The document discusses the narrative structure, style, and theory of an assignment. It has a non-linear structure using flashbacks to inform the audience about a character in a field. The narrative style is unrestrictive to avoid confusion and fully reveal information about the introduced character. Various narrative theories are considered, including partial fulfillment of Todorov's disruption of equilibrium and Propp's victim-villain character, with some codes from Barthes and aspects of Strauss's good vs. evil character and Cameron's non-linear structure.

1. Assignment 25: Narrative
structure, style & theory
Gelsomina De Lucia
Kelly Morales
Chelsea Hopkins
Tayla Humphris

2. Consideration of Narrative Structure
• Our structure is non linear because there are loads of
flashbacks to inform the audience about the figure in
the fields and how they got there and why they are
the way they are.
• Our structure from before has not changed.

3. Consideration of Narrative Style
• Our narrative style is unrestrictive because we did not want to
confuse people with a complicated storyline. The audience
finds out everything about the character they are introduced
too.
• The character seems to be subjective as we wanted to make
the situation feel realistic.
• Yet again, there are no changes from the last.

4. Consideration of Narrative Theory
Theory
Todorov Yes / Partial / No
Propp Yes / Partial / No
Barthes Yes / Partial / No
Strauss Yes / Partial / No
Cameron Yes / Partial / No
Todorov: Mainly disruption of equilibrium.
Propp: Victim yet bad character.
Barthes: Uses some of the codes such as enigma, sematic and symbolic.
Strauss: Good and Evil however same person
Cameron: Non Linear narrative structure.