2. Initial Plans
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Spencer Fox outlines initial plans for developing a 2D pixel art game. Due to a lack of pixel art skills, the character will be simple. The game will include a main menu, character selection, loading screen, game level, and completion screen. Spencer may rework a previous experiment, adding more sections and changing the character. A mind map shows potential game ideas like a platformer or endless runner. The chosen concept is an adventure platformer with fantasy elements, power-ups, enemies, and changing terrain. A mood board provides examples for character design, menus, and color schemes. A schedule outlines tasks over 5 weeks including design, production, sound integration, and evaluation. References 7 existing games for research.
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2. initial plans
Fred Clayton outlines their initial plans for a creative project. They intend to focus on their strengths in writing by creating a conversation-based RPG inspired by games like Arcanum and Fallout. Fred created a mood board with pixel art screenshots to represent the tone they want and analyzed how it will influence the final product by keeping their concept focused. They outlined a 5 week schedule to finalize the game layout, write dialog, create character poses/UI/animations, add polish, and included 7 sources for research.
2. initial plans (video game)
Joshua Meredith plans to create a Pokémon-style pixel art battle game for his project. He considers a Pokémon, Street Fighter, or Duck Hunt style game and decides Pokémon would be easiest as he is familiar with the gameplay and style. His game will feature two original grayscale characters battling in 3 turns, showing moves, damage taken, and experience gained. He creates a mood board and schedule to guide the project, which will include designing characters, animating moves, and assembling the battle scene over 5 weeks. Research sources will include various Pokémon video games to reference the gameplay style and mechanics.
2. initial plans
Rebecca Edwards provides an initial reaction and plans for her final video game project. She feels more confident after completing production experiments. She wants to create a game with Gothic imagery centered around animation she enjoyed creating. Due to animating objects not characters, she considers a stationary game like a card or matching game. She also considers a turn-based RPG with a spooky Gothic style like Undertale. Background animation during gameplay and jump scares are other ideas. A mind map and mood board are included to influence the Gothic/horror style, characters, environment and puzzles in the mansion setting game. A schedule outlines weeks for research, production, and evaluation. Seven sources for audience research, games and other media are cited for the
2. initial plans
Ethan Hunter was initially confident in his ability to create a unique video game concept. However, upon starting the process, he is facing difficulties that are challenging his original ideas. All of his game ideas feel unoriginal, and he is limited in the complexity he can achieve using Photoshop, which will result in a very simplistic visual product. This does not align with his goal of creating something complex and intricate. He is struggling to overcome these problems and develop a concept that is unique.
Initial Plans Video Game
The document provides an initial plan and reaction for a 2D pixel art game project targeting 16-19 year olds. It discusses exploring handheld or mobile platforms as the author has experience with PC games. Due to the pixel art style, the game must be simple but allow for detail. The author wants to move away from their previous endless runner style game and try a puzzle or match-3 game instead. They will aim to create a unisex game different from their previous male-focused work. The schedules outlines 5 weeks of production including research, proposal, development, and evaluation. The bibliography lists 7 example games from various publishers in related genres to use for inspiration and research.
Video game initial plans
The document outlines Harry Adkins-Pennington's initial plans for a game project. It includes three potential game ideas: 1) A card matching game using characters from Undertale 2) A turn-based RPG combining Undertale characters with characters from other games where the player controls a YouTuber 3) A platformer/RPG hybrid where the player controls a team of YouTubers to get through levels and battle enemies in turn-based combat. It also includes mind maps, mood boards analyzing pixel art styles, and a schedule laying out the 5 week production plan and tasks. Sources that will be used include video games, YouTubers, and other media related to gaming.
2. initial plans
The document outlines initial plans for an animation project. It describes leaning toward a simple car game where the player character must shoot or dodge enemy cars to pass through lanes. The author feels overwhelmed but will adapt. Mind maps propose a car racing game with levels, enemies, points for collecting tokens. Alternative ideas include a shooting range game scoring headshots or a shark game where the player eats fish to grow in size. A mood board includes car and token images to influence the final product. A schedule plans experiments, response, research, proposal, planning and production over 5 weeks. Sources listed for inspiration include existing driving and racing games.
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Ellie Jones initially had reservations about creating a pixel art video game as part of her set brief, as she had no prior experience in this area. However, after some research and experimentation, she began to enjoy the process more. She is happy that she can create any type of video game without many restrictions. In her mind map, she outlines several potential game ideas, including a zombie shooting game, an adventure game based on the movie "The World's End", and a horror game where the player controls a clown killer. Her mood board and schedule provide further details on the art style, locations, characters, and timeline for her chosen game, which will be a role-playing game based on "The World's End
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2. initial plans
Fred Clayton outlines their initial plans for a creative project. They intend to focus on their strengths in writing by creating a conversation-based RPG inspired by games like Arcanum and Fallout. Fred created a mood board with pixel art screenshots to represent the tone they want and analyzed how it will influence the final product by keeping their concept focused. They outlined a 5 week schedule to finalize the game layout, write dialog, create character poses/UI/animations, add polish, and included 7 sources for research.
2. initial plans (video game)
Joshua Meredith plans to create a Pokémon-style pixel art battle game for his project. He considers a Pokémon, Street Fighter, or Duck Hunt style game and decides Pokémon would be easiest as he is familiar with the gameplay and style. His game will feature two original grayscale characters battling in 3 turns, showing moves, damage taken, and experience gained. He creates a mood board and schedule to guide the project, which will include designing characters, animating moves, and assembling the battle scene over 5 weeks. Research sources will include various Pokémon video games to reference the gameplay style and mechanics.
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Rebecca Edwards provides an initial reaction and plans for her final video game project. She feels more confident after completing production experiments. She wants to create a game with Gothic imagery centered around animation she enjoyed creating. Due to animating objects not characters, she considers a stationary game like a card or matching game. She also considers a turn-based RPG with a spooky Gothic style like Undertale. Background animation during gameplay and jump scares are other ideas. A mind map and mood board are included to influence the Gothic/horror style, characters, environment and puzzles in the mansion setting game. A schedule outlines weeks for research, production, and evaluation. Seven sources for audience research, games and other media are cited for the
2. initial plans
Ethan Hunter was initially confident in his ability to create a unique video game concept. However, upon starting the process, he is facing difficulties that are challenging his original ideas. All of his game ideas feel unoriginal, and he is limited in the complexity he can achieve using Photoshop, which will result in a very simplistic visual product. This does not align with his goal of creating something complex and intricate. He is struggling to overcome these problems and develop a concept that is unique.
Initial Plans Video Game
The document provides an initial plan and reaction for a 2D pixel art game project targeting 16-19 year olds. It discusses exploring handheld or mobile platforms as the author has experience with PC games. Due to the pixel art style, the game must be simple but allow for detail. The author wants to move away from their previous endless runner style game and try a puzzle or match-3 game instead. They will aim to create a unisex game different from their previous male-focused work. The schedules outlines 5 weeks of production including research, proposal, development, and evaluation. The bibliography lists 7 example games from various publishers in related genres to use for inspiration and research.
Video game initial plans
The document outlines Harry Adkins-Pennington's initial plans for a game project. It includes three potential game ideas: 1) A card matching game using characters from Undertale 2) A turn-based RPG combining Undertale characters with characters from other games where the player controls a YouTuber 3) A platformer/RPG hybrid where the player controls a team of YouTubers to get through levels and battle enemies in turn-based combat. It also includes mind maps, mood boards analyzing pixel art styles, and a schedule laying out the 5 week production plan and tasks. Sources that will be used include video games, YouTubers, and other media related to gaming.
2. initial plans
The document outlines initial plans for an animation project. It describes leaning toward a simple car game where the player character must shoot or dodge enemy cars to pass through lanes. The author feels overwhelmed but will adapt. Mind maps propose a car racing game with levels, enemies, points for collecting tokens. Alternative ideas include a shooting range game scoring headshots or a shark game where the player eats fish to grow in size. A mood board includes car and token images to influence the final product. A schedule plans experiments, response, research, proposal, planning and production over 5 weeks. Sources listed for inspiration include existing driving and racing games.
Initial plans
Ellie Jones initially had reservations about creating a pixel art video game as part of her set brief, as she had no prior experience in this area. However, after some research and experimentation, she began to enjoy the process more. She is happy that she can create any type of video game without many restrictions. In her mind map, she outlines several potential game ideas, including a zombie shooting game, an adventure game based on the movie "The World's End", and a horror game where the player controls a clown killer. Her mood board and schedule provide further details on the art style, locations, characters, and timeline for her chosen game, which will be a role-playing game based on "The World's End
Video game initial plans
The document outlines Harry Adkins-Pennington's initial plans for a game project. It includes three potential game ideas: 1) A card matching game using characters from Undertale, 2) A turn-based RPG featuring characters from Undertale and other games where the player controls YouTubers, and 3) A platformer/RPG hybrid where the player controls a team of YouTubers to get through levels and battle enemies. It also discusses plans to create character/enemy designs, levels, animations and evaluate the game through production and with player feedback.
Video game initial plans
The document outlines Harry Adkins-Pennington's initial plans for a game project combining elements from popular video games and YouTube personalities. The plans include a card matching game using characters from Undertale, a turn-based RPG combining Undertale characters with characters from other games where the player controls Markiplier, Jacksepticeye or Pewdiepie, and a platformer/RPG hybrid where the player controls a team of Markiplier, Jacksepticeye and Pewdiepie to progress through levels and battle enemies. Harry also provides a schedule, mood board analysis, and bibliography of 7 sources to reference for the project.
2. initial plans
The document provides initial reactions and plans for creating a video game. It discusses preferring to use 3D graphics over 2D as 3D allows for more detail. It also notes appreciation for having an open topic rather than being constrained to a specific theme. A mind map then combines ideas of an escape the tower game set during a zombie apocalypse where the player must escape and stop the virus from spreading. A mood board analysis reflects repetition of zombie themes to influence the final product and allow comparisons to other similar games. A schedule outlines plans to research the audience, create proposals, develop the 2D game over 4 weeks, and allow the final week for evaluation.
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This document provides instructions for an assignment to research three games with similar art styles and genres to the concept being developed. Students are asked to complete a table with details of three games, write an evaluation of each game's graphical style and how it complements the genre, and include annotated images from each game. The evaluations should explain how the information can be used to develop the student's own concept art and final design. Three sample games are then analyzed - Call of Duty: Black Ops Zombies using photorealism, Naruto Shippuden using exaggeration, and Dragon Ball Z using exaggeration.
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5. pre production
The document provides details on the pre-production of a game, including audience profile, style sheet, screenshot layouts, sound effects, contingency planning, and health and safety considerations. The target audience is teenagers aged 16-19 who are achievers or balanced. Screenshot layouts demonstrate the start screen, level success/failure screens, and a basic boss design. Sound effects and music are described for different parts of the game. Potential issues addressed include the creator getting ill, computer viruses, and equipment breaking, along with solutions to keep the project on track.
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The document outlines the initial plans for a side scrolling bee-themed RPG video game project. It includes an initial reaction, a mind map, a mood board analysis, a production schedule, and a bibliography. The mood board analysis notes repetition in pixel-style, side scrolling RPGs from games like Undertale and Earthbound that will influence the final product. The schedule outlines plans to create character and level designs in the first week and continue production over the following weeks.
Initial Plans
The document provides an initial reaction and plans for a video game project about bees. The student decided to create a side-scrolling RPG. Their strengths are in character and level design rather than digital art. A mood board was created with inspiration from games like Undertale and Earthbound that are colorful RPGs with unique characters and turn-based combat. The schedule outlines weeks spent on audience research, character creation, gameplay elements, and evaluation.
5. pre production (completed)
This document provides pre-production details for a video game targeted at 16-20 year old males and females. It includes information on the target audience, style sheets showing color palettes and pixel art examples, screenshot layouts, planned sound effects, contingency planning for potential issues, and health and safety considerations. The style sheets and screenshots provide examples of bright colors, complicated mazes, and detailed pixel art to inspire the game design. Sound effects, backups, time management, and research are discussed for contingency planning. Computer safety regarding spills, posture, eye strain, and overheating are addressed.
Initial plans
Harry Taylor plans to create a mobile game for players aged 16-19. He considers making either a shooter game or a simple game like Flappy Bird or Angry Birds. After brainstorming ideas, his final idea is a side-scrolling game where the player taps the screen to move an avatar and jump between platforms within time limits. The game will have futuristic neon colors and unlockable items. Harry's schedule outlines 5 weeks for case studies, research, production, evaluation, and bibliography sources like YouTube, games, books, newspapers, and surveys.
2 190208100115
Jack Roberts plans to create an endless runner game after initially considering a puzzle game. He feels his strength is in music and plans to make appealing background music that works well with the game's pacing. His mood board features a dark color palette and metallic/slimy looking aliens from films showing their vulnerability. He will likely carry the metallic/slimy alien design into his game and let the mood board influence the final product.
2. initial plans
Louis Robinson plans to create a video game for this task. He is considering making a first person shooter, challenge game, or racing game in the style of classic arcade games from the 1980s with bright colors. While inexperienced in pixel art, he thinks the task will be enjoyable. Louis does not plan to focus on realistic or high quality graphics due to time constraints, aiming to complete the game in 3 weeks.
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This document analyzes existing side-scrolling games and identifies common features to include in a new game. It notes that side-scrolling games typically include playable characters, enemies, collectables, and point counters. The document also discusses designing a game for audiences aged 10+ that features different difficulty levels, characters of all genders and races, and free gameplay with optional in-app purchases. Research areas like controls, color palettes, and mechanics are considered to create a game that appeals to a wide demographic.
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The document provides details on the pre-production planning for a game project. It outlines the style guide, including using muted colors for backgrounds and clearly distinguishing characters, enemies, and effects using different colors. It also describes the planned pixel font, character and environment art style inspiration, and color-coding enemies by zone. Additional sections cover the game layout, resources and software needed, contingency planning, health and safety considerations, and an 8-day production schedule.
2. initial plans (1)
Jack Roberts plans to create an endless runner game with a simplistic, pixelated aesthetic inspired by Jetpack Joyride. While drawing is not his strength, he intends to leverage his musical skills to create appealing background music that enhances the pacing of the game. His mood board research indicates a dark color palette and metallic/slimy alien designs will influence the look of the game. Over the coming weeks, he will research similar existing games, develop a proposal, and begin production with the goal of completing the project and conducting an evaluation.
2. initial plans
The document outlines Adam Lepard's initial plans for an animation project targeting teenagers. Adam considers three game ideas: a 2D fighting game, a runner game similar to Temple Run, and a horror choice-based game. While the fighting game would be difficult to animate, Adam thinks it would push his skills the most and appeal to male teenagers. A runner game would be easier but less engaging. The horror game could be challenging to animate but choice-based games are growing in popularity. Adam creates a mind map and mood board to inform character and game designs. A schedule is outlined over 5 weeks for production, including animating movements, backgrounds, health bars, and sounds. Research sources for inspiration include popular fighting, runner and choice
Evaluation
Abigail Long evaluated their FMP project. Strengths included researching games they enjoyed and using similar elements in their own game. Weaknesses were not researching as in-depth as possible or fully explaining concepts. Planning was better than last time but could have been more detailed. Time management was good as they finished ahead of schedule but some parts felt rushed. Peer feedback praised the colors, mechanics, and simplicity but suggested improving enemy designs and adding dimension with new levels. In response, Abigail agreed on improving enemies and levels with more time, but disagreed that boosters were needed to overcomplicate the simplistic game.
7. evaluation(2)
Rhiannah Baker evaluated her production process for an FMP animation. Her research focused on animation styles, colors, and music that would appeal to her target audience. She created mood boards and planned color schemes and fonts. While she created a schedule, technical issues prevented her from adding planned sound. Both her animation and examples she researched used similar colors and a black background with bold white text and titles. Peer feedback noted the animated paddle, suggested making it longer with more levels and slower pace, and adding music, sound effects, and scoring. Rhiannah agreed with the feedback and plans to implement suggestions in future versions.
5. proposal
The document proposes a third-person shooter video game targeted at males aged 15-24. It will appeal most to "Belongers" who value community in games. Previous experience with software and projects throughout the year will help improve production quality and avoid past mistakes. The game will feature stationary characters on a moving background to simplify animation, with more focus on appropriate sound effects for different levels and situations. Progress will be evaluated constantly for quality and adherence to design.
5. pre production
This document contains pre-production details for a game including the target audience which is males aged 16-26, style guidelines for colors and character sprites, example screenshot layouts, a list of planned sound effects, and contingency plans for issues that may arise during production such as data loss or inability to record sounds. Potential health and safety issues are also considered such as electrocution or tripping hazards, along with plans to avoid those issues.
Video Game Lecture
The document provides instructions for a student project to design a 2D pixel art video game. Students must create concept art and animations for their game using Photoshop. They are asked to conduct research on similar games, the target audience, and experiment with pixel art animation techniques. The production process involves designing characters, animating game screenshots, recording audio, and compiling it all into a video using Premiere. Students must also submit initial plans, a proposal, pre-production materials, daily reflections, and a final evaluation of their work.
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Video game initial plans
The document outlines Harry Adkins-Pennington's initial plans for a game project. It includes three potential game ideas: 1) A card matching game using characters from Undertale, 2) A turn-based RPG featuring characters from Undertale and other games where the player controls YouTubers, and 3) A platformer/RPG hybrid where the player controls a team of YouTubers to get through levels and battle enemies. It also discusses plans to create character/enemy designs, levels, animations and evaluate the game through production and with player feedback.
Video game initial plans
The document outlines Harry Adkins-Pennington's initial plans for a game project combining elements from popular video games and YouTube personalities. The plans include a card matching game using characters from Undertale, a turn-based RPG combining Undertale characters with characters from other games where the player controls Markiplier, Jacksepticeye or Pewdiepie, and a platformer/RPG hybrid where the player controls a team of Markiplier, Jacksepticeye and Pewdiepie to progress through levels and battle enemies. Harry also provides a schedule, mood board analysis, and bibliography of 7 sources to reference for the project.
2. initial plans
The document provides initial reactions and plans for creating a video game. It discusses preferring to use 3D graphics over 2D as 3D allows for more detail. It also notes appreciation for having an open topic rather than being constrained to a specific theme. A mind map then combines ideas of an escape the tower game set during a zombie apocalypse where the player must escape and stop the virus from spreading. A mood board analysis reflects repetition of zombie themes to influence the final product and allow comparisons to other similar games. A schedule outlines plans to research the audience, create proposals, develop the 2D game over 4 weeks, and allow the final week for evaluation.
Unit 1 activity 3 game research
This document provides instructions for an assignment to research three games with similar art styles and genres to the concept being developed. Students are asked to complete a table with details of three games, write an evaluation of each game's graphical style and how it complements the genre, and include annotated images from each game. The evaluations should explain how the information can be used to develop the student's own concept art and final design. Three sample games are then analyzed - Call of Duty: Black Ops Zombies using photorealism, Naruto Shippuden using exaggeration, and Dragon Ball Z using exaggeration.
5. pre production
The document provides details on the pre-production of a game, including an audience profile targeting late teens and adults, a style sheet emulating the visuals of Earthbound and Undertale games, screenshots of the game layout, plans for sound effects and dialogue, contingencies for potential issues like hardware or software failures, and health and safety considerations to avoid posture, eye, and repetitive strain problems during development.
5. pre production
The document provides details on the pre-production of a game, including audience profile, style sheet, screenshot layouts, sound effects, contingency planning, and health and safety considerations. The target audience is teenagers aged 16-19 who are achievers or balanced. Screenshot layouts demonstrate the start screen, level success/failure screens, and a basic boss design. Sound effects and music are described for different parts of the game. Potential issues addressed include the creator getting ill, computer viruses, and equipment breaking, along with solutions to keep the project on track.
Initial Plans
The document outlines the initial plans for a side scrolling bee-themed RPG video game project. It includes an initial reaction, a mind map, a mood board analysis, a production schedule, and a bibliography. The mood board analysis notes repetition in pixel-style, side scrolling RPGs from games like Undertale and Earthbound that will influence the final product. The schedule outlines plans to create character and level designs in the first week and continue production over the following weeks.
Initial Plans
The document provides an initial reaction and plans for a video game project about bees. The student decided to create a side-scrolling RPG. Their strengths are in character and level design rather than digital art. A mood board was created with inspiration from games like Undertale and Earthbound that are colorful RPGs with unique characters and turn-based combat. The schedule outlines weeks spent on audience research, character creation, gameplay elements, and evaluation.
5. pre production (completed)
This document provides pre-production details for a video game targeted at 16-20 year old males and females. It includes information on the target audience, style sheets showing color palettes and pixel art examples, screenshot layouts, planned sound effects, contingency planning for potential issues, and health and safety considerations. The style sheets and screenshots provide examples of bright colors, complicated mazes, and detailed pixel art to inspire the game design. Sound effects, backups, time management, and research are discussed for contingency planning. Computer safety regarding spills, posture, eye strain, and overheating are addressed.
Initial plans
Harry Taylor plans to create a mobile game for players aged 16-19. He considers making either a shooter game or a simple game like Flappy Bird or Angry Birds. After brainstorming ideas, his final idea is a side-scrolling game where the player taps the screen to move an avatar and jump between platforms within time limits. The game will have futuristic neon colors and unlockable items. Harry's schedule outlines 5 weeks for case studies, research, production, evaluation, and bibliography sources like YouTube, games, books, newspapers, and surveys.
2 190208100115
Jack Roberts plans to create an endless runner game after initially considering a puzzle game. He feels his strength is in music and plans to make appealing background music that works well with the game's pacing. His mood board features a dark color palette and metallic/slimy looking aliens from films showing their vulnerability. He will likely carry the metallic/slimy alien design into his game and let the mood board influence the final product.
2. initial plans
Louis Robinson plans to create a video game for this task. He is considering making a first person shooter, challenge game, or racing game in the style of classic arcade games from the 1980s with bright colors. While inexperienced in pixel art, he thinks the task will be enjoyable. Louis does not plan to focus on realistic or high quality graphics due to time constraints, aiming to complete the game in 3 weeks.
2. research
This document analyzes existing side-scrolling games and identifies common features to include in a new game. It notes that side-scrolling games typically include playable characters, enemies, collectables, and point counters. The document also discusses designing a game for audiences aged 10+ that features different difficulty levels, characters of all genders and races, and free gameplay with optional in-app purchases. Research areas like controls, color palettes, and mechanics are considered to create a game that appeals to a wide demographic.
Project 4 Pre-Production
The document provides details on the pre-production planning for a game project. It outlines the style guide, including using muted colors for backgrounds and clearly distinguishing characters, enemies, and effects using different colors. It also describes the planned pixel font, character and environment art style inspiration, and color-coding enemies by zone. Additional sections cover the game layout, resources and software needed, contingency planning, health and safety considerations, and an 8-day production schedule.
2. initial plans (1)
Jack Roberts plans to create an endless runner game with a simplistic, pixelated aesthetic inspired by Jetpack Joyride. While drawing is not his strength, he intends to leverage his musical skills to create appealing background music that enhances the pacing of the game. His mood board research indicates a dark color palette and metallic/slimy alien designs will influence the look of the game. Over the coming weeks, he will research similar existing games, develop a proposal, and begin production with the goal of completing the project and conducting an evaluation.
2. initial plans
The document outlines Adam Lepard's initial plans for an animation project targeting teenagers. Adam considers three game ideas: a 2D fighting game, a runner game similar to Temple Run, and a horror choice-based game. While the fighting game would be difficult to animate, Adam thinks it would push his skills the most and appeal to male teenagers. A runner game would be easier but less engaging. The horror game could be challenging to animate but choice-based games are growing in popularity. Adam creates a mind map and mood board to inform character and game designs. A schedule is outlined over 5 weeks for production, including animating movements, backgrounds, health bars, and sounds. Research sources for inspiration include popular fighting, runner and choice
Evaluation
Abigail Long evaluated their FMP project. Strengths included researching games they enjoyed and using similar elements in their own game. Weaknesses were not researching as in-depth as possible or fully explaining concepts. Planning was better than last time but could have been more detailed. Time management was good as they finished ahead of schedule but some parts felt rushed. Peer feedback praised the colors, mechanics, and simplicity but suggested improving enemy designs and adding dimension with new levels. In response, Abigail agreed on improving enemies and levels with more time, but disagreed that boosters were needed to overcomplicate the simplistic game.
7. evaluation(2)
Rhiannah Baker evaluated her production process for an FMP animation. Her research focused on animation styles, colors, and music that would appeal to her target audience. She created mood boards and planned color schemes and fonts. While she created a schedule, technical issues prevented her from adding planned sound. Both her animation and examples she researched used similar colors and a black background with bold white text and titles. Peer feedback noted the animated paddle, suggested making it longer with more levels and slower pace, and adding music, sound effects, and scoring. Rhiannah agreed with the feedback and plans to implement suggestions in future versions.
5. proposal
The document proposes a third-person shooter video game targeted at males aged 15-24. It will appeal most to "Belongers" who value community in games. Previous experience with software and projects throughout the year will help improve production quality and avoid past mistakes. The game will feature stationary characters on a moving background to simplify animation, with more focus on appropriate sound effects for different levels and situations. Progress will be evaluated constantly for quality and adherence to design.
5. pre production
This document contains pre-production details for a game including the target audience which is males aged 16-26, style guidelines for colors and character sprites, example screenshot layouts, a list of planned sound effects, and contingency plans for issues that may arise during production such as data loss or inability to record sounds. Potential health and safety issues are also considered such as electrocution or tripping hazards, along with plans to avoid those issues.
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Fmp pre-production
Pre-production is an important phase to prepare for a project before production begins. This document provides examples of pre-production tasks for a video game, including a music and sound effects list, style sheets exploring visual elements, layout plans, and a production schedule. It emphasizes creating schedules, contingency plans, and exploring design options to ensure smooth production.
2. initial plans
Gemma Nicholls outlines her initial plans for a video game project. She considers different game genres like platformers, puzzle games, and shooters. Platformers seem most interesting with ideas she has. Her reaction to the brief was positive about creating characters and backgrounds. She will create mind maps and a mood board to explore 3 game ideas and set the theme. A schedule is provided with tasks over 5 weeks including character/level design, animation, and evaluation. Sources for research are listed like game websites, images, and target audience opinions.
2. initial plans
Joe plans to design a side-scrolling combat video game. He thinks his knowledge of video games and ability to design pixelated backgrounds will help him create a detailed game that appeals to teenagers. His mood board includes darker images to add intensity and put players on edge. The mood board will influence his game design, providing inspiration for character attire and scenes. Over five weeks, Joe will research audiences, design characters and backgrounds, animate scenes, add sound effects, evaluate his work, and incorporate feedback to improve his next design.
Initial plans
The document outlines Georgina Whiteley's initial plans for a 2D side-scrolling game. It includes ideas for characters (e.g. 4 main characters in unique colors), settings (e.g. castle, forest, field), and actions (e.g. running, jumping, puzzles). Georgina maps out the game's progression over multiple levels and considers gameplay elements like enemies, obstacles, and lives. She shares mood board research featuring inspiration for the forest, cave, and field settings as well as monster and character designs. Finally, Georgina outlines a 5-week schedule to develop animations, environments, the title screen, and evaluate her final product.
2. initial plans
The document outlines Harry Allinson's initial plans and reaction to producing a video game for the project. Harry is excited to develop his video game skills further and proposes creating an action, puzzle, or adventure game in Photoshop featuring elements like explosions, puzzles, and character animations. While Harry has limited experience with Photoshop's animation tools, he believes his general Photoshop knowledge will allow him to efficiently plan and produce the game.
2. initial plans 1-2
The document outlines Jack Lowes' initial plans for a 2D adventure game project. It discusses his initial reaction which was that an adventure game would suit his strengths in visual design. It includes mind maps exploring game ideas. A mood board analysis notes inspiration from sprites and mysterious game environments. A schedule outlines the project over 5 weeks, including tasks like character animation, environment creation, and adding sound effects. The bibliography lists 7 sources for audience research and inspiration, including video games like Pokemon and Zelda.
4. pre production(1)
This document outlines pre-production work for a pixel turn-based strategy game and accompanying manga. It includes details on the purpose, target audience, and distribution method. Color palettes, fonts, reference images, storyboards, sound effects, and music are selected. Production schedules are laid out over three weeks to create backgrounds, character models, animations, and integrate audio. Contingency plans and health and safety considerations are also addressed.
7. evaluation (interactive)
This document contains a self-evaluation of an interactive production project. The evaluation covers strengths and weaknesses in planning, research, time management, technical qualities, aesthetic qualities, and audience appeal. It also includes peer feedback received which praised the color scheme, sound effects, and character/prop details, but suggested improving font clarity and the game case design. The summarizer agreed feedback points about reducing image blurring, using a clearer font, and improving the logo/cover to make the game more memorable and interesting to players.
1. initial plans MFPY1
The document outlines Gemma Nicholls' initial plans and reactions for her final major project, including creating another video game with improved animation based on her previous successful projects. She plans to work on the project both in and out of school to add more detail and keep stress levels lower. Gemma provides some pre-proposal details on her potential video game project, including targeting teenagers and young adults and drawing inspiration from video games she enjoyed playing.
2. Initial Plans - Gaming Project
The document provides an initial plan and schedule for developing a 2D side-scrolling video game over the course of 5 weeks. In the first week, the creator will experiment with animation and music tools, provide an initial response to the project brief, and develop a mind map and mood board of inspiration. In week 2, product research will continue and a proposal and planning documents will be created. Weeks 3 and 4 involve producing the character and environment animations using Photoshop and editing them together in Premier Pro. In the 5th week, an evaluation of the project will be written, discussing what worked well, comparisons to other games, and overall views on the finished product. A bibliography lists 7 sources that will be
evaluation mfp Y1
The peer feedback provided positive feedback on aspects of the poster and videogame such as the line work, use of black and white, character pose, lighting effects, and music/sound design. Suggested areas for improvement included making the subtitle text on the poster more visible, improving the blending of rocks in the background, and fixing the direction that trees move in the videogame background. The creator agreed that some feedback points could help strengthen the work, such as moving the subtitle for better visibility and adding more details to make the poster and game more polished. Only minor disagreements were noted, and the creator indicated they would make targeted changes based on the peer feedback received.
Evaluation MFP Y1
The lighting effects are used creatively and help to add atmosphere.
The background music fits the tone of the game well.
• What improvements could have been made to the product?
- The movement of the trees in the background could be improved to flow more
naturally rather than appearing quite abrupt. Some overlapping or layering
between trees may help with this.
- Additional sound effects during gameplay could help immerse the player more,
such as footsteps or impacts from hitting enemies.
- Some variation in enemy movement/attacks may make battles feel less repetitive
if implemented. Overall though it's a really solid start.
2. initial plans
Allan plans to create a first-person shooter (FPS) game since he is familiar with the genre. He will focus on designing characters and items. He will use a mood board with repeated colors and styles to influence the war-themed game. Over 5 weeks, Allan will complete tasks such as character designs, level designs, user interface, and animations with sound. He will use 7 sources for inspiration and research, including existing FPS games.
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Research
The document discusses Spencer Fox's research on the evolution of visual/special effects in Steven Spielberg films from the 1970s to present day. It outlines questions on differences in on-set and post-production techniques over time and which Spielberg films provide the best comparisons. The research will analyze Jaws, Jurassic Park, and Ready Player One to see how VFX have changed from practical effects to CGI as technology advanced. The goal is to understand how Spielberg pioneered blockbuster VFX techniques and how his films have transformed into visual spectacles.
Blockbuster Essay
Steven Spielberg is known as the first "blockbuster" director due to the success of Jaws in 1975. His films have evolved alongside advances in visual effects technology, starting with practical effects in Jaws and incorporating more CGI over time. Jurassic Park blended animatronic dinosaurs with early CGI, while Ready Player One relied almost entirely on CGI due to its virtual reality setting. Spielberg's ability to craft immersive stories while adapting to new techniques has made him the highest-grossing director in history.
UAL UCAS Pro Forma
Spencer Fox is applying to UCAS with grades from York College. In year 1 of their Level 3 Diploma in Creative Media Production and Technology, they received mostly D and M grades in the individual units, earning an overall merit grade and 60 UCAS points. In year 2 of the Extended Diploma, they received mostly M grades in the units but did not complete the extended project, so their final grade and points are not available.
FMP 4. Pre-Production
This document provides pre-production details for a music video being created for the song "rock + roll" by EDEN. It includes lists of locations, equipment, props, sound effects, storyboards, and a shot list. Contingency plans are also outlined to address potential issues like equipment malfunctions, location changes, and health and safety concerns. The overall budget for the project is estimated to be £73, with most of the costs going towards travel for the cast and crew to three different shooting locations.
FMP Shot List
This document provides a shot list and descriptions for the production of a music video titled "rock + roll" by EDEN. It includes 66 shots across 3 locations - Malton, York, and Scarborough. The shots depict the story of a woman, Maia, dealing with a breakup. She receives a text that upsets her. She then goes for a walk in the woods and sits on a ledge, contemplating her emotions. Later, she throws a padlock symbolizing the relationship into the ocean from a rooftop, finding closure. The video follows her journey of processing her feelings and gaining a sense of relief and renewed perspective.
Rock + roll (script) 2.0
Maia receives a text that upsets her. She leaves her house crying and wanders the streets. She sits on a rooftop overlooking the sea, crying into her hands. Later, she throws a mirror against a wall in anger and frustration. Maia spends time in the forest and by the sea, contemplating her life after her partner left her. She eventually smiles while overlooking the sea, feeling relief. Maia throws a padlock engraved with initials into the sea, smiling as she leaves the rooftop feeling better.
rock + roll - EDEN (Script)
Maia receives a notification on her phone that upsets her, and she leaves her house walking with tears in her eyes. She sits crying on a rooftop by the sea, then throws a mirror against a wall in anger and frustration. After calming down in the shower, Maia wanders through forests and streets contemplating her life after her partner left her. She returns to the rooftop feeling relieved, and throws a padlock engraved with initials into the sea, smiling as she leaves feeling better.
FMP 3. Research
The secondary audience research provides insights into the preferences of music video audiences. It found that the majority are young females aged 15-20 who listen to music daily but do not watch music videos as frequently. They prefer narrative music videos in genres like rock, indie and pop. Location, lighting, props and costume are highly valued, while shot types and social class are less so. Gender representation is also an important factor. The research indicates the music video should feature well-lit locations, an engaging narrative centered around meaningful props, and represent both genders.
FMP 3.5 Problem Solving
Spencer Fox plans to produce a music video project that will require solving numerous practical and theoretical problems. Practical problems include acquiring cast and crew, booking equipment, shooting on location, color grading, sound design, storage, and using visual effects. Theoretical problems may include issues with cast availability, unsuitable weather, equipment failure, budget constraints, and health and safety concerns while shooting on location. Fox has considered solutions such as scheduling contingencies, preparing backup plans, carefully planning the shoot, and being efficient to address potential problems and keep the project on track.
FMP 3.5 Problem Solving
Spencer Fox outlines several practical and theoretical problems that may arise during the production of a music video project. Practical problems include acquiring cast and crew, booking equipment, shooting with a Canon C100 camera, travelling to locations, color grading footage, recording audio, and managing storage and battery life. Theoretical problems could involve issues with cast availability, unsuitable weather or locations, equipment failure, budget constraints, and health and safety concerns. Fox discusses potential solutions such as contingency planning, equipment backups, efficient scheduling, and evaluating location risks.
FMP Research
The secondary audience research provides insights into the preferences of music video audiences. It found that the target demographic is 15-20 year olds, with a majority being female. Most watch music videos weekly rather than daily. Preferred genres are rock, indie and pop. Narrative music videos are preferred over performance-based ones. Location, lighting, props and costume are highly valued, while social class is less so. Gender representation is also an important factor. The research indicates that the music video should incorporate cinematic elements like interesting locations, lighting and props to drive the narrative, while appealing to preferences around genre, gender and aesthetic.
FMP Proposal
Christian John Spencer Fox proposes creating an unofficial music video for the song "rock + roll" by EDEN. He will film a short film about a breakup that will transition into a montage-style music video reflecting the aftermath. Fox gained experience with audio recording, cameras, and film techniques through previous projects. He will research EDEN's music videos and film techniques to distinguish his video. Fox will blog weekly about the project and seek feedback to evaluate the final product.
Fmp 1. initial plans
The document discusses a mood board created by Spencer Fox for a proposed music video for EDEN's song "rock + roll". The mood board includes photos, artwork, color palettes, and a font that reflect the tone of EDEN's brand and music. Fox analyzes how the mood board will influence the final music video, such as having a similar composition, color palette, and possibly including the featured font. The document also lists three key music video influences - "drugs" by EDEN, "SAD!" by XXXTentacion, and "oh baby" by LCD Soundsystem - and summarizes aspects of each that inspired Fox's vision, such as their cinematic qualities, storytelling techniques, and contrasts
FMP Context
The document discusses the goals and influences for a short film/music video project. The project aims to create a video for the song "rock + roll" by EDEN that transitions between a short film and music video. Potential influences discussed include filmmakers Konstantin, Darious Britt, and Peter McKinnon, as well as photographer groups North Borders and 7th Era. Research targets outlined include analyzing EDEN's other music videos, learning about his music's demographic, and researching shooting and color grading techniques to achieve a similar aesthetic.
Fmp pre proposal
The student proposes creating a music video as their final media project. They are a big music fan and enjoyed making a music video for a previous class project. They want to choose a sentimental song that they won't get tired of, such as a song by EDEN, and create a video that matches the modern yet faintly sad tone of the artist's music. Specifically, the video will have dull coloring, dark moody lighting, and a dreary setting to visually match the music and allow the student to explore cinematography and storytelling.
Documentary Evaluation
The document analyzes the documentary project evaluation of a student. It summarizes the positives and negatives of the student's research, initial plans, pre-production, time management, production reflection, aural qualities, technical qualities, and aesthetic qualities. The student conducted thorough research of existing documentaries but could have explored additional areas. Pre-production was strong except for shooting permissions. The student managed time well but could have optimized it further. The final product told the intended story but additional elements could have improved it.
Factual project | unit 9
The documentary follows the story of the subject's shoulder injury, which occurred while playing basketball in college. It begins by showing the incident on the court and then provides medical context about shoulder dislocations from an expert. The story then details the subject's experience in the emergency room and the long recovery process involving physio. It jumps forward to show how the final college season is going now that the subject has recovered.
Media Client Project | York 18-22 Demographic
This document outlines a media project to create a promotional video for nightlife in York, England targeted at 18-22 year olds. It includes research on the target demographic and existing promotional videos. Survey results show that the audience prioritizes price when choosing where to drink and prefers fast-paced, vibrant videos. The proposed video would advertise local bars before taking a twist and transitioning into a narrative warning about the dangers of falling into the river while intoxicated. Location scouting, storyboards, and experiments with filming techniques were conducted to develop the idea.
Media Client Project | York 18-22
This project aimed to create a promotional video for nights out in York targeting 18-25 year olds. Research included a survey of the demographic which found that price was the most important factor when choosing a venue. The video was planned to begin as an advert for various bars before transitioning into a narrative about the dangers of the river while intoxicated. Pre-production included storyboards, experiments, and location scouting. However, permission to film inside venues was denied, compromising the production. Post-production utilized stock footage and effects to salvage the project, but the overall result was disappointing due to a lack of planned internal shots. Lessons include securing filming permissions and having contingency plans for potential issues.
5. Evaluation
Spencer Fox evaluated their production process for creating a promotional trailer and poster for a fictional action thriller film. Their research included analyzing existing trailers, posters, and interviews to help structure their own promotional materials. Spencer conducted primary research like surveys and interviews to learn about their target audience. For planning, Spencer created storyboards, shot lists, and resource lists. Their time management was good until production delays, but they finished on time despite technical issues during editing. The final trailer and poster were of decent quality but could be improved with reshoots and more crew assistance. Spencer provided a detailed technical and aesthetic analysis of the strengths and weaknesses of their promotional materials.
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The Evolution and Impact of Tom Cruise Long Hair
Tom Cruise is one of Hollywood's most iconic figures, known for his versatility, charisma, and dedication to his craft. Over the decades, his appearance has been almost as dynamic as his filmography, with one aspect often drawing significant attention: his hair. In particular, Tom Cruise long hair has become a defining feature in various phases of his career. symbolizing different roles and adding layers to his on-screen characters. This article delves into the evolution of Tom Cruise long hair, its impact on his roles. and its influence on popular culture.
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Introduction
Tom Cruise long hair has often been more than a style choice. it has been a significant element of his persona both on and off the screen. From the tousled locks of the rebellious Maverick in "Top Gun" to the sleek, sophisticated mane in "Mission: Impossible II." Cruise's hair has played a pivotal role in shaping his image and the characters he portrays. This article explores the various stages of Tom Cruise long hair. Examining how this iconic look has evolved and influenced his career and broader fashion trends.
Early Days: The Emergence of a Style Icon
The 1980s: The Birth of a Star
In the early stages of his career during the 1980s, Tom Cruise sported a range of hairstyles. but in "Top Gun" (1986), his hair began to gain significant attention. Though not long by later standards, his hair in this film was longer than the military crew cuts associated with fighter pilots. adding a rebellious edge to his character, Pete "Maverick" Mitchell.
Risky Business: The Transition Begins
In "Risky Business" (1983). Tom Cruise's hair was short but longer than the clean-cut styles dominant at the time. This look complemented his role as a high school student stepping into adulthood. embodying a sense of youthful freedom and experimentation. It was a precursor to the more dramatic hair transformations in his career.
The 1990s: Experimentation and Iconic Roles
Far and Away: Embracing Length
One of the first films in which Tom Cruise embraced long hair was "Far and Away" (1992). Playing the role of Joseph. an Irish immigrant in 1890s America, Cruise's long, hair added authenticity to his character's rugged and determined persona. This look was a stark departure from his earlier. more polished styles and marked the beginning of a more adventurous phase in his hairstyle choices.
Interview with the Vampire: Gothic Elegance
In "Interview with the Vampire" (1994). Tom Cruise long hair reached new lengths of sophistication and elegance. Portraying the vampire Lestat. Cruise's flowing blonde locks were integral to the character's ethereal and timeless allure. This hairstyle not only suited the gothic aesthetic of the film but also showcased Cruise's ability to transform his appearance for a role.
Mission: Impossible II: The Pinnacle of Long Hair
One of the most memorable instances of Tom Cruise long hair came in "Mission: Impossible II" (2000). His character, Ethan
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Tom Cruise is a name that resonates with global audiences for his iconic roles in blockbuster films and his dynamic presence in Hollywood. But, beyond his illustrious career, Tom Cruise's personal life. especially his relationship with his daughter has been a subject of public fascination and media scrutiny. This article delves deep into the life of Tom Cruise daughter, Suri Cruise. Exploring her upbringing, the influence of her parents, and her current life.
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Introduction: The Fame Surrounding Tom Cruise Daughter
Suri Cruise, the daughter of Tom Cruise and Katie Holmes, has been in the public eye since her birth on April 18, 2006. Thanks to the media's relentless coverage, the world watched her grow up. As the daughter of one of Hollywood's most renowned actors. Suri has had a unique upbringing marked by privilege and scrutiny. This article aims to provide a comprehensive overview of Suri Cruise's life. Her relationship with her parents, and her journey so far.
Early Life of Tom Cruise Daughter
Birth and Immediate Fame
Suri Cruise was born in Santa Monica, California. and from the moment she came into the world, she was thrust into the limelight. Her parents, Tom Cruise and Katie Holmes. Were one of Hollywood's most talked-about couples at the time. The birth of their daughter was a anticipated event. and Suri's first public appearance in Vanity Fair magazine set the tone for her life in the public eye.
The Impact of Celebrity Parents
Having celebrity parents like Tom Cruise and Katie Holmes comes with its own set of challenges and privileges. Suri Cruise's early life marked by a whirlwind of media attention. paparazzi, and public interest. Despite the constant spotlight. Her parents tried to provide her with an upbringing that was as normal as possible.
The Influence of Tom Cruise and Katie Holmes
Tom Cruise's Parenting Style
Tom Cruise known for his dedication and passion in both his professional and personal life. As a father, Cruise has described as loving and protective. His involvement in the Church of Scientology, but, has been a point of contention and has influenced his relationship with Suri. Cruise's commitment to Scientology has reported to be a significant factor in his and Holmes' divorce and his limited public interactions with Suri.
Katie Holmes' Role in Suri's Life
Katie Holmes has been Suri's primary caregiver since her separation from Tom Cruise in 2012. Holmes has provided a stable and grounded environment for her daughter. She moved to New York City with Suri to start a new chapter in their lives away from the intense scrutiny of Hollywood.
Suri Cruise: Growing Up in the Spotlight
Media Attention and Public Interest
From stylish outfits to everyday activities. Suri Cruise has been a favorite subject for tabloids and entertainment news. The constant media attention has shaped her childhood. Despite this, Suri has managed to maintain a level of normalcy, thanks to her mother's efforts.
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Morgan Freeman is Jimi Hendrix: Unveiling the Intriguing Hypothesis
In celebrity mysteries and urban legends. Few narratives capture the imagination as the hypothesis that Morgan Freeman is Jimi Hendrix. This fascinating theory posits that the iconic actor and the legendary guitarist are, in fact, the same person. While this might seem like a far-fetched notion at first glance. a deeper exploration reveals a rich tapestry of coincidences, speculative connections. and a surprising alignment of life events fueling this captivating hypothesis.
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Introduction to the Hypothesis: Morgan Freeman is Jimi Hendrix
The idea that Morgan Freeman is Jimi Hendrix stems from a mix of historical anomalies, physical resemblances. and a penchant for myth-making that surrounds celebrities. While Jimi Hendrix's official death in 1970 is well-documented. some theorists suggest that Hendrix did not die but instead reinvented himself as Morgan Freeman. a man who would become one of Hollywood's most revered actors. This article aims to delve into the various aspects of this hypothesis. examining its origins, the supporting arguments. and the cultural impact of such a theory.
The Genesis of the Theory
Early Life Parallels
The hypothesis that Morgan Freeman is Jimi Hendrix begins by comparing their early lives. Jimi Hendrix, born Johnny Allen Hendrix in Seattle, Washington, on November 27, 1942. and Morgan Freeman, born on June 1, 1937, in Memphis, Tennessee, have lived very different lives. But, proponents of the theory suggest that the five-year age difference is negligible and point to Freeman's late start in his acting career as evidence of a life lived before under a different identity.
The Disappearance and Reappearance
Jimi Hendrix's death in 1970 at the age of 27 is a well-documented event. But, theorists argue that Hendrix's death staged. and he reemerged as Morgan Freeman. They highlight Freeman's rise to prominence in the early 1970s. coinciding with Hendrix's supposed death. Freeman's first significant acting role came in 1971 on the children's television show "The Electric Company," a mere year after Hendrix's passing.
Physical Resemblances
Facial Structure and Features
One of the most compelling arguments for the hypothesis that Morgan Freeman is Jimi Hendrix lies in the physical resemblance between the two men. Analyzing photographs, proponents point out similarities in facial structure. particularly the cheekbones and jawline. Both men have a distinctive gap between their front teeth. which is rare and often highlighted as a critical point of similarity.
Voice and Mannerisms
Supporters of the theory also draw attention to the similarities in their voices. Jimi Hendrix known for his smooth, distinctive speaking voice. which, according to some, resembles Morgan Freeman's iconic, deep, and soothing voice. Additionally, both men share certain mannerisms. such as their calm demeanor and eloquent speech patterns.
Artistic Parallels
Musical and Acting Talents
Jimi Hendrix was regarded as one of t
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校名:学校英文全称
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毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理(uw毕业证书)美国威斯康星大学麦迪逊分校毕业证【微信：741003700 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理(uw毕业证书)美国威斯康星大学麦迪逊分校毕业证【微信：741003700 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
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The Midnight Sculptor.pdf writer by Ali alsiad
The city of Ravens burg was known for its gothic architecture, fog-covered streets, and an eerie silence that seemed to hang over the town like a shroud.
Abraham Laboriel Records ‘The Bass Walk’ at Evergreen Stage
A legendary musician records an intricate song designed to show off his expert bass guitar chops at a historical Los Angeles studio.
一比一原版(mcmaste毕业证书)加拿大麦克马斯特大学毕业证如何办理
原版一模一样【微信：741003700 】【(mcmaste毕业证书)加拿大麦克马斯特大学毕业证成绩单】【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
办理(mcmaste毕业证书)加拿大麦克马斯特大学毕业证【微信：741003700 】外观非常简单，由纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理(mcmaste毕业证书)加拿大麦克马斯特大学毕业证【微信：741003700 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理(mcmaste毕业证书)加拿大麦克马斯特大学毕业证【微信：741003700 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理(mcmaste毕业证书)加拿大麦克马斯特大学毕业证【微信：741003700 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
原版制作(MUN毕业证书)纽芬兰纪念大学毕业证PDF成绩单一模一样
学校原件一模一样【微信：741003700 】《(MUN毕业证书)纽芬兰纪念大学毕业证》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Unlocking the Secrets of IPTV App Development_ A Comprehensive Guide.pdf
With IPTV apps, you can access and stream live TV, on-demand movies, series, and other content you like online. Viewers have more flexibility and customization of content to watch. To develop the best IPTV app that functions, you must combine creative problem-solving skills and technical knowledge. This post will look into the details of IPTV app development, so keep reading to learn more.
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2. Initial Plans
- 2. Initial Reaction • I am more confident with creating a 2D pixel art based game as I am not great with designing 3D/realistic entities from scratch digitally, so that suits me well. • I aren’t exactly the Leonardo Da Vinci of pixel art. • The character will have to be simple, due to the lack of pixel art talent. • I’ll need a main menu, character/level selection screen, loading screen, the level itself, and a ‘level complete’ screen etc. • May also need an on-screen tutorial section displaying the controls. • I may re-skin the experiment I made, adding more and more sections to it, as well as changing the character model and adding the different screens mentioned above and enemies/power ups.
- 3. Mind Map Fixed Level/No Background Movement Enemies Changing terrain Adventure - Platformer Match Game Attacks Power Ups Elements of fantasy Fruit Sweets Obstacles Multi-match Power Ups Boosters Obstacles Enemies Chasing Power Ups Vehicle Endless Runner Gimmick Location Pathways
- 4. Chosen Game Mind Map Set background/locati on for the entire level Upbeat or calming music and SFX 2D graphics Realistic with fictional factors Changing/moving terrain Enemies Adventure - Platformer Game Power-UPs Fantasy Elements Interesting aesthetic Cutesy character Armour Special abilities Alien Animal Attack moves Jumping on heads, Mario Style Punches Weapons Melee Ranged Moving Platforms Falling Debris Set Movement Cycles Magic Scientific Mechs
- 5. Mood Board
- 6. Mood Board Analysis Is there any repetition in the images you have collected? Repeated colours/images styles/fonts/tone/mood • Bright colours for the things the player interacts with • Muted colours for the background/ sections where no interaction occurs • HUD often includes number of lives remaining, score, items collected etc. • Dynamic & textured backgrounds • Feasible locations but with elements of fantasy How will your mood board influence your final product? – Provides examples of character models – Examples of menus that assist my own design – Allows me to see what colours work well together – Lets me see how characters are made
- 7. Schedule WEEK OVERALL PLAN SPECIFIC TASKS 1 Production Experiments, Initial Response, Product Research Response to brief Mood board Mind map explaining three possible ideas Mind map on chosen idea. Schedule Proposed Bibliography 2 Product Research, Proposal, Planning Existing Product Research Research analysis Bibliography Working Title Audience Analysis Rationale Project Concept Evaluation Style Sheet Sound Effect List Contingency Plan Health and Safety 3 Production Animation Design Menus Level Design Export Final Animation (picture lock) 4 Production Music Mixing Create sound effects Add Sound and Music to the Animation Make final touches Export Finished Edit 5 Evaluation Analyse and break down my game. Evaluate the pre-production Go through what I would change about the whole project if I were to redo it or make another game
- 8. Bibliography • Name at least 7 sources that you plan to use in this project. These should include audience research, books, videos/films/video games, magazines and newspaper articles etc. 1. Tic Toc Games. (2015) Adventures of Pip 2. Nintendo. (1985-) Super Mario 3. Kucing Rembes. (2017) MagiCat 4. Studio MDHR. (2017) Cuphead 5. Addison Rodomista & Justis Goncalves. (2010) Raze 6. Re-Logic, Pipeworks Studio, Codeglue etc. (2011) Terraria 7. SEGA. (1991) Sonic the Hedgehog
Editor's Notes
- Log your initial thoughts regarding the set brief- What could you make? What are you good at? Your opinions? Can be a list of bullet points of reactions- does not have to be full prose. Can be hand written/drawn and scanned in.
- Bubbl.us or hand drawn-scanned using college printers exploring 3 potential ideas
- Bubbl.us or hand drawn-scanned using college printers exploring your final idea
- Collection of images related to your product/inspirational/visually interesting At least 15 needed