The document provides an overview of the history and genres of Indian painting. It discusses early rock paintings from pre-historic times. It describes the evolution of miniature paintings in manuscripts from the 10th century onward in eastern and western India. Key genres discussed include Mughal painting which fused Persian and Indian styles, as well as Rajput, Mysore, Tanjore, Madhubani, Pattachitra and modern Indian painting styles. The six principles of Indian painting from the Kamasutra are also summarized.
This mind map is a graphical way to represent ideas and concepts of Rajasthani school of miniature Painting.It is a visual thinking tool that helps structuring information, helping you to better analyze, comprehend, synthesize, recall and generate new ideas.
Pahari miniature painting
Alternative Title: Hill painting. Pahari painting, style of miniature painting and book illustration that developed in the independent states of the Himalayan foothills in India. The style is made up of two markedly contrasting schools, the bold intense Basohli and the delicate and lyrical Kangra.
PAINTINGS
A MINIATURE PAINTING OF MEDIVAL PERIOD
INTRODUCTION
Indian painting has a very long tradition and history in Indian art.
The earliest Indian paintings were the rock paintings of pre-historic times, the petroglyphs as found in places like Bhimbetka , some of them from before 5500 BC.
India's Buddhist literature is replete with examples of texts which describe palaces of the army and the aristocratic class embellished with paintings, but the paintings of the Ajanta Caves are the most significant of the few survivals.
Indian paintings provide an aesthetic continuum that extends from the early civilisation to the present day.
From being essentially religious in purpose in the beginning, Indian painting has evolved over the years to become a fusion of various cultures and traditions.
Some Genres of Indian painting
Murals
Miniature painting
Eastern Indian painting
Western Indian painting
Mughal painting
Rajput painting
Tanjore painting
Modern Indian painting
PAINTING OF AJANTA CAVES
Paintings of Ajanta caves are mainly based on the episodes drawn from the life of Lord Buddha .
Ajanta caves are the treasure house of delicate paintings. Some of them also portray scenes from Jataka tales.
The temples are excavated out of batholitic cliffs on the inner side of a seventy-foot valley in the Wagurna River vale, at a site where beauty dropped her image.
Bodhisattva Avalokiteshvara, Cave 1
Features of Paintings of Ajanta
The Ajanta paintings stresses on religious romanticism with lyric quality, a reflection of the view that every aspect of life has an equal value in the spiritual sense and as an aspect of the divine.
The paintings are done by covering the rough surface of the wall with a layer of clay or cow dung mixed with chopped straw or animal hair. When this has been smoothed and levelled, it is given a varnish of fine white clay or gypsum and it is on this ground that the painting is done.
Ceiling Paintings of Ajanta
The most famous paintings at Ajanta caves are in `Cave I`. The shape of the cave is a square hall with the roof supported by rows of pillars.
There is a rock cut image of a seated Buddha at the back of the shrine. The most unusual feature of the cave is parts of the complete decoration of the flat ceiling. There are scenes carved from the life of Lord Buddha as well as a number of ornamental motifs.
In the paintings of Ajanta there are beautifully drawn female figures of dusky complexion wearing towering head-dresses that strongly resembles the sophisticated mukuta, crowning the Bodhisattva himself.
. This is a representation of the Shakti or female of the Bodhisattva, one of the many indications of the intrusions of Hindu concepts into Buddhism .
The paintings of the ceiling of Cave I at Ajanta is executed in a more flat, enhancing style and the space is divided into a number of adjacent panels square and rectangular in form, which are filled with subjects and showy
This Mind mapping is simply a diagram of Bengal school of art, used to visually represent or outline information. It is a powerful graphic technique you can use to translate what's in your mind into a visual picture.This mind map will help you better understand and get more visual information faster and better.
This mind map is a graphical way to represent ideas and concepts of Rajasthani school of miniature Painting.It is a visual thinking tool that helps structuring information, helping you to better analyze, comprehend, synthesize, recall and generate new ideas.
Pahari miniature painting
Alternative Title: Hill painting. Pahari painting, style of miniature painting and book illustration that developed in the independent states of the Himalayan foothills in India. The style is made up of two markedly contrasting schools, the bold intense Basohli and the delicate and lyrical Kangra.
PAINTINGS
A MINIATURE PAINTING OF MEDIVAL PERIOD
INTRODUCTION
Indian painting has a very long tradition and history in Indian art.
The earliest Indian paintings were the rock paintings of pre-historic times, the petroglyphs as found in places like Bhimbetka , some of them from before 5500 BC.
India's Buddhist literature is replete with examples of texts which describe palaces of the army and the aristocratic class embellished with paintings, but the paintings of the Ajanta Caves are the most significant of the few survivals.
Indian paintings provide an aesthetic continuum that extends from the early civilisation to the present day.
From being essentially religious in purpose in the beginning, Indian painting has evolved over the years to become a fusion of various cultures and traditions.
Some Genres of Indian painting
Murals
Miniature painting
Eastern Indian painting
Western Indian painting
Mughal painting
Rajput painting
Tanjore painting
Modern Indian painting
PAINTING OF AJANTA CAVES
Paintings of Ajanta caves are mainly based on the episodes drawn from the life of Lord Buddha .
Ajanta caves are the treasure house of delicate paintings. Some of them also portray scenes from Jataka tales.
The temples are excavated out of batholitic cliffs on the inner side of a seventy-foot valley in the Wagurna River vale, at a site where beauty dropped her image.
Bodhisattva Avalokiteshvara, Cave 1
Features of Paintings of Ajanta
The Ajanta paintings stresses on religious romanticism with lyric quality, a reflection of the view that every aspect of life has an equal value in the spiritual sense and as an aspect of the divine.
The paintings are done by covering the rough surface of the wall with a layer of clay or cow dung mixed with chopped straw or animal hair. When this has been smoothed and levelled, it is given a varnish of fine white clay or gypsum and it is on this ground that the painting is done.
Ceiling Paintings of Ajanta
The most famous paintings at Ajanta caves are in `Cave I`. The shape of the cave is a square hall with the roof supported by rows of pillars.
There is a rock cut image of a seated Buddha at the back of the shrine. The most unusual feature of the cave is parts of the complete decoration of the flat ceiling. There are scenes carved from the life of Lord Buddha as well as a number of ornamental motifs.
In the paintings of Ajanta there are beautifully drawn female figures of dusky complexion wearing towering head-dresses that strongly resembles the sophisticated mukuta, crowning the Bodhisattva himself.
. This is a representation of the Shakti or female of the Bodhisattva, one of the many indications of the intrusions of Hindu concepts into Buddhism .
The paintings of the ceiling of Cave I at Ajanta is executed in a more flat, enhancing style and the space is divided into a number of adjacent panels square and rectangular in form, which are filled with subjects and showy
This Mind mapping is simply a diagram of Bengal school of art, used to visually represent or outline information. It is a powerful graphic technique you can use to translate what's in your mind into a visual picture.This mind map will help you better understand and get more visual information faster and better.
A Presentation by Prof. Subramanian Swaminathan on the paintings of Ajanta
Buddhist paintings on the walls and ceilings of the 29 caves in Ajanta are not only the ealiest in India but also the best the subcontinent produced. These are also the forerunniners of religious paintings of India and Indian Asia.
Mugal painting is a particular style of South Asian, particularly Indian painting confined to miniatures either as book illustrations or as single works to be kept in albums (muraqqa). It emerged from Persian miniature painting (itself partly of Chinese origin) and developed in the court of the Mughal Empire of the 16th to 18th centuries. The Mughal emperors were Muslims and they are credited with consolidating Islam in South Asia, and spreading Muslim (and particularly Persian) arts and culture as well as the faith.[1]
Mughal painting immediately took a much greater interest in realistic portraiture than was typical of Persian miniatures. Animals and plants were the main subject of many miniatures for albums, and were more realistically depicted. Although many classic works of Persian literature continued to be illustrated, as well as Indian works, the taste of the Mughal emperors for writing memoirs or diaries, begun by Babur, provided some of the most lavishly decorated texts, such as the Padshahnama genre of official histories. Subjects are rich in variety and include portraits, events and scenes from court life, wild life and hunting scenes, and illustrations of battles. The Persian tradition of richly decorated borders framing the central image (mostly trimmed in the images shown here) was continued, as was a modified form of the Persian convention of an elevated viewpoint.
The Emperor Shah Jahan standing on a globe, with a halo and European-style putti, c. 1618-19 to 1629.
The Mughal painting style later spread to other Indian courts, both Muslim and Hindu, and later Sikh, and was often used to depict Hindu subjects. This was mostly in northern India. It developed many regional styles in these courts, tending to become bolder but less refined.
Gonds are a tribal community presently settled in parts of Madhya Pradesh, Chhatisgarh and Maharashtra. They speak native Gond language and have their own particular style of painting. In this art project, we've gone through some unifying aspects of Gond art.
Web link: https://www.youtube.com/watch?v=F26QJUEKHCI&noredirect=1
Team members: Ahsen, Himanshu, Harkirat, Teja and Hrashikesh
Amaravati Stupa - Featured COMMENTS
Amaravati Stupa great monuments at Amaravati are all in ruins. Practically nothing is left on the site. however , a large number of slabs of white or grey limestone resembling marble that forms parts of panels, friezes, rails and pillars recovered from the old site
https://www.swamirara.com//
A wonderful presentation depicting the beauty of one of the significant attributes of Indian Culture of historical importance- Indian Paintings ;in the best of its hues ..!
A Presentation by Prof. Subramanian Swaminathan on the paintings of Ajanta
Buddhist paintings on the walls and ceilings of the 29 caves in Ajanta are not only the ealiest in India but also the best the subcontinent produced. These are also the forerunniners of religious paintings of India and Indian Asia.
Mugal painting is a particular style of South Asian, particularly Indian painting confined to miniatures either as book illustrations or as single works to be kept in albums (muraqqa). It emerged from Persian miniature painting (itself partly of Chinese origin) and developed in the court of the Mughal Empire of the 16th to 18th centuries. The Mughal emperors were Muslims and they are credited with consolidating Islam in South Asia, and spreading Muslim (and particularly Persian) arts and culture as well as the faith.[1]
Mughal painting immediately took a much greater interest in realistic portraiture than was typical of Persian miniatures. Animals and plants were the main subject of many miniatures for albums, and were more realistically depicted. Although many classic works of Persian literature continued to be illustrated, as well as Indian works, the taste of the Mughal emperors for writing memoirs or diaries, begun by Babur, provided some of the most lavishly decorated texts, such as the Padshahnama genre of official histories. Subjects are rich in variety and include portraits, events and scenes from court life, wild life and hunting scenes, and illustrations of battles. The Persian tradition of richly decorated borders framing the central image (mostly trimmed in the images shown here) was continued, as was a modified form of the Persian convention of an elevated viewpoint.
The Emperor Shah Jahan standing on a globe, with a halo and European-style putti, c. 1618-19 to 1629.
The Mughal painting style later spread to other Indian courts, both Muslim and Hindu, and later Sikh, and was often used to depict Hindu subjects. This was mostly in northern India. It developed many regional styles in these courts, tending to become bolder but less refined.
Gonds are a tribal community presently settled in parts of Madhya Pradesh, Chhatisgarh and Maharashtra. They speak native Gond language and have their own particular style of painting. In this art project, we've gone through some unifying aspects of Gond art.
Web link: https://www.youtube.com/watch?v=F26QJUEKHCI&noredirect=1
Team members: Ahsen, Himanshu, Harkirat, Teja and Hrashikesh
Amaravati Stupa - Featured COMMENTS
Amaravati Stupa great monuments at Amaravati are all in ruins. Practically nothing is left on the site. however , a large number of slabs of white or grey limestone resembling marble that forms parts of panels, friezes, rails and pillars recovered from the old site
https://www.swamirara.com//
A wonderful presentation depicting the beauty of one of the significant attributes of Indian Culture of historical importance- Indian Paintings ;in the best of its hues ..!
Periodic Styles in Indian Traditional Art - Mughal, Kangra, MiniaturePrayag Mohanty
Periodic Styles in Indian Traditional Art showcase the rich cultural heritage and artistic excellence that has evolved over centuries. Among these, three prominent styles stand out: Mughal, Kangra, and Miniature. Each style reflects distinct influences, techniques, and thematic representations, contributing to the diverse tapestry of Indian art.
1. **Mughal Art:**
Mughal art flourished during the Mughal Empire (16th to 18th centuries) under the patronage of emperors like Akbar, Jahangir, and Shah Jahan. It is characterized by its intricate detailing, vivid colors, and a fusion of Persian, Islamic, and Indian styles. Mughal paintings often depict historical events, court scenes, flora, fauna, and portraits of rulers and nobility. Artists employed techniques like meticulous brushwork, precise draftsmanship, and the extensive use of gold leaf to create opulent and lifelike compositions.
2. **Kangra Art:**
Kangra painting originated in the Kangra Valley of Himachal Pradesh during the 17th to 19th centuries. It embodies the serene beauty of nature, love, and devotion. Kangra paintings are renowned for their delicate lines, pastel hues, and ethereal imagery, often depicting scenes from Hindu mythology, particularly the love stories of Radha and Krishna. Artists of Kangra school mastered the art of portraying emotions through subtle facial expressions and graceful gestures. The use of natural pigments derived from minerals and plants imparts a soft and luminous quality to these exquisite works of art.
3. **Miniature Art:**
Miniature painting is a meticulous and intricate art form that reached its pinnacle during the Mughal and Rajput periods (16th to 19th centuries). Miniatures are characterized by their diminutive size and elaborate detailing. Artists employed fine brushes, often made from squirrel hair, to create miniature masterpieces on materials such as paper, ivory, or cloth. Themes ranged from courtly scenes, religious narratives, and portraits to landscapes and flora. Miniatures are distinguished by their vibrant colors, intricate patterns, and meticulous attention to detail, showcasing the artist's skill and imagination within a confined space.
These Periodic Styles in Indian Traditional Art not only serve as visual representations of history, culture, and mythology but also as enduring testaments to the artistic genius and creativity of Indian artisans through the ages. Each style encapsulates its own unique blend of techniques, themes, and aesthetics, contributing to the rich tapestry of India's artistic heritage.
Heritage of any nation is best represented by its culture, beliefs and traditions. A subset of these that has given India, a profound identity for India is Art. Art forms in India exist since time immemorial. Over the past century, Indian Art has undergone through vast and diverse change in their forms that exist in the present. For instance, the themes chosen by the traditional painters were societal. But later with the emergence of modernists followed by the contemporaries, the facets of Indian painting were changed radically.
In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
Crazyjamjam, the TikTok star everyone's talking about! Uncover her secrets to success, viral trends, and more in this exclusive feature on Blog Eternal.
Source: https://blogeternal.com/celebrity/crazyjamjam-leaks/
Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
Watchers can hope to see a greater amount of the enchanting and particular residents who have become fan top picks. Their connections and the one of a kind cut of-life situations give a reviving and interesting portrayal of provincial India, featuring the two its appeal and its difficulties.
A Mix of Humor and Heart
One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
Creation Greatness
The creation quality remaining parts first rate, with the beautiful setting of Phulera town filling in as a scenery that upgrades the narrating. The meticulousness in portraying provincial life, joined with sharp composition and solid exhibitions, guarantees that "Panchayat" keeps on hanging out in the packed web series scene.
Expectation and Delivery
As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
All in all, the authority trailer for "Panchayat" Season 3 recommends that watchers are in for another drawing in and engaging ride. Yet again with its charming characters, convincing story, and ideal mix of humor and show, the new season is set to enamor crowds. Write in your schedules and prepare to get back to the endearing universe of "Panchayat."
Are the X-Men Marvel or DC An In-Depth Exploration.pdfXtreame HDTV
The world of comic books is vast and filled with iconic characters, gripping storylines, and legendary rivalries. Among the most famous groups of superheroes are the X-Men. Created in the early 1960s, the X-Men have become a cultural phenomenon, featuring in comics, animated series, and blockbuster movies. A common question among newcomers to the comic book world is: Are the X-Men Marvel or DC? This article delves into the history, creators, and significant moments of the X-Men to provide a comprehensive answer.
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
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1. Indian painting has a very long history, although the seasonally humid Indian climate was difficult for
the long-term preservation of paintings and there are far fewer survivals than of other forms of Indian
art. The earliest Indian paintings were the rock paintings of pre-historic times, the petroglyphs as
found in places like Bhimbetka, some of them from before 5500 BC. India's Buddhist literature is
replete with examples of texts which describe palaces of kings and the aristocratic class embellished
with paintings, but the frescos of the Ajanta Caves are the most significant of the few survivals.
Smaller scale painting in manuscripts was probably also practised in this period, though the earliest
survivals are from the medieval period. Mughal painting represented a fusion of thePersian
miniature with older Indian traditions, and from the 17th century its style was diffused across Indian
princely courts of all religions, each developing a local style. Company paintings were made for British
clients under the British raj, which from the 19th century also introduced art schools along Western
lines, leading to modern Indian painting, which is increasingly returning to its Indian routes.
Indian paintings provide an aesthetic continuum that extends from the early civilization to the present
day. From being essentially religious in purpose in the beginning, Indian painting has evolved over the
years to become a fusion of various cultures and traditions.
Contents
•1 Sadanga of Indian painting
•2 Genres of Indian painting
•3 Murals
•4 Miniature painting
•4.1 Eastern Indian painting
•4.2 Western Indian painting
•4.3 Malwa, Deccan and Jaunpur schools of painting
•4.4 Mughal painting
•5 Rajput painting
•6 Mysore painting
•7 Tanjore painting
•8 Madhubani painting
•9 Pattachitra
•10 Bengal school
•11 Modern Indian Painting
2. Sadanga of Indian painting
Around 1st century BC the Sadanga or Six Limbs of Indian Painting, were evolved, a series of canons
laying down the main principles of the art. Vatsyayana, who lived during the third century A.D.,
enumerates these in his Kamasutra having extracted them from still more ancient works.
These 'Six Limbs' have been translated as follows:
1. Rupabheda The knowledge of appearances.
2. Pramanam Correct perception, measure and structure.
3. Bhava Action of feelings on forms.
4. Lavanya Yojanam Infusion of grace, artistic representation.
5. Sadrisyam Similitude.
6. Varnikabhanga Artistic manner of using the brush and colours. (Tagore.)
The subsequent development of painting by the Buddhists indicates that these ' Six Limbs ' were put
into practice by Indian artists, and are the basic principles on which their art was founded.
Genres of Indian painting
Indian Paintings can be broadly classified as murals and miniatures. Murals are large works executed
on the walls of solid structures, as in the Ajanta Cavesand the Kailashnath temple. Miniature paintings
are executed on a very small scale for books or albums on perishable material such as paper and cloth.
The Palas of Bengal were the pioneers of miniature painting in India. The art of miniature painting
reached its glory during the Mughal period. The tradition of miniature paintings was carried forward
by the painters of different Rajasthani schools of painting like the Bundi, Kishangarh, Jaipur, Marwar
and Mewar. The Ragamala paintings also belong to this school, as does the Company
painting produced for British clients under the British Raj.
Modern Indian art has seen the rise of the Bengal School of art in 1930s followed by many forms of
experimentations in European and Indian styles. In the aftermath of India's independence, many new
genres of art developed by important artists like Jamini Roy, MF Husain, FN Souza, and Gaitonde. With
the progress of the economy the forms and styles of art also underwent many changes. In the 1990s,
Indian economy was liberalized and integrated to the world economy leading to the free flow of
cultural information within and without. Artists include Subodh Gupta, Atul Dodiya, Devajyoti Ray,
Bose Krishnamachari and Jitish Kahllat whose works went for auction in international markets.
3. Murals
The history of Indian murals starts in ancient and early medieval times, from 2nd century BC to 8th -
10th century AD. There are known more than 20 locations around India containing murals from this
period, mainly natural caves and rock-cut chambers.[1] The highest achievements of this time are the
caves of Ajanta, Bagh, Sittanavasal, Armamalai Cave (Tamil Nadu), Ravan Chhaya rock shelter,
Kailasanatha temple in Ellora Caves.
Murals from this period depict mainly religious themes of Buddhist, Jain and Hindu religions. There
are though also locations where paintings were made to adorn mundane premises, like the ancient
theatre room in Jogimara Cave[2] and possible royal hunting lodge circa 7th century AD - Ravan
Chhaya rock shelter.[3]
Miniature painting
The pattern of large scale wall painting which had dominated the scene, witnessed the advent of
miniature paintings during the 11th & 12th centuries. This new style figured first in the form of
illustrations etched on palm-leaf manuscripts. The contents of these manuscripts included literature
on Buddhism & Jainism. In eastern India, the principal centres of artistic and intellectual activities of
the Buddhist religion were Nalanda, Odantapuri, Vikramshila and Somarpura situated in the Pala
kingdom (Bengal & Bihar).
Eastern Indian painting
In eastern India miniature painting developed in 10th century. These miniatures, depicting Buddhist
divinities and scenes from the life of Buddha were painted on the leaves (about 2.25 by 3 inches) of
the palm-leaf manuscripts as well as their wooden covers. Most common Buddhist illustrated
manuscripts include the texts Astasahasrika Prajnaparamita,
[4] Pancharaksa, Karandavyuha andKalachakrayanatantra. The earliest extant miniatures are found in
a manuscript of the Astasahasrika Prajnaparamita dated in the sixth regnal year of Mahipala (c. 993),
presently in the possession ofThe Asiatic Society, Kolkata. This style disappeared from India in the late
12th century.
Western Indian painting
In western India between the 10th to 12th century miniature painting developed. These small
paintings were part of manuscripts written at the time and illustrate the subjects of the manuscripts.
These miniatures are found in some Hindu and Jaina manuscripts and are of 2 to 4 inches in size.
During 12th to 17th century western Indian miniature paintings flourish very rich. Modern western
Indian states; Gujarat state and Rajasthan state were integrated into western India of that time.
Particular manuscript miniature painting developed in the western part of India that is modern state
of Gujarat. From 17th century “Rajput miniature painting " developed in the western part of India that
is modern western state of Rajasthan. “Rajput miniature painting has it’s own style and beauty.
'Subjects- The subjects of these miniature paintings are in relation to the subjects of the manuscripts
4. mostly religious and literary. Many paintings are from Sanskrit and folk literature. It is on the subject of
love stories. Some paintings from Vaishnav sect of Hindu religion and some are from Jain cult. The
Paintings of Vaishnav sect are regarding various occasions of the life of Lord Krishna and Gopies.
Vaishnav paintings of "Gita Govinda" is about Lord Krishna. The paintings of Jain cult is concerning to
Jain Lords and religious subjects. Equipments- These paintings were created on “Taadpatra” that
means the leaf of the palm tree, and Paper. During that period earlier manuscripts were created from
the leaf of the palm tree and later on from the paper. Characteristic- In these paintings there are very
few human characters with front face are seen. Most of the human characters are seen with side
profile. Big eyes, pointed nose and slim waist are the features of these paintings. The skin colours of
human being are Brown and fair. The skin colour of the Lord Krishna is Blue. The colour of the hair and
eyes is black. Women characters have long hair. Human characters have worn jewellery on hand, nose,
neck, hair, waist and ankles. Man and women have worn traditional Indian dress, sleepers and shoes.
Men have turbans on the head. In these paintings, trees,rivers,flowers,buirds,the land,the
sky,houses,traditional chairs,cushion,curtains,lamps, and human characters have been
painted. Colours-Mostly Natural colours have been used in these paintings.Black, Red, White, Brown,
Blue, Yellow colours are used to decorate the paintings. Promoters- The Kings, Courtiers of the kings,
wealthy businessmen, and Relegious leaders of that time were the promoters of these miniature
paintings. Painters- Painters of these picturs were from the local society." Vaachhak " was the famous
painter of that time.Painters tried to make the subject of the manuscrit live by these picturs so that
the readers of the manuscript can enjoy reading.
Malwa, Deccan and Jaunpur schools of painting
A new trend in manuscript illustration was set by a manuscript of the Nimatnama painted at Mandu,
during the reign of Nasir Shah (1500–1510). This represent a synthesis of the indigenous and the
Persian style, though it was the latter which dominated the Mandu manuscripts. There was another
style of painting known as Lodi Khuladar that flourished in the Sultanate's dominion of North India
extending from Delhi to Jaunpur.
The miniature painting style, which flourished initially in the Bahmani court and later in the courts of
Ahmadnagar, Bijapur and Golkonda is popularly known as the Deccan school of Painting. One of the
earliest surviving paintings are found as the illustrations of a manuscript Tarif-i-Hussain Shahi (c.1565),
which is now in Bharata Itihasa Samshodhaka Mandala, Pune. About 400 miniature paintings are
found in the manuscript of Nujum-ul-Ulum (Stars of Science) (1570), kept in Chester Beatty Library,
Dublin.
Mughal painting
Mughal painting is a particular style of Indian painting, generally confined to illustrations on the book
and done in miniatures, and which emerged, developed and took shape during the period of
the Mughal Empire 16th -19th centuries).
Mughal paintings were a unique blend of Indian, Persian and Islamic styles. Because the Mughal kings
wanted visual records of their deeds as hunters and conquerors, their artists accompanied them on
military expeditions or missions of state, or recorded their prowess as animal slayers, or depicted
them in the great dynastic ceremonies of marriages.
Akbar's reign (1556–1605) ushered a new era in Indian miniature painting. After he had consolidated
his political power, he built a new capital at Fatehpur Sikri where he collected artists from India and
5. Persia. He was the first morarch who established in India an atelier under the supervision of two
Persian master artists, Mir Sayyed Ali and Abdus Samad. Earlier, both of them had served under the
patronage of Humayun in Kabul and accompanied him to India when he regained his throne in 1555.
More than a hundred painters were employed, most of whom were Hindus from Gujarat, Gwalior and
Kashmir, who gave a birth to a new school of painting, popularly known as the Mughal School of
miniature Paintings.
One of the first productions of that school of miniature painting was the Hamzanama series, which
according to the court historian, Badayuni, was started in 1567 and completed in 1582.
The Hamzanama, stories of Amir Hamza, an uncle of the Prophet, were illustrated by Mir Sayyid Ali.
The paintings of the Hamzanama are of large size, 20 x 27" and were painted on cloth. They are in the
Persian safavi style. Brilliant red, blue and green colours predominate; the pink, eroded rocks and the
vegetation, planes and blossoming plum and peach trees are reminiscent of Persia. However, Indian
tones appear in later work, when Indian artists were employed.
After him, Jahangir encouraged artists to paint portraits and durbar scenes. His most talented portrait
painters wereUstad Mansur, Abul Hasan and Bishandas.
Shah Jahan (1627–1658) continued the patronage of painting. Some of the famous artists of the
period were Mohammad Faqirullah Khan, Mir Hashim, Muhammad Nadir, Bichitr, Chitarman,
Anupchhatar, Manohar and Honhar.
Aurangzeb had no taste for fine arts. Due to lack of patronage artists migrated to Hyderabad in the
Deccan and to the Hindu states of Rajasthan in search of new patrons.
Rajput painting
Rajput painting, a style of Indian painting, evolved and flourished, during the 18th century, in the royal
courts of Rajputana, India. Each Rajput kingdom evolved a distinct style, but with certain common
features. Rajput paintings depict a number of themes, events of epics like the Ramayana and
the Mahabharata, Krishna's life, beautiful landscapes, and humans. Miniatures were the preferred
medium of Rajput painting, but several manuscripts also contain Rajput paintings, and paintings were
even done on the walls of palaces, inner chambers of the forts, havelies, particularly,
the havelis of Shekhawati.
The colours extracted from certain minerals, plant sources, conch shells, and were even derived by
processing precious stones, gold and silver were used. The preparation of desired colours was a
lengthy process, sometimes taking weeks. Brushes used were very fine.
Mysore painting
Mysore painting is an important form of classical South Indian painting that originated in the town
of Mysore in Karnataka. These paintings are known for their elegance, muted colours, and attention to
detail. The themes for most of these paintings are Hindu Gods and Goddesses and scenes from Hindu
mythology. In modern times, these paintings have become a much sought after souvenir during
festive occasions in South India.
The process of making a Mysore painting involves many stages. The first stage involves the making of
the preliminary sketch of the image on the base. The base consists of cartridge paper pasted on a
wooden base. A paste made of Zinc oxide and Arabic gum is made called "gesso paste". With the help
of a thin brush all the jewellery and parts of throne or the arch which have some relief are painted
6. over to give a slightly raised effect of carving. This is allowed to dry. On this thin gold foil is pasted. The
rest of the drawing is then painted using watercolours. Only muted colours are used.
Tanjore painting
Tanjore painting is an important form of classical South Indian painting native to the town
of Tanjore in Tamil Nadu. The art form dates back to the early 9th century, a period dominated by
the Chola rulers, who encouraged art and literature. These paintings are known for their elegance, rich
colours, and attention to detail. The themes for most of these paintings are Hindu Gods and
Goddesses and scenes from Hindu mythology. In modern times, these paintings have become a much
sought after souvenir during festive occasions in South India.
The process of making a Tanjore painting involves many stages. The first stage involves the making of
the preliminary sketch of the image on the base. The base consists of a cloth pasted over a wooden
base. Then chalk powder or zinc oxide is mixed with water-soluble adhesive and applied on the base.
To make the base smoother, a mild abrasive is sometimes used. After the drawing is made, decoration
of the jewellery and the apparels in the image is done with semi-precious stones. Laces or threads are
also used to decorate the jewellery. On top of this, the gold foils are pasted. Finally, dyes are used to
add colors to the figures in the paintings.
Madhubani painting
Madhubani painting is a style of painting, practiced in the Mithila region of Bihar state. Themes
revolve around Hindu Gods and mythology, along with scenes from the royal court and social events
like weddings. Generally no space is left empty; the gaps are filled by paintings of flowers, animals,
birds, and even geometric designs.In this paintings artists uses leaf, Herbs, Flowers to make the colour
which is used to draw paintings.
Pattachitra
Pattachitra refers to the folk painting of the state of Orissa, in the eastern region of India.'Patta'
in Sanskrit means 'Vastra' or 'clothings' and 'chitra' means paintings.The tradition of Pattachitra is
closely linked with the worship of Lord Jagannath. Apart from the fragmentary evidence of paintings
on the caves ofKhandagiri and Udayagiri and Sitabhinji murals of the Sixth century A.D., the earliest
indigenous paintings from Odisha are the Pattachitra done by the Chitrakars (the painters are called
Chitrakars).[5] The theme of Odishan painting centres round the Vaishnava cult. Since beginning of
Pattachitra culture Lord Jagannath who was an incarnation of Lord Krishna was the major source of
inspiration. The subject matter of Patta Chitra is mostly mythological, religious stories and folk lore.
Themes are chiefly on Lord Jagannath and Radha-Krishna, different "Vesas"
of Jagannath, Balabhadra and Subhadra, temple activities, the ten incarnations of Vishnu basing on
the 'Gita Govinda' of Jayadev, Kama Kujara Naba Gunjara, Ramayana, Mahabharata. The individual
paintings of gods and goddesses are also being painted.The painters use vegetable and mineral colours
without going for factory made poster colours. They prepare their own colours. White colour is made
from the conch-shells by powdering, boiling and filtering in a very hazardous process. It requires a lot
of patience. But this process gives brilliance and premanence to the hue. 'Hingula', a mineral colour, is
used for red. 'Haritala', king of stone ingredients for yellow, 'Ramaraja' a sort of indigo for blue are
being used. Pure lamp-black or black prepared from the burning of cocoanut shells are used.The
brushes that are used by these 'Chitrakaras' are also indigenous and are made of hair of domestic
animals. A bunch of hair tied to the end of a bamboo stick make the brush. It is really a matter of
wonder as to how these painters bring out lines of such precision and finish with the help of these
7. crude brushes. That old tradition of Odishan painting still survives to-day in the skilled hands of
Chitrakaras (traditional painters) in Puri,Raghurajpur, Paralakhemundi, Chikiti and Sonepur.
Bengal school
The Bengal School of Art was an influential style of art that flourished in India during the British Raj in
the early 20th century. It was associated with Indian nationalism, but was also promoted and
supported by many British arts administrators.
The Bengal school arose as an avant garde and nationalist movement reacting against the academic
art styles previously promoted in India, both by Indian artists such as Ravi Varma and in British art
schools. Following the widespread influence of Indian spiritual ideas in the West, the British art
teacher Ernest Binfield Havel attempted to reform the teaching methods at the Calcutta School of
Art by encouraging students to imitate Mughal miniatures. This caused immense controversy, leading
to a strike by students and complaints from the local press, including from nationalists who considered
it to be a retrogressive move. Havel was supported by the artist Abanindranath Tagore, a nephew of
the poet Rabindranath Tagore. Tagore painted a number of works influenced by Mughal art, a style
that he and Havel believed to be expressive of India's distinct spiritual qualities, as opposed to the
"materialism" of the West. Abanindranath Tagore's best-known painting, Bharat Mata (Mother India),
depicted a young woman, portrayed with four arms in the manner of Hindu deities, holding objects
symbolic of India's national aspirations. Tagore later attempted to develop links with Far-Eastern
artists as part of an aspiration to construct a pan-Asianist model of art. Those associted with this Indo-
FarEastern model included Nandalal Bose, Benode Behari Mukherjee, Vinayak Shivaram Masoji,B.C.
Sanyal, Beohar Rammanohar Sinha, and subsequently their students A. Ramachandran, Tan Yuan
Chameli, and a few others.
The Bengal school's influence on Indian art scene gradually started alleviating with the spread
of modernist ideas post-independence.
Modern Indian Painting
During the colonial era, Western influences started to make an impact on Indian art. Some artists
developed a style that used Western ideas of composition, perspective and realism to illustrate Indian
themes. Others, like Jamini Roy, consciously drew inspiration from folk art.
By the time of Independence in 1947, several schools of art in India provided access to modern
techniques and ideas. Galleries were established to showcase these artists. Modern Indian art
typically shows the influence of Western styles, but is often inspired by Indian themes and images.
Major artists are beginning to gain international recognition, initially among the Indian diaspora, but
also among non-Indian audiences.
The Progressive Artists' Group, established shortly after India became independent in 1947, was
intended to establish new ways of expressing India in the post-colonial era. The founders were six
eminent artists - K. H. Ara, S. K. Bakre, H. A. Gade, M.F. Husain, S.H. Raza and F. N. Souza, though the
group was dissolved in 1956, it was profoundly influential in changing the idiom of Indian art. Almost
all India's major artists in the 1950s were associated with the group. Some of those who are well-
known today are Bal Chabda, Om Swami, V. S. Gaitonde, Krishen Khanna, Ram Kumar, Tyeb Mehta,
and Akbar Padamsee. Other famous painters like Jahar Dasgupta, Prokash Karmakar, John
Wilkins,Narayanan Ramachandran, and Bijon Choudhuri enriched the art culture of India. They have
8. become the icon of modern Indian art. Art historians like Prof. Rai Anand Krishna have also referred to
those works of modern artistes that reflect Indian ethos. Some of the new artists like Geeta Vadhera
have had acclaim in translating complex, Indian spiritual themes into the canvas - Sufi thought [1],
Upanishads and the Bhagwad Geeta, for example. From 1990 to till 2009 the Indian art is growing with
powerful expression. one of them is Raj mehta working in lucknow, recent work on women the silent
feature of women mind.the city of nawabs. it has the great history, ruled many kings and the loving
place of all emperial power. Raj mehta work in painting and mural. kriti art gallery in varanasi explore
his work in India. "Third Eye Series", is a new style of painting brought out by Narayanan
Ramachandran, during 1990 to 2010.
Indian Art got a boost with the economic liberalization of the country since early 1990s. Artists from
various fields now started bringing in varied styles of work. Post liberalization Indian art thus works
not only within the confines of academic traditions but also outside it. Artists like Chittrobhanu
Majumdar, A Ramachandran, etc have introduced newer mediums in art. In this phase, artists have
introduced even newer concepts which have hitherto not been seen in Indian art. Devajyoti Ray has
introduced a the new genre of art called Pseudorealism. Pseudorealist Art is an original art style that
has been developed entirely on the Indian soil. Pseudorealism takes into account the Indian concept
of abstraction and uses it to transform regular scenes of Indian life into a fantastic images.
In post-liberalization India, many artists have establisghed themselves in the international art market
like Anish Kapoor whose mammoth artworks have acquired attention for their sheer size. Many art
houses and galleries have also opened in USA and Europe to showcase Indian artworks.Some artists
like Bhupat Dudi, Subodh Gupta , Piu Sarkar, Vagaram Choudhary, Amitava Sengupta and many others
have done magic world wide.Chhaya Ghosh is a gifted painter, and is pretty active in Triveni Art
Gallery, New Delhi.