Movies Falling Under The Romance And Drama Genre, Often

Movies Falling Under The Romance And Drama Genre, Often
Movies falling under the romance and drama genre, often have a predictable plot of usually two
people falling in love along with some drama that could lead to a very intriguing film. Director Ross
Katz, took the novel The Choice, written by Nicholas Sparks, and casted the novel into a film where
a large variety of cinematography techniques are used to get different perspectives on the film.
Cinematographer Alar Kivilo and director Ross Katz use different cinematic points of view, color,
and camera movement to show how true love can be found by two people. Cinematic points of view
have four subsections, objective, subjective, indirective and directors interpretive. The different
categories of cinematic points of view determine how the ... Show more content on Helpwriting.net
...
In The Choice, the objective point of view is being used when Travis takes Gabby and his other four
friends on a boat ride to the middle of the lake. The camera is being placed alongside the boat so the
viewers can watch what the friends are undertaking. In some of the scene, we can see the whole boat
while Travis is driving and the rest of the friends are relaxing. The women are laying out on the
front end of the boat with their hair flying from the wind and the men are sitting near the back of the
boat talking to Travis and conversing. It would be most logical for this scene to be objective because
then we can see what is going on at once and still feel as if we there enjoying time with them in the
sun and feeling the fresh air from the boat ride. The objective point of view is mainly used the most
throughout the film.
In another particular scene, Gabby and Travis are having a candle–lit, romantic supper together. The
camera is placed at the end of the table, angling up in a way so we can see the food, plates,
silverware, and cups sitting on the table. Gabby and Travis are sitting at the same physical level so
the camera can capture both of their faces while they are looking at each other. With the camera
angling up it makes us feel as if Gabby and Travis are even closer now as they were before because
they are getting more comfortable around each other. After their romantic supper, they both do
dishes and proceed to start vigorously grabbing one
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Do The Right Thing Analysis
There are various elements that contribute to the significance of a film. Cinematography, is one
important element in which the camera is used to capture visual images through a number of other
controllable elements such as; camera lens, framing, scale, movement etc. Editing is another
fundamental component of film studies in which different shots are put together in a coherent
sequence in order to make meaning of a film.
In the film "Do The Right Thing" by Spike Lee, cinematography and editing serve as critical
components to emphasize the racial tensions between the various characters. Set in a predominantly
black neighborhood in Brooklyn, New York, the action of the film consists of a series of unfolding
events that take place over the ... Show more content on Helpwriting.net ...
Camera distance is also effectively used in this film. In several scenes in Do The Right Thing, the
camera distance, especially through the use of close up shots, is particularly important in the film.
There are a number of scenes in the film that are characterized by close–up shots and majority of the
film is made up of close–up shots. In one scene that takes place at Sal's Pizzeria, the two characters
Mookie and Pino have an important conversation about racism and society. We learn through
Mookie about Pino's negative perspective on black people or as he calls "niggers." In this scene, the
camera keeps moving back and forth between the two of them as they converse, and we get an
insight into their personalities through their pensive conversation about race, society and
civilization.
The use of various camera techniques such as canted frames, low–angled, high–angled and close up
shots, as well as camera distance, enhances the struggle between the characters. The use of such
techniques not only allows the audience to get an extensive insight into the many different
characters, but also helps us understand the relationships between them and how all of these factors
contribute to the overarching theme of racism in the film. The use of these camera rapid movements

The Great Gatsby Adaptation Essay
The adaptation of literature into film is a process that requires careful and experienced methods of
cinematic attention to details according to crucial narrative aspects of the literary piece. The film
industry has been creating visual versions of literature for quite some time, but the advancement of
modern technology has opened the door to a world full of new and exciting possibilities in terms of
visual and special effects. The Great Gatsby by F. Scott Fitzgerald is a timeless classic of the
American literary canon, and is a popular choice for film adaptation because the vivid imagery and
strategic symbolism of the plot that lends itself to visual recreation. Dixon (2003) comments on the
problematic attempts of film adaptations of The Great Gatsby when he states, "...the various
screenwriters and director who translated ... Show more content on Helpwriting.net ...
For example, he deletes a scene that is key to Fitzgerald's novel; consequently, he perverts the
author's original intentions for an initial establishment of the friendship between Jay Gatsby and
Nick prior to the introduction of the cultural party elements. Dixon (2003), who asserts that Coppola
sullied Fitzgerald's original intentions, reinforces this claim when he states, "For example, Nick
meets Gatsby during one of his parties at Gatsby's mansion in a causal, offhand fashion. But in the
film, Nick goes for the first time to one of Gatsby's parties, is melodramatically accosted by a grim–
faced bodyguard, taken upstairs in a private elevator, and finally thrust into Gatsby's study. This
attempt to heighten artificially the initial contact between Nick and Gatsby demonstrates an
unfortunate reliance upon extremely clichéd devices to provide dramatic tension" (p. 293). However,
Fitzgerald makes it clear that Nick and Gatsby's relationship exists separately from the dramatic
elements of the

Movie Review : ' Movie '
As soon as the movie starts, the camera is focused on the infant crying with all the mise–en– scene
around him/her. Which the mise–en–scene here is all the trash bags and all the children returning
home from school. In other words, the baby is left alone which rises a concern in the audience in
why is infant left alone on the floor next to all these trash bags. Later, the camera starts zooming out
from the infant and that establishes the theme of the movie. The theme that people would agree on
for this film would be mysterious. This movie utilizes many cinematographies that reinforces the
theme of mystery. As the movie proceeds, it reframes to three planes, just like the illustration that is
on the textbook that displays Citizen Kane's three planes that "condenses a traumatic moment in
Kane's lost childhood". On the other hand, for this movie Hermano, the three planes rises curiosity
in if anybody is going to pay attention to the infant that is pretty much left in the street crying. One
of the frames is on the soon to be a step–mom in having a close– up shot, which this shot is makes
the audience perceive her face expressions that one can tell that she is having a hard time in debating
in what to do with the infant that is abandoned in the street. On the other plane, the shot is focusing
only on the face expression of the infant crying. The last plane, includes all the characters, along
with the single mother walking with her only son, and the infant crying. It is a wide

Tim Burton Film Analysis
From Edward Scissorhands to Charlie and the Chocolate Factory, director Tim Burton has been
captivating audiences for over 30 years. One can agree that Mr. Burton has an uncommon way of
portraying things, which allows him to twist a viewer's emotions. His feature films such as Edward
Scissorhands, Charlie and the Chocolate Factory, and Alice in Wonderland are some of the best
examples. Throughout his films, director Tim Burton executes all cinematic techniques successfully;
the involvement of sound, lighting, and editing techniques throughout his films establishes a
suspenseful mood creating his grotesque and macabre style. One such cinematic technique is called
non–diegetic sound, in which the sound is intended for only the viewers of the movie, establishing a
suspenseful mood. In Edward Scissorhands, when Peg Boggs, one of the protagonists, walks up the
stairs of the abandoned mansion, music is played in the background for only the viewers to hear. In
the following scene, Peg is at the top of an abandoned mansion looking for someone, when a figure
with sharp weapons appears out of the shadows. At this moment, menacing music is stridently
played in the background (Edward). The sudden appearance of the figure, along with visible
emotions and the music, gives viewers the feeling of something ominous. Mr. Burton uses non–
diegetic sound to evoke other feelings in viewers as well. In the movie Alice in Wonderland, when
the protagonist, Alice Kingsleigh, is atop the

Midnight In Paris
Midnight In Paris
Jasiya Jawed
Intro to Cinema 160
Scene Analysis
Films of different genres use different techniques to improve a film's quality. In the same way the
film A midnight in Paris uses similar techniques to provide a overall view on Gil's character. Despite
some scenes being similar in editing and mise–en–scene, those scenes provide a total different
aspect of Gil's character. In one scene Gil is criticized by others and no one believes in him and in
another scene Gill is still being criticized but in a positive way. In the film, A midnight in Paris the
character of Gil is revealed through the filmmaking technique as mise–en–scene, editing, sound, and
cinematography.
This scene starts from a transition of a cut from ... Show more content on Helpwriting.net ...
In the first scene Gill was given no power as the other characters had more control over him because
they were against him as team in criticising his writing as in the other scene Gil again was shown as
he has no power because Gertrude Stein was telling him how to improve his writing the only
difference in the first scene and second was that in the first he received negative criticism while in
the second he earned positive

How Does Inarritu Use Innovative Camera Techniques In The...
Amores Perros and City of God each have their own technique of filming its narrative that draws
viewers in immediately. Both films chose not to portray easily recognizable tourist or popular areas
of the city that would allow the audience to distinguish exactly what city the film took place in plays
an important role (Chetin, 2016). The use of innovative camera techniques utilized within both the
films have a significant impact in the films success in appealing to a global transnational audience.
Inarritu's use of handheld cameras, rapid editing, fluid camera work, and an extensive range of
shots, from extreme long shots to extreme close–ups all play a role in the film's appeal. The camera
techniques assist Inarritu's attempt to not cast a ... Show more content on Helpwriting.net ...
The innovative camera techniques used do not utilize the realist style that was previously associated
with films dealing with social deprivation; however, it does use identifiable genre characteristics,
but in a way that is more specific for that location (Anon, 2016). The camera angles used within
City of God create certain atmospheres and alter the meaning of a scene. The film editing creates a
world and a feeling that absorbs the audience and transports them to a place they have never been to.
The opening scene begins with a nice atmosphere of people playing music and dancing. Then it is
seen from the chicken's perspective. It watches as the knives sharpen and other chickens are being
killed. It runs away and can be seen as symbolizing Rocket's attempt to flee from the gang life. The
mixture of the camera angles builds up suspense. The variation of high and low angles accentuate
the disordered way the city is built up from different layers of houses, small shacks and streets. This
scene submerges the audience in the feeling of excitement, suspense, and fear as the chicken
attempts to make its

Citizen Kane Conventions
Orson Wells´ film "Citizen Kane," has long been regarded as one of, if not the greatest film of all
time. It has been beloved by critics for decades and will be at or near the top of any list of great
movies. Part of this appeal lays in the fact that, "Citizen Kane," challenges many of the preexisting
narrative and technological aspects of filmmaking in the 1930s. "Citizen Kane," defied or adjusted
these traditional conventions in order to suit its own narrative and because of that it is still one of the
most groundbreaking and influential films of all time.
One of the main areas where "Citizen Kane," adjusts and challenges the conventions of its time is
through its own narrative structure. Even by today's standards of film, "Citizen Kane," ... Show
more content on Helpwriting.net ...
In the movie the use of camera focus and long takes builds upon the technology developed in the
30s (Lewis, Smoodin 113). Wide shots that capture several elements at once such as the shot of
Kane´s family speaking to a banker with Kane himself in the far background are an example of the
use of the clever use of the camera. Long takes and shots of Kane walking in large rooms also seem
to defy then conventional wisdom to have many shorter takes instead focusing on several elements
for long periods of time (Lewis, Smoodin 112). But it is not only in camera techniques where the
film pushes boundaries. In lighting the film makes heavy use of various lighting techniques in order
to show many of the characters in shadow or conversely to use large amounts of light in certain
shots (Thomas Youtube). In terms of sound the film is able to use effective sound mixing to mix in
several characters speaking at once along with background noise (Thomas Youtube). It also
integrates the microphones into the background to avoid using boom mics and allowing the viewer
to see the ceiling of buildings, helping to establish a greater sense of realism (Thomas Youtube).
Finally the film even makes heavy use of Matte paintings in the background, something that had
been pioneered in the 30s and is used effectively in the film (Lewis Smoodin 110). Altogether the
film is able to make good

Cinematic Techniques In Orson Welles Citizen Kane
Before the cinematically revolutionary Citizen Kane, filming techniques before were not quite as
advanced, and were rather banal in terms of movements and lighting. Scenes were captured rigidly
and provided the viewer with a constant eye–level view, which gave no sense of artistic design.
Orson Welles' Citizen Kane rejects such triteness, and instead employs a new, imaginative filming
technique known as the deep focus. Citizen Kane does more than just a unique camera trick,
however, as it also provides an original, non–linear story for the viewer to follow, as well as new
uses for lighting. Orson Welles stars as Charles Foster Kane, an extremely wealthy newspaper
publisher. In the beginning of the film, an elderly Kane is shown on his deathbed, ... Show more
content on Helpwriting.net ...
Essentially, deep focus is where the viewer can see the foreground through the background in clear
sight. For instance, this technique is utilized in Kane's childhood scene. This scene, which shows
Kane's parents and Thatcher in the foreground, and a young Kane, who is seen through a window, in
the background. The young Kane can be heard shouting happily, and is seen playing with his sled
while his parents' discuss Kane's future. While discussing, one of Kane's parents shuts the window,
blocking Kane's noises. Welles uses this technique to signify the irony of the situation. While Kane's
parents believe that they are making the right choice for Kane, they are, in fact, making the wrong
choice. Kane's position in the background is meant to notify the viewer the discord between him and
his parents. Because his father shuts the window, he is also, symbolically, shutting down his
happiness. Kane, as a child, did not have a voice because he was never given the chance to have
one. Due to a lack of voice in his youth, it is no surprise that Kane has no qualms over the
acquisition of The New York Inquirer, where everyone would have no choice but to listen to him.
Welles' use of the film technique, deep focus, provides the audience with significant details that
contribute to Citizen Kane's status as an iconic

An Investigation into the Social Aspect of Digital...
Title: An investigation into the social aspect of digital cinematography.
Motion picture was developed in the 1890's and exploded in popularity over the next 40 years. This
was mainly due to it being a new form of audio and visual entertainment. Theater was popular
because it was a marvel of modem technology, relatively cheap, and, above all, provided patrons
with an escape from their difficult lives. It means the everyday men and women now had a place to
go to relax and be entertained. This gave the working class a chance to escape their hardships and be
treated like the wealthy. This was sure to make motion picture a success and to grow massively over
coming years. Motion picture was invented in 1889 but it was the 1900's before the first motion
picture projectors started being installed in theaters and it was just 1915 when the Irwin theater in
Bloomington was opened which was the first building built specifically for viewing motion picture.
This differed from the early transitional "opera houses" that showed live dramatic performances as
well as movies. (Boegen, 2003). In these times theaters were fashionable and impressive buildings
and had a look of class. The Pantagraph described the exterior of the Irvin Theater as terra cotta with
elaborate trimmings. (Boegen, 2003). It was a new and exciting in the era and brought a whole new
concept of entertainment to the people. At this early stage of film it had a major impact on
everybody. People got to see things in these

Roger Deakins: A Career As A Volcano
While directors are more likely to be household names, that doesn't change the fact that there are
several notable cinematographers as well. Roger Deakins is among many that deserve recognition,
and has been a part of several projects such as "No Country for Old Men",
"Skyfall", and "Sicario". Deakins is also known for his work with the Coen brothers and Denis
Villeneuve. While directors and actors are likely the first to be remembered by name for their work
on films, the cinematographer's work is key for a successful end result. While the director often
times has the "vision" for the film, the cinematographer is responsible for painting that picture and
bringing that image to life. Many decisions fall on the cinematographer's plate regarding ... Show
While lighting can make or break the look of a scene, or movie as a whole, so can the types of
camera shots. The angles, transitions, and cuts the cinematographer chooses to use can create
completely different looks. There are several different shots used within a matter of minutes in a
film. Different shots can manage to portray completely different emotions, that of which the
character is feeling, along with the emotion the audience should feel. The shots typically shown
while characters are on screen consist of close ups, medium shots, long shots, over the shoulder
shots, low angle and high angle shots, and many more. While there are shots used to establish
characters and their feelings, there are also shots that are more often than not used to showcase
landscapes, or anything other than a character. These shots can consist of aerial shots, money shots,
and a classic point of view shot. While there is no restriction on what shot can be used for what,
some simply do a better job at portraying what it is that needs to be portrayed. Lighting and shots
used work hand in hand to create the exact image the filmmakers

How To Analyze Films Essay
Did you know it is more to film broadcasting than just visible viewing it? The ability to analyze
films implicates closely examination of cinematography. Cinematography refers to the process in
film of lighting a shot and achieving quality in the visual images that are captured. The
cinematographer in any film is also known as the director of photography and may be either an artist
or a technician. It is this individual who is responsible for ensuring that the images appearing on
screen are presented to reflect the mood or the emotional effect and the style seen by the film
director, producer, and writer as essential to conveying its meaning. The director of photography
works closely with the director and interprets the action of the ... Show more content on
Helpwriting.net ...
(Boggs & Petrie p. 9) One aspect of eliminating impartiality is to view a film in its proper
environment. Try selecting an environment that is attractive and comfortable; preferably a theater
with modern stadium seating and the upmost quality projection and audio sound equipment. As
comfort and sound plays an immense role in how well we appreciate an experience. While viewing
films try to restrain your comments and thoughts. Take mental notes and discuss them at a later time
with others who shared your cinematic journey. As restraining your comments and thoughts avoid
passing bias and negative viewpoint onto others.
The basic approach to analyzing films as a whole is to keep in mind that when we are watching a
film we cannot freeze for analysis. We have to concentrate on the interactions of image, sound, and
motion that are present. In addition we have to accumulate impressions of the film effectiveness and
maintain some degree of objectivity and critical detachment. Viewing films more than once usually
help our analysis becomes easier. Another asset is to view in selective screen segments that
exemplify the purpose and the interrelationship. Regardless of which option: single–viewing,
double–viewing, or breaking the film into segments, one can virtually use the same

My Family : My Grandmother
A very special person in my life is, my grandmother. Back home in India I have a joint family. My
family stays in different floors of the same building. She is what you could call "the Queen Bee" of
our family. I learn a lot of life lessons that define me as a person from her. When I was still in my
childhood years, I was not interested in studies and my grades were going down. My father was
unhappy with my falling grades. When I was ten years old he decided to send me to assist my
grandmother daily at our office, hoping that it would reform me. This resulted in me spending a lot
of time with my grandmother. Then I began to learn her story. My grandmother's name is Prafulla
Patel. She came to Mumbai from a small village in Gujrat along with my grandfather when she was
19 years old right after getting married. She had no money, contacts or higher education. All she had
was a desire to achieve her dream of making movies. She started by selling newspapers on the
street. She then pitched production concepts and movie scripts which my grandfather wrote to
producers outside their offices. Eventually she rented her own office at "Naaz cinema" which she
currently owns. As of this writing she is 80 years old and in the planning phase of making a movie.
This brings me to the first lesson I learned from her. Everything we do and achieve is affected by
one word, "want". Only after defining what we want can we pour our hearts, souls and energy to get
it. In a recent interview with my

Reflection Of Citizen Kane
The 1941 film Citizen Kane was written, directed, co–produced and starred by Orson Welles. The
film won an Academy Award in 1942 for Best Screenplay and was also nominated for 8 other
categories in the same year. The black and white movie was a hit for its time. The film challenged
the traditional narrative and technical elements of the classic Hollywood cinema on multiple levels,
especially for this time period in history. One of the first traditional narratives that Welles challenged
was the order of events in the movie. Most films present their stories in chronological order, Citizen
Kane does not do this. The film opens with narrated scenes of the entire life of Charles Foster Kane,
however the series of events goes from the later ... Show more content on Helpwriting.net ...
The plot duration is the time it took for Jerry Thompson to interview Kane's ex–wife and friends in
search of answers on Kane's life and death, this took approximately one week. And then the screen
duration is the entire movie, this would be almost 2 hours in length. (Barsam, Monahan 143) The
setting in the movie is the time and place of the story. Citizen Kane showed multiple settings a many
different times. The death had a setting of Kane alone in his home in his later years, in the 1940s.
Other settings included an estate in Florida called Xanadu, where Kane and his wife Susan lived in
his later years. Another setting was a music hall that Kane owned and where Susan performed for
audiences, this as well was in his later years. His younger years included settings of his businesses
are also shown throughout the first of the film. Thompson's interviews of Kane's ex–wife, his
colleagues, his friends and even his butler provide settings of their locations (after his death) and
then their flashbacks to Kane's life including those time periods and settings. Another way that
Welles challenged the technical elements of the Hollywood cinema was through the mise–en–
sce`ne. Mise–en–sce`ne is the staging or the action of putting on a scene. One of the concepts in
putting on a scene or staging is the illusion created from the lighting and camera angles. In one
scene in the movie, Kane is in one door way watching his wife Susan leave out of their home,

Midterm Answer. Chen Xuanhong. Cine 121
Midterm Answer
Chen Xuanhong
CINE 121 – 01 1– Escapist entertainment and social commentary
2 to 2½ pages max. (170 Points)
While Stagecoach (John Ford, 1939) is representative of Classical Hollywood cinema providing its
audience with escapist entertainment, it also develops an "acute social observation" of life during
America's westward expansion and it challenges elements of the myth constructed around this
history (Bernstein 316).
a) What makes Stagecoach an example of Classical Hollywood cinema? Identify and explain the
main characteristics, features, and conventions of this cinema that are present in the film.
b) What makes this film different from other Classical Hollywood westerns?
● Explain Bernstein's main argument in ... Show more content on Helpwriting.net ...
b) "Stagecoach was the most critically acclaimed of several major studios 1939 Westerns that
historians credit with raising the genre into big–budget production from the rut of B–studio, B–
movie status" (Bernstein 300). Unlike the other classical Hollywood cinema, Ford chose western
frontier as the open landscape for shooting. What's more, Ford tried to cut dialogues to the minimum
and focused on actions, showing how actors react to one another. Certainly, as a classical Hollywood
film, Stagecoach reflects Ford's appreciation of America's westward expansion by showing chances
for democratic life on the frontier. With the aim of specification contradictory beliefs, Ford made
fully use of mise–en–scène and cinematography, such as setting and composition.
Setting
The epic, mythicized, and vast landscape of Monument Valley offers the basis for Western's
fundamental conflict. It includes grassland, desert, cactus, buffalo, horses, and the owner of this
land, Indian tribes. In the visual environment, another typical group of "civilization" are brought by
the invasion of towns, rails, churches, posts, etc. So, the setting itself contains conflicts of the
natural environment and modern civilization. The conflict between the backward productivity and
advanced productivity, the conflict between violence and law, the conflict between

Citizen Kane : A Cinematic Masterpiece And One Of The...
Citizen Kane has long been regarded as a cinematic masterpiece and one of the greatest movies ever
made. One look at the scene "Thatcher Taking Young Charles", and you can see exactly why. The
storytelling style of this film is a "successful fusion of the flashier devices of 1930s films, and
techniques adapted from radio, theater, and prose narrative. "There is pro not a single device in
Citizen Kane that cannot be found in earlier films, but Citizen Kane synthesizes elements of various
traditions in a totally original way." (Carringer,1978) This sequence makes use of various cinematic
techniques to employ the auteur's narrative.
An example of deep focus appears in this sequence. A young Mr. Kane is visible in the background
by the window in the middle ground while Mrs. Kane signs over custody of him to Mr. Thatcher in
the foreground of the shot. There is a great significance to Kane appearing at the background of the
frame. The narrative perspective captures Kane being present, but almost pushed to the literal and
symbolic background as decisions are made to determine his future in the foreground. The use of
deep focus turns what would've been a flat cinema screen into a three–dimensional world with a
strong sense of realism. Although our attention is not immediately forced to any specific aspect of
the mise–en–scene, a certain important moment is noted just as Mrs. Kane signs the paperwork.
Young Kane while playing a childish game of "civil war" screams "Union forever;"

Advantages And Disadvantages Of A Focus Puller
A lot of productions reduce their budget by excluding the focus puller, which is another term for
camera assistant (AC). They don't realize that they're making a mistake by doing so. When the
Director of Photography (DP) is anxious about the grips, the lights as well as composition, would
you want to leave them also dealing with the duties of lenses and filters?
It's important for you keep in mind that not every project will need a camera assistant, and it's a fact
that corporate events, reality TV, and documentaries stay alive every so often without having to use
a devoted focus puller. Well, there are some situations in which you can't afford a remote focus
puller and plan to go–ahead with a skeleton crew. Then there are times when you may allow a
production assistant or intern to shoulder responsibilities of a camera assistant. ... Show more
content on Helpwriting.net ...
5. Working with Film
Working with film? Then you will certainly need a professional assistant camera (AC).
If there is any drawback of film over digital it's that it seems a whole lot easier for one to waste a
great amount of money when working with film. Pulling focus is a game that one cannot achieve in
the blink of an eye and loading magazines is a main opportunity to damage some stock, and last but
certainly not least, the mechanics of the film camera rely on continuous maintenance as well as care.
Don't consider anyone else, unless you have the right experience working with film on your own.
Hire a pro who's already worked with various film cameras and knows their fine points.
Is Hiring a Focus Puller Important?
A focus puller or the 1st AC (assistant camera) plays a very important role as this person is the one
who sets the camera up at the beginning of the day, prepares the camera for every shot, changing the
camera speed, lens, filters and so on and so

Formal Context In Double Indemnity, By Billy Wilder
Formal context is a big part of why movies are how they are. In Double Indemnity (1944) clip, by
Billy Wilder, there are many formal context elements that are important as to why the choices are
made during scenes. Some of these are the types of shots, camera movement, lighting, and the mise–
en–scene. This paper analyzes the five shots in the two minute and thirty three second scene in
depth. The prologue shot is forty four seconds, which is a long take. It starts with a tall, dominant
character walking towards the elevator. As he is walking the shot transforms from a medium long
shot (also known as plan americain) quickly to a medium shot. The character is facing the front of
the elevator while giving his back the camera, building a distance between the audience and the
character. He is wearing his coat in one arm and is trying to cover his other arm with the other side,
showing to the audience that he is hiding an injury. As soon as he is in the elevator, a short delicate
character follows him into the elevator and begins talking to him. Viewers find out the tall
character's name is Neff. During the first thirty seconds of the shot, the camera is static and the
music is extra diegetic, which builds anticipation towards Neff who is wearing a mysterious hat that
covers his face. The worker attempts to initiate a conversation with Neff, but he is very dry, building
more anticipation to what is going to happen. When Neff exits the elevator, there is a tracking shot
where

The Use Of Light In The Film Citizen Kane
INTRODUCTION
In films a big concept has always been the use of lights. The use of lights in films helps create a
meaning about what the scene is about and at times reveals a little more. In cinematography there is
different types of lighting such as: three point lighting, fill light, key light, high key and low key
lighting, top or under, lighting and many more. In the times when films were black and white the use
of light is not easily visible. The use of black and white still helped portray the meaning behind
many of the scenes, whether the scene got lighter or darker.A film that was successful in using white
and black was Citizen Kane by Orson Welles. A film that was in color was the Godfather directed by
Francis Ford Coppola. The use of lighting reflects within color because it gives the audience more to
look at and it becomes very noticeable when the light changes for a specific scene. The use of
lighting styles is necessary in films to bring attention to the scene and to be able to produce an
interesting film. The director of Citizen Kane had the choice of making the film black and white or
color but eventually decided to create it in black and white. In an interview about the film Citizen
Kane a critic acknowledged the use of light and said "Exploiting light and shadow inventively to
express meaning and establish a desired atmosphere made Orson Welles' 'Citizen Kane' a significant
historical event that impacted both audiences and film genre in many ways." The

Sam Warner's Influence On The Film Industry
Sam Warner
Sam Warner's influence on cinematography brought the movie industry to where it is now. His story
is both inspiring and tragic. As a boy born in hard times to poor parents, Sam Warner overcame all
that was working against him. From nothing, he built the foundation for the 127 billion dollar
company that Warner Brothers is today. In Baltimore, Maryland, Polish immigrant parents Benjamin
and Pearl Warner gave birth to 5 children: Albert, Henry, Samuel, Rose and Fanny. Times were hard
for the Warner family and money was scarce. Fanny and Henry both died during childhood.
Benjamin created a novel "shoe repair–while you wait" shop which proved to be quite successful for
a time. Sending his kids out to run shoe–shine stands and ride paper routes, the Warners were
starting to get their foot in America's doorway. Benjamin, being the entrepreneur that he was,
became a part time traveling salesman for kitchenware and eventually moved to Canada to start a fur
trapping business. Things went south after being screwed over by a business partner, and two more
children were born in Canada: Jack and David. Now in poverty, the Warners moved back to
Baltimore and successfully ... Show more content on Helpwriting.net ...
Sam returned home to Youngstown and started his film venture in a line of empty store fronts, and
he only had one film to show with his brother and mother accompanying it with music and vocals.
Seeing that it was a big hit, Sam and his brothers spread the movie theater business all across the
East Coast. Later, Edison created the Trust, a motion picture company that intimidated the Warners
out of the business. A few months after, Sam convinced his brothers to bring the company back up
and move to California, where they wouldn't have to deal with the Trust as much. But instead of just
showing films, now they were going to create the movies

How the Transition from Film to Digital Cinema Affected...
How did the transition from film to digital cinema affect cinematography?
1. How did the transition from film to digital cinema affect cinematography?
The transition from film to digital cinema drastically changed the way films were made and greatly
affected the cinematography of films. Digital versus film has been a widely debated subject in the
film industry since the availability of digital cameras at the end of the 20th century. Now in the 21st
century, digital dominates the film industry, so why is 35mm film still being used by both amateur
and professional filmmakers? For years film was seen as a joke, far more inferior to digital, because
of the fact that digital gave a better picture and was more convenient to use. But now, film has
developed to the point where the typical audience cannot see the difference between HD digital
films and 35mm films. For example, HDTV laser–beam recording on 35mm colour film can now be
used to enhance the quality of the image without using digital. So now to answer the question earlier
on why 35mm film is still being used today is that it is a preference for some directors. Although the
average viewer cannot spot the difference between digital and film, that doesn't mean that there
aren't any differences between them.
2. Image Quality
There is a clear difference in image quality between digital and 35mm film. The quality of films can
be measured in different ways, such as the resolution of the picture, the noise and grain of

Citizen Kane Is A Quarry For Filmmakers
As esteemed film director William Friedkin once said; "Citizen Kane is a quarry for filmmakers". It
is undeniable that Citizen Kane is the epitome of the great American film. It was initially released in
1941 and was met with great criticism . However, since its release many years ago it is evident that
the film made advancements in cinema techniques which were well ahead of its time . The foremost
reason Citizen Kane is considered one of the great American films ever created is due to the
innovative film techniques that director Orson Welles brought to life .These techniques include new
methods for cinematography, lighting, and sound . The cinematography in Citizen Kane is one of the
primary reasons it is viewed as one of the most celebrated works in cinema. The initiation of new
approaches to cinematography is greatly credited to cinematographer Greg Toland. Toland who was
known for his work as director of photography for such films as Dead End (1937), Wuthering
Heights (1939) which he won an academy award for, The Grapes of Wrath (1940), and many more.
The collaboration between Welles and Toland broke the traditions of atypical 1940 's film.
Essentially, this meant that there should not be great attention to participation of the camera.
However, Welles and Toland attempted to attract as much attention to the camera as possible, by
using dramatic angles and unusual shots. As Martin Scorsese said; "Welles was not afraid to be self–
conscious with the camera". To

Charlie And The Chocolate Factory, Alice In Wonderland,...
When a person watches a movie, and a scene with dim lighting shows up on the screen, that usually
makes them feel tense and scared about what is going to happen next. Directors use cinematic
techniques to convey feelings or connect with the viewer. In the movies Charlie and the Chocolate
Factory, Alice in Wonderland, and Edward Scissorhands, Tim Burton uses flashbacks, diegetic and
non–diegetic sounds, and high key and low key lighting to show a characters' thoughts or past,
create the mood of a scene, create suspense, and let the viewers know about the characters' as if they
personally knew each other. Tim Burton uses the flashback to show or reveal characters' thoughts or
past. In the film Charlie and the Chocolate Factory, Willy Wonka has frequent flashbacks to when he
was a child. All of his flashbacks involved memories of candy one way or another, and they were
sparked by either Charlie Bucket or a question the Golden Ticket winners asked the candy maker.
Wonka has a flashback to when he was a little boy trick or treating on Halloween. The flashback
also shows how his father was a dentist that hated candy and only let Willy go trick–or–treating so
his father could see what kinds of candy are rotting childrens' teeth each year. While Wonka was
allowed to trick–or–treat, his father always got rid of it by throwing it into a fire. Other flashbacks
showed how Willy's love for chocolate started, by showing how he ate pieces of candy and
chocolate secretly at

Overview of Digital Cinematography
Digital Cinematography Introduction The technological advances in filmmaking and photography
have helped artists and cinematographers create beautifully colorful stories without the burden of
editing reels upon reels of celluloid. But with digital cinematography there are other issues that
require attention and innovation, and this paper delves into one of those issues the ever–growing
need for archiving digital movies and HD television production safely and effectively. This paper
also proposes potential solutions for those issues. The Literature on Archiving The Digital Dilemma
In the peer–reviewed journal Engineering & Technology journalist P. Dempsey explains that while
more and more movies are entirely digitally produced including James Cameron's smash hit film
"Avatar" the shift from celluloid to digital presents "major challenges for the communications
business" (Dempsey, 2010, p. 1). Enormous amounts of data must be ""¦moved around to create and
manage high definition (HD) broadcasts for TV" and enormous quantities of data must be safely
stored for movies as well. As cinematographers struggle to bring digital images in line with the
"ever–higher resolution" achieved with celluloid images, which means that digital cinematography
would achieve "a capture rate of 60 frames per second and a resolution of 7680 x 4320 pixel"
(Dempsey, p. 2). When that resolution is achieved, it will mean "point–to–point data rates" that
approach 24Gbit/s, and that in turn will

The Importance Of The Film Inception
Planning and shooting play key roles in creating a work of art through film that has meaning and can
provoke emotions in an audience. Cinematography encompasses these tasks and other factors that
contribute to a film's production, ranging from styling variables like color and contrast to the types
of camera lenses used to camera positions used while filming. While a director or producer has the
primary voice in determining what a film will consist of, the cinematographer does more than any
other person working on the film to mold a director's vision into reality. These individuals have the
crucial task of creating and framing every visual that will appear in a movie.
There are few cinematographers who do this in as compelling of a way as the cinematographer for
the film Inception, Wally Pfister. Pfister has worked on many notable films and has been nominated
for several awards, but he won his Academy Award for Best Cinematography for the 2010 film.
Despite the controversy and debate that surround the film, one can easily see the merits of the film's
cinematography that earned Inception the "Oscar." The film contains visual elements that leave the
audience in awe, as it takes the viewer into a dream world that has not been explored by many other
big motion pictures. The dream sequences we observe are in every way larger than life, yet the
cinematography makes them also seem tangible to the viewer. In the scene of the dream sequence
that takes place in Paris, Cobb (Leonardo

Comparison of Fellini's Nights of Cabiria and La Dolce Vita
Nights of Cabiria and La Dolce Vita left me absolutely stunned, in awe of what I had just witnessed.
I found both of these films to be unspeakably beautiful, and in my opinion, the best out of all
Fellini's major motion pictures which I have attempted to view this semester. Both films are
unmistakably "Fellini" in the characteristic that define his films, especially through the world of
fantasy, and deserve a thorough comparison.
In La Dolce Vita, we are given a glimpse of a filmmaker that has moved far neo–realist roots. While
Nights Of Cabiria was certainly a departure from neo–realism, (and far less neo–realist than La
Strada, which was just one picture before this one) it certainly had many more neo–realist elements
... Show more content on Helpwriting.net ...
La Dolce Vita shows us the downward spiral of Marcello. He seeks meaning, truth and love in the
empty lives of the upper class. The disgusting lifestyle instead leads to his denial of emotion, his
collapse and finally his complete lack of emotional and spiritual hope. Cabiria is eventually able to
look beyond the façade of the rich, while Marcello becomes a victim of his own illusions. It is for
this reason that Cabiria can be seen as a stronger character than Marcello. If it can be said that the
film follows the emotional, spiritual, and mental growth of Cabiria, it then follows that La Dolce
Vita follows the emotional, spiritual, and mental collapse of Marcello.
One of the flaws of both Cabiria and Marcello is their desire to succumb to their needs. Cabiria
wants so badly to be loved and to have love, and Marcello wants so badly to find truth and
happiness in the pleasures of high society that they become blind to reality. As we know from the
first scene, Cabiria has a habit of falling in love too quickly. We find how deeply she carries this
fantasy when she becomes hypnotized. This blind fantasy has lead to nothing but heartbreak, and it
is this realization that leads to her salvation. Marcello also wants to give into his fantasy and desire,
seeking redemption through love. In the fountain with Sylvia, he proclaims her to be the ultimate
female. Once again, the water motif comes in to demonstrate

Citizen Kane Mise En Scene Analysis
Citizen Kane made cinematic advances on many fronts, and its most significant contribution to
cinematography came from the use of a technique known as deep focus. Deep focus refers to having
everything in the frame, even the background, in focus at the same time, as opposed to having only
the people and things in the foreground in focus. The deep focus technique requires the
cinematographer to combine lighting, composition, and type of camera lens to produce the desired
effect. With deep focus, a filmmaker can showcase overlapping actions, and mise–en–scène (the
physical environment in which a film takes place) becomes more critical. Effectively manipulating
the mise–en–scène for deep focus actively engages the whole space of the frame without ... Show
"Seamless" because you're not supposed to notice the style at all – technique was to be unobtrusive,
serving, with clarity and restraint, as a vehicle for the story. Establishing shot, medium shot, close–
up, medium shot again. The camera movement is restricted to what is necessary in order to follow
the plot. The very position of a speaker's head relative to the back of the head of the person he's
talking to was part of a conventional grammar so commonplace that it was instantly understood by
an audience. This was the smooth structure of narrative film, and it is still followed by most
directors today. In order to understand why Citizen Kane is so bold, it is necessary to be used to the
Hollywood style, to recognize one's own comfort with it, one's assumption that this is the way, the
only way, to tell a story on film. Then, when you watch Citizen Kane, you can feel the full force of
its difference, and it's like opening your eyes to completely new depths and perspectives. Orson
Welles took a visual style and flaunted it – he made the style an overt part of the story. The
technique was inseparable from the narrative, not just its humble servant. The viewer is reminded
that he is watching a movie – and it is just this that is exhilarating about watching it. Citizen Kane
combines the narrative interest and production values of a Hollywood film with the

Citizen Kane Cinematography Analysis
The film Citizen Kane uses stylistic cinematography techniques that help stress both material
presence and textual representation. One of the main techniques used throughout the film is deep
focus which usually makes everything that's in the frame of the shot relevant. This deep focus
contributes toward the viewing of the film as presence and also representation. For example, one
could think of the " broad and self–conscious use of deep focus...as an attempt to present images
that are purely and fully presence, presenting themselves to the view in their fullness without any
added meaning or interpretation." (commentary) or the deep focus can be looked at as an
interpretative point of view. Basically, deep center makes everything without exception in the ...
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Initially, there is a shot far from Kane where he is by himself in a field filled with snow, the camera
gradually pulls back inside the window of a lodge where Kanes guardians and a man named Mr.
Thatcher are having a heated discussion. Mr. Thatcher is about to take Kane away. The camera rests
at a position about eye level with Thatcher and Kane's mom, who are sitting near one another at a
table in the frontal area on the right hand side of the shot. Amidst the shot is Kane, who is out of
sight but still visible in the background through the window, and on the left hand side is the father,
who is standing, trying to declare his power but is unsuccessful at each endeavor. The situating of
the characters is intentional, Charles is in the center in light of the fact that he's the focal point of the
dialog. The cinematography in this film seems to be taking a look through a window into the life of
Charles Kane but never picking up a genuine comprehension of the main chararcter, yet rather a
variety of viewpoints. These techniques stress textual representation in the film. The mother and Mr.
Thatcher are situated together at the same tallness on the grounds that they are of the same outlook
as far as

The Director, Danny Devito, Is Evil And Malicious ( Mean )?
What techniques does the director, Danny DeVito, use in the film 'Matilda' to illustrate that the
character, Ms Agatha Trunchbull, is evil and malicious (mean)? The film 'Matilda' was directed by
Danny DeVito and was released in 1996. The director uses multiple film techniques to depict Agatha
Trunchbull as an evil and malicious character. These techniques include a range of different angles,
low key and bottom lighting as well as an out dated sense of style and a variety of diegetic sounds
Firstly, the director of 'Matilda' uses low camera angles to depict Ms Trunchbull as aggressive and
derogatory to others. During the scene in which both Miss Honey and Ms Trunchbull are in Ms
Trunchbull's office the camera angles used are both low angled shots that are extremely close to Ms
Trunchbull's face. Shots like this make Ms Trunchbull look visually unappealing as the highlight or
amplify her imperfections. Also used in this scene are shots that display the whole of miss honey
and only a small part (i.e. the head) of Ms Trunchbull's body. This portrays Ms Trunchbull as
powerful and intimidating. Although these shots and angles are used throughout the majority of the
movie there is one scene in particular the table turn and the power is changed. This is the scene
which displays the whole school in the hallway throwing food at Ms Trunchbull. A high angle shot
is taken to display that Ms Trunchbull is no longer in power and is quite insignificant. Angles such
as high angles make the

Charles Foster Kane Architectural Elements
With the sheer magnitude of architectural elements that are needed to provide this exploratory tale
through Kane's life, Orson Welles was able to really take advantage of the details to amplify the
story. This use of architectural elements and design not only helped reinforce the specific scenes that
they were in at the time, but went so far as to help illustrate the character of Charles Foster Kane and
relate Kane's story to modern day events.
Throughout the entirety of the film, the architecture reinforces and develop the narrative in the
shots. This effect is present from the start, with the presentation of Kane's looming, literally
mountainous estate shrouded in the fog (figure 1). This house immediately asks the question of who
lived there; human curiosity needs to know the tale of this place and the people that inhabited it. It is
in this way that the mystery of Kane's life is set up before it is even began. ... Show more content on
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When depicting Kane and Emily's interactions shortly after being married, they are shown in a room
that is filled with windows, with light shining in (Figure 2). This heavenly light mirrored the love
and affection in the scene. However, once the two start bickering and arguing, the camera cuts
between the two of them, and the windows are absent from the shots (Figure 3). Returning to the
speaker of this honest narrative, we again find ourselves in a room with large plate glass windows
(Figure 4). Moreover, the glass is not always just present in happy times, but also during times when
emotions become present and conflicts emerge, such as when Kane confronts Jebediah over the
review and the two are standing under a large glass skylight (Figure

What Is Catch Me If You Can Film Techniques
In the film Catch Me If You Can, by Steven Spielberg, Carl Hanratty, is an FBI agent on the chase
for Frank Abagnale Jr. In this scene, he finds out Frank is hiding in a small town in France at a
factory writing himself cheques. He then convinces Frank to handcuff himself and turn himself into
the french officers. During this scene, Spielberg uses four main film techniques to create a theme
and moods. These techniques are, cinematography, editing, colour and lighting, and sound.
Spielberg uses these four techniques to create a mood and build suspense. The use of these
techniques links to the theme that Frank's actions will eventually have consequences because the
director is making the audience believe that Frank could get caught, meaning Frank's actions will
have consequences.
The first film technique spielberg successfully uses is cinematography. Specifically, he uses close up
shots on Frank and Carl's face during their conversation about whether Carl is telling the truth and
then swears on his daughter's life. During these close ups, there is a good use of camera movement
by zooming even further into their faces. The use of this technique gives a strong effect on the
audience by showing the seriousness and emotion in the characters faces. It also shows the tension
and suspense in the room. This shows ... Show more content on Helpwriting.net ...
Some themes these techniques highlight in the scene are, escaping and hiding your identity, actions
will catch up with you, and throughout the film, appearances can be deceiving. Overall, throughout
Frank's arrest scene in Catch Me If You Can, Spielberg uses a combination of close up shots, low–
key into high–key lighting, a series of short cuts during Frank and Carl's dialogue, and background
non–diegetic sound to help develop a suspenseful, tense mood, as well as create an emotional
connection between Frank and the

Inception, the Movie
Inception Inception is not only a film that uses unique cinematography techniques but also tells a
story with a big concept that one can't comprehend right away. The concept of dreams and how one
dream can effect another dream is a risky topic to discuss due being the endless possibilities and
complexities it can have. The director of Inception was none other than Christopher Nolan, as shown
by the obvious concept of noir and conceptual thought that is in many of his films. Together with his
partner in crime, Walter Pfister, a well known cinematographer; the two work together to create an
incredible motion picture.
According to the text, every good movie has two major ingredients. The two ingredients are none
other than "a good script, and a directors inspiration, vision, intelligence, and supervision of all
aspects of the film's production" (Barsam 483). Inception is no exception to this rule at all. Inception
uses a unique familiarity technique in modern cinema of alienating and shocking the audience
throughout the film. The audience members are thrown in the middle of a scene right from the start
of the film with close–ups of Cobb's face. Abruptly the movie spontaneously moves to another scene
where Cobb and Arthur are talking to Mr. Saito, making the scene to appear to be "present time",
only to have the scenery switched once again to an apartment where everyone is asleep.
Unfortunately that wasn't the end scene jumping as it turns out everyone is asleep on a train

Cinematography Research Paper
The Importance of Cinematography
Without studying the details of film, one may ask what is cinematography. Cinematography is the
art of making motion pictures. There are many features that go on in making a film. A
cinematographer has a big role in making the film come together with certain camera movements
and lighting elements. Cinematography is one of the most important aspects of film. People should
be more interested in cinematography because there are so many intricate details that go into making
a film special and that is because of and camera angles and movements, color, and different types of
shots.
When breaking down cinematography, a cinematographer should first analyze what he/she wants to
do with the the different shots, scenes, ... Show more content on Helpwriting.net ...
Some of these shots include, extreme close up (ECU), medium shot (MS), establishing shot (ES),
and long shot (LS). Extreme close up is what a person may assume it is. It is used in filmmaking to
focus on a particular detail of a subject. In many cases, ECUs are very intimate and are best used
cautiously. Medium shot, also known as waist shot, is also what it sounds like. It is a shot from a
medium distance and includes the body from the knees or waist up. An establishing shot may be one
that people aren't as familiar with. An establishing shot is a usually long shot in film or video used at
the beginning of a sequence to establish an overview of the scene that follows (Merriam–Webster).
One other shot a cinematographer should consider using is a long shot. A LS is a shot from a great
distance, which makes people seem to appear more like shapes then people. This type of shot is used
to emphasize the environment and setting of a particular

Comparison Of The Movie The Crucible
The Crucible, a movie directed by Nicholas Hytner, was critically acclaimed and earned several
awards. It received an Academy Award nomination for best screenplay based on material previously
produced or published, a BAFTA award for best–adapted screenplay, and Golden Globe awards for
supporting actor and actress in a motion picture. In Empire's review, they say, "In this almost perfect
screen adaptation, the lingering question is the most important one: what caused such madness?"
This movie adaptation is objectively superior than the written play for many reasons. One reason is
how the characters are portrayed, specifically John Proctor. The way Nicholas Hytner deals with the
other characters is exceptional as well. Nicholas Hytner's The ... Show more content on
Helpwriting.net ...
The movie has a visual aspect that the play cannot provide. When reading the play, the reader must
rely on their own imagination for visualizing the characters based on the descriptions given. Beyond
the dialogue, the movie can show more explicitly how the characters are descending into madness.
The play cannot show you facial expressions and body language that the actors in the movie can
depict. One example is Goodwife Putnam, who is driven crazy from her daughter's mysterious
affliction. Frances Conroy's performance in the movie brings the added layers of her desperate facial
expressions and strident voice. Winona Ryder's Abigail Williams is another great example, because
as her character becomes more and more unhinged, we see her less kept together, and in one scene
she is missing her bonnet.
One might argue, if you want the best interpretation of The Crucible, you should read the original
play because it is exactly what Arthur Miller wanted to express with the story. This would seem to
be logical, as the play is his original work. However, one could also debate that most plays rely on
the director's and the actor's interpretation while they are in production. Most plays or musicals rely
heavily on the imagination of who is putting on the show. With this power in hand, they can change
the play for better or for worse. And in the case of this movie, it was exceptional. To defend the play

Movie Analysis : No Country For Old Men
This paper argues that the semantic and syntactic elements of the American West commonly used in
most Westerns creates a tone for a more contemporary version of the popularized American
Westerns intertwined with a bit of thriller in the 'Tracked' scene of the 2007 Coen Brothers' film, No
Country for Old Men. I will prove that said scene establishes new aspects against the traditional
westerns known internationally by incorporating Rick Altman's analysis of semantic and syntactic
themes in film genre in order to demonstrate the relationship between categorizing the film as a
Western and finding the more structural meaning from the actions of the characters throughout the
scene. My argument is also reinforced by Camilla Fojas's analysis of the Western genre and how
certain descriptive changes such as the time period can build a new subgenre of the western which
helps this paper prove that the revision of a traditional genre can bring more attention to the well–
known outdated Western people have come to love. My analysis identifies distinctive low key
lighting, proper set up of the scene, and syntactics operating in 'Tracked' and demonstrates that
categorizing Westerns under more than one genre through hybridization can polarized it in every
sense as much more than just the good guy verses the bad guy.
In the beginning of the 'Tracked' scene of No Country for Old Men, the psychopathic antagonist
Anton Chigurh (Javier Bardem) is seen walking slowly down a dim lit corridor in

Discontinuous Editing In Sherlock Jr's Holding On
Almost every piece of cinema seeks to give the viewer an understanding by intricately assembling
shots in a coherent, and a sometimes muddled, manner; the techniques used in editing places various
shots in purposeful sequences, to emphasize certain relationships between shots. The shots can be
arranged smoothly and logically, or shift abruptly from shot to shot; different methods of the
aforementioned arrangement of shots are utilized in either discontinuous or continuous editing.
Sherlock Jr. and The War on Drug's music video "Holding On", are two motion pictures that offer
spatial relations, by applying techniques of both continuous and discontinuous editing. Continuous
editing, the most common form of editing in mainstream film making, creates a logical, smooth
narrative of a movie. The form of editing is prevalent throughout the film Sherlock Jr., in certain
instances to create a comical effect. In one particular situation, the phantom version of the
protagonist, Sherlock Jr., walked into a movie screen that happened to be alternating between
different environments as he enters the screen. The movie uses straight cuts to different
environments, but Sherlock Jr. seems to be the continuously presented on the screen within the
theater, while stumbling to adapt to the ... Show more content on Helpwriting.net ...
also makes use of discontinuous editing, in a sequence that finds the projectionist/Sherlock Jr.
sweeping outside a movie theater. After he sweeps and straightens a sign, the film suddenly employs
an unanticipated straight cut to the projectionist walking up to a store. The projectionist is wanting
to buy something he doesn't have enough money for, then, after realizing he is short of funds,
another quick straight cut shows him sweeping the movie theater again. In this instance,
discontinuous editing is utilized to build on the narrative of the movie; following his encounter at
the store, the projectionist is searching for the money he needs inside the pile of trash he was

Man With A Film Camera, Directed By Dziga Vertov And Edited
Man with a Movie Camera, directed by Dziga Vertov and edited by his wife Elizaveta Svilova, is an
experimental film released in 1929 after having been filmed over a period of three years in urban
U.S.S.R and is considered by some to be both a documentary and avant–garde cinema (Aitken,
2011, p. 602). The film was shot in the Soviet cities of Kiev, Moscow and Odessa (Nytimes.com,
2015). Unlike Hollywood and the growing trends of Russian silent Cinema at the time, Vertov chose
not use actors, theatrical elements and melodrama to capture the urban sprawl of Soviet Russia;
calling drama a "corrupting influence" on the proletarian sensibility (Kolchevska et al., 1986).
Vertov's cinematic focus was instead on the cityscapes, industrial structure ... Show more content on
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72), to build their narrative as an assortment of observations, and to adopt an authentic cinematic
style – 'Kino–eye'. "I make the viewer see in the manner best suited to my presentation of this or that
visual phenomenon. The eye submits to the will of the camera and is directed by it to those
successive points of the action that, most succinctly and vividly, bring the film phrase to the height
or depth of resolution" (Vertov, Michelson and O 'Brien, 1984, p. 16).
Vertov with his Kino–pravda – or "cinematic truth" (McLane, 2012, p.44) took an incredibly
technical approach to filmmaking. He believed that because the camera's ability to capture was via a
mechanical process, the camera's mechanical eye could capture reality with greater clarity than the
human eye. Because of Vertov's Kino–eye philosophy and the experimental nature of Man with a
Movie Camera, his cinematography had a playfulness to it; using camera to fullest of its potential,
and skillfully selecting different filmmaking techniques and effects as to best capture his subject.
The nature of the film, and its broad use of techniques
(in particular: montage, double exposure, split screen, Dutch angle, fast cutting, and slow and fast
motion), along with Vertov's

The Significance of Lighting, Blocking and Panning in...
In cinema, lighting, blocking and panning drastically influence what an audience will notice and
take away from a scene. Orson Welles's 1941 Citizen Kane has numerous examples of effectively
using these aspects within mise–en–scène, cinematography and editing to portray the importance of
specific events and items in the film. The scene where Kane writes and then publishes his
"Declaration of Principles" (37:42–39:42) in the New York Daily Inquirer after buying them focuses
on important elements of the film, aiding the audience by combining lighting, blocking and panning
to define significant roles and objects that further the movie as a whole. Mise–en–scène, what the
audience sees in a film, is crucial to the movie's development. ... Show more content on
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A few cuts later he writes on the document right before handing it off to Sully, the lighting shows
proud grins between all the faces present in the frame and also in the left of the frame has an
illuminated bottle of champagne to signify the accomplishment of the document's exchange of
hands. The effective lighting in each cut along with props allows the viewer to gather significance in
the scene as a whole. Blocking, an attribute of cinematography, is used very effectively in this scene
in part with both lighting and props. The positioning of each character tells a great deal as to their
role in the movie as well as to the scene itself. The inclusion of chairs pays tribute to the lesser roles
of both Leland and Bernstein. The two of them are sitting down almost entirely during the scene
while Kane is standing the whole time, towering over them and allowing him and his document to
be the most natural observation of the scene.
To further the importance of both Kane and his paper, there is the inclusion of more props and
blocking methods throughout the scene as well. For the majority of the scene, Kane is centered,
representing his title as the newspaper's owner. Even when moving to different locations during cuts,
there are only brief moments when Kane and his document are not in the camera's center focus. This
being the case, the lighting does not illuminate him as much as the supporting cast. This is because
he is the

Charlie And The Chocolate Factory Film Analysis
Cinematic techniques help a movie become more entertaining therefore everyone uses them.
Different elements can create different moods. Directors all have unique styles of making movies.
Tim Burton uses lighting and different angles to contrast fantasy with reality and show the strength
of different characters.
Burton uses lighting to show fantasy and reality in his movies. In the film Charlie and the Chocolate
Factory high key lighting represents fantasy. The lighting is used in Willy Wonka's factory showing
that it is every kid's dream to visit it. Although it is his fantasy, Charlie knows that a fantasy is all it
ever will be. To represent this lowkey lighting is used in Charlie's home to show that the reality of
his life is there living in poverty. This pattern continues in the cult classic Edward Scissorhands. The
town that Edward is welcomed into is in high lighting to signify that it is the life that he never had.
He wants to be accepted and loved and this is the place that his wish comes true. Unfortunately, we
know that his fantasy is unrealistic and there is no way he can live normally. His sad life he must
live is inside an empty mansion which is shot in low lighting signifying the lonely reality of his
home.
Lighting gives you an idea of what is real and what is only a fantasy. Lighting is crucial to indicate
the mood of a movie. High–key lighting shows cheer and happiness. On the other hand, Burton
displays sinister and spooky images with low–key lighting. Mr.

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