6 motif and pattern
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Ornamental design is primarily decorative and emerges from national handicraft patterns like weaving, embroidery, and jewelry design. It is found worldwide in artifacts, architecture, and objects and signifies the cultural identity of a people. Ornamental design has two main components: motifs, which are single decorative elements, and patterns, which are repetitive uses of one or more motifs.
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The document provides a matching activity between elements of art and principles of design in Column A and their definitions in Column B. It also includes pictures of paintings, sculptures, and architecture from Western classical art with directions to identify which is which. Finally, it asks the reader to analyze art elements and principles present in pictures and identify what era they belong to.
Historical facts.pptx
The document provides a history of interior design styles from the Victorian era to modern times. It discusses key styles such as Victorian (1837-1901), Arts & Crafts (1860-1910), Art Nouveau (1890-1910), Eclecticism (1900s-now), Colonial (1905-now), and the works of famous architect Frank Lloyd Wright including Fallingwater and the Guggenheim Museum. The Victorian era featured ornate decorations and furnishings while Arts & Crafts emphasized natural materials and craftsmanship. Art Nouveau used flowing, organic forms inspired by nature. Eclecticism blended different styles. Colonial design took influence from historical Georgian and Neoclassical styles. Wright designed iconic structures that blended
Start of interior design in human history.pptx
Interior architecture is the practice of sensitively and innovatively redesigning an existing interior space, while respecting its historical value. As well as considering aesthetic design, interior architecture focuses on the functionality and material construction of interior spaces. It addresses structural elements like window and door placements, ventilation, heating and plumbing, as well as interior decoration.
Chinoiserie: style at a glance
The document summarizes the key elements of the Chinoiserie style, which originated from 17th century European imitation of Chinese artistic motifs and designs. Some of the most common elements included silk and paper wallpaper, blue and white porcelain replacing silver and gold dishware, lacquered furniture, screens dividing interior spaces, use of bamboo in furniture, miniature pagodas as decorations, depictions of fantastical Chinese landscapes, inclusion of Chinese figures in pastoral scenes, ornate birds and flowers as motifs, and symbolic use of dragons and other figures. The style idealized China as a mysterious and exotic land in the European imagination at a time when information about China was limited.
STYLE AND CULTURE
Art Nouveau emerged in the late 19th century as a reaction against historical revival styles. It originated in different parts of Europe, being called "Style Liberty" in Italy and "Jugendstil" in Germany. Characterized by flowing, organic lines inspired by nature, Art Nouveau was widely used for furniture, interior decoration, and other decorative objects. Notable artists who worked in the style included Aubrey Beardsley, Henri de Toulouse-Lautrec, Emile Gallé, and Louis Comfort Tiffany. Architects like Antoni Gaudí and Victor Horta also incorporated Art Nouveau elements into their buildings.
L-4 DECORATIVE ART.pptx
Decorative art encompasses a wide range of artistic disciplines focused on ornamenting functional objects that may not have intrinsic aesthetic qualities. It includes crafts like basket-weaving, ceramics, tapestry, and others. Decorative art objects often have a utilitarian purpose, unlike fine art which is meant solely for viewing. Major museums like the Metropolitan Museum of Art and the Victoria and Albert Museum showcase decorative art styles including basketry, enamelwork, floral decorations, lacquer work, pottery, mosaic, and tapestry.
ART FORM.pptx
Modern mosaics are made by professional artists, street artists, and as a craft. Many materials beyond traditional stone and ceramic tesserae are used, including shells, glass, beads, and other materials like jewelry, paint, and wood. The document discusses the history and techniques of mosaics from ancient times to modern practices. It describes how mosaics are made and the different materials used throughout history in various cultures and artistic movements.
European Vintage Rugs 1920's - 1950's
Märta Måås-Fjetterström was a pioneering Swedish textile artist and rug designer active in the early 20th century. She established her own rug workshop in 1919 after being dismissed from her previous position for refusing to copy designs. Måås-Fjetterström revived traditional Swedish weaving techniques and created over 700 original rug designs inspired by folk art, nature, and modernist styles. Her rugs combined simplified traditional motifs with muted palettes and helped establish Sweden's reputation for modern textile design. Måås-Fjetterström exhibited her rugs internationally and influenced generations of artists through her emphasis on craftsmanship and originality.
Neo
Robert Adam introduced a new interpretation of classical architecture in the late 18th century that combined classical features with colorful decorations. He designed circular and oval rooms with classical plasterwork on walls and ceilings and painted colors. Adam drew inspiration from archaeological discoveries at Pompeii and Herculaneum. Neoclassical style furniture became more geometric and inspired by classical motifs, featuring designs by Hepplewhite and Sheraton that were simpler versions of Adam's original designs. Textiles prominently featured printed designs of classical motifs and patterns inspired by Eastern imports.
1_The-Meaning-and-Importance-of-Art.pptx
This document discusses the definitions, nature, functions and origins of art. It provides several definitions of art from different authors, emphasizing that art is a form of human expression and communication. The document also outlines the common essentials of art, including that it must be man-made and creative. It discusses the subject, scope and importance of art in society and culture. Finally, it briefly traces the origins of art back to early rituals, ceremonies and cave paintings of indigenous cultures.
Interior styling & styles in interiors
The document discusses different interior styling elements and styles. It describes interior styling as "dressing" a room to make it functional, express taste, and look its best through elements like color schemes, textures, storage, layout, furniture, lighting, soft furnishings, and using trendy designs that don't date quickly. It then outlines various interior design styles - including Art Deco, Nautical, Transitional, Classical, Contemporary, Country, French, Mid-Century Modern, and Minimalist - describing their characteristic design features, colors, and furnishings.
design journal ancient egypt ancient greeceancient
design journal
ancient egypt
ancient greece
ancient rome
gothic
italian renaissance
french baroque
french rococo
neoclassical
empire
georgian
victorian
shaker
thonet
art and crafts
art nouveau/vienne secession
international
art deco
mid century modern
pop
DANIELA YEPEZ-HISTORY OF INTERIOR DESIGN- PROF.CHRISTINA GONANO
ancient egypt
MINOTTI.COM
SELF BY RODOLFO DORDONII
The wooden stool from the
Ancient Egypt epoque has
various elements that are
repeated in the Self Lounge
Chair by Rudolfo Dordonii.
The leather fabric and the
X support structure can be
observed in the contemporary
design of Dordonii. The only
material differenciation in the
Dordonii creation is the stain-
less still. Ancestral ideas are
still being used today
Ancient Egypt is known for the use of Papyrus, Wooden
Goods, Rafts and boats, Writing Material.
Moreover, the animal products such as bone, ivory, feath-
ers, fur, shell, leather were used and are still being used
in the design field of today adding luxury to the pieces.
ancient greece
YATZER.COM
DEZEEN OFFICES
IN A RESTORED BUILDING
LOCATED IN LONDON.
The influence of Acient Greece in
the modern world can still be ap-
preciated. For example: Philippe
Malouin, head of local studio
Post Officce, applied draparey to
separate spaces and bring dyna-
mism among the users. Moreover,
he adapt the exposed ceiling with
glass to allow natural light. This
two features were seen in the An-
cient Greece time and now they
are features that are translated as
contemporary aspects.
In Acient Greece drapery used decorativeley and func-
tionally to divide space. Columns were used structurally
to divide space. Moreover, the sections of mosaics were
used to difine floor space. The exposed beams in the ceil-
ing were applied.
ancient rome
YATZER.COM
BAGATTIN VALSECCHI M.
A PALAZZO
LOCATED IN MILAN.
The Bagattin Valsecchi Museum
curated by the Rossana Orlandi
in Milan, is the perfect example
to demostrate the Ancient Rome
style today in a modern way. Visi-
tors can perceive this style in a
contemporary approach due to
the contrast between the interior
elements (ceilings, walls, floor)
and the ultra modern furniture
pieces that are now exhibit in this
historical building. The Contrast
betwwen style is the new trend in
design.
Ancient Rome is characterized as a time were religion was the
most important aspect in the citizen’s life, art, architecture,
interiors and more. Painting was a vitalmethod to acheive the
learning of the importance of religion and church. The interior
are full of ornaments, strong colors, detailed walls, floors and
ceilings that were always
emphasizing GOD.
gothic
YLIVING.COM
IN-HIGH EASY CHAIR
The Gothic style in these oak
chairs is very notorious. The
design is described as rectilinear,
box like and hinged seat. The col-
or is obscure and hierarchy is per ...
Wester Classical Art Traditions First Quarter.powerpoint presentation
Pre-historic art included cave paintings that may have been used for communication or religious purposes. Egyptian paintings aimed to make the afterlife pleasant for the deceased by depicting their journey to the underworld. Common methods of Greek painting included fresco, encaustic, and the Kerch style.
Édouard Colonna
This settee and chair were designed by Édouard Colonna in 1899 for the Art Nouveau wing at the 1900 Paris Exposition Universelle. Made of maple wood with whiplash carvings, the pieces featured elongated, sinuous lines inspired by nature. They were part of a complete salon designed by Colonna for Siegfried Bing's Maison de l'Art Nouveau, known for its contributions to the Art Nouveau style through furniture, textiles, and interior designs. The set later became part of the Virginia Museum of Modern Art's collection.
ECLECTICISM.pdf
this ppt about ECLECTIC FURNITURE DESIGN shows the types of furniture which comes under eclectic time period and also gives a brief about eclecticism
Presentation1.pptx
This document provides an overview of different types of historical furniture from various cultures and eras. It discusses Chinese furniture which evolved based on frame and panel construction as well as bamboo techniques. Greek furniture was simple and elegant, borrowing initially from Egyptian styles. Roman furniture was sparse and used for decoration rather than furnishings. Egyptian furniture included chairs, tables and beds, with most common pieces being low stools. Renaissance furniture in Italy had a grand style which influenced furniture across Europe, using finer woods than previously.
Art noveau
The Arts and Crafts movement of the mid-19th century emphasized handcrafted wood, pottery, and stained glass with nature motifs. Products were made by individuals rather than factories. Art Nouveau in the late 19th century featured whiplash curves and nature designs in metal and wood. Some used mass production while others valued craftsmanship. Art Deco in the 1920s-1930s had zigzags, sharp angles, and stepped designs influenced by skyscrapers.
Art Appreciation Lesson for SCULPTURE.pptx
This document provides an overview of sculpture, including its definition, history, materials, techniques, types, and key periods. Sculpture is defined as the art of carving or molding three-dimensional forms. The three main types of representation in sculpture are the maker's intended meaning, the viewer's perspective, and a negotiated meaning between the two. The history of sculpture spans from prehistoric times to modern developments in the 20th century, including Egyptian, Greek, Roman, Renaissance, Baroque, and contemporary styles. Common materials include stone, wood, metal, clay and techniques involve carving, molding, casting, and assemblage.
Similar to 6 motif and pattern (20)
design journal ancient egypt ancient greeceancient
design journal ancient egypt ancient greeceancient
Wester Classical Art Traditions First Quarter.powerpoint presentation
Wester Classical Art Traditions First Quarter.powerpoint presentation
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1) Habits and thought patterns developed over time can block creativity by making us rigid in our thinking and less open to new ideas. Our tendency is to rely on what is known and familiar rather than exploring unfamiliar or unknown options.
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Linear thinking is straightforward and follows a direct path to solve problems, while nonlinear thinking considers alternative approaches and hidden meanings. Fuzzy logic allows for ambiguity and dealing with true meanings that are not clearly stated. The document discusses how these different thought processes - linear, nonlinear, and fuzzy logic - are used in everyday life and thinking. The author thinks nonlinearly to plan solutions but linearly to implement them, and uses fuzzy logic to understand true meanings behind ambiguous statements.
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This document discusses several factors that can influence visual perception, including:
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What is imagination
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Barriers to idea generation for collaborative problem solving
This document discusses barriers to creative idea generation during collaborative problem solving. It aims to identify barriers and develop a formula to determine individuals' Brain Dominance Profiles (BDP), which indicate their thinking preferences. The document reviews how BDP relates to different processing modes and can influence idea generation. It suggests that understanding BDP and using a whole-brain approach can help maximize creative potential and overcome barriers during collaboration.
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Part A instructs students to create a composition using four vertically arranged cut-out photographic images glued to a cardboard base to demonstrate balance, emphasis, and continuity. The images are to include a background, mid-ground object, foreground object, and person.
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Assignment #7 color harmonies
This 3 sentence summary provides the key details about the document:
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HCL Notes und Domino Lizenzkostenreduzierung in der Welt von DLAU
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6 motif and pattern
- 2. Ornamental Design (n) is a design whose principal purpose is decorative. Much of ornamental design emerges from patterns derived from national handicrafts such as weaving, jewelry design, embroidery, lace, etc. Other can be found chiseled in stone, painted on ceramic or wood or stamped or printed on fabric and paper. Ornamental design is found nearly everywhere in the world.
- 3. Its presence in art or artifact symbolizes the cultural or national identity of a people. In theatre it’s importance can not be overstated, because it can serve as an identifier. As an architectural feature, for example, it can pinpoint a location. As a piece of jewelry, it can suggest the origin of the bearer.
- 4. Let us define the major components of ornamental or decorative design. Motif: a single decorative element used alone or as a part of a pattern. Pattern: repetitive use of one or more motifs. Note that the pattern above has more than just two motifs.
- 5. Egyptian textile – 1950’s
- 6. Greek Vase – Rhodes c. 600 BC
- 7. Kenya – Contemporary – Soapstone plate
- 8. Chinese tomb motif –15th Cent.
- 9. Florentine utility tables – contemporary reproduction 18th cent. Design.
- 10. German wall tile Motif 17th Cent.
- 11. French early 20th Cent. Textile pattern
- 12. Irish Jewelry box of Brasilian Walnut. c 1700
- 13. Italian Provincial plate motif and pattern 19th Cent.
- 14. Contemporary Japanese stencil motif
- 15. Early American floor cloth c1780
- 16. Kashmir – India – Shawl fragment 19th Cent.`
- 17. Mexican Chamayo Rug c.1900
- 18. Moroccan Wall pattern 18th Cent.
- 19. Russian bread boards – national motif - contemporary
- 20. Spanish floor motif from Majorca – Moorish influence
- 22. Basket from Uganda - Contemporary
- 24. Anatolian Kilim (Rug) 1. Motif is taken from pattern 2. Motif is re-structured to fit format criteria. 3. Motif is alter and personalized.
- 25. Motif is repeated to form the desired pattern. Mirror image 90 deg. rotation