Assignment 1
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This document discusses and analyzes scenes from the 2011 film Transformers: Dark of the Moon using postmodern terms. It describes scenes showing the city's destruction and humans succumbing to robots, representing dystopia and juxtaposition. Another scene portrays the hero saving the damsel, an example of hybridization between romance and action genres. The unrealism of finding a robot spacecraft on the moon and cars transforming is discussed in terms of artificialness/non-realism.
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A Zombie Manifesto The Nonhuman Condition in the Era of Ad.docx
A Zombie Manifesto:
The Nonhuman Condition in the Era of Advanced Capitalism
Sarah Juliet Lauro and Karen Embry
The zombie has been one of the most prevalent monsters in films
of the second half of the twentieth century, and as many have noted, it has
experienced a further resurgence (or should we say, resurrection) in British
and American film in the last five years.� Zombies are found everywhere,
from video games and comic books� to the science textbook. The zombie
We wish to thank the following persons for their invaluable input and support: Marc Blan-
chard, Colin Milburn, Caleb Smith, Michael Ziser, Joshua Clover, Tiffany Gilmore, Maura
Grady, Courtney Hopf, Shannon Riley, and Jack Martin.
1. Films such as Shaun of the Dead, directed by Edgar Wright (Big Talk Productions,
2004); 28 Days Later, directed by Danny Boyle (British Film Council, 2002); Dawn of the
Dead, 2004 Remake, directed by Zack Snyder (Strike Entertainment, 2004); Land of the
Dead, directed by George A. Romero (Atmosphere Entertainment, 2005); and the Resi-
dent Evil series, directed by Paul W. S. Anderson (Constantin Film Produktion GmbH,
2002) and Alexander Witt (Constantin, 2004). See Peter Dendle’s book The Zombie
Movie Encyclopedia (Jefferson, N.C.: McFarland, 2001); Jay Slater’s Eaten Alive! Italian
Cannibal and Zombie Movies (London: Plexus, 2002); and Stephen Thrower’s Beyond
Terror: The Films of Lucio Fulci (Guildford, UK: FAB Press, 1999).
2. For example, Bogus Dead, Zombie Commandos from Hell, Carnopolis, Containment,
boundary 2 35:1 (2008) DOI 10.1215/01903659-2007-027 © 2008 by Duke University Press
86 boundary 2 / Spring 2008
has become a scientific concept by which we define cognitive processes
and states of being, subverted animation, and dormant consciousness. In
neuroscience, there are “zombie agents”;� in computer science there are
“zombie functions.”� We even find “zombie dogs,” “zombie corporations,”
and “zombie raves” in the news.� The ubiquity of the metaphor suggests
the zombie’s continued cultural currency, and we will investigate why this
specter has captured the American imagination for over a century. We want
to take a deeper look at the zombie in order to suggest its usefulness as an
ontic/hauntic� object that speaks to some of the most puzzling elements of
our sociohistorical moment, wherein many are trying to ascertain what lies
in store for humanity after global capitalism—if anything.
Our fundamental assertion is that there is an irreconcilable tension
and Biohazard. See All Things Zombie, http://www.allthingszombie.com/comics_reviews
.php.
3. “Longtime collaborators Christof Koch and Francis Crick (of DNA helix fame) think
that ‘zombie agents’—that is, routine behaviors that we perform constantly without even
thinking—are so much a central facet of human consciousness that they deserve serious
scientific attention” (“Zombie Behaviors Are Part of Everyday Life, According to Neurobi-
ologists,” Febr.
How Is Gattaca A Utopia
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How Is Gattaca A Utopia
One man s utopia is another man s dystopia. This is a famous quote we must often bear in mind when writing about such topics and it is often fairly accurate. A utopian society, in this essay, will be defined as a non existent society that is described in considerable detail... (Fitting, 1993, 1) and an ideal and visionary society that enjoys perfection in various fields such as politics, law and more as seen in Thomas More s famous novel, Utopia. A positive utopian society is often impossible due to a variety of reasons, primarily human nature and the inevitable inequality found in these idealized societies. A prime example of how a utopian society is often impossible can be found in Andrew Niccol s film, Gattaca (1997). The film Gattaca explores a new version of an idealized society, a utopia that revolves heavily around genetic engineering. In Gattaca, an individual s future is delineated by his or...show more content...Gone are the days where modern day factors like merit and aptitude dominate. With the rise of genetic engineering as a social norm, congenital difference now becomes the main discerning factor differentiating the human population as the obsession with perfection grows stronger. This promotes both genetic stratification and genetic discrimination. Narrated by Vincent Freeman, the story of Gattaca is told through his eyes. Viewers are able to catch a glimpse of Vincent s life and his struggles in attempting to escape the genetic hierarchical system he was born in. Vincent does so in order to fulfill his dream of becoming an astronaut, a dream that was never meant to be realized for someone like Vincent. The film utilises many techniques such
Matrix
The 1999 film The Matrix uses visual effects and symbolic themes to tell the story of Neo's discovery that reality is an elaborate simulation created by intelligent machines to subdue the human population. Morpheus offers to show Neo the truth, and a battle ensues as Neo and Trinity try to save Morpheus from Agent Smith. The film employs techniques like bullet time and green screens along with ideas from philosophy, religion, and politics to explore concepts of reality, human nature, and the relationship between technology and society.
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This document discusses conventions used in supernatural thriller trailers. It covers various camera techniques like zooming, panning, and tilting to build suspense. It also discusses common character archetypes, themes involving haunted homes, uses of music and sound, narrative structures, editing techniques, lighting, locations, and other elements employed in trailers for the genre. Overall, the document provides an in-depth look at cinematic techniques that help set the tone and build tension for supernatural thriller trailers.
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The document discusses film poster conventions for different genres. Horror posters commonly use red and black colors and feature abnormal or tortured characters. They tend to have busy, destructive backgrounds. Action and sci-fi posters usually show two characters and feature people in peril. Romantic drama fonts tend to be softer while horror/thriller fonts are bolder. Psychological thrillers and action sci-fi films often portray death, capture, or the world being threatened. Posters mainly prioritize the main character, title, and release date to attract audiences. Examples like Saw and Green Lantern reinforce conventions through imagery, while Catfish challenges conventions using horror color schemes for a documentary.
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- 1. Assignment 1: Something Postmodernism Tayla Humphris
- 2. Film: Transformers- Dark of the Moon (2011)
- 3. Key terms applied • Artificialness/Non realism • Dystopian • Hybridisation • Juxtaposition https://www.youtube.com/watch?v=kHRf01Gjosk
- 4. Dystopia + Juxtaposition These screen grabs from the film show the world at the disequilibrium and the destruction of the city and potentially humanity. It also highlights that the Robots pose a threat to humanity through the use of explosions and smoke. This screen grab can also be suggested as a juxtaposition between humans and the robots. One obvious aspects that is opposed is the control the robots have over man and the position humans are left in by succumbing to the Robots needs. Also, as Robots are seen to help the needs of humanity it is juxtaposed the other way around and this is not their purpose on earth.
- 5. Hybridisation Romance As the hero he saves the day and the damsel in distress to fight for her love
- 6. Artificialness/ Non Realism The Artificialness/ Non Realism of these screen grabs are that a broken down robot spacecraft is never to be found on the moon and discovered by humans. The association of automobiles turning into speaking robots does not seem real until possibly later on into the future.
- 7. Transformers: Age of Extinction • A fourth Transformer is set to be released later into 2014 Being the fourth making of the Transformers it may have lose a sense of originality and no new Ideas.