This document provides an introduction to key concepts and terminology in art, including different art mediums and materials, as well as the formal elements of art such as line, shape, space, texture, value, color, scale, and time. It explains that the formal elements are the building blocks used to create an artwork's form, while the content refers to any ideas, meanings, or aesthetic value conveyed. An artwork's meaning can come from its formal qualities, subject matter, symbolism, or cultural context.
The impact of scalling up row planting on farmer's teff yieldessp2
International Food Policy Research Institute/ Ethiopia Strategy Support Program (IFPRI/ ESSP)and Ethiopian Development Research Institute (EDRI) Coordinated a conference with Agriculutral Transformation Agency (ATA) and Ministry of Agriculutrue (MoA) on Teff Value Chain at Hilton Hotel Addis Ababa on October 10, 2013.
Manifestação sobre os avanços do Brasil na área de propriedade intelectual, apresentada no processo de revisão de 2011 conduzido pelo Representante Comercial dos Estados Unidos (Special 301)
Elaborada pela área de Defesa Comercial do DEREX da FIESP, em conjunto com diversos parceiros.
1VISUAL ARTS PaintingExhibition of Paintings by N.docxvickeryr87
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VISUAL ARTS: Painting
Exhibition of Paintings by Nancy Jay (see Bishop, Ch 1.)
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VISUAL ARTS: Painting
1. Picture as Magic
2. Some Concepts
3. How to Talk in Pictures
4. World of Painting
5. Abstraction
6. Formal Elements, Composition
7. How to Look
8. Styles: Types and Traditions3
What is a Picture?
• An Image
• With two dimensions:
– Height + width, but no (or little) depth
• An Icon*
• It’s about depiction and truth, as an
artist or other people may see it.
Byzantine
Icon:
A Sacred Picture
* Icon: Sacred picture; or a
small image or symbol that
represents something A modern icon 4
What are
SYMBOLS?
Signs point to things that
exist
but cannot be seen.
Symbols point to
ideas.
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What is a Style?
Why do we have STYLEs?
Why do Styles Change?
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stylus
Some CONTEXTUAL factors
STYLE: distinctive artistic way a subject is handled:
– Individual. Like van Gogh, Monet, or Picasso (who was known for
more styles than most well-known artists)
– Group. Impressionists, Romantics, Abstract Expressionists
– Period of time: Classical, Medieval, Renaissance, Baroque, Modern,
Mogul Dynasty, New Kingdom (Egypt) . . .
AUDIENCE to whom the work is addressed, such as: nobility,
middle class, cultural group, self-reflection, etc.
PATRON (client) who commissions (or just buys) art works:
Religious, state, commercial institution . . . individual
Artworks can function, or express responses to cultural
values, beliefs, philosophies, or historical events. 7
Paintings
An alternate way
of seeing . . .
Peche Merle, France
25,000 – 16,000 year old paintings.
Visualization, invocation, expression.
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Prehistoric Cave Paintings,
Painting:
Media, Materials, and Techniques
MEDIUM: vehicle for
Pigments suspended in:
• Oil paint
• Acrylic
• Egg Tempera
• Watercolor
• Pastel
• Fresco
• Mixed media
– ex.: collage
MATERIALS
• Wall
• Scroll
• Canvas
• Panel
• Paper
• Mural
Techniques-how you
handle media + materials.
9* Pigment: dry, ground up, insoluble substance when suspended
in a liquid vehicle (medium) becomes paint.
SURFACES:
cave walls:
Lascaux Cave,
France.
15,000 BCE.
pigments on stone
Scroll
Painting.
Pigments
on paper.
India
Portrait
Painting.
Pablo Picasso.
oil on canvas
1901.
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Fresco : a type of wall painting
or �mural.� 2 kinds:
“Dry” fresco (Egypt)
�True� fresco: pigments
chemically bind with plaster
Giotto, The Lamentation, e. 1300s, CE
Pigments painted
on dry plaster.
Artist: anonymous
(unknown)
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Fresco: origins and use
http://rickbaitz.com/portfolio/film-television/23-fresco-opening/
Painting Tool Kit:
Imagery
3 Types of Pictorial Imagery:
– Representational (also called Figurative)
– Abstract, Abstraction
– Non-Objective (also Non-Figurative)
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- Representational
- Abstract
- Non-objective
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Why make pictures?
Popular answer: to depict the world. A picture
mimics seeing. Mimesis, Aristotle called it.
But there’s more, such as to:
Honor / Revere
Reme.
7. Any art-work can be looked at, and
talked about,
in terms of both
FORM and
CONTENT.
8. Painting by
Dana Schutz
FORM refers to the purely
abstract visual qualities in the
work, such as particular COLORS,
types of SHAPES and
TEXTURES, or
the quality of SPACE.
CONTENT refers to what is
represented and to MEANINGS
that might be communicated.
9. The abstract visual components of a work of art
are known as
Formal Elements of ArtFormal Elements of Art
oror
“The Elements of Form”.
The arrangement of formal elements
as a unified work is known as a
COMPOSITION.
11. Christo (“Running Fence”)
Picasso light drawing
Franz Kline painting
Chloe Piene pencil drawing
Louise Bourgeois sculpture
LI NE
A line can be
thought of
as a moving
point.
13. Matisse paper cut-out
Jackie Winsor sculpture
Monet painting
Tom Friedman sculpture
SHAPE
Shapes can be thought of as
enclosed line.
14. Wouter Dam
“Negative Shapes” or “Negative Spaces” are the shapes that
exist between the shapes of represented forms in a
composition. In a painting, negative shapes may be made up in
part by edges of the canvas.
Paul Gaugin
15. Salvadore Dali painting
Magdalena Jetelova installation
Jiang Yangze ceramic sculpture
R. Devore ceramic vessel
SPACE:SPACE:
Volume,Volume,
Mass,Mass,
DimensionalityDimensionality
16. TEXTURE
Lia Cook tapestry
Meret Oppenheim sculpture
Vincent Van Gogh painting
Adrian Arleo clay sculpture
Texture, the tactile
quality (relating to the
sense of touch) of
surfaces, may be
actual or
purely visual.
18. Henri Matisse painting
Hhans Hoffmanans Hoffman painting
CCOOLLOORR
Bruce Nauman neon sculpture
Marco
Evaristti
dye on ice
Henri Matisse oil painting
Ron Nagle
ceramic
sculpture
19. Willie Cole
Jonathan Borofsky
Japanese Netsuke
Rene Magritte painting
Ron
Mueck
sculpture
Willie Cole sculpture
relating to
size,
perceived size,
relative size/
proportion.
(miniature)
(@ 3 ft.)
SCALE:
20. Anthony Gormley (toast)
Marilyn Levine (ceramic)
Marc Quinn (frozen blood)
Wolfgang Laib
(hazelnut pollen)
MATERIAL
Cai Guo-
Qiang
(gunpowder
on paper)
21. Tony Oursler video projection on forms
Janine Antoni performance
Liza Lou bead environment
Alexander Calder mobile
TIME…
Kinetic, moving
forms; work
involving time in its
creation (such as
performance);
ephemeral works.
23. THE FORMAL ELEMENTSTHE FORMAL ELEMENTS
(abstract and objective)(abstract and objective)
ARE BUILDING BLOCKS OFARE BUILDING BLOCKS OF
(subjective)(subjective)
CONTENT
Form and Content
24. Andy Warhol “Electric Chair” series, silk screen prints
may be thought of as the
ideas, meanings or aesthetic
value associated with an
artwork.
CONTENTCONTENT
25. Meaning in an artwork is suggested by
--- abstract visual qualities (such as color, shape or value)
--- subject matter: what is represented
--- symbolism and reference/ allusion
--- text within or about the artwork
26. Abstraction (non-objective or non-realistic imagery) can allow pure form (line,
shape, texture, color, etc.) to communicate directly, and in ways that allow for
open-ended interpretation/ appreciation.
Richard Diebenkorn
Martin Puryear
30. Marcel Duchamp “Fountain” 1917
(found urinal)
Sherrie Levine “Fountain (after Marcel Duchamp: A.P.)”
1991 (polished bronze)
“Post-modern” art sometimes self-consciously reflects on the history of
art, as in this re-make of Duchamp’s famous “Ready-made.”
31. Ai Wei Wei “Sunflower Seeds” installation http://vimeo.com/52688185
Meaning in an artwork may also derive from cultural or historical references, or from the process of making, itself.