discussed like using contrasting colors and shots to set different ambiences.
Mv assignment (not theory) pro forma copy
The music video will celebrate the 25th anniversary of Oasis' album "(What's the Story) Morning Glory?" by incorporating the number 25 throughout. It will include shots of a record being played and footage of someone/something matching the depressing lyrics about drugs and alcohol. The pace and tone of the fast-paced song will be reflected in the video by using quick transitions and a black and white filter to fit the mood.
Analysis of digipack
The document analyzes and summarizes the digipack designs of three different artists - Arctic Monkeys, The Weeknd, and The Kooks. For each artist, it describes the simplistic monochrome color scheme and minimalist designs of the album covers, fronts, and backs. It notes how the designs reflect the style and image of each artist. The analysis concludes by stating how these designs have inspired the author's own preferred simple color scheme and style for minimalist, yet stylish and professional-looking packaging.
Evaluation question magazine
The document discusses the conventions used in media products like music videos, as well as how the author's products both follow and challenge some of these conventions. Specifically:
- The author's music video includes performance elements and lip syncing to connect to the song, but challenges conventions by showing both the male protagonist and a female lip syncing to represent the song's perspective.
- Elements like costumes, fonts, and imagery are carried over across the music video, album packaging, and advertisement to create cohesion and a recognizable brand.
- The author aimed to both utilize standard conventions like promotional information but also add their own style and narrative, such as setting the products in a 1950s era, to make their
Music videoanalysisworksheet (1)
The music video for The Knife's "Pass This On" appeals to a wide target audience through its LGBT protagonist and blend of electronic and Hawaiian genres. It features a single room where people initially refuse to get along but are united through dance after the unnamed singer starts performing. The video uses consistent medium shots and close-ups of the singer and characters' emotions throughout. With low-budget production values like low saturation, it relies on continuity editing and fast cuts between shots to tell its story of bringing divided people together through music.
Music videoanalysisworksheet (2)
The music video for The Knife's song "Pass This On" features a protagonist dressed as a woman to appeal to the LGBT community and electronic music fans. The lyrics describe a one-night stand, set to a upbeat electronic song with Hawaiian influences. Throughout the video, the protagonist's singing gradually unites the isolated people in the room, getting them to dance together through the power of music. The video uses consistent medium shots and close-ups, with low saturation and fast cuts between shots to tell the story on a low budget. No digital effects are used.
A2 Media, Pre-Production, Bella Le Blanc
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Music video analysis 3 version
The document analyzes the music video for "Naughty Boy La La La (ft. Sam Smith)" using various frameworks. It summarizes:
1) The music video uses unconventional characters and narrative elements compared to typical pop videos, drawing inspiration from The Wizard of Oz and focusing on a child protagonist.
2) Symbols and settings are used to convey themes of noise, isolation, and a desire for equilibrium. Bright colors represent happiness but darker tones are used when the child is overwhelmed.
3) While unconventional, the conceptual narrative and intertextual references to The Wizard of Oz appeal to the target 13-30 year old audience and promote discussion, making the video popular despite deviating from typical
Question 1
This document discusses how the creator's media product challenges conventions of real rock music products. Due to changes during production, the genre changed from pop-punk/rock to alternative rock. To show continuity between the music video and digipak, the creator incorporated natural autumn themes and images from the video. While the digipak follows conventions like using dark colors, it challenges conventions by featuring the singer's face instead of album art. The creator also wanted to portray emotions like hurt through the images and colors chosen.
Music videoanalysisworksheet
The music video for "Pass This On" by The Knife uses various camera and editing techniques to appeal to a wide target audience and unite the viewers. The video takes place in one room with a group of unwilling people who start dancing together after the protagonist begins singing. Medium shots and close-ups are used frequently to show the singer and characters' emotions. While the video has a low budget look, the consistent shots, continuity editing, and fast cuts between scenes help tell the story of bringing the audience together through music. There are no digital effects used.
Bastille pompeii
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The video analysis found several key conventions of indie rock music videos. The video tells a narrative story through fast-paced editing between shots of a man, his mother, a church, and police sirens. It is filmed in the main character's house and shows his unhappy family life after the death of his mother. The character uses marijuana to cope, remembering happier times with his mother. The video features the artists during the chorus to emphasize those parts. It relies on editing, camera work, and mise-en-scene to convey the narrative and link to the song's lyrics, consistent with conventions of indie music videos.
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The document discusses plans for a music video for the song "Royals" by Lorde. It includes:
1) An analysis of the song's lyrics, tempo, and genre classification.
2) Plans for the music video's narrative structure, which will contrast scenes of the artist's normal life with mocking scenes of wealth.
3) An aim to promote the song's message of societal hierarchy and inclusion through scenes of diverse people lip syncing together.
4) Goals to establish the artist's brand and make her recognizable through costume choices, promote both her and the song through visuals tying to the lyrics, and reflect the indie/pop genre through lighting, locations, and
Tiffany Gunter Evaluation
This document discusses the codes and conventions used in the music video, website, and digipack created by the author for an R&B artist. It analyzes several shots and elements from the music video that draw on conventions of the genre, such as masculine poses, spotlights on the artist, and layered shots of the artist. It also discusses design elements of the website and digipack, such as the color scheme and fonts used. Feedback from an audience noted the professional quality of the video and uniqueness of the digipack design. The author learned that the overall package cohered well but the music video design differed slightly more from the album packaging.
Music video pitch
The music video proposal summarizes ideas for Arctic Monkeys' song "Do I Wanna Know". It will have a 1950s/1960s style to match the song's romantic theme. The narrative follows the singer trying to be with a woman who gives him unrequited attention, leaving their relationship ambiguous. Locations like Hampstead Heath and Carnaby Street evoke the era. Costumes include leather jackets, jeans, and bowler hats. Shots include flashing camera to reveal the singer and tracking/close-ups of the woman to make her mysterious. The video will be in black and white to emphasize the retro style.
Research Into A Similar Artist
The music video for "Hey There Delilah" by Plain White Ts is analyzed. The editing features boxes dividing the screen, which the analyst thinks could be an effective technique to incorporate. The video has a 50/50 split between narrative and performance sections, and slow pacing that matches the acoustic music. The theme of a journey is also present in the narrative. Analysis is also provided of the album cover for Plain White Ts, discussing possible interpretations of the abandoned theme park imagery and how it relates to the band and music.
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The document discusses conventions used in music videos, album packaging, and band websites. It analyzes several examples and compares them to the creator's own work. For music videos, it looks at technical conventions like camerawork and editing, as well as symbolic conventions involving lighting, setting, and styling. It also examines structural and stylistic conventions for digipak album packaging and band websites. The document provides links to examples discussed and analyzes how the creator's work both follows and challenges industry conventions.
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The document outlines plans for a music video and promotional material for singer Ariana Grande's new album "Moonlight." It includes:
1) A tracklist and details for the "Moonlight" album packaging including a digipak with photos and a "behind the scenes" DVD.
2) Crew assignments and casting of Isabella O'Higgins as Ariana Grande and Harry Blackburn in a supporting role.
3) Costume and location details for shooting the "Thinking Bout You" music video in York featuring outfits and a sunset backdrop.
4) Storyboards and song timing for the video.
5) Plans for a magazine advertisement and mockups of two designs
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Song selection
This document discusses potential song selections, artists, titles, genres, and concepts for four music videos. For each song, it provides a brief narrative/performance summary and concept summary, considers how the ideas could be improved, celebrates strong elements, asks clarifying questions, and suggests similar existing music videos that use comparable approaches. The document aims to select songs and develop concepts that fit the genres and convey the messages of lyrics in an impactful way for audiences.
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Johnny cash hurt
The music video for Johnny Cash's "Hurt" uses various symbolic imagery and archival footage to tell the narrative of Cash coming to terms with the end of his career and legacy. It shows a golden statue of Jesus on the cross to represent Cash feeling the same pain. Archival clips from Cash's past in black and white portray his happier times in contrast with the sad tone of the song. Shots of an empty museum and smashed records symbolize his achievements being forgotten as his life comes to a close. The video concludes with Cash wanting to turn back time and relive his memories as his career ends with the closing of a piano.
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The document discusses and analyzes several music videos and their album/single covers. It provides summaries of each one in 3 sentences or less:
- Beyonce's "Sweet Dreams" music video aims at ages 10-28, uses creative editing techniques, and focuses on the artist through a mirror scene.
- Kings of Leon's "Notion" video uses special effects to make the band look like they are in a demolition, has repeated close-ups of band members, and creative camera work.
- Jay-Z, Rihanna, and Kanye West's "Run This Town" video has a historic feel with armor costumes, dims lighting, and jump cuts that sometimes take focus away
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Original Music Video
This music video is a performance-based video that consists of a woman dancing alone on a dance floor in an empty building. The sole setting is an empty hall with a luminous dance floor. The woman wears a retro 1960s-style costume. Throughout the video, various lighting effects and camera angles are used to create a mysterious atmosphere, as is common for indie music videos. Special effects are also used to portray the woman as enjoying herself and possibly under the influence of drugs or alcohol.
Assignment 28: Summary of ideas
The document contains ideas for music videos for three songs: "Born to Run", "Tenerife Sea", and "Sober". The "Born to Run" idea involves the singer traveling through different areas and eventually joining the band. The "Tenerife Sea" idea shows memories of a couple intercut with scenes of them together and the artist singing. The "Sober" idea focuses on an alcoholic man rushing to make a date after a night of drinking.
Assignment 28 group pitches
This document contains ideas for three music videos:
1) "Born to Run" follows an athlete who loses his ability to walk but regains it through determination, showing his progress through parallel bars and crutches until he can run again.
2) "Tenerife Sea" uses memories from a couple's phones to show scenes of them together through a white flash, cutting between memories and performance shots.
3) "Sober" focuses on an alcoholic man rushing to make a date after a night of drinking, grabbing items from storefronts as he runs to the restaurant while flashes show his waiting date.
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The music video treatment proposes a concept where Ke$ha's song "Take It Off" is portrayed through a teenage rave party in the woods. The storyboard outlines shots that would show characters arriving at nightfall and getting wild, with close-ups of Ke$ha singing and long shots showing the full scene. Color explosions and glitter are planned to depict the excitement, and shots of passed out characters at the end are meant to wrap up the hectic night.
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The document analyzes the music video for "Naughty Boy La La La (ft. Sam Smith)" using various frameworks. It summarizes:
1) The music video uses unconventional characters and narrative elements compared to typical pop videos, drawing inspiration from The Wizard of Oz and focusing on a child protagonist.
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3) While unconventional, the conceptual narrative and intertextual references to The Wizard of Oz appeal to the target 13-30 year old audience and promote discussion, making the video popular despite deviating from typical
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This document discusses how the creator's media product challenges conventions of real rock music products. Due to changes during production, the genre changed from pop-punk/rock to alternative rock. To show continuity between the music video and digipak, the creator incorporated natural autumn themes and images from the video. While the digipak follows conventions like using dark colors, it challenges conventions by featuring the singer's face instead of album art. The creator also wanted to portray emotions like hurt through the images and colors chosen.
Music videoanalysisworksheet
The music video for "Pass This On" by The Knife uses various camera and editing techniques to appeal to a wide target audience and unite the viewers. The video takes place in one room with a group of unwilling people who start dancing together after the protagonist begins singing. Medium shots and close-ups are used frequently to show the singer and characters' emotions. While the video has a low budget look, the consistent shots, continuity editing, and fast cuts between scenes help tell the story of bringing the audience together through music. There are no digital effects used.
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The song "Pompeii" by British band Bastille tells the story of the eruption of Mount Vesuvius in Pompeii through lyrics and music video. The music video depicts a man, played by lead singer Dan Smith, running through various locations in Los Angeles while being chased by the ash and destruction from the volcano. Throughout the video, the man sees other people with black eyes, indicating they have been overtaken by the ash, until he too is overtaken at the end. The music and cinematography aim to build tension and mystery to match the dark subject matter of the volcanic destruction of Pompeii. The video gained Bastille significant exposure through popular festival performances and television appearances.
Props for ‘she said’ by sundara
The document describes various props that will be used in a music video, including alcohol bottles, plastic cups, a sports bag, handbag, coffee table, electric guitar, drums, drum sticks, and a microphone stand. The props will be used to set the scenes of a party, school, and band performance to help tell the story and make the music video feel realistic for a young audience. The characters will use the props to drink alcohol, carry belongings, place drinks, and perform music.
Video content analysis
The video analysis found several key conventions of indie rock music videos. The video tells a narrative story through fast-paced editing between shots of a man, his mother, a church, and police sirens. It is filmed in the main character's house and shows his unhappy family life after the death of his mother. The character uses marijuana to cope, remembering happier times with his mother. The video features the artists during the chorus to emphasize those parts. It relies on editing, camera work, and mise-en-scene to convey the narrative and link to the song's lyrics, consistent with conventions of indie music videos.
A2 music video pitch
The document discusses plans for a music video for the song "Royals" by Lorde. It includes:
1) An analysis of the song's lyrics, tempo, and genre classification.
2) Plans for the music video's narrative structure, which will contrast scenes of the artist's normal life with mocking scenes of wealth.
3) An aim to promote the song's message of societal hierarchy and inclusion through scenes of diverse people lip syncing together.
4) Goals to establish the artist's brand and make her recognizable through costume choices, promote both her and the song through visuals tying to the lyrics, and reflect the indie/pop genre through lighting, locations, and
Tiffany Gunter Evaluation
This document discusses the codes and conventions used in the music video, website, and digipack created by the author for an R&B artist. It analyzes several shots and elements from the music video that draw on conventions of the genre, such as masculine poses, spotlights on the artist, and layered shots of the artist. It also discusses design elements of the website and digipack, such as the color scheme and fonts used. Feedback from an audience noted the professional quality of the video and uniqueness of the digipack design. The author learned that the overall package cohered well but the music video design differed slightly more from the album packaging.
Music video pitch
The music video proposal summarizes ideas for Arctic Monkeys' song "Do I Wanna Know". It will have a 1950s/1960s style to match the song's romantic theme. The narrative follows the singer trying to be with a woman who gives him unrequited attention, leaving their relationship ambiguous. Locations like Hampstead Heath and Carnaby Street evoke the era. Costumes include leather jackets, jeans, and bowler hats. Shots include flashing camera to reveal the singer and tracking/close-ups of the woman to make her mysterious. The video will be in black and white to emphasize the retro style.
Research Into A Similar Artist
The music video for "Hey There Delilah" by Plain White Ts is analyzed. The editing features boxes dividing the screen, which the analyst thinks could be an effective technique to incorporate. The video has a 50/50 split between narrative and performance sections, and slow pacing that matches the acoustic music. The theme of a journey is also present in the narrative. Analysis is also provided of the album cover for Plain White Ts, discussing possible interpretations of the abandoned theme park imagery and how it relates to the band and music.
Media task 1 presentation
The document discusses conventions used in music videos, album packaging, and band websites. It analyzes several examples and compares them to the creator's own work. For music videos, it looks at technical conventions like camerawork and editing, as well as symbolic conventions involving lighting, setting, and styling. It also examines structural and stylistic conventions for digipak album packaging and band websites. The document provides links to examples discussed and analyzes how the creator's work both follows and challenges industry conventions.
Final Video Plan
The document outlines plans for a music video and promotional material for singer Ariana Grande's new album "Moonlight." It includes:
1) A tracklist and details for the "Moonlight" album packaging including a digipak with photos and a "behind the scenes" DVD.
2) Crew assignments and casting of Isabella O'Higgins as Ariana Grande and Harry Blackburn in a supporting role.
3) Costume and location details for shooting the "Thinking Bout You" music video in York featuring outfits and a sunset backdrop.
4) Storyboards and song timing for the video.
5) Plans for a magazine advertisement and mockups of two designs
Album%20 cover%20research
The document discusses potential album covers and band websites. Several album covers are considered, including one with a plain empty room fitting their music video theme, one with an "urban" style, one featuring a girl playing drums, and one with a comic book-like image. Websites from other bands are also examined, including ones from Two Door Cinema Club and an unnamed band. Key features mentioned are using the band's newest music video on the homepage, opportunities to buy tickets or merchandise, tabs to different pages, blogs to seem more personal, and links to social media.
Song selection
This document discusses potential song selections, artists, titles, genres, and concepts for four music videos. For each song, it provides a brief narrative/performance summary and concept summary, considers how the ideas could be improved, celebrates strong elements, asks clarifying questions, and suggests similar existing music videos that use comparable approaches. The document aims to select songs and develop concepts that fit the genres and convey the messages of lyrics in an impactful way for audiences.
Guts over fear pitch
The document provides details about a music video pitch for the song "Guts Over Fear" by Eminem featuring Sia. It includes the chosen genre, track, and inspiration. It summarizes the song's synopsis and discusses obtaining permission from the record label. It then outlines the timeline, locations, props, costumes, and initial design ideas for packaging and a website to promote the music video project.
Johnny cash hurt
The music video for Johnny Cash's "Hurt" uses various symbolic imagery and archival footage to tell the narrative of Cash coming to terms with the end of his career and legacy. It shows a golden statue of Jesus on the cross to represent Cash feeling the same pain. Archival clips from Cash's past in black and white portray his happier times in contrast with the sad tone of the song. Shots of an empty museum and smashed records symbolize his achievements being forgotten as his life comes to a close. The video concludes with Cash wanting to turn back time and relive his memories as his career ends with the closing of a piano.
Media Studiess 4
The document discusses and analyzes several music videos and their album/single covers. It provides summaries of each one in 3 sentences or less:
- Beyonce's "Sweet Dreams" music video aims at ages 10-28, uses creative editing techniques, and focuses on the artist through a mirror scene.
- Kings of Leon's "Notion" video uses special effects to make the band look like they are in a demolition, has repeated close-ups of band members, and creative camera work.
- Jay-Z, Rihanna, and Kanye West's "Run This Town" video has a historic feel with armor costumes, dims lighting, and jump cuts that sometimes take focus away
How effective is the combination of your main updated
The document discusses the creation of a music video, poster, and album cover for a drum and bass track. For each product, the creator researched conventions of the genre and included important elements like nightclub scenes, colorful lighting, and abstract images. The poster features the artist's image and social media links. The monochrome album cover was inspired by another cover, but includes splashes of color on interior pages. Overall, the combination of the main video and ancillary texts effectively capture the upbeat nature of drum and bass through consistent themes and adherence to genre conventions across all products.
Original Music Video
This music video is a performance-based video that consists of a woman dancing alone on a dance floor in an empty building. The sole setting is an empty hall with a luminous dance floor. The woman wears a retro 1960s-style costume. Throughout the video, various lighting effects and camera angles are used to create a mysterious atmosphere, as is common for indie music videos. Special effects are also used to portray the woman as enjoying herself and possibly under the influence of drugs or alcohol.
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How effective is the combination of your main updated
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Similar to Assignment 28: Summary of ideas in group
Assignment 28: Summary of ideas
The document contains ideas for music videos for three songs: "Born to Run", "Tenerife Sea", and "Sober". The "Born to Run" idea involves the singer traveling through different areas and eventually joining the band. The "Tenerife Sea" idea shows memories of a couple intercut with scenes of them together and the artist singing. The "Sober" idea focuses on an alcoholic man rushing to make a date after a night of drinking.
Assignment 28 group pitches
This document contains ideas for three music videos:
1) "Born to Run" follows an athlete who loses his ability to walk but regains it through determination, showing his progress through parallel bars and crutches until he can run again.
2) "Tenerife Sea" uses memories from a couple's phones to show scenes of them together through a white flash, cutting between memories and performance shots.
3) "Sober" focuses on an alcoholic man rushing to make a date after a night of drinking, grabbing items from storefronts as he runs to the restaurant while flashes show his waiting date.
Assignment 31 – group 4 pitch
This document proposes three music video ideas for assignments:
1. A performance video of Lil Uzi Vert rapping with dancers that switches between indoor and outdoor settings.
2. A narrative/performance video of Lauv singing on his bucket list travels and in the hospital before dying.
3. A narrative/performance video by James Arthur featuring a red rose that symbolizes love and changes color as the relationship deteriorates, ending with him finding an empty hospital bed.
Green light pitch
The document discusses plans for a music video for the song "Maneater" by Nelly Furtado. Key points:
1) The music video will incorporate elements from the original such as dance routines, costumes, locations, and symbolism to represent the lyrics.
2) Product placement of Rimmel London lipstick will be included to help establish the artist's image.
3) A narrative-driven story will show the artist having a dream of becoming a "maneater" that feels real.
4) Various locations like an office, skate park, and urban backdrop will be featured across day and night scenes using lighting and special effects.
Daft Punk, 50 Cent and 1D
1) Daft Punk, 50 Cent, and One Direction each focus on different music genres and target specific markets to maximize profits. Daft Punk focuses on Euro house music, 50 Cent is known for hip hop, and One Direction targets younger females with pop music.
2) 50 Cent's music videos depict an lavish, "otherworldly" lifestyle to promote desirability. One Direction's "What Makes You Beautiful" uses close-ups of band members, beaches, and fashion trends to appeal to their young female audience.
3) Daft Punk's "Instant Crush" video matches the punk rock-inspired character through clothing and location to complement the song's style while telling
initial MV ideas final.pptx
The document outlines 4 initial ideas for a music video to accompany a romantic ballad song. The first idea involves lip syncing to the song in different scenic outdoor locations. The second tells a narrative of a girl reminiscing about a past lover through flashbacks while listening to the song. The third combines a narrative of a girl missing her cat while traveling with shots of a singing performance. The fourth shows a woman writing and singing the song alone in her home. Developing these preliminary concepts helps the author explore creative ways to represent the song through video.
Indie pop slideshow
Indie pop originated in the UK in the 1980s, combining elements of punk rock's DIY ethic with melodic and relatively angst-free music. Well-known indie pop artists include The Smiths, Fun, and Florence and the Machine. Common conventions of indie pop music videos include using a narrative that relates to the song's lyrics, applying filters over clips to convey a mood, employing mise en scène that links to the narrative, and focusing camera angles on the performers. For example, Scouting for Girls' "Heartbeat" video tells a story of lost and found love through a filter showing heartbeats and settings that inspire romance.
Creative critical reflection 2018 (Advance Portfolio) CIE
The document describes the student's music video project for the song "Blank Space" by Taylor Swift. It includes details about choosing to make a music video, conventions used in the pop music video genre, and elements of branding across the video, album packaging, and website. Key points are that the video tells a story about a relationship with a psychotic girlfriend, conventions followed include fashionable outfits and a narrative story, and branding elements like consistent colors were used to create an identity for the artist across all parts of the project.
Assignment 27: Group Idea 2
The group proposes ideas for three music videos:
1. For "I'm Born to Run", it will show a boy wandering through different areas while a band plays without a singer. It will cut between the boy in different locations and him joining the band to sing.
2. For "Tenerife Sea", the story will use a couple looking through photos on a phone that transport them to memories of their relationship, starting with how they met.
3. For "Sober", it will show a man rushing to get ready for a late date after waking from a drunken sleep. It will cut between him getting dressed and arriving at the restaurant to find his date has left. He will later be seen singing
Conventions of indie pop
The document discusses conventions of the indie pop genre that the filmmakers plan to use in their music video. Some key conventions discussed include using low-budget settings like studios and parks, including live performance clips, telling a narrative through a sequence of images related to the song, keeping costumes, makeup and props simplistic and linked to the scene, and utilizing close-up shots of the artist to express their emotions. The filmmakers' music video will incorporate many of these elements to tell the story and emotions of the artist Savannah.
Codes and conventions of a pop music video
This document discusses various codes and conventions commonly found in pop music videos. It notes that pop music videos often feature close-ups of the artist's face to show emotions, as well as long shots showing parties or groups of people. Costumes can be extreme or plain, reflecting real-life clothes. Props like guitars, pens, and microphones help tell the story. Lighting uses bright colors and spotlights, while locations include schools and beaches. Editing employs filters and tints to make the video more appealing.
Individual response to the brief
The individual has decided to use Cyndi Lauper's song "Girls Just Want to Have Fun" for their project. The music video will include both a narrative and performance element. The narrative will show girls having more fun than boys at sleepovers through contrasting color washes and activities. The performance will feature a pop art style with the singer's facial features (eyes, nose, lips) separated into colored boxes that move independently. This style will also be used on the CD packaging and magazine advertisement to create synergy between the project's elements.
Textual analysis
The document analyzes genre characteristics, lyrics and visuals, music and visuals, close ups, and digipak/album designs of the music videos "The Man Who Can't Be Moved" by The Script and "Juliet" by Lawson. Some key points:
1) The videos incorporate conventions of both rock (dark colors, live performances) and pop (lead singer at front, inclusion of natural light).
2) Visuals strongly connect to lyrics through illustrative matching of scenes to words.
3) Close ups are used frequently on faces to convey emotion and build connection with viewers.
4) Digipaks and album covers/posters feature band images and information clearly while
A2
Courtney Barnett is an Australian singer-songwriter known for her witty lyrics. Her debut EP and album received critical acclaim and she has been nominated for several major music awards. The music video for her song demonstrates characteristics common to the genre through its narrative storyline involving a protagonist working as an elevator operator who encounters unusual passengers, as well as stylistic elements like lighting and editing.
Shinies is an indie pop band from Manchester, England. Their music video depicts the kidnapping and killing of their childhood icon and uses aspects like lighting, editing and styling to match the tone of the song and represent its lyrics through visuals.
Hot Flash Heat Wave is an indie pop band from California. Their retro
Textual Analysis 3
The document provides an analysis of genre characteristics, lyrics and visuals, and music and visuals in the music videos for "The Man Who Can't Be Moved" by The Script and "Juliet" by Lawson. Some key points made:
- Both videos include conventions of live performance but incorporate elements of both pop and rock genres.
- Visuals in both videos closely connect to and illustrate the lyrics being sung.
- Lighting, costumes, and close-ups of instruments follow conventions more of the rock genre.
new a2 video analysis
Courtney Barnett is an Australian singer-songwriter known for her witty lyrics. Her debut EP and album received critical acclaim and she has been nominated for several major music awards. The music video for her song demonstrates several genre conventions including establishing shots of the band, narrative elements that relate to the lyrics, and styling and lighting that match the tone of the music.
Music video analysis
The music video depicts the kidnapping, torture, and murder of British children's TV host Pat Sharp by the band The Shinies. Through dark imagery and lighting, the video represents the band members' longing to return to their carefree childhoods. Flashbacks shown in an old film style portray happy memories of Sharp entertaining them as kids. Forcing him to dance represents trying to recapture the past. The contrasting video formats symbolize how their childhood memories have been dragged into a bleaker present. Killing Sharp, who embodied the fun of their youth, signifies the death of their innocence. The video aimed to convey the negatives of aging but was misinterpreted as a malicious attack on Pat Sharp.
Research presentation 2
Tom Evans' presentation discusses conventions of the punk pop music video genre. It notes that typical elements include dark colors like black and purple worn by bands and audiences. Common props are musical instruments, skateboards, and drugs. Settings are often house parties and places for younger people to socialize, like car parks. Music videos usually include a narrative and close-ups of the lead singer. They last around 3 minutes 30 seconds to match song lengths. Technical elements are usually quite basic, focusing on straightforward camerawork and editing to let the music take center stage. The target audience for punk pop videos is 15-25 year olds interested in art, music, and partying.
music video 1
Courtney Barnett is an Australian singer-songwriter known for her witty lyrics. Her debut EP and album received critical acclaim and she has been nominated for several major music awards. The music video for her song "Elevator Operator" depicts her character taking an unusual magic elevator to meet odd patrons, representing the song's lyrics. It uses lighting and editing to match the tone of the quirky music.
The band Shinies is a guitar pop group from Manchester, England. Their music video depicts the kidnapping and killing of their childhood icon, representing their loss of innocence as they grew up. It uses dark, grungy lighting and nostalgic editing to match the emotional tone of the song.
S1 Critical Perspectives Key Concepts Application
The music video portrays an indie artist, Charlie, performing along different streets with his band. It uses a restricted narrative that maintains viewer interest by only showing what the characters see and do without revealing their mental states. While it follows the lead singer, it does not fully comply with Propp's or Todorov's narrative theories. The video challenges modular narrative conventions by using a mix of split screens, forking paths, and anachronic narratives without separate stories. It aims to appeal to an indie audience through its use of typical indie conventions like featuring a band and rock instruments.
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Assignment 28: Summary of ideas in group
- 1. Assignment 28 Group ideas pitch Toby, Thomas, Jack, Ihab
- 2. Song Idea Summery Born to run The idea for my music video will show a boy wandering though different areas while the band will be performing with no lead singer starting to play in a dark room surrounded by lights. The singer will travel though the forest, town and finally joins the band for the last course. Tenerife sea The video will open with a couples iphones with memories of them together. The camera will zoom into the memory's and cut to a scene with a flash of white light of the couple together. This will continue with the linear theme of the memories of the couple together with the memories of them meeting with 4-6 memories and performance scattered throughout with the singer singing in locations that the couple has been. The memory will be done when a the couple take the photo that matches the memory that they went into Sober This idea will focus on an alcoholic man who wakes up after a heavy night of drinking and realizes he's late for his date, he then rushes to desperately make it on time. As he runs towards the restaurant he will grab items out of shop fronts: Tie, flowers, Jacket. With flashes to the female at the restaurant. The performance part will be of him singing in a dark dimly lit room in a jacket and smart clothing.
- 3. Song Why is it Narrative, Performance or conceptual? Also how Is it going to promote the artist? Born to Run The video will be performance based, with a small narrative of the main singer traveling to different areas. This video will promote the artists as it will give the audience an insight to the excitement of their shows. The video can also be entertaining for the audience and spread over the internet. Tenerife Sea The music video will be mainly narrative with bits of performance in with the performer being in the memories with them. Not sure yet whether it will be better to have the artist in the narrative or separate from the narrative. This video will mainly be narrative as it suits the target audience and style of ed sheerans audience to expect a narrative video as his target audience is very ranged so a narrative gives the audience a new story to follow adding another layer to the song. Sober The music video will be a split of narrative and performance at about 60/40, the reason for this is because I feel it will add more to the lyrics and it will promote the artist of course in terms of him starring in it but also shaking up his image and persona in the video from his very clean cut and smart artist to a different version that people may be able to relate to more as it shows him to be a normal human being. It is effective for the artist because it targets his target audience as they will have just discovered alcohol.
- 4. Song What is the USP? Born to run The USP for the artists will be the smart, checkered shirts with suspenders and a bow tie. Smart trousers to complete the look. The band will also have a symbol to represent themselves. Tenerife sea The USP for the artist will be smart casual wearing with suit like costumes with for example a shirt with a blazer and the main USP will be a fedora hat that he will be known for that will appear in every shot he is in and on all ancillaries to identify him. Sober The USP of the artist would be his smart clothes and intelligent manner. This would come in the form of a suit and tie and a fancy watch. The suit would be full black and a classy silver watch and rings perhaps. This is to round out the "Intelligent" and smart look.
- 5. Song How will the ancillaries connect to the music video? Born to run The magazine advert will consist of a photo the band in a beetles kind of with each of them in a different column showing a different background (road, park, city and a studio). The digipak will show a similar thing. Tenerife sea The ancillaries will connect to the music video as the artist will always be front and centre in both the music video and the digipak and magazine advert with his USP of his fedora hat shown throughout the music video and ancillaries. He will be surrounded by nature and bright imagery around with a bright background most likely outside making him shine in the light and look like a positive image. Sober Ancillaries would be a bright cover of the man with his head in his hands in his room with bottles and pieces of clothing around him- from the video. That would be the cd cover, the magazine advert will consist of the man in a bar with the clothes he got from the video with a few empty glasses