As we may feel - PhD presentation
•
5 likes•973 views
The document provides an overview of a PhD thesis that argues mobile devices have brought about a shift from a culture of efficiency to a culture of affect in how humans experience and relate to technology. The thesis uses case studies and examples to illustrate how affect now plays a central role in the relationship between people and technology. It explores how mobile devices mediate people's experiences of the world in a new media context by embodying experiences and facilitating the sharing of images.
![Overview of the Thesis ,[object Object],[object Object],[object Object],[object Object]](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
Recommended
Recommended
More Related Content
What's hot
What's hot (20)
Similar to As we may feel - PhD presentation
Similar to As we may feel - PhD presentation (20)
More from Martin Christensen
More from Martin Christensen (20)
Recently uploaded
Recently uploaded (16)
As we may feel - PhD presentation
- 1. As We May Feel Interpreting The Culture of Emerging Personal Affective Mobile Media PHD DEFENSE MARTIN SØNDERLEV CHRISTENSEN ITU 29.SEP 2006
- 7. CULTURAL / HISTORICAL MOBILE MEDIA / MOBILE IMAGE PHENOMENOLOGICAL DESIGN DISCUSSION 1 2 3 4 MATERIAL CULTURE OF AFFECT PERSONAL AFFECTIVE MOBILE MEDIA PAMM - TYPOLOGY HUMAN TECHNOLOGY RELATIONS
- 8. METHOD / CRITIC Self-reflective EXCLUSIVE Interpretation ephemeral ORIGINAL Example driven promotional
- 9. MOTIVATION?
- 17. EXCITABILITY?? FUNOLOGY Blythe & Overbeeke 2005 NORMAN 2004
- 18. THE SHIFT affect as an aesthetics of cultural actions with technology affect as an aesthetics of interaction with technology
- 23. AFFECT DEFINTIONS AFFECT IN COGNITION AFFECT AS CULTURE “ AFFECT” AS EXPERIENCE AFFECT IN MEDIA MASSUMI DELEUZE GROSSBERG MERLEAU-PONTY FORGAS DAMASIO NORMAN PICARD DON IDHE GROSSBERG BURNETT
- 24. EXAMPELS THE CULTURE OF AFFECT
- 25. THE CULTURE OF EFFECIENCY IBM 1979
- 26. CULTURE OF AFFECT 1984
- 27. CULTURE OF AFFECT 2004
- 30. MIND+BODY TECHNOLOGY SOCIAL CULTURAL MOVEMENT
- 32. ilounge.com
- 33. MATERIAL CULTURE ? ilounge.com
- 34. WHO MAKES WHO MOBILE? CYBORG? EVERDAY LIFE
- 35. TECHNOLOGICAL FORMS OF LIFE flickr.com “ Whats in your bag” group
- 36. CAPSULATION The Hood Jacket - Instructions 1. In this jacket there is a mobile phone 2. In order to answer the phone, close the hood completely 3. The phone call continues, as long as you don't try to open the hood. [Courtesy: Mass Distraction – www.mass-disstraction.org] MASS DISTRACTION
- 37. THE MOBILE DEVICE PERSONAL AFFECTIVE MOBILE MEDIA
- 41. MOBILE IMAGE
- 42. MOBILE IMAGE
- 44. MOBILE IMAGE
- 47. The pictures will not go away . That is the nature of the digital world in which we live in .” SUSAN SONTAG 2005
- 48. IMAGES MOVE SUSAN SONTAG 2005
- 50. LOCATIVE/CORPOREAL CYBERPLACE CYBERSPACE INTERNET MOBILE image
- 51. ?
- 54. Oneself I am a self. This is the first step in learning how to express ourselves with digital technology , and the first step in choosing to express ourselves rather than simply allowing ourselves to be described by others Walker, Jill, Mirrors and Shadows: The Digital Aestheticisation of Oneself. In proceedings of Digital Arts and Culture, Pages 184-190.
- 55. NETWORKS 1961 PAUL BARAN
- 56. A NEW MASS 2004 CHRIS ANDERSON
- 58. THEORY PHENOMENOLOGY OF TECHNOLOGY
- 60. TOOLS VS MEDIA
- 65. DESIGN RESEARCH TYPOLOGY PERSONAL AFFECTIVE MOBILE MEDIA
- 66. ATTACHMENT AUGMENTATION AWARNESS ARTICULATION ACTION PAMM 5 VECTORS
Editor's Notes
- Defense manuscript Dear audience, Dear committee, Dear Friends, Dear Colleagues, thank you for allowing me to stand here today, I’m honored to present my work under these circumstances, and in this fora. The next hour I would like to take you on a journey that I have been on the last 3 years of doing my phD at this institution. I am there defend the written part of it. But is it all in here. NO. Therefore it is important to underline that it is also due to a process, that I have been through and this is why I would like to start by introducing, what went before this manifestation. however the product ends, but the process continues. In that context it is not always clear why and how things are shaped, formed and explained the way they are, even for the author. And perhaps that is ultimately a good thing. The process continues as I’m standing here before you to learn about my own product, to discuss and re-examine how it went about. already the committees preliminary report have highlighted for me, that most often and most importantly we learn from the process not the product. But first a little overview of what this thesis intends