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INDIAN
PAINTINGS
Contents
• Elucidation to Indian Painting
• Genres of Indian painting
• Eastern India painting
• Western Indian Miniature Painting
• Malwa, Deccan and Jaunpur schools of painting
• Mughal Paintings
• Rajput paintings
•Mysore Paintings
• Tanjore Paintings
• Some notable Indian Paintings
Elucidation to Indian Painting
•Indian painting has a very long tradition and
history in Indian art.
•The earliest Indian paintings were the rock
paintings of pre-historic times, the petroglyphs as
found in places like Bhimbetka, some of them from
before 5500 BC.
•India‘ Buddhist literature is replete with examples
of texts which describe palaces of the army and the
aristocratic class embellished with paintings, but
the paintings of the Ajanta Caves are the most
significant of the few survivals.
Elucidation to Indian Painting
•Smaller scale painting in manuscripts was probably
also practised in this period, though the earliest
survivals are from the medieval period.
•Mughal painting represented a fusion of the Persian
miniature with older Indian traditions, and from the
17th century its style was diffused across Indian
princely courts of all religions, each developing a local
style.
Elucidation to Indian Painting
• Company paintings were made for British clients under
the British raj, which from the 19th century also
introduced art schools along Western lines, leading to
modern Indian painting, which is increasingly returning to
its Indian routes.
• Indian paintings provide an aesthetic continuum that
extends from the early civilisation to the present day. From
being essentially religious in purpose in the beginning,
Indian painting has evolved over the years to become a
fusion of various cultures and traditions.
Genres of Indian painting
• Indian paintings can be broadly classified as murals and
miniatures.
• Murals are large works executed on the walls of solid
structures, as in the Ajanta Caves and the Kailashnath
temple.
• Miniature paintings are executed on a very small scale for
books or albums on perishable material such as paper and
cloth.
• The Palas of Bengal were the pioneers of miniature painting
in India.
Genres of Indian painting
• The art of miniature painting reached its glory during the
Mughal period.
• The tradition of miniature paintings was carried forward by
the painters of different Rajasthani schools of painting like
the Bundi, Kishangarh, Jaipur, Marwar and Mewar. The
Ragamala paintings also belong to this school, as does
the Company painting produced for British clients under
the British Raj.
1. Eastern India painting
 In eastern India miniature painting developed in
10th century. These miniatures, depicting Buddhist
divinities and scenes from the life of Buddha were
painted on the leaves (about 2.25 by 3 inches) of the
palm-leaf manuscripts as well as their wooden
covers.
 Most common Buddhist illustrated manuscripts
include the texts Astasahasrika
Prajnaparamita,Pancharaksa, Karandavyuha and
Kalachakra Tantra.
2. Western Indian Miniature Painting
• Subjects- The subjects of these miniature paintings are in
relation to the subjects of the manuscripts mostly religious and
literary.
• Many paintings are from Sanskrit and folk literature.
• It is on the subject of love stories.
• Some paintings from Vaishnav sect of Hindu religion and some
are from Jain cult.
• The Paintings of Vaishnav sect are regarding various occasions
of the life of Lord Krishna and Gopies.
• Vaishnav paintings of "Gita Govinda" is about Lord Krishna.
• The paintings of Jain cult is concerning to Jain Lords and
religious subjects
2.Western Indian Miniature Painting
• Equipments- These paintings were created on "Taadpatra"
that means the leaf of the palm tree, and Paper.
• During that period earlier manuscripts were created from
the leaf of the palm tree and later on from the paper.
• Characteristic- In these paintings there are very few human
characters with front face are seen.
• Most of the human characters are seen with side profile.
• Big eyes, pointed nose and slim waist are the features of
these paintings.
• The skin colours of human being are Brown and fair. The
skin colour of the Lord Krishna is Blue.
2.Western Indian Miniature Painting
 The colour of the hair and eyes is black.
 Women characters have long hair. Human characters have
worn jewellery on hand, nose, neck, hair, waist and ankles.
Man and women have worn traditional Indian dress,
sleepers and shoes.
 Men have turbans on the head. In these paintings trees,
rivers, flowers, birds, the land, the sky, houses, traditional
chairs, cushions, curtains, lamps, and human characters
have been painted.
 Colours-Mostly Natural colours have been used in these
paintings. Black, red, white, brown, blue, and yellow
colours are used to decorate the paintings
3. Malwa, Deccan and Jaunpur schools of
painting
 A new trend in manuscript illustration was set by a
manuscript of the Nimatnama painted at Mandu,
during the reign of Nasir Shah (1500–1510).
 This represent a synthesis of the indigenous and the
Persian style, though it was the latter which
dominated the Mandu manuscripts.
 There was another style of painting known as Lodi
Khuladar that flourished in the Sultanate's
dominion of North India extending from Delhi to
Jaunpur.
3.Malwa, Deccan and Jaunpur schools of
painting
• The miniature painting style, which flourished initially in
the Bahmani court and later in the courts of Ahmadnagar,
Bijapur and Golkonda is popularly known as the Deccan
school of Painting.
• One of the earliest surviving paintings are found as the
illustrations of a manuscript Tarif-i-Hussain Shahi (c.1565),
which is now in Bharata Itihasa Samshodhaka Mandala,
Pune.
• About 400 miniature paintings are found in the manuscript
of Nujum-ul-Ulum (Stars of Science) (1570), kept in Chester
Beatty Library, Dublin.
4. Mughal Paintings
 Mughal painting is a particular style of Indian painting,
generally confined to illustrations on the book and done in
miniatures, and which emerged, developed and took shape
during the period of the Mughal Empire 16th −19th
centuries.
 Mughal paintings were a unique blend of Indian, Persian
and Islamic styles.
 Because the Mughal kings wanted visual records of their
deeds as hunters and conquerors, their artists accompanied
them on military expeditions or missions of state, or recorded
their prowess as animal slayers, or depicted them in the
great dynastic ceremonies of marriages.
5. Rajput paintings
•Rajput painting, a style of Indian painting, evolved
and flourished, during the 18th century, in the royal
courts of Rajputana, India.
•Each Rajput kingdom evolved a distinct style, but
with certain common features.
•Rajput paintings depict a number of themes, events
of epics like the Ramayana and the Mahabharata,
Krishna's life, beautiful landscapes, and humans.
5. Rajput paintings
• Miniatures were the preferred medium of Rajput painting,
but several manuscripts also contain Rajput paintings, and
paintings were even done on the walls of palaces, inner
chambers of the forts, havelies, particularly,
the havelis of Shekhawati.
• The colours extracted from certain minerals, plant sources,
conch shells, and were even derived by processing precious
stones, gold and silver were used.
• The preparation of desired colours was a lengthy process,
sometimes taking weeks. Brushes used were very fine.
6. Mysore Paintings
• Mysore painting is an important form of
classical South Indian painting that originated in the
town of Mysore in Karnataka.
• These paintings are known for their elegance, muted
colours, and attention to detail. The themes for most
of these paintings are Hindu Gods and Goddesses and
scenes from Hindu mythology.
• In modern times, these paintings have become a much
sought-after souvenir during festive occasions in
South India.
7. Tanjore Paintings
• Tanjore painting is an important form of classical South
Indian painting native to the town of Tanjore in Tamil Nadu.
• The art form dates back to the early 9th century, a period
dominated by the Chola rulers, who encouraged art and
literature.
• These paintings are known for their elegance, rich colours, and
attention to detail.
• The themes for most of these paintings are Hindu Gods and
Goddesses and scenes from Hindu mythology.
• In modern times, these paintings have become a much sought-
after souvenir during festive occasions in South India.
Some Notable Indian Paintings
• Hemen Majumdar's "Lady with the Lamp"
• Rabindranath Tagore's "Self portrait"
• Abanindranath Tagore's Bharat Mata
• Raja Ravi Varma's Shakuntala
• Ramkinkar Baij's "Jakkha 0 Jakkhi"
• Bikash Bhattacharjee's "Doll-series"
• Geeta Vadhera's Jogia "Dhoop series"
• Jahar Dasgupta's "Confrontation"
• MF Hussain's "Horses-series"
• Jamini Roy's "Jesus"
Some Notable Indian Paintings
• John Wilkins's "Gossip",
• Rakesh Vijay "Persian and Mogul styles"
• Jainul Abedin's "Series on Bengal Famine"
• Sunil Das's "Bull Series"
• Devajyoti Ray's "In Despair"
• Tyeb Mehta's "Mahisasur"
• B. G. Sharma's Krishna miniatures
• ShakthiDass's
• Amrita-Sher-Gil
Indian Paintings
Indian Paintings

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Indian Paintings

  • 2. Contents • Elucidation to Indian Painting • Genres of Indian painting • Eastern India painting • Western Indian Miniature Painting • Malwa, Deccan and Jaunpur schools of painting • Mughal Paintings • Rajput paintings •Mysore Paintings • Tanjore Paintings • Some notable Indian Paintings
  • 3. Elucidation to Indian Painting •Indian painting has a very long tradition and history in Indian art. •The earliest Indian paintings were the rock paintings of pre-historic times, the petroglyphs as found in places like Bhimbetka, some of them from before 5500 BC. •India‘ Buddhist literature is replete with examples of texts which describe palaces of the army and the aristocratic class embellished with paintings, but the paintings of the Ajanta Caves are the most significant of the few survivals.
  • 4.
  • 5. Elucidation to Indian Painting •Smaller scale painting in manuscripts was probably also practised in this period, though the earliest survivals are from the medieval period. •Mughal painting represented a fusion of the Persian miniature with older Indian traditions, and from the 17th century its style was diffused across Indian princely courts of all religions, each developing a local style.
  • 6. Elucidation to Indian Painting • Company paintings were made for British clients under the British raj, which from the 19th century also introduced art schools along Western lines, leading to modern Indian painting, which is increasingly returning to its Indian routes. • Indian paintings provide an aesthetic continuum that extends from the early civilisation to the present day. From being essentially religious in purpose in the beginning, Indian painting has evolved over the years to become a fusion of various cultures and traditions.
  • 7.
  • 8.
  • 9. Genres of Indian painting • Indian paintings can be broadly classified as murals and miniatures. • Murals are large works executed on the walls of solid structures, as in the Ajanta Caves and the Kailashnath temple. • Miniature paintings are executed on a very small scale for books or albums on perishable material such as paper and cloth. • The Palas of Bengal were the pioneers of miniature painting in India.
  • 10. Genres of Indian painting • The art of miniature painting reached its glory during the Mughal period. • The tradition of miniature paintings was carried forward by the painters of different Rajasthani schools of painting like the Bundi, Kishangarh, Jaipur, Marwar and Mewar. The Ragamala paintings also belong to this school, as does the Company painting produced for British clients under the British Raj.
  • 11.
  • 12. 1. Eastern India painting  In eastern India miniature painting developed in 10th century. These miniatures, depicting Buddhist divinities and scenes from the life of Buddha were painted on the leaves (about 2.25 by 3 inches) of the palm-leaf manuscripts as well as their wooden covers.  Most common Buddhist illustrated manuscripts include the texts Astasahasrika Prajnaparamita,Pancharaksa, Karandavyuha and Kalachakra Tantra.
  • 13. 2. Western Indian Miniature Painting • Subjects- The subjects of these miniature paintings are in relation to the subjects of the manuscripts mostly religious and literary. • Many paintings are from Sanskrit and folk literature. • It is on the subject of love stories. • Some paintings from Vaishnav sect of Hindu religion and some are from Jain cult. • The Paintings of Vaishnav sect are regarding various occasions of the life of Lord Krishna and Gopies. • Vaishnav paintings of "Gita Govinda" is about Lord Krishna. • The paintings of Jain cult is concerning to Jain Lords and religious subjects
  • 14. 2.Western Indian Miniature Painting • Equipments- These paintings were created on "Taadpatra" that means the leaf of the palm tree, and Paper. • During that period earlier manuscripts were created from the leaf of the palm tree and later on from the paper. • Characteristic- In these paintings there are very few human characters with front face are seen. • Most of the human characters are seen with side profile. • Big eyes, pointed nose and slim waist are the features of these paintings. • The skin colours of human being are Brown and fair. The skin colour of the Lord Krishna is Blue.
  • 15. 2.Western Indian Miniature Painting  The colour of the hair and eyes is black.  Women characters have long hair. Human characters have worn jewellery on hand, nose, neck, hair, waist and ankles. Man and women have worn traditional Indian dress, sleepers and shoes.  Men have turbans on the head. In these paintings trees, rivers, flowers, birds, the land, the sky, houses, traditional chairs, cushions, curtains, lamps, and human characters have been painted.  Colours-Mostly Natural colours have been used in these paintings. Black, red, white, brown, blue, and yellow colours are used to decorate the paintings
  • 16.
  • 17.
  • 18. 3. Malwa, Deccan and Jaunpur schools of painting  A new trend in manuscript illustration was set by a manuscript of the Nimatnama painted at Mandu, during the reign of Nasir Shah (1500–1510).  This represent a synthesis of the indigenous and the Persian style, though it was the latter which dominated the Mandu manuscripts.  There was another style of painting known as Lodi Khuladar that flourished in the Sultanate's dominion of North India extending from Delhi to Jaunpur.
  • 19. 3.Malwa, Deccan and Jaunpur schools of painting • The miniature painting style, which flourished initially in the Bahmani court and later in the courts of Ahmadnagar, Bijapur and Golkonda is popularly known as the Deccan school of Painting. • One of the earliest surviving paintings are found as the illustrations of a manuscript Tarif-i-Hussain Shahi (c.1565), which is now in Bharata Itihasa Samshodhaka Mandala, Pune. • About 400 miniature paintings are found in the manuscript of Nujum-ul-Ulum (Stars of Science) (1570), kept in Chester Beatty Library, Dublin.
  • 20.
  • 21. 4. Mughal Paintings  Mughal painting is a particular style of Indian painting, generally confined to illustrations on the book and done in miniatures, and which emerged, developed and took shape during the period of the Mughal Empire 16th −19th centuries.  Mughal paintings were a unique blend of Indian, Persian and Islamic styles.  Because the Mughal kings wanted visual records of their deeds as hunters and conquerors, their artists accompanied them on military expeditions or missions of state, or recorded their prowess as animal slayers, or depicted them in the great dynastic ceremonies of marriages.
  • 22.
  • 23. 5. Rajput paintings •Rajput painting, a style of Indian painting, evolved and flourished, during the 18th century, in the royal courts of Rajputana, India. •Each Rajput kingdom evolved a distinct style, but with certain common features. •Rajput paintings depict a number of themes, events of epics like the Ramayana and the Mahabharata, Krishna's life, beautiful landscapes, and humans.
  • 24. 5. Rajput paintings • Miniatures were the preferred medium of Rajput painting, but several manuscripts also contain Rajput paintings, and paintings were even done on the walls of palaces, inner chambers of the forts, havelies, particularly, the havelis of Shekhawati. • The colours extracted from certain minerals, plant sources, conch shells, and were even derived by processing precious stones, gold and silver were used. • The preparation of desired colours was a lengthy process, sometimes taking weeks. Brushes used were very fine.
  • 25.
  • 26. 6. Mysore Paintings • Mysore painting is an important form of classical South Indian painting that originated in the town of Mysore in Karnataka. • These paintings are known for their elegance, muted colours, and attention to detail. The themes for most of these paintings are Hindu Gods and Goddesses and scenes from Hindu mythology. • In modern times, these paintings have become a much sought-after souvenir during festive occasions in South India.
  • 27. 7. Tanjore Paintings • Tanjore painting is an important form of classical South Indian painting native to the town of Tanjore in Tamil Nadu. • The art form dates back to the early 9th century, a period dominated by the Chola rulers, who encouraged art and literature. • These paintings are known for their elegance, rich colours, and attention to detail. • The themes for most of these paintings are Hindu Gods and Goddesses and scenes from Hindu mythology. • In modern times, these paintings have become a much sought- after souvenir during festive occasions in South India.
  • 28.
  • 29. Some Notable Indian Paintings • Hemen Majumdar's "Lady with the Lamp" • Rabindranath Tagore's "Self portrait" • Abanindranath Tagore's Bharat Mata • Raja Ravi Varma's Shakuntala • Ramkinkar Baij's "Jakkha 0 Jakkhi" • Bikash Bhattacharjee's "Doll-series" • Geeta Vadhera's Jogia "Dhoop series" • Jahar Dasgupta's "Confrontation" • MF Hussain's "Horses-series" • Jamini Roy's "Jesus"
  • 30.
  • 31. Some Notable Indian Paintings • John Wilkins's "Gossip", • Rakesh Vijay "Persian and Mogul styles" • Jainul Abedin's "Series on Bengal Famine" • Sunil Das's "Bull Series" • Devajyoti Ray's "In Despair" • Tyeb Mehta's "Mahisasur" • B. G. Sharma's Krishna miniatures • ShakthiDass's • Amrita-Sher-Gil