The document examines multiple reproductions and surrogates of Leonardo da Vinci's Mona Lisa painting. It contains 113 images of the Mona Lisa painting and reproductions in various formats from different collections and time periods. For each image, it provides information on the type of reproduction, dimensions, title, date, location, author and rights holder. The reproductions include engravings, lithographs, photographs, digital images and more spanning from the 15th century to present day.
Access & The Digital Surrogate: Openness as a PhilosophyAndrea Wallace
The document provides an overview of digital surrogates and open access to cultural works. It discusses how digital copies, facsimiles, photographs, and other reproductions (surrogates) have expanded access to artworks and historical documents by making them available online without restrictions. However, many surrogates are subject to various copyright claims that limit their open distribution. The talk addresses tensions between expanding access and protecting intellectual property rights through surrogate images on the internet.
The document discusses the challenge of curating large amounts of digital content from Galleries, Libraries, Archives and Museums (GLAM) institutions to make it more useful and meaningful for various audiences. It provides examples of how Europeana has curated content for digital humanists studying newspapers, teachers exploring World War I sources, citizens on Wikipedia, art lovers on Wikidata and Wikipedia, and art professionals viewing high-resolution altarpieces. The key takeaways are to be open, generous, humble, aware of users, and repackage large datasets into smaller, contextualized and segmented datasets for specific user groups.
Taïne gras urban sculptor for a new lifestyleTaïne Gras
I am a french sculptor. My art concentrates on the urban area, on the Art in the City. I would like to propose sculptures for places where people live, to bring happiness, poetry, and color.
I collaborate in designing and creating in public and private spaces (housing, schools, shopping center, tourism resorts, public parks, etc...)
The document discusses La Nuit Blanche, an annual overnight art event held in Paris and other major cities. On this night, museums, cultural institutions, and other public and private spaces open their doors free of charge to host art shows, exhibitions, videos, installations, and performances. Since 2002, La Nuit Blanche in Paris has featured contemporary artists displaying their work in non-traditional locations like pools, subways, streets, and parks. The goal is to make art accessible to all and transform the urban environment into a space for modern creation, bringing the citizens of Paris together and establishing the city as a cultural destination where residents can participate in the festivities well into the night.
This document discusses policies around sharing cultural works and the importance of making collections openly accessible to users. It notes that users will find ways to access and redistribute content if it is not provided openly online. Open access policies that allow reuse and remixing of public domain works are recommended as a way to stay relevant to users and prevent others from being the first to make the works widely available. Leading by example with open policies is advocated for.
This document discusses open access policies for cultural heritage institutions (GLAMs) globally based on a survey conducted by the authors. Some key findings include:
- Over 600 GLAMs from around the world were surveyed on their open access policies and practices. Most made some data openly available but few made all eligible data open.
- Legal precedent around copyright in reproductions of public domain works varies internationally but photographic reproductions are generally not considered original works subject to copyright in most jurisdictions.
- Recent court cases in Germany established that photographic reproductions of works are "other photographs" protected for 50 years, creating gaps in open access policies.
- Efforts are needed to standardize open access policies across Europe and address gaps
Access & The Digital Surrogate: Openness as a PhilosophyAndrea Wallace
The document provides an overview of digital surrogates and open access to cultural works. It discusses how digital copies, facsimiles, photographs, and other reproductions (surrogates) have expanded access to artworks and historical documents by making them available online without restrictions. However, many surrogates are subject to various copyright claims that limit their open distribution. The talk addresses tensions between expanding access and protecting intellectual property rights through surrogate images on the internet.
The document discusses the challenge of curating large amounts of digital content from Galleries, Libraries, Archives and Museums (GLAM) institutions to make it more useful and meaningful for various audiences. It provides examples of how Europeana has curated content for digital humanists studying newspapers, teachers exploring World War I sources, citizens on Wikipedia, art lovers on Wikidata and Wikipedia, and art professionals viewing high-resolution altarpieces. The key takeaways are to be open, generous, humble, aware of users, and repackage large datasets into smaller, contextualized and segmented datasets for specific user groups.
Taïne gras urban sculptor for a new lifestyleTaïne Gras
I am a french sculptor. My art concentrates on the urban area, on the Art in the City. I would like to propose sculptures for places where people live, to bring happiness, poetry, and color.
I collaborate in designing and creating in public and private spaces (housing, schools, shopping center, tourism resorts, public parks, etc...)
The document discusses La Nuit Blanche, an annual overnight art event held in Paris and other major cities. On this night, museums, cultural institutions, and other public and private spaces open their doors free of charge to host art shows, exhibitions, videos, installations, and performances. Since 2002, La Nuit Blanche in Paris has featured contemporary artists displaying their work in non-traditional locations like pools, subways, streets, and parks. The goal is to make art accessible to all and transform the urban environment into a space for modern creation, bringing the citizens of Paris together and establishing the city as a cultural destination where residents can participate in the festivities well into the night.
This document discusses policies around sharing cultural works and the importance of making collections openly accessible to users. It notes that users will find ways to access and redistribute content if it is not provided openly online. Open access policies that allow reuse and remixing of public domain works are recommended as a way to stay relevant to users and prevent others from being the first to make the works widely available. Leading by example with open policies is advocated for.
This document discusses open access policies for cultural heritage institutions (GLAMs) globally based on a survey conducted by the authors. Some key findings include:
- Over 600 GLAMs from around the world were surveyed on their open access policies and practices. Most made some data openly available but few made all eligible data open.
- Legal precedent around copyright in reproductions of public domain works varies internationally but photographic reproductions are generally not considered original works subject to copyright in most jurisdictions.
- Recent court cases in Germany established that photographic reproductions of works are "other photographs" protected for 50 years, creating gaps in open access policies.
- Efforts are needed to standardize open access policies across Europe and address gaps
Europeana and the Future - New Perspective for Cultural Heritage InstitutionsJoris Pekel
1. Europeana has achieved making 3,500 institution collections available online totaling around 45 million records over 7 years.
2. However, there is more data available than can be meaningfully handled, and data needs to fit its purpose.
3. Going forward, Europeana needs to really focus on quality over quantity, develop a content strategy, and create a more effective infrastructure without duplicating the efforts of others.
Idea to Audience, or Audience to Idea? Graham DaviesGraham Davies
From Idea to Audience, or Audience to Idea?
Using a wide range of practical examples Graham will de-construct 'good digital ideas' and explain how experiences at Amgeuddfa Cymru have helped shape a new way of thinking for the digital team there.
This exhibition focuses on how key biblical and historical figures influenced art across different eras, from the Agricultural era through the Realist era and ending in the Revolutionist era. It features works like Giotto's 1310 painting Madonna Enthroned, Donatello's 1430 bronze statue David, Hans Holbein's 1540 portrait of Henry VIII, and paintings of Louis XIV, Napoleon, and a photograph of Abraham Lincoln from 1860 to illustrate how certain individuals shaped artistic development over time.
Eirini Linardaki is a Greek artist who has exhibited widely in Europe since 2015. Some of her major exhibitions and projects include a solo show at the Salon de Montrouge in Paris in 2015, mural paintings in New York City and Athens from 2014 to present, and curating exhibitions in Thessaloniki from 2010 to 2009 that explored urban and social issues. She holds degrees from schools in France, Germany, Ireland and Greece and has participated in numerous residencies and publications.
Art Nouveau originated in the late 19th century as a reaction against historical revival styles and mass production. It began in England led by figures like John Ruskin, William Morris, and Walter Crane who sought to create a new aesthetic focused on nature and craftsmanship. They drew inspiration from vernacular architecture as well as Renaissance ornamentation. English architects integrated interior and exterior design, coordinating furnishings and decorations. Art Nouveau emphasized harmony and organic forms over rigid classicism. It soon spread across Europe and became a revolutionary new style in decorative arts.
This document is a resume for Stephane Houy-Towner, an experienced fashion consultant and curator. Over the past 15 years, Houy-Towner has consulted for various fashion brands and museums on projects including branding, curation, research, and artistic direction. Previously, Houy-Towner worked for 15 years as a research associate and guest curator at the Costume Institute of the Metropolitan Museum of Art in New York.
The Musee d'Orsay was originally built as a railroad station called the Gare d'Orsay in the early 20th century, but became unsuitable for longer trains in 1939. It was converted into a museum from 1980 to 1986, housing French art from 1845 to 1915 by artists like Van Gogh, Degas, Renoir, Monet and Cezanne. Located on the left bank of the Seine in Paris, it is now a major tourist attraction.
The Musee d'Orsay was originally built as a railroad station called the Gare d'Orsay in the early 20th century, but became unsuitable for longer trains in 1939. It was converted into a museum from 1980 to 1986, housing French art from 1845 to 1915 by artists like Van Gogh, Degas, Renoir, Monet and Cezanne. Located on the left bank of the Seine in Paris, it is now a major tourist attraction.
The Musee d'Orsay was originally built as a railroad station called the Gare d'Orsay in the early 20th century, but became unsuitable for longer trains in 1939. It was converted into a museum from 1980 to 1986, housing French art from 1845 to 1915 by artists such as Van Gogh, Degas, Renoir, Monet and Cezanne. The museum is located on the left bank of the Seine River in Paris and is a major tourist attraction.
The Musee d'Orsay was originally built as a railroad station called the Gare d'Orsay in the early 20th century, but became unsuitable for longer trains in 1939. It was converted into a museum from 1980 to 1986, housing French art from 1845 to 1915 by artists such as Van Gogh, Degas, Renoir, Monet and Cezanne. Located on the left bank of the Seine River in Paris, the Musee d'Orsay is a major tourist attraction.
The new UPERNOIR event from 29th May to 28th June 2020 in the Around Louvre-Lens area of northern France presents countless cultural, culinary, and festive experiences centered around the theme of black. Events include exhibitions at the Louvre-Lens museum focused on the color black, food and drink featuring local specialties served in black packaging or with black ingredients, and festivals featuring concerts, art installations, and workshops. The goal is to engage all the senses and showcase the cultural and industrial heritage of the region.
This document outlines a digital campaign created for the reopening of the Jean-Jacques Henner museum in France. The campaign had several steps: creating a blog and social media profiles to promote the museum and artist; generating exclusive online content to engage different audiences; organizing online and real-world events to build buzz; and launching collaborative initiatives like a Twitter campaign to further connect the museum to its online community. A similar multifaceted strategy was then employed for the museum's involvement in the annual European Night of Museums event.
Claude Joseph Vernet was an 18th century French painter known for his landscapes and seascapes, often depicting storms and moonlit scenes. He was commissioned by King Louis XV to paint a series of French harbors and had patrons across Europe. Vernet was influenced by classical landscape artists and created over 24 paintings of popular French harbors as well as works for aristocratic clients depicting scenes like shipwrecks and Mediterranean ports. One of his paintings, A Sporting Contest on the Tiber at Rome, hangs at Southern Polytechnic State University.
The Louvre museum originated as a fortress in Paris that was later converted into a royal residence. It opened as a public museum in 1793 during the French Revolution. Today it houses over 380,000 objects and is one of the most visited art museums in the world, most notably displaying the Mona Lisa. The museum has expanded through various renovations and new buildings, including a glass pyramid entrance designed in the 1980s. Additional Louvre branches and partnerships have been established in other locations internationally.
A talk on how we're structuring provenance for computers, and discovering the potential of provenance for DH research. Slides were built largely by David Newbury with supplememtnation from Tracey Berg-Fulton. Tracey Berg-Fulton delivered this presentation at the Keystone Digital Humanities conference at the University of Pennsylvania on July 24, 2015
1) The document provides a brief history of major Western art movements from the Medieval period to the modern era.
2) It highlights influential artists and styles from each period including Renaissance masters like Michelangelo and Botticelli, Impressionists like Monet and Van Gogh, and modern artists like Pollock and Warhol.
3) The presentation aims to provide minimal but essential knowledge of Western art history to allow the reader to converse knowledgeably about major eras and influential works.
This document provides an overview of the city of Paris, France. It discusses Paris' monuments, city council, transport systems, history, and popular films set in the city. Some of the most famous monuments mentioned are the Arc de Triomphe, Notre Dame Cathedral, and the Eiffel Tower. The document also notes that Paris is known as the "City of Love" and is a popular tourist destination, highlighting places like the Moulin Rouge and the Louvre Museum.
The Europeana Fashion International Association is a non-profit organization established in 2014 to aggregate, curate, and promote online access to fashion heritage from museums and creative industries across Europe. It brings together large national museums and small private collections, as well as corporate archives and photographs. Europeana Fashion organizes events like edit-a-thons to contribute fashion objects and information to Wikipedia, and workshops to facilitate collaboration between members on new projects.
Europeana and the Future - New Perspective for Cultural Heritage InstitutionsJoris Pekel
1. Europeana has achieved making 3,500 institution collections available online totaling around 45 million records over 7 years.
2. However, there is more data available than can be meaningfully handled, and data needs to fit its purpose.
3. Going forward, Europeana needs to really focus on quality over quantity, develop a content strategy, and create a more effective infrastructure without duplicating the efforts of others.
Idea to Audience, or Audience to Idea? Graham DaviesGraham Davies
From Idea to Audience, or Audience to Idea?
Using a wide range of practical examples Graham will de-construct 'good digital ideas' and explain how experiences at Amgeuddfa Cymru have helped shape a new way of thinking for the digital team there.
This exhibition focuses on how key biblical and historical figures influenced art across different eras, from the Agricultural era through the Realist era and ending in the Revolutionist era. It features works like Giotto's 1310 painting Madonna Enthroned, Donatello's 1430 bronze statue David, Hans Holbein's 1540 portrait of Henry VIII, and paintings of Louis XIV, Napoleon, and a photograph of Abraham Lincoln from 1860 to illustrate how certain individuals shaped artistic development over time.
Eirini Linardaki is a Greek artist who has exhibited widely in Europe since 2015. Some of her major exhibitions and projects include a solo show at the Salon de Montrouge in Paris in 2015, mural paintings in New York City and Athens from 2014 to present, and curating exhibitions in Thessaloniki from 2010 to 2009 that explored urban and social issues. She holds degrees from schools in France, Germany, Ireland and Greece and has participated in numerous residencies and publications.
Art Nouveau originated in the late 19th century as a reaction against historical revival styles and mass production. It began in England led by figures like John Ruskin, William Morris, and Walter Crane who sought to create a new aesthetic focused on nature and craftsmanship. They drew inspiration from vernacular architecture as well as Renaissance ornamentation. English architects integrated interior and exterior design, coordinating furnishings and decorations. Art Nouveau emphasized harmony and organic forms over rigid classicism. It soon spread across Europe and became a revolutionary new style in decorative arts.
This document is a resume for Stephane Houy-Towner, an experienced fashion consultant and curator. Over the past 15 years, Houy-Towner has consulted for various fashion brands and museums on projects including branding, curation, research, and artistic direction. Previously, Houy-Towner worked for 15 years as a research associate and guest curator at the Costume Institute of the Metropolitan Museum of Art in New York.
The Musee d'Orsay was originally built as a railroad station called the Gare d'Orsay in the early 20th century, but became unsuitable for longer trains in 1939. It was converted into a museum from 1980 to 1986, housing French art from 1845 to 1915 by artists like Van Gogh, Degas, Renoir, Monet and Cezanne. Located on the left bank of the Seine in Paris, it is now a major tourist attraction.
The Musee d'Orsay was originally built as a railroad station called the Gare d'Orsay in the early 20th century, but became unsuitable for longer trains in 1939. It was converted into a museum from 1980 to 1986, housing French art from 1845 to 1915 by artists like Van Gogh, Degas, Renoir, Monet and Cezanne. Located on the left bank of the Seine in Paris, it is now a major tourist attraction.
The Musee d'Orsay was originally built as a railroad station called the Gare d'Orsay in the early 20th century, but became unsuitable for longer trains in 1939. It was converted into a museum from 1980 to 1986, housing French art from 1845 to 1915 by artists such as Van Gogh, Degas, Renoir, Monet and Cezanne. The museum is located on the left bank of the Seine River in Paris and is a major tourist attraction.
The Musee d'Orsay was originally built as a railroad station called the Gare d'Orsay in the early 20th century, but became unsuitable for longer trains in 1939. It was converted into a museum from 1980 to 1986, housing French art from 1845 to 1915 by artists such as Van Gogh, Degas, Renoir, Monet and Cezanne. Located on the left bank of the Seine River in Paris, the Musee d'Orsay is a major tourist attraction.
The new UPERNOIR event from 29th May to 28th June 2020 in the Around Louvre-Lens area of northern France presents countless cultural, culinary, and festive experiences centered around the theme of black. Events include exhibitions at the Louvre-Lens museum focused on the color black, food and drink featuring local specialties served in black packaging or with black ingredients, and festivals featuring concerts, art installations, and workshops. The goal is to engage all the senses and showcase the cultural and industrial heritage of the region.
This document outlines a digital campaign created for the reopening of the Jean-Jacques Henner museum in France. The campaign had several steps: creating a blog and social media profiles to promote the museum and artist; generating exclusive online content to engage different audiences; organizing online and real-world events to build buzz; and launching collaborative initiatives like a Twitter campaign to further connect the museum to its online community. A similar multifaceted strategy was then employed for the museum's involvement in the annual European Night of Museums event.
Claude Joseph Vernet was an 18th century French painter known for his landscapes and seascapes, often depicting storms and moonlit scenes. He was commissioned by King Louis XV to paint a series of French harbors and had patrons across Europe. Vernet was influenced by classical landscape artists and created over 24 paintings of popular French harbors as well as works for aristocratic clients depicting scenes like shipwrecks and Mediterranean ports. One of his paintings, A Sporting Contest on the Tiber at Rome, hangs at Southern Polytechnic State University.
The Louvre museum originated as a fortress in Paris that was later converted into a royal residence. It opened as a public museum in 1793 during the French Revolution. Today it houses over 380,000 objects and is one of the most visited art museums in the world, most notably displaying the Mona Lisa. The museum has expanded through various renovations and new buildings, including a glass pyramid entrance designed in the 1980s. Additional Louvre branches and partnerships have been established in other locations internationally.
A talk on how we're structuring provenance for computers, and discovering the potential of provenance for DH research. Slides were built largely by David Newbury with supplememtnation from Tracey Berg-Fulton. Tracey Berg-Fulton delivered this presentation at the Keystone Digital Humanities conference at the University of Pennsylvania on July 24, 2015
1) The document provides a brief history of major Western art movements from the Medieval period to the modern era.
2) It highlights influential artists and styles from each period including Renaissance masters like Michelangelo and Botticelli, Impressionists like Monet and Van Gogh, and modern artists like Pollock and Warhol.
3) The presentation aims to provide minimal but essential knowledge of Western art history to allow the reader to converse knowledgeably about major eras and influential works.
This document provides an overview of the city of Paris, France. It discusses Paris' monuments, city council, transport systems, history, and popular films set in the city. Some of the most famous monuments mentioned are the Arc de Triomphe, Notre Dame Cathedral, and the Eiffel Tower. The document also notes that Paris is known as the "City of Love" and is a popular tourist destination, highlighting places like the Moulin Rouge and the Louvre Museum.
The Europeana Fashion International Association is a non-profit organization established in 2014 to aggregate, curate, and promote online access to fashion heritage from museums and creative industries across Europe. It brings together large national museums and small private collections, as well as corporate archives and photographs. Europeana Fashion organizes events like edit-a-thons to contribute fashion objects and information to Wikipedia, and workshops to facilitate collaboration between members on new projects.
Similar to Andrea Wallace public domain day bxl (20)
Hoe bepaal je welke delen van je collectie niet auteursrechtelijk beschermd zijn, en dus tot publiek domein behoren? Wat zijn mogelijke uitdagingen bij de bepaling van de publiekdomeinstatus? Wat kun je doen met collecties die zich in het publieke domein bevinden? Hoe kun je ze toegankelijk en herbruikbaar maken en wat levert dat op? Deze en nog veel meer vragen beantwoordden we tijdens deze sessie.
Presentatie van de namiddagsessie "Bevindingen uit het vooronderzoek naar een uitwisselplatform" tijdens meemoo's partnerevent op 30 november 2023.
Een professioneel uitwisselplatform zou het hergebruik van jouw archiefmateriaal extra kunnen stimuleren bij professionals uit de erfgoed-, media- en creatieve sector en de valorisatie ervan bevorderen over instellingen en sectoren heen. Je kwam er al even mee in aanraking door de bevraging aan contentpartners vorige zomer. Aangezien die bevraging maar een klein onderdeel was van een veel breder vooronderzoek, was het tijd om de belangrijkste resultaten en inzichten met jou te delen.
Presentatie van de namiddagsessie "Deep dive in hetarchief.be" tijdens meemoo's partnerevent op 30 november 2023.
Op zoek naar manieren om vlot audiovisueel archiefmateriaal te ontsluiten? Tijdens deze sessie doken we diep in hetarchief.be: o.a. publieke ontsluiting, de sleutelgebruikerrol en de bezoekertoolfunctionaliteit kwamen aan bod. Een contentpartner deelde bovendien de ervaringen en inzichten van de eigen organisatie over het gebruik van hetarchief.be.
Presentatie van de namiddagessie "GIVE or take: het nut van kwaliteitscontrole bij digitalisering" tijdens meemoo's partnerevent op 30 november 2023.
Een van de grootste uitdagingen in een digitaliseringsproject is het bepalen en controleren van de kwaliteit van je resultaten. Wanneer en hoe bouw je dit in? Doet de Metamorfoze-richtlijn misschien een belletje rinkelen? Hoorde je al over RIPT, QM-tool en ‘targets’? Tijdens deze sessie kwam je te weten wat deze richtlijnen, standaarden en tools voor jouw digitaliseringsproces kunnen betekenen! We deelden graag onze ervaring met kwaliteitscontrole in de GIVE-projecten én gaven plaats voor het uitwisselen van eigen ervaringen en ideeën.
Presentatie namiddagsessie "GIVE-metadata: over verrijking via artificiële intelligentie" tijdens meemoo's partnerevent op 30 november 2023.
Op 160.000 uur audio en video pasten we in het GIVE-metadataproject spraakherkenning en entiteitsherkenning toe. Op 120.000 uur video ook nog eens gezichtsherkenning. Goed voor een heleboel nieuwe metadata! In anderhalf uur ontdekte je hoe die metadataverrijking via AI juist verliep en welke resultaten dat opleverde.
Public Domain Day in Belgium celebrated works that entered the public domain in 2023. Several institutions showcased how they uploaded public domain collections in 2022 and 2023, including the Passchendaele Museum which shared experiences from an upload workshop and the Agentschap Onroerend Erfgoed which highlighted architectural drawings. Other showcases were from the KBR on their Public Domain Day uploads and Europeana's findings from five years of their Open GLAM survey on sharing cultural heritage collections. The event advocated for better sharing of cultural heritage in the public domain.
Presentaties van de sectordag voor museale contentpartners georganiseerd door meemoo, Vlaams instituut voor het archief, in het FOMU in Antwerpen op 10 november 2022.
More from meemoo, Vlaams instituut voor het archief (20)
UN WOD 2024 will take us on a journey of discovery through the ocean's vastness, tapping into the wisdom and expertise of global policy-makers, scientists, managers, thought leaders, and artists to awaken new depths of understanding, compassion, collaboration and commitment for the ocean and all it sustains. The program will expand our perspectives and appreciation for our blue planet, build new foundations for our relationship to the ocean, and ignite a wave of action toward necessary change.
RFP for Reno's Community Assistance CenterThis Is Reno
Property appraisals completed in May for downtown Reno’s Community Assistance and Triage Centers (CAC) reveal that repairing the buildings to bring them back into service would cost an estimated $10.1 million—nearly four times the amount previously reported by city staff.
Indira awas yojana housing scheme renamed as PMAYnarinav14
Indira Awas Yojana (IAY) played a significant role in addressing rural housing needs in India. It emerged as a comprehensive program for affordable housing solutions in rural areas, predating the government’s broader focus on mass housing initiatives.
Combined Illegal, Unregulated and Unreported (IUU) Vessel List.Christina Parmionova
The best available, up-to-date information on all fishing and related vessels that appear on the illegal, unregulated, and unreported (IUU) fishing vessel lists published by Regional Fisheries Management Organisations (RFMOs) and related organisations. The aim of the site is to improve the effectiveness of the original IUU lists as a tool for a wide variety of stakeholders to better understand and combat illegal fishing and broader fisheries crime.
To date, the following regional organisations maintain or share lists of vessels that have been found to carry out or support IUU fishing within their own or adjacent convention areas and/or species of competence:
Commission for the Conservation of Antarctic Marine Living Resources (CCAMLR)
Commission for the Conservation of Southern Bluefin Tuna (CCSBT)
General Fisheries Commission for the Mediterranean (GFCM)
Inter-American Tropical Tuna Commission (IATTC)
International Commission for the Conservation of Atlantic Tunas (ICCAT)
Indian Ocean Tuna Commission (IOTC)
Northwest Atlantic Fisheries Organisation (NAFO)
North East Atlantic Fisheries Commission (NEAFC)
North Pacific Fisheries Commission (NPFC)
South East Atlantic Fisheries Organisation (SEAFO)
South Pacific Regional Fisheries Management Organisation (SPRFMO)
Southern Indian Ocean Fisheries Agreement (SIOFA)
Western and Central Pacific Fisheries Commission (WCPFC)
The Combined IUU Fishing Vessel List merges all these sources into one list that provides a single reference point to identify whether a vessel is currently IUU listed. Vessels that have been IUU listed in the past and subsequently delisted (for example because of a change in ownership, or because the vessel is no longer in service) are also retained on the site, so that the site contains a full historic record of IUU listed fishing vessels.
Unlike the IUU lists published on individual RFMO websites, which may update vessel details infrequently or not at all, the Combined IUU Fishing Vessel List is kept up to date with the best available information regarding changes to vessel identity, flag state, ownership, location, and operations.
Jennifer Schaus and Associates hosts a complimentary webinar series on The FAR in 2024. Join the webinars on Wednesdays and Fridays at noon, eastern.
Recordings are on YouTube and the company website.
https://www.youtube.com/@jenniferschaus/videos
Jennifer Schaus and Associates hosts a complimentary webinar series on The FAR in 2024. Join the webinars on Wednesdays and Fridays at noon, eastern.
Recordings are on YouTube and the company website.
https://www.youtube.com/@jenniferschaus/videos
Jennifer Schaus and Associates hosts a complimentary webinar series on The FAR in 2024. Join the webinars on Wednesdays and Fridays at noon, eastern.
Recordings are on YouTube and the company website.
https://www.youtube.com/@jenniferschaus/videos
The Antyodaya Saral Haryana Portal is a pioneering initiative by the Government of Haryana aimed at providing citizens with seamless access to a wide range of government services
This report explores the significance of border towns and spaces for strengthening responses to young people on the move. In particular it explores the linkages of young people to local service centres with the aim of further developing service, protection, and support strategies for migrant children in border areas across the region. The report is based on a small-scale fieldwork study in the border towns of Chipata and Katete in Zambia conducted in July 2023. Border towns and spaces provide a rich source of information about issues related to the informal or irregular movement of young people across borders, including smuggling and trafficking. They can help build a picture of the nature and scope of the type of movement young migrants undertake and also the forms of protection available to them. Border towns and spaces also provide a lens through which we can better understand the vulnerabilities of young people on the move and, critically, the strategies they use to navigate challenges and access support.
The findings in this report highlight some of the key factors shaping the experiences and vulnerabilities of young people on the move – particularly their proximity to border spaces and how this affects the risks that they face. The report describes strategies that young people on the move employ to remain below the radar of visibility to state and non-state actors due to fear of arrest, detention, and deportation while also trying to keep themselves safe and access support in border towns. These strategies of (in)visibility provide a way to protect themselves yet at the same time also heighten some of the risks young people face as their vulnerabilities are not always recognised by those who could offer support.
In this report we show that the realities and challenges of life and migration in this region and in Zambia need to be better understood for support to be strengthened and tuned to meet the specific needs of young people on the move. This includes understanding the role of state and non-state stakeholders, the impact of laws and policies and, critically, the experiences of the young people themselves. We provide recommendations for immediate action, recommendations for programming to support young people on the move in the two towns that would reduce risk for young people in this area, and recommendations for longer term policy advocacy.
6. Michel Urtado,2014
DIGITAL PHOTOGRAPH
M O N A L I S A & T H E S U R R O G AT E
Unknown, 1503-1516
PAINTING
ZéphirinBelliard,ca.
1815-1861
ENGRAVING LITHOGRAPH
Albert Teichel,19th
century
JPG, date unknown JPG, date unknown JPG, date unknown TIF, date unknown
TIF, 2016
PHOTOGRAPH, ALBUMEN
Goupil& Cie,1870
GLASS NEGATIVE
Detroit Publishing
Company,1936
17. PUBLIC DOMAIN,
COURTESY LIBRARY
OF CONGRESS
Detroit Publishing
Company, after Leonardo
da Vinci
Da Vinci’s Mona Lisa,
1936-1937
Glass negative, 10 x
12.7 cm
33657u, date unknown
tif, 3958 x 5109 px
Detroit Publishing
Company, after Leonardo
da Vinci
Da Vinci’s Mona Lisa,
ca. 1900-1912
Dry plate glass negative,
20.3 x 25.4 cm
4a26503u, date unknown
tif, 4074 x 5157 px
Detroit Publishing
Company, after Leonardo
da Vinci
Da Vinci’s Mona Lisa,
ca. 1900-1915
Dry plate glass negative,
20.3 x 25.4 cm
4a25019u, date unknown
tif, 4074 x 5072 px