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Camera Shots, Angles
and Movements
Shania Steele
Information taken from http://www.mediacollege.com/video/shots/
Extreme Wide Shot
ī‚´ The subject of the shot isn’t visible. Often used as an establishing shot.
Very Wide Shot
ī‚´ The subject is just about visible. The shot is still about the environment the subject is in.
Wide Shot
ī‚´ The subject takes up the whole or majority of the frame.
Mid Shot
ī‚´ Shows the subject in more detail but still gives the impression of the whole subject.
Medium Close Up
ī‚´ This shot is the halfway point between a Mid Shot and a close up.
Close Up
ī‚´ The whole frame is taken up by a feature of the subject.
Extreme Close Up
ī‚´ Shows extreme detail of the feature of the subject.
Cut-In
ī‚´ Shows some (other) part of the subject in detail.
Cutaway
ī‚´ A shot of something other than the subject.
Two-Shot
ī‚´ A shot of two people in a similar position to a mid shot.
Over-The-Shoulder Shot
ī‚´ This shot is looking from behind at a person.
Point-of-View Shot
ī‚´ This shot is shown from the subject’s perspective.
Weather Shot
ī‚´ The subject in this shot is the weather. It can also be used to back up text in films/trailers.
Eye-Level
ī‚´ This is the most common view, being the real-world angle that we are all used to. It shows
subjects as we would expect to see them in real life.
High Angle
ī‚´ A high angle shows the subject from above. This has the effect of diminishing the subject,
making them appear less powerful or have less authority.
Low Angle
ī‚´ This shows the subject from below. This make the subject seem powerful and authoritive.
Bird’s Eye
ī‚´The scene is shot from directly above. This
is an unnatural point of view which can be
sued for dramatic effect or for showing a
different spatial perspective.
Slanted
ī‚´The camera is purposely tilted to one side so the
horizon is on an angle.
Arc Shot
ī‚´The camera moves around the subject.
Crabbing Shot
ī‚´This is a less common version of tracking, trucking
and/or dollying. These terms are more or less
interchangeable, although dollying tends to mean
in-and-out movement whereas the others tend to
mean side-to-side movement at a constant
distance from the action.
Dolly Shot
ī‚´A dolly is a cart which travels along tracks. The
camera is mounted on the dolly and records the
shot as it moves.
ī‚´Dollying is often defined as moving closer to or
further away from the action.
Follow Shot
ī‚´The camera follows the subject or action.
Pan
ī‚´This shot is a horizontal camera movement in
which the camera moves left and right about a
central axis.
Camera Tilt
ī‚´This is a vertical camera movement in which
the camera points up or down from a
stationary location.
Tracking
ī‚´This is a shot mounted on a cart which travels along
tracks. This is different than a dolly shot because
tracking is often more narrowly defined as
movement parallel to the action or at constant
distance.
Trucking Shot
ī‚´This is basically the same as tracking or
dollying. It generally refers to side-to-side
camera movement with respect to the
action.
ī‚´It is not used as often in comparison to
dollying or tracking.
Zoom Shot
ī‚´Zooming means altering the focal length of the
lens to give the illusion of moving closer or
further away from the action.
ī‚´This is technically not a camera movement shot
as the camera does not move.

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