Guts over fear pitch
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The document provides details about a music video pitch for the song "Guts Over Fear" by Eminem featuring Sia. It includes the chosen genre, track, and inspiration. It summarizes the song's synopsis and discusses obtaining permission from the record label. It then outlines the timeline, locations, props, costumes, and initial design ideas for packaging and a website to promote the music video project.
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Peter Andre's music video for "Unconditional" tells a personal narrative through faded film in the background and shots of Andre alone in a cinema. The video uses close-ups of Andre to show emotion and subtle camera movements. Scenes of a faded film depicting Andre's life, as well as shots of him matching lyrics, help illustrate the song's message. While keeping a simple, lonely aesthetic, the video reveals the personal nature of the song through its storytelling and inclusion of Andre's step-son at the end.
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The video features two R&B/pop artists on a radio/TV. Scenes show a medium shot of an old radio, suggesting the vintage style and old classics genre of the song. Pictures of the artists are shown with posters of other bands in the background, further indicating the rap and RnB genre. Shots of the artists in hoodies, polo shirts and checkered shirts in an urban environment also connote an indie rap genre. The video cuts between different angles and shots at a fast pace to match the quick beat of the song. It follows a narrative story that includes humor with a man getting paid with fake money, and a chase scene shown with slow motion shots. Props and graffiti in the
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Auteur study 2
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- The genre is grime, and the song can be found at a provided YouTube link.
- Locations featured in the video include Brighton beach, a drama hall, and areas in south London like Bermondsey Square.
- The video will use contrasts of day and night lighting and locations to represent the positives and negatives of friendship.
Evaluation 1 - In what ways does your Music Video/Digiak/Magazine Advert use...
1. In what ways does your Music Video/Digiak/Magazine Advert use, develop or challenge forms & conventions of real media products?
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The document discusses plans for creating a music video. It provides examples of concepts for two music videos - one set in a club and one at a beach house party. It then outlines the key elements of the music video plan, including creating a storyboard, having a runtime of 5 minutes, casting band members and new actors, using black and white imagery during certain parts of the song, scheduling 2 months for recording at 3-4 locations, and marketing mainly through social media teasers and YouTube ads. The overall goal is to create a simple but logical video that captures the artist's vision and makes the production process fun.
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- It was Eminem's fourth album and reached number one in 19 countries including the US and UK.
- Upon its release, it sold 7.6 million copies and has since sold 11.6 million copies in the US alone.
- The album features 20 songs and came with a lyric booklet containing lyrics and images for all songs.
- The album packaging features a dark red color scheme and images of Eminem on stage, signaling a serious tone to the lyrics. The album's commercial and critical success demonstrated Eminem's status
analysis of a music video
The music video for "hood gone love it" by Jay Rock featuring Kendrick Lamar was released on YouTube on June 29, 2011. It was produced by J.U.S.T.I.C.E League and is a performance-based video that consists of Jay Rock rapping to the camera with friends behind him. As little work or money went into making the video, its techniques adhere to typical conventions of rap music videos. The video represents Jay Rock as the "king of the hood" through his lyrics and portrayal, showing he has not forgotten his roots despite fame, as it is set in his hometown hood.
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This video is different than typical music videos as it uses simple animations and graphics rather than live footage. It displays the song's lyrics in various abstract animations that match the pace and tone of the music. While there are no direct shots of the artist, the lyrics and visuals have a relationship that draws the viewer in. Motifs like the blue screens and rapid transitions build tension until reaching a climax at the song's peak.
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The document discusses conventions used in album cover design, analyzing covers for albums by J. Cole, Drake, and Bastille. It examines the use of camerawork, mise-en-scene, design elements, and how they relate to conveying the artist's image and themes of the music. Camera angles, facial expressions, costumes, and background settings are described in the covers. Design elements like fonts, colors, and coordinated front/back covers are also discussed in relaying messages to the audience.
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The document discusses the creation of a music video, poster, and album cover for a drum and bass track. For each product, the creator researched conventions of the genre and included important elements like nightclub scenes, colorful lighting, and abstract images. The poster features the artist's image and social media links. The monochrome album cover was inspired by another cover, but includes splashes of color on interior pages. Overall, the combination of the main video and ancillary texts effectively capture the upbeat nature of drum and bass through consistent themes and adherence to genre conventions across all products.
Auteur study 2
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Assignment 28: Summary of ideas in group
The document contains ideas for music videos for three songs: "Born to Run", "Tenerife Sea", and "Sober".
For "Born to Run", the idea is a performance-based narrative of a singer traveling through different areas to eventually join the band.
For "Tenerife Sea", the idea is a mainly narrative video using memories of a couple to cut between and include scattered performance clips.
For "Sober", the idea is 60% narrative and 40% performance, showing a man rushing to make a date after a night of drinking, as he acquires items along the way and is also seen singing in a dimly lit room.
Tiffany Gunter Evaluation
This document discusses the codes and conventions used in the music video, website, and digipack created by the author for an R&B artist. It analyzes several shots and elements from the music video that draw on conventions of the genre, such as masculine poses, spotlights on the artist, and layered shots of the artist. It also discusses design elements of the website and digipack, such as the color scheme and fonts used. Feedback from an audience noted the professional quality of the video and uniqueness of the digipack design. The author learned that the overall package cohered well but the music video design differed slightly more from the album packaging.
Music video analysis
The document provides an analysis of the music videos for "Wild Thoughts" by DJ Khaled featuring Rihanna and Bryson Tiller and "Congratulations" by Post Malone. It summarizes the conventions, camerawork, editing, sound, genre, narrative, performance, representation, institutions, and values/ideology presented in each video. The analysis finds that both videos are performance-based, with limited narrative, and portray the artists celebrating wealth, success, and sexuality through their music and imagery.
Album covers hip hop
The document analyzes several hip-hop album covers and music videos. It finds that they often feature the artist prominently and link back to the album cover. This helps audiences recognize the artist and suggests the album is based on them. Videos may also reference elements from the album title or lyrics to provide context about the song. Overall, R&B music tends to focus on the artist personally and draw connections between their visual content and albums.
Music Video benefits
Eminem uses music videos to promote his music and increase his income through various strategies. His record label encourages promotional appearances on talk shows to advertise new albums and songs. Music videos expand Eminem's outlets by distributing his music on various platforms like YouTube, television, and digital stores. This extension of outlets increases his revenue. Eminem and his producers also use synergy across media like films and video games to promote his brand and attract new fans, furthering his income and popularity.
Analysis of Music Video
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A2 Media - Package analysis - My Chemical Romance
The document analyzes components of the My Chemical Romance album "Danger Days": the album packaging, music video for the song "Na Na Na", and magazine advertisements. The album cover has a desert theme with no band photos. The music video is set in a post-apocalyptic desert, linking to the album cover. It establishes the location before the music starts. The magazine ads for the album featured lyrics from "Na Na Na" and members from the music video, linking the promotions. The document concludes the band put detailed attention into creating a cohesive package across these mediums reflecting their album theme.
Music Video Analysis Radiohead Just
The music video for Radiohead's "Just" follows conventions of rock videos by presenting a bleak and surreal narrative. It shows a man undressing and taking a bath, intercut with shots of the band playing. The man is later confronted while lying in the road, but when he speaks to explain himself his words are not shown, creating tension. Throughout, the band maintains a position of power, observing the action from above. By the end, everyone lies in the road except the band, reflecting the video's overall confusing and frustrating tone.
Treatment for lonely boy
The document discusses plans for a music video for the song "Lonely Boy" by The Black Keys. It will feature a fun, energetic video contrasting their previous dramatic work. The video will showcase the song's repeated chorus through a massive dance performance, taking inspiration from "Happy" and "Uptown Funk" through expressive dancing and natural movement. Five characters will be featured - the artists, a grandmother, a boy, an aerobics instructor, and a tattooed girl. The verses will be filmed literally based on the song's lyrics for humor, while the chorus will feature the dance performance to promote the artists through matching colors and themes.
Comparison of Conventions
The document provides an analysis comparing the creator's album cover, back cover, advertisement, and music video for an album to conventional examples. It finds that most elements are conventional, including showing the artist's name and album title prominently, including photos related to the music, and using consistent fonts and color schemes. However, some aspects are unconventional, such as the placement of the album name and using white text on a dark background for readability.
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How effective is the combination of your main updated
How effective is the combination of your main updated
Similar to Guts over fear pitch
Final pitch media
- The target audience for the song "Friends Forever" is males aged 17-25 interested in grime and hip-hop genres, and females of the same age range.
- The genre is grime, and the song can be found at a provided YouTube link.
- Locations featured in the video include Brighton beach, a drama hall, and areas in south London like Bermondsey Square.
- The video will use contrasts of day and night lighting and locations to represent the positives and negatives of friendship.
Evaluation 1 - In what ways does your Music Video/Digiak/Magazine Advert use...
1. In what ways does your Music Video/Digiak/Magazine Advert use, develop or challenge forms & conventions of real media products?
Treatment sheet
The document discusses ideas for the music video for the song "Apply Some Pressure" by Maxïmo Park. It proposes filming at three locations - a live performance stage with fans, a narrative sequence showing a stressed character, and the band recording in the studio. It also discusses using costumes and colors to represent the band's unique image, including effects in post-production to match the song, and incorporating behind-the-scenes footage of the band preparing for their show.
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The document provides a treatment for a trap music video featuring the song "Panda" by Desiigner. It will tell the story of 3-5 characters meeting at an abandoned suburban farm location at night. The video will have two sections - the first with a dark, gritty tone shown through casual attire, masks, and natural/car lighting, and the second with a softer, more relaxed tone shown through smarter attire and natural light. Key shots include characters individually arriving and meeting, showing off cars and lavish lifestyles, and characters leaving in reverse at the end.
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The music video will focus on the performance of an artist singing Jessie J's "Domino" in various settings. It will open with the actor in a studio setting before changing locations that correspond with the song lyrics. Close-ups will emphasize facial features during certain parts for conventional phallic imagery. The settings will become darker during the bridge before increasing in pace for the climax. Product placement may also be included to reflect pop music conventions. The video aims to recreate the original "Domino" video through a total performance concept.
Mv production assignment form 2021 (1)
The document provides guidance for a music video assignment, including sections on idea generation, research, pre-production assessment, visual planning, and storyboarding. The student proposes filming two contrasting parts of a song - the "emo rap" parts in their bedroom using LED lights, and the "lo-fi hop" parts outside at sunset. They plan to use lighting, camera angles, and editing to differentiate the moods of the two parts and interpret the lyrics. Storyboarding and shot listing will help visualize and plan the production.
Draft treatment
The music video treatment outlines a narrative concept that opens with the artist waking up after a house party the night before. As she walks through her messy house listening to "Domino" by Jessie J, she has flashbacks to the party where most of the performance footage will take place. Scenes of the intensifying party will contrast with shots of the artist performing in her garden and around the house. Bright colors and lighting will be used to emphasize the difference between the morning after and flashbacks to the lively party. Performance will be a main focus, using close-ups and different shots, along with incorporating typical party props and accessories.
Evaluation 1 - FIANAL
The document discusses a music video, Digipak, and magazine advertisement created by the author to promote Kelly Clarkson's cover of "Respect." The music video tells a story of female empowerment showing a woman gaining control after being ignored by her husband. Both the Digipak and magazine ad feature the same woman from the video in colorful, fashionable clothing to appeal to their target audience of females aged 16-25. The author analyzes their works using various music video theories and conventions such as narrative vs performance, editing techniques, mise-en-scene elements, and how their works compare to other pop music videos.
Treatment
The music video treatment is for a trap music video featuring the song "Panda" by Desiigner. It will have 3-5 characters meeting at an abandoned farm building at night while wearing masks. The video will have two sections to match changes in the song - the first will be dark and gritty with casual clothes, while the second will be softer with smarter attire. Shots will include the characters arriving and interacting at the location, as well as driving and showing off wealth. References are made to other trap-style videos for location, editing, and attire ideas.
Task 1
The document discusses conventions used in media products for an R&B/house music video and album. It summarizes the technical, symbolic, and structural conventions used for the camera work, editing, lighting, styling, layout, and imagery of the music video and digipak/website. Close-ups, synchronized cuts, neon lighting, urban styling, centered artist images and track listings are some of the conventions discussed to represent the genres and promote the artists.
Task 1 Evaluation
The document discusses conventions used in the production of a music video and related media for artists Kimani and Mats. It covers both technical conventions like camera angles, editing techniques, and lighting as well as symbolic conventions including styling, imagery, and layout. The goal was to represent Kimani as a dominant and confident female artist while also promoting Mats, and use conventions common to R&B and house music genres. Dancers were included to enhance Kimani's performance but were shot differently to distinguish them from the lead artists.
Proposal
The document discusses plans for a music video to promote the song "Christ Conscious" by Joey Bada$$. It will feature a performance-based video filmed mainly outdoors at a skate park using a Canon HD camera. Special effects will emphasize lyrics and the artist will perform daily activities. A small crew is needed to film, provide lighting/sound, edit, and assist. The target audience is ages 15-27 and the video will feature 17-year-old Joseph who listens to hip hop and dresses in an urban style appropriate for conscious rap.
Textual Analysis 5 In-Depth
This document provides an in-depth analysis of 4 music videos by Beyoncé in 3 or less sentences per video:
1. "No Angel" shows Beyoncé in a run-down setting with rebellious characters, using imagery to portray the song's theme through cinematography and mise-en-scene.
2. "Flawless" is a performance-based black-and-white video using effects like slow motion across shots in a rustic setting to portray concepts like feminism.
3. "Pretty Hurts" tells a narrative of a beauty pageant through shots of preparation and competition, portraying the mental and physical toll of obsession with beauty.
Proposal
The proposal is for a music video for Ed Sheeran's song "Afire Love" created by Megan Sellar. The video will tell the story of a man losing his grandfather to Alzheimer's through a narrative that uses flashbacks. It will appeal to both male and female audiences aged 16-25 through its emotional depiction of sadness and use of indie/pop music genres. Key elements that will be used include filming entirely in black and white, using flashbacks to contrast past and present, and slow motion effects to match the song's melody and convey looking back in time.
Proposal
The proposal is for a music video for Ed Sheeran's song "Afire Love" created by Megan Sellar. The video will tell the story of a man losing his grandfather to Alzheimer's through flashbacks showing their relationship. It will appeal to both male and female audiences aged 16-25 and feature black and white filming to convey sadness. Inspiration will be drawn from other music videos using flashbacks and narrative storytelling. The video will be filmed using a Canon DSLR camera and edited with slow motion effects to match the song's melody.
Evaluation Task 1
The document discusses conventions used in media products, including technical, symbolic, and structural conventions. It provides examples of how camera angles, editing, lighting, costumes, and layout were used in line with conventions of genres like R&B and house music. Close-ups, synchronized cuts, fluorescent lighting, urban clothing, and central artist positioning were some techniques discussed. The goal was to represent the artists and genre tropes while also adding some unique and challenging elements.
Nicola media a2 evaluation
The document summarizes a student's media production project creating an R&B music video and accompanying materials. The project draws on conventions from real R&B music videos such as Usher's "My Boo" video. Scenes, camera angles, and lip syncing were incorporated from the original video. The student created an album cover, advertisement, and filmed the music video outside to develop the story in a non-stereotypical way. Audience feedback was gathered through YouTube comments, questionnaires, and discussions to evaluate the project.
Research and Planning
The document provides guidance for a music video assignment, including templates for idea generation, research, and pre-production assessment. It suggests students select a song and develop 3 ideas for interpreting it in different styles or techniques seen in previous lessons. The pre-production section prompts students to assess the viability of their idea by investigating typical costs and the equipment or resources needed.
Proposal
The document is a proposal for a music video to be produced for the indie pop song "Hyde" by Astrid S. The producer intends for the video to have a conceptual or narrative style rather than being purely a performance. They plan to include scenic shots during instrumental parts and close-ups and long shots of the artist during vocals. Different locations will be used to provide variety and flow between shots. Both day and night scenes with contrasting lighting and colors are envisioned to match the style of similar music videos cited as inspiration. The target audience is fans of indie music and songs with slow vocals over fast beats.
Media Eevaluation Task 1
The document summarizes the media product of a music video and album created by Xenia Petley. It discusses the various elements used that follow conventions of real media products in the singer/songwriter genre, including:
- The album cover uses simple fonts and backgrounds focused on the artist's face, similar to artists like James Blunt.
- Shots in the music video include extreme close-ups, mid shots and wide shots to connect with the audience, like videos by Seal.
- Editing techniques like lip syncing, scene transitions and cutting to the beat are used to engage viewers, as done by Lemar.
- Artificial lighting gives the artist a glow, and a piano is included
Similar to Guts over fear pitch (20)
Evaluation 1 - In what ways does your Music Video/Digiak/Magazine Advert use...
Evaluation 1 - In what ways does your Music Video/Digiak/Magazine Advert use...
More from racheltsangasong
Digipak construction
The document summarizes the design process for a music album digipak. Key details include:
- The front cover features a silhouette image of the artist Patryk looking over the edge in thought. His full name was used instead of initials to fill space.
- The back cover continues the dark color scheme and features the album name in white. The tracklist uses different colors for numbers and letters to be easily readable.
- An image was added to the CD panel by selecting the CD shape and deleting the image around it.
- Inside panels feature edited black and white photos with minimal text to avoid being unreadable.
Website rough cut production analysis (1)
1) The homepage uses red colors and navigation elements inspired by Kendrick Lamar's website to create a cohesive brand image linking the website to the artist's music videos and album packaging.
2) Sections are included for an artist image, album title and buy button, though no images are available yet.
3) The tour page also takes inspiration from Kendrick Lamar with red used for tour date boxes instead of black, again tying into the overall color scheme. Additional dates and social media widgets are included.
4) The shop uses a gallery format inspired by Eminem's store to showcase products on a black background. Space is reserved for album details when materials become available.
Evaluation question 2
The document discusses the marketing packages of artists like Kendrick Lamar, Drake, and Rihanna. It finds that Kendrick uses consistent imagery and colors like black, white, and red across his album packaging and website. Drake also uses consistent imagery across his album packaging. Rihanna's website uses neutral black and white colors with a simple, "less is more" design.
The response incorporates these findings into its own work. The digipak uses consistent black, white, and red imagery and desaturated colors like Drake's packaging. The website also uses a black, white, and grey color scheme with hints of red, mirroring the digipak. Social media platforms were created for the artist to connect
Copy of location recce dance studio
This document provides details about a potential location for a shoot - a dance studio at Queen Elizabeth Sixth Form College. The dance studio has hue lighting that can change color and professional lighting and equipment can be rented. The only potential issue is availability, as a time slot will need to be booked in advance at the dance studio.
Bridge and field location recce alistair bertram
This document provides location information for a potential film shoot at a bridge and field located at 16 Redwood Cl in Darlington, England. Permission is not needed to use the location, but the suitability will depend on the weather conditions. There may be people at the public location and professional lighting cannot be used since there is no power, so the shoot will rely on natural light.
Location recce feethams (1)
This document provides details for a potential film shoot location at the Feethams multi-story car park in Darlington, United Kingdom. The location offers a spacious area with good lighting and no permission is needed beyond paying for parking. Access and parking availability may be an issue if the car park is too busy. On-site lighting can be used so no additional lighting is needed.
Location recce feethams
This document provides details for a potential film shoot location at the Feethams multi-story car park in Darlington. The location offers a spacious area with good lighting in the dance studio. Permission is not required beyond paying for parking, though the car park may be too busy or full at times. Lighting and sound issues are not expected to be a problem.
Textual analysis 3
This document provides an analysis of the music video for "See You Again" by Wiz Khalifa featuring Charlie Puth. The song was part of the soundtrack for "Fast and Furious 7" and was made to honor Paul Walker, a main character in the franchise who had recently passed away. The video mixes scenes of Wiz Khalifa and Charlie Puth performing with clips from previous Fast and Furious films featuring Walker to tell the narrative of Walker's journey and commemorate his memory. Overall the video effectively combines a narrative and performance elements with references to Walker's career to honor him.
Copy of copy of risk assessment feetham
This document outlines potential hazards and risk management for a film shoot at the Feetham Car Park location. It identifies the risks of performers and crew getting run over by cars, falling over the railing, or slipping on the floor and assigns the camera crew to manage these risks by watching out for cars, staying away from edges, and being careful when walking.
Copy of shooting schedule
The document outlines a shooting schedule for a product, including locations, dates, required equipment, costumes and props, crew needs, and performers. Shoots will take place on October 20th, November 1st and 6th at various outdoor locations and a dance studio, requiring cameras, tripods, and other equipment as well as specific costumes for the performer Daniel Tarokh and Patryk Baran. Crews will include camera operators, a vlogger, director and performers.
Website rough cut production analysis
1) The homepage takes inspiration from Kendrick Lamar's website with a red header to match the colors used in the artist's music video and create a cohesive brand. It includes navigation links and space for an artist image and album title with a buy button.
2) The tour page also takes inspiration from Kendrick Lamar but uses a red box around tour dates instead of black to maintain branding consistency. It adds more dates and a social media widget.
3) The shop uses a gallery to showcase products and a black background inspired by Eminem's online store. It will feature the album with a description.
Rough cut digipak annotations
The document summarizes the design process for a digipak album cover. Key elements include:
- Using a font called "Seagram TFB" and shades of red to relate to fear and anger in the song.
- Choosing an image of the artist facing away and giving it a border with the album name.
- Placing the album name, tracklist, and same colors/theme on the back cover.
- Using an image of an abandoned building as the background to link the digipak and music video.
- Applying the same color scheme and font to the CD panel and adding a red splatter effect.
Textual analysis 2
1) The video is a performance-based music video for the song "Take Care" by Drake featuring Rihanna. It consists mainly of shots of Drake and Rihanna singing with minimal other elements.
2) There is an intertextual reference to Rihanna's past relationship with Chris Brown in Drake's lyrics about dealing with someone who has emotional baggage from a previous relationship.
3) The video exemplifies characteristics of the R&B genre through its low-key lighting, subtle jewelry, and professionally styled hair and makeup to create a relaxed, intimate mood that matches the smooth pace of the music.
Location recce feethams
This document provides location details for a potential film shoot at the Feethams multi-story car park in Darlington. The location offers a spacious dance studio with good lighting and no permission is needed beyond paying for parking. The only potential issue is that the car park may be too busy or fully parked.
Location recce alistair bertram
This document provides details for scouting a dance studio location. The dance studio is located at Queen Elizabeth Sixth Form and has hue lighting that can change color to match the mood of a song. Professional lighting and film equipment can also be rented to use in the studio. The only potential issue is not being able to book an available time slot for the shoot.
Textual analysis
This document provides a textual analysis of the Nicki Minaj music video for "No Frauds." The video is a diss track response to Remy Ma's diss track "Shether." It focuses on Nicki Minaj's performance through her costumes, jewelry, and locations filmed in London. Characteristics of hip hop/rap genres seen are flaunting wealth and linking lyrics to visuals. As a diss track response, there is no narrative and many shots of Nicki Minaj are included.
South park location recce alistair bertram
This document provides location details for a potential film shoot at a field in Darlington. The location is suitable depending on weather conditions but there may be people present as it is a public place. Professional lighting cannot be used as there is no power, so the shoot would rely on natural light.
Copy of location recce alistair bertram
This document provides location details for a potential film shoot at a river bank in Darlington, England. The location has no permission requirements but suitability depends on the weather, and there may be public access issues. Professional lighting cannot be used as there is no power, so the shoot would rely on natural light.
Flatplans for digipak
The digipak for the album "Guts Over Fear" uses the color red throughout to represent emotions like anger, passion and fear related to the song's meaning. An image on the front cover is intended to convey the artist's vulnerability. Inside, a continuous image from the music video ties the album and video together, while the CD and back cover use the same colors for readability and brand consistency across products. Text on the side panels includes song lyrics and a message from the artist, following conventions from other artists' digipaks.
Flatplans for website
The home page of the artist's website will feature an image from the album cover with a button linking to an online shop. It will also include the music video for "Guys Over Fear" and a news section with photos and articles. A red banner with the artist's name in matching font will appear above a menu bar for easy navigation between pages, including social media links and a login option.
The news page will feature latest updates like new music videos and a subscribe button for email updates. It will also display the artist's social media accounts.
The tour page will list all tour dates and links to buy tickets, along with a widget showing the artist and tour's social media pages.
The shop
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Guts over fear pitch
- 1. Pitch By Alistair Bertram, Rachel Tsang, Wiktoria Bochnak
- 2. Chosen Track and Inspiration ● Our chosen genre is Hip Hop / Rap ● Our chosen track is “Guts Over Fear” by Eminem ft. Sia We have chosen the Hip Hop / Rap as it can offer good narrative and the artist Eminem, his music is very emotive and has good lyrics, which we can reinforce with the visuals from our music video. We specifically chose “Guts over Fear” as it’s a slow paced song which increases over time, which allows us to show a range of filming and editing techniques. Also having a feature in the song allows us to have more locations and a variety of visuals to keep the music video interesting for the viewers.
- 3. Synopsis This song is about inspiration, to never give up on your dreams. Eminem is reflecting on his music career, and wondering if he can write new, fresh music again as he thinks he’s running out of emotional experiences to draw from. However during the chorus “guts over fear” is repeated suggesting he should continue no matter what happens. Towards the end of the song Eminem is speaking out to his fans and telling them to follow their dreams like he did.
- 4. Letter To Record Label We emailed the label to get permission to use the song for our music video. In it we explain what we are using it for and how we are going to use it.
- 5. Timeline of Music Video 0-15 seconds. Songs introduction, establishing shots of settings and narrative 16-1:23 Shows male performer in the woods, using closed framing, with a range of close ups. From different angles. The narrative will also be shown and will go back and forth between them. 1:24- 1:50 Chorus. New location and new performer, performing Sia’s lyrics. Variety of close ups in a studio location. 1:51 - 2:19 Have lots of shots over a time period of 2 seconds to match the beat 2:20-2:29 Establishing shot for new location by riverside. Done by some slow motion shots of the male performer at the location paired with some long shots 2:30 - 3:13 Male performer performs in riverside location, switch between other 2 locations whilst performing. 3:14 - 4:01 Introduces another new open location like a field which contrasts from other location, might be visually brighter than other locations, which will act as a salt and pepper moment, to keep the audience interested. 4:02 - 5:00 Chorus starts again. Female performer in a new costume, will be in the studio but the mise en scene will have changed to make it look like a new location. Will have shots of the male performer, showing emotional body language.
- 6. Initial Ideas for Location Location 1 : Forest Location 2 : field Location 3 : Studio Location 4: Riverside location
- 7. Initial Ideas for Props Props for the rap music video In rap videos we often see gold chains, baggy clothes, black people and money however in our music video we would like to include things like: -Sleeve tattoo as most rappers have tattoos. -Powder paint. -Car as you often see cars in rap videos as well. -Masks. - Baseball bat
- 8. Initial Ideas for Costumes Female Performer: 1st outfit - Plain white blouse ripped with a red top underneath. Black leggings and chunky boots. 2nd outfit - Leather jacket and jeans with heels 3rd outfit - All white outfit. Male Performer : 1st outfit - Bomber jacket and black hoodie underneath, jeans and trainers. 2nd outfit - Tracksuit and backpack 3rd outfit - All white outfit
- 10. Makeup Ideas
- 11. Digipak Flat Plan ● Front cover uses high angle image. Will either be in black or white or toned down colours. ● Inside will be one long continuous image of the forest which links to music video. ● Red coloured font used suggests passion, anger and pain. ● Lyrics will also be on one panel. Then info about the album on another panel
- 12. Website Flatplan Page 1 : Home - Simple Design. Image used on front cover of album used on this page. Scrolled down has news segment with music video being shown. Page 2 : Tour dates and links take you to places to buy tickets Page 3 : Store has images of merch which we will use real clothes. The navigation bar is simple and will be present when scrolling down on pages. Social media links are also present next to navigation bar.