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Assessing Your Syllabus:
Is it Learning Focused?
Brigitta Lee
Dept. of East Asian Studies
March 26, 2015
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Workshop Objectives
 Introduce a syllabus rubric and explain the basic course
design constructs used in its development
 Examine criteria typical of learning-centered syllabi
 Determine what evidence of proficiency might look like
and where it can be found
 Compare sample syllabi
 Use the rubric to assess the learning focus of your own
syllabus
+
Measuring the Promise: A Valid and
Reliable Syllabus Rubric
 Michael Palmer, Dorothe Bach, & Adriana Streifer,
University of Virginia, Teaching Resource Center
 http://trc.virginia.edu/resources/syllabus-rubric/
 Determine learning focus of a syllabus
 Qualitative descriptions of components of learning-focused
syllabi
 Weighted quantitative scoring system that places syllabi on
spectrum (learning focused  content-focused)
 Flexible and nuanced
 range of levels, disciplines, learning environments
 formative feedback for instructors
+
Syllabus Rubric
Instrument Overview and Important Prior Knowledge
+
Instrument Overview
 Criteria
 Learning Goals and Objectives
 Assessment Activities
 Schedule
 Overall Learning Environment
 Criteria do not map onto specific sections—look for evidence
across the syllabus
+
Taxonomy of Significant Learning
(Fink 30)
+
Definitions of Course Goals and
Learning Objectives
 Learning (or course) GOALS
 High-level and long-term
 Communicate what you want students to remember or do three
or more years after taking the course
 Holistic; often use aspirational/inspirational language
 Learning (or course) OBJECTIVES
 Concrete and measurable
 Communicate what course intends for students to achieve or
master
 Translate high-level goals into outcomes that can be measured
through course assessments
+
Alignment
 Conceptual tool in course design process
 Course assessments and learning activities are directly
derived from course goals and objectives
 Backward Course Design
 Articulate objectives
 Design learning activities that support development of skills,
values, knowledge, and attitudes embodied in course
objectives
+
Syllabus Rubric
Criteria and Components
+
Learning Goals and Objectives
Where to look and what to look for:
 Explicitly stated goals:
 Course Description, especially affective goals
 Implicit goals:
 Assessments
 Schedule
 Tips for Student Success
 Other sections
Explicitly or implicitly stated learning goals encompass the full
range of Fink’s dimensions of significant learning
+
Learning Goals and Objectives
Where to look and what to look for:
 Prominent and easily identifiable location (i.e. labeled section)
 Objectives are stated in clear, measurable language (i.e. active
verbs with objects). Non-quantifiable terms, such as
“understand” and “know” are avoided.
 Syllabus considers full range of Fink’s taxonomic dimensions,
including affective ones
 5-8 course level objectives
Course-level learning objectives are clearly articulated
and use specific action verbs
+
Learning Goals and Objectives
 Compare and contrast pre- and post-CDI versions of the
syllabus FYS 100: Twice-Told Tales: Fairy Tales in Literary and
Popular Culture
 Where are the course goals? How are they articulated?
 Where are the learning objectives? Do they use measurable
language? Do they map onto a range of learning domains
(cognitive, affective, metacognitive)?
Exercise
+
Assessment Activities
Where to look and what to look for:
 Connections between objectives and major assessments
should exist (i.e. each major assessment activity should map
onto one or more learning objectives)
It is clear that the objectives and assessments are
aligned. Major assessments map onto range of
learning objectives and degree of mapping correlates
with the weighting of the assignment.
+
Assessment Activities
Where to look and what to look for:
 Prominent and easily identifiable location (i.e. labeled section)
 Grading percentages may or may not be included with
assessment descriptions, but there should be a distinct section
on grading
 Major assignments are briefly described
 It is clear that rubrics or evaluative criteria will be made
available, if not included in the syllabus.
The basic features of the major summative
assessments (e.g. exams, papers) are clearly defined.
+
Assessment Activities
 Compare and contrast pre- and post-CDI versions of the
syllabus FYS 100: Twice-Told Tales: Fairy Tales in Literary and
Popular Culture
 Do course assignments/exams/projects align with learning
objectives? Where do assignments either not meet or exceed
objectives?
 Are grading schemes presented in a distinct section?
 Are major summative assignments described clearly? Where
can students go for information on evaluative criteria?
Exercise
+ Overall Learning Environment
Where to look and what to look for:
 Positive, respectful, inviting tone is conveyed throughout
document
 Personal pronouns (e.g. you, we, us) used rather than “the
students” “the course”
 Focus is on learning and possibilities not on policies and
punishments
 Contains a “promise” that will be fulfilled by mutual effort by
instructor and students
The tone of the document is positive, respectful and
inviting and addresses student as competent,
engaged learner
+ Overall Learning Environment
Where to look and what to look for:
 Makes clear that there are opportunities to “wonder” and
“discover”
 Course components frame content through compelling
questions or big ideas
 Student is in control of his/her learning (e.g. use of mastery
rather than performance based grading mechanisms)
 Instructor provides resources/instruction related to becoming a
life-long learner
 Course policies framed in positive ways and connected to clear
pedagogical purposes.
The syllabus signposts a learning environment that
fosters positive motivation, describes the potential
value of the course, and communicates that content is
a vehicle for learning
+
Overall Learning Environment
 Compare and contrast pre- and post-CDI versions of the
syllabus FYS 100: Twice-Told Tales: Fairy Tales in Literary and
Popular Culture
 Will students need to engage with this document frequently?
 Is the tone positive and inviting, or punitive and demotivating?
Does it communicate high expectations for students?
 Are course policies de-emphasized in favor of language of
possibility and achievement?
Exercise
+
Schedule
Where to look and what to look for:
 Listing of topics/readings/questions in chronological order along
with assignment due dates.
 Includes content topics but it not limited to them. Provides
enough information to guide students through the course.
 Clearly indicates when additional information will be provided at
a later date
Syllabus offers fully articulated and logically
sequenced course schedule
+
Schedule
 Compare and contrast pre- and post-CDI versions of the
syllabus FYS 100: Twice-Told Tales: Fairy Tales in Literary and
Popular Culture
 Does the format aid in reading the schedule?
 Are broader course topics or themes indicated?
 Are assignment due dates indicated?
Exercise
+
Summing up
 Thoughts? Questions? Take-aways?
 Assessing your own syllabus
+
References
 Fink, L. Dee. Creating Significant Learning Experiences an
Integrated Approach to Designing College Courses. 1st ed.
Jossey-Bass Higher and Adult Education Series. San
Francisco, Calif: Jossey-Bass, 2003.
 Palmer, Michael S., Dorothe J. Bach, and Adriana C. Streifer.
“Measuring the Promise: A Learning-Focused Syllabus Rubric.”
To Improve the Academy 33, no. 1 (September 2014): 14–36.
 “Syllabus Rubric.” University of Virginia, Teaching Resource
Center.http://trc.virginia.edu/resources/syllabus-rubric/

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Assessing Your Syllabus

  • 1. + Assessing Your Syllabus: Is it Learning Focused? Brigitta Lee Dept. of East Asian Studies March 26, 2015
  • 2. + Workshop Objectives  Introduce a syllabus rubric and explain the basic course design constructs used in its development  Examine criteria typical of learning-centered syllabi  Determine what evidence of proficiency might look like and where it can be found  Compare sample syllabi  Use the rubric to assess the learning focus of your own syllabus
  • 3. + Measuring the Promise: A Valid and Reliable Syllabus Rubric  Michael Palmer, Dorothe Bach, & Adriana Streifer, University of Virginia, Teaching Resource Center  http://trc.virginia.edu/resources/syllabus-rubric/  Determine learning focus of a syllabus  Qualitative descriptions of components of learning-focused syllabi  Weighted quantitative scoring system that places syllabi on spectrum (learning focused  content-focused)  Flexible and nuanced  range of levels, disciplines, learning environments  formative feedback for instructors
  • 4. + Syllabus Rubric Instrument Overview and Important Prior Knowledge
  • 5. + Instrument Overview  Criteria  Learning Goals and Objectives  Assessment Activities  Schedule  Overall Learning Environment  Criteria do not map onto specific sections—look for evidence across the syllabus
  • 6. + Taxonomy of Significant Learning (Fink 30)
  • 7. + Definitions of Course Goals and Learning Objectives  Learning (or course) GOALS  High-level and long-term  Communicate what you want students to remember or do three or more years after taking the course  Holistic; often use aspirational/inspirational language  Learning (or course) OBJECTIVES  Concrete and measurable  Communicate what course intends for students to achieve or master  Translate high-level goals into outcomes that can be measured through course assessments
  • 8. + Alignment  Conceptual tool in course design process  Course assessments and learning activities are directly derived from course goals and objectives  Backward Course Design  Articulate objectives  Design learning activities that support development of skills, values, knowledge, and attitudes embodied in course objectives
  • 10. + Learning Goals and Objectives Where to look and what to look for:  Explicitly stated goals:  Course Description, especially affective goals  Implicit goals:  Assessments  Schedule  Tips for Student Success  Other sections Explicitly or implicitly stated learning goals encompass the full range of Fink’s dimensions of significant learning
  • 11. + Learning Goals and Objectives Where to look and what to look for:  Prominent and easily identifiable location (i.e. labeled section)  Objectives are stated in clear, measurable language (i.e. active verbs with objects). Non-quantifiable terms, such as “understand” and “know” are avoided.  Syllabus considers full range of Fink’s taxonomic dimensions, including affective ones  5-8 course level objectives Course-level learning objectives are clearly articulated and use specific action verbs
  • 12. + Learning Goals and Objectives  Compare and contrast pre- and post-CDI versions of the syllabus FYS 100: Twice-Told Tales: Fairy Tales in Literary and Popular Culture  Where are the course goals? How are they articulated?  Where are the learning objectives? Do they use measurable language? Do they map onto a range of learning domains (cognitive, affective, metacognitive)? Exercise
  • 13. + Assessment Activities Where to look and what to look for:  Connections between objectives and major assessments should exist (i.e. each major assessment activity should map onto one or more learning objectives) It is clear that the objectives and assessments are aligned. Major assessments map onto range of learning objectives and degree of mapping correlates with the weighting of the assignment.
  • 14. + Assessment Activities Where to look and what to look for:  Prominent and easily identifiable location (i.e. labeled section)  Grading percentages may or may not be included with assessment descriptions, but there should be a distinct section on grading  Major assignments are briefly described  It is clear that rubrics or evaluative criteria will be made available, if not included in the syllabus. The basic features of the major summative assessments (e.g. exams, papers) are clearly defined.
  • 15. + Assessment Activities  Compare and contrast pre- and post-CDI versions of the syllabus FYS 100: Twice-Told Tales: Fairy Tales in Literary and Popular Culture  Do course assignments/exams/projects align with learning objectives? Where do assignments either not meet or exceed objectives?  Are grading schemes presented in a distinct section?  Are major summative assignments described clearly? Where can students go for information on evaluative criteria? Exercise
  • 16. + Overall Learning Environment Where to look and what to look for:  Positive, respectful, inviting tone is conveyed throughout document  Personal pronouns (e.g. you, we, us) used rather than “the students” “the course”  Focus is on learning and possibilities not on policies and punishments  Contains a “promise” that will be fulfilled by mutual effort by instructor and students The tone of the document is positive, respectful and inviting and addresses student as competent, engaged learner
  • 17. + Overall Learning Environment Where to look and what to look for:  Makes clear that there are opportunities to “wonder” and “discover”  Course components frame content through compelling questions or big ideas  Student is in control of his/her learning (e.g. use of mastery rather than performance based grading mechanisms)  Instructor provides resources/instruction related to becoming a life-long learner  Course policies framed in positive ways and connected to clear pedagogical purposes. The syllabus signposts a learning environment that fosters positive motivation, describes the potential value of the course, and communicates that content is a vehicle for learning
  • 18. + Overall Learning Environment  Compare and contrast pre- and post-CDI versions of the syllabus FYS 100: Twice-Told Tales: Fairy Tales in Literary and Popular Culture  Will students need to engage with this document frequently?  Is the tone positive and inviting, or punitive and demotivating? Does it communicate high expectations for students?  Are course policies de-emphasized in favor of language of possibility and achievement? Exercise
  • 19. + Schedule Where to look and what to look for:  Listing of topics/readings/questions in chronological order along with assignment due dates.  Includes content topics but it not limited to them. Provides enough information to guide students through the course.  Clearly indicates when additional information will be provided at a later date Syllabus offers fully articulated and logically sequenced course schedule
  • 20. + Schedule  Compare and contrast pre- and post-CDI versions of the syllabus FYS 100: Twice-Told Tales: Fairy Tales in Literary and Popular Culture  Does the format aid in reading the schedule?  Are broader course topics or themes indicated?  Are assignment due dates indicated? Exercise
  • 21. + Summing up  Thoughts? Questions? Take-aways?  Assessing your own syllabus
  • 22. + References  Fink, L. Dee. Creating Significant Learning Experiences an Integrated Approach to Designing College Courses. 1st ed. Jossey-Bass Higher and Adult Education Series. San Francisco, Calif: Jossey-Bass, 2003.  Palmer, Michael S., Dorothe J. Bach, and Adriana C. Streifer. “Measuring the Promise: A Learning-Focused Syllabus Rubric.” To Improve the Academy 33, no. 1 (September 2014): 14–36.  “Syllabus Rubric.” University of Virginia, Teaching Resource Center.http://trc.virginia.edu/resources/syllabus-rubric/