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RENAISSANCE
AND BAROQUE
IN THE
HISPANIC MONARCHY
RENAISSANCE
(15th- 16th
centuries)
ARCHITECTURE
PLATERESQUE

THREE STYLES

CLASSICISM

HERRERIAN
PLATERESQUE
-Architects imitated the work of
silversmiths to decorate the facades
of the buildings

FACADE OF THE
UNIVERSITY OF SALAMANCA
CLASSICISM

Use of classical
elements: columns,
pediments, rounded
arches…

PALACE OF CHARLES V
IN GRANADA,
PEDRO MACHUCA

RUSTICATION
COURTYARD OF THE PALACE OF CHARLES V IN GRANADA
PEDRO MACHUCA
HERRERIAN STYLE

Sober, austere,
proportioned
Buildings, without
decoration

MONASTERY OF SAN LORENZO DEL ESCORIAL, JUAN DE HERRERA
Built to commemorate the victory in the Battle of Saint Quentin, it was both Philip II’s residence,
monastery and royal pantheon (most of the kings of the Hispanic Monarchy and later Spain are buried
there). It also hosts a library.
MONASTERY OF SAN LORENZO DEL ESCORIAL, JUAN DE HERRERA
SCULPTURE
-Influence by Michelangelo
-Religious themes
-Use of different materials: marble, bronze, polychromed wood

THE BURIAL OF CHRIST, JUAN DE JUNI
THE SACRIFICE OF ISAAC,
ALONSO DE BERRUGUETE
PAINTING
El Greco was the most
important artist. Paintings
were mainly religious (no
mythological paintings nor
naked figures).
THE BURIAL OF
COUNT ORGAZ
THE ADORATION OF THE SHEPHERDS,
EL GRECO

THE KNIGHT WITH HIS HAND ON
HIS BREAST, EL GRECO
THE DESPOILING, EL GRECO

MARTYRDOM OF SAINT MAURICE, EL GRECO
BAROQUE
(17TH CENTURY)

PHILIP III

PHILIP IV

CHARLES II
ARCHITECTURE
-Decorative exuberance
in buildings
-Main works of art: churches
and squares
The overelaborated style created by
José de Churriguera was called
“churrigueresque”

ALTARPIECE OF SAN ESTEBAN CONVENT,
JOSÉ DE CHURRIGUERA
SALAMANCA
SALAMANCA´S MAIN SQUARE
ALBERTO CHURRIGUERA

OLD HOSPICE OF MADRID,
PEDRO DE RIBERA
MURCIA CATHEDRAL

OBRADOIRO FACADE,
SANTIAGO DE COMPOSTELA CATHEDRAL
ANTONIO CASAS NOVOA
SCULPTURE
Religious themes for altarpieces or processional thrones
made with polychromed wood.
Realistic and dramatic images (wounds, blood, expressions
of pain and suffering)

PENITENT MAGDALEN
PEDRO DE MENA
SAINT HIERONYMUS PENITENT
JUAN MARTÍNEZ MONTAÑÉS
PIETÀ

, GREGORIO FERNÁNDEZ

LYING CHRIST,
GREGORIO FERNÁNDEZ
PAINTING
- Exceptional painters in the 17th century: Golden century of painting.
- Realism and religiosity
- Main commissioners: kings and the Church
- Oil on canvas, contrasts of light and shadow, foreshortened figures, complex
compositions
- JOSÉ DE RIBERA
- JOSÉ RIBALTA
- BARTOLOMÉ ESTEBAN MURILLO
MAIN PAINTERS

- FRANCISCO ZURBARÁN
- JUAN CARREÑO MIRANDA
- CLAUDIO COELLO
- DIEGO DE SILVA Y VELÁZQUEZ
JOSÉ DE RIBERA

MARTYRDOM OF SAINT PHILIP
CLUBFOOTED BOY

ARCHIMEDES
FRANCISCO DE RIBALTA

CHRIST WITH THE CROSS

CHRIST EMBRACING SAINT BERNARD
FRANCISCO DE ZURBARÁN

SAINT SERAPION

SAINT HUGO OF GRENOBLE IN THE
CARTHUSIAN REFECTORY
STILL-LIFE WITH LEMONS, ORANGES AND ROSE

STILL LIFE WITH POTTERY JARS
BARTOLOMÉ ESTEBAN MURILLO

THE HOLY FAMILY WITH A BIRD
BOYS EATING GRAPES AND MELON
IMMACULATE CONCEPTION
JUAN CARREÑO DE MIRANDA

CHARLES II

CHARLES AS GRANDMASTER OF
THE GOLDEN FLEECE
DIEGO DE SILVA Y VELÁZQUEZ
-The best painter of his generation in
the Hispanic Monarchy
-Beginnings in Seville.
-Recommended by the Count Duke of
Olivares, he moved to the court and
started painting for the royal family
-He met Rubens and could observe the
royal collections (paintings bought by
the monarchs).
-He travelled twice to Italy, where he
drew inspiration from the Renaissance
masters and Caravaggio.
-During his whole life, he fought to be
recognized as an artist and not as a
simple craftsman.
SELF PORTRAIT
CHRIST IN THE HOUSE OF MARY AND MARTHA
THE WATERSELLER OF SEVILLE
OLD WOMAN COOKING EGGS
LUIS DE GÓNGORA
THE COUNT DUKE OF OLIVARES

PHILIP IV
THE TRIUMPH OF BACCHUS OR THE DRUNKS
APOLLO IN THE FORGE OF VULCAN
JOSEPH´S TUNIC
CHRIST ON THE CROSS
JESTERS
THE SURRENDER OF BREDA (1634-35)
EQUESTRIAN PORTRAIT OF THE COUNT-DUKE OF OLIVARES (1634)
PHILIP IV AS HUNTER (1638)
EQUESTRIAN PORTRAITS OF PHILIP III AND MARGARET OF AUSTRIA(16291635)
PRINCE BALTASAR CARLOS ON HORSEBACK (1635)
VENUS AT HER MIRROR OR THE TOILET OF VENUS(1650)
POPE INNOCENT X (1650)
VILLA MEDICI (1650)
PHILIP IV´S FAMILY OR THE MENINAS (1656)
THE FABLE OF ARACHNE OR THE SPINNERS (1657)
PORTRAITS OF INFANTA MARGARITA

IN A BLUE DRESS

IN A PINK DRESS

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Art of the Hispanic Monarchy During the Modern Era