Representation Of African American Films

Representation Of African American Films
The medium of film and television have not been effectively coding the many American conflicts of the past decades. The roles of superheroes, villains,
and antiheroes have always been used in every film and media directly or indirectly, introducing which is which. Since the beginning of modern film,
many movies' plots and conflicts have revolved around a protagonist or several protagonists faced with an opposing force that is disturbing the order of
things, usually another individual bent on malicious intent. A battle between the good and the bad, the heroic and the villainous. Unfortunately, the
conflicts between good and bad have not been effectively introduced through this medium. Throughout history, the definition of what is good and what
is bad has also changed slightly as a result of the effects of the Sexual Revolution and the Judeo–Christian ethic, and this has indeed been reflected in
the more modern movies of today.... Show more content on Helpwriting.net ...
As a result, politics, most notably the presidential election, through the medium of television has become very confusing and has turned audience's
attention to subjects that do not matter much. In addition, films about racism, particularly towards African Americans, serve only as propaganda to
feed "SJW" rhetoric into the minds of Americans. Furthermore, the lack of films and media coverage of educational reform has made audiences
uninformed about this issue. On the other hand, the medium of film has succeeded in providing an effective discussion of income inequality in
America. Although film and media has succeeded in providing accurate information about income inequality in America, they have failed in effectively
coding the conflicts of politics, racism, and education
... Get more on HelpWriting.net ...

Political Elements Of Superheros
Many comic book superheroes were born in an era of highly intense international tension.The genre of Superheros in American comic books revolve
around adventures of powerful superheros using superhuman abilities or weapons, as they act on personal morals through violence. The political
elements are evident in the plot: the heroes are in a war with a dangerous enemy, and their morals justify violence to 'protect' those who are in danger.
As well as it is a form of entertainment, comic books as a media influenced many, especially young boys and men.
The debut of Green Lantern by DC Comics on 1959 featured Hal Jordan, a test pilot who recieved a magic ring to from an alien to be the protector of
space sector 2814. To connect that with the Cold war, Soviet Union's Sputnik was launched on 1957 – many politicians exploited this as they spoke of
serious consequences this could lead to, unless America took measures to inhance their science and technology. In Green Lantern, Hal Jordan is speaks
that "This flightless trainer will help turn out space pilots of the future!"before being carried away by an alien light to become a hero. The Space Race
was definitely dominant in Amerian popular culture, but ... Show more content on Helpwriting.net ...
Another hero that was then created was the Incredible Hulk, 1962. The Hulk, or an atomic scientist named Bruce Banner is exposed to gamma ray to
save a kid, which turned his body into a green monster. The gamma ray exposion could have been stopped, but the experiment was sabotaged by
Banner's assistant, Igor, who was actually a Soviet spy. Igor's orders came from 'The Gargoyle', the leader of all spies who wanted to take Amerian
Nueclear technologies. Not only is such origin a response to the growing interest in nueclear technology, but the reason was the gamma ray exposion
happened in the first place, is highly reflective of the political tension between the

Marvel Comics and Marvel S Turnaround
Marvel Enterprises, Inc.
(b) Why was Marvel's turnaround so successful? Would you characterize that success as a fluke? Or do you view it as sustainable? Why? How?
Marvel's success is definitely not a fluke and its business model is very sustainable. Because Marvel's new strategy chose to monetize the content
library via licensing characters for use with media products. In an era during which mass media is so important in people's life, only one media tool –
publishing is not strong enough to expand Marvel's influence to consumers. Comic books can only target a very limited market that most is composed
of male teenagers and young adults from 13 to 23 years old. It is very difficult to expand this traditional market significantly. ... Show more content on
Helpwriting.net ...
In the past, toy business is just an annex to publishing industry. Not many efforts were invested in toys, even not mentioning strategic plans. Now toy
industry is the second profit maker in Marvel, generating over $20 billion in sales in 2003. The toy business is very promising in the future. However
its percentage in revenue will still keep stable or slightly decrease as publishing will do, because licensing has such a strong force to grow, while toy
industry competition is too fierce to make further achievements.
(d) To what extent is Marvel's success due to only one character, Spider–Man? How can Marvel develop its lesser–known characters? There is no doubt
that, to some extent, Marvel's success is due to Spider–Man since 1960s. However, the company still fell over in 1990s with such a successful superhero
. Exploiting marketing strategies stretched out consumers' interest. The Marvel's new CEO, Peter Cuneo, restarted the company with negative assets,
and turned the company around. Spider–Man resuscitated in comic–book publishing. In the Publishing Division, Marvel's 64.65% revenue is from
Spider–Man in the second half year of 2003 (See Appendix A Figure 1). In the movie box office revenue, Spider–Man collected 33.75% revenue in the
US market and 37.23% in the world market, ranking the highest in Marvel movies (See Appendix A Figure 2). Spider–Man

The Fantastic Four As A Family: The Strongest Bond Of All
Annotated Bibliographies: Superheroes and Philosophy Chapters 10–19
Ryall, Chris, and Scott Tipton. "The Fantastic Four as a Family: The Strongest Bond of All." Morris, Tom, and Matt Morris. Superheroes and
Philosophy. Chicago and La Salle: Open Court, 2005.118–29. Print.
Chris Ryall and Scott Tipton discuss the importance family has on not only superheroes but also on the people of society. They show the importance of
family through the representation of The Fantastic Four and their need for each other. Using Aristotle's "three bases of friendship," they further
explain what makes The Fantastic Four family and how the family distinguishes from other super hero teams. To conclude, the authors reiterate the
difference between a friend of utility and a friendship of virtue by clarifying that a "complete friendship" is made when both individuals love each
other and seek only to benefit one another. Both authors illustrate well the concept that society is like a broken organism that relies on everyone as a
collective to make it whole or one big family.
Thau, Michael. "Comic–Book Wisdom." Morris, Tom, and Matt Morris. Superheroes and Philosophy. Chicago and La Salle: Open Court, 2005.
130–43. Print.
Michael Thau emphasizes the lack of wisdom in today's pop culture by referring to wisdom ... Show more content on Helpwriting.net ...
With this being said, the author explans that changing one occurrence in history will not only change that specific segment of time on that persons
timeline, but rather it will change all segments of time in every world. With all this in mind, Hanley concludes that, even though people's properties
are constantly changing in time, people are still able to persist as a larger whole. This essay would be useful in a research paper discussing time
travel; however, it is merely opinion based and would not present a reliable argument to any

Stan Lee Research Paper
"With great power comes great responsibility." It's a quote everyone has heard in their life time, and this man is the mastermind behind the phrase. In
Stan Lee's case he may have created the catchy line as a one off for a character, but never would he of expected to have it end up in dozens of movies
and tv shows spanning decades. Stanley Martin Lieber, later legally changed to his pseudonym name Stan Lee, is the creator of some of the worlds
most recognizable and profitable characters and franchises on the planet to this day through Marvel Comics. To name just a few of these marvelous
characters; Spider–Man, Iron Man, Hulk, The X–Men, Black Panther, and literately 100's more. Lee grew up through a rough period of American
history, but was ... Show more content on Helpwriting.net ...
Jack Kirby and Joe Simon briefly decide to leave the company. This gives Stan Lee free range to create characters and story lines as he pleases.
After a long gray period of watered down comics that people were not enjoying reading or creating Lee makes a bold move based on the opinion of
his wife, Joan Lee, who sees how much they are struggling. He pushes his higher ups to allow him to start producing comics outside the CCA. They
hesitantly allow him to try this risky business move. This turns out to be just the step Timely needed as it saved them from bankruptcy.Fantastic Four is
published pushing them out in front of their only leading competitor DC for the first time in history. The success of Fantastic Four brings upon the
X–Men, Hulk, Iron Man, and the rise of multi cultural/ethnic characters to the comic world. Timely promptly rebrands to Marvel Comics, and the
Silver Age of Comics comes to a close and the Bronze Age begins. The Bronze Age (1970's/1985') restored the comic culture to America and slowly
began spreading around the globe as well. As they evolved Stan Lee pushed boundaries right along with it. Lee is largely credited for being the person
who re–envisioned the very structure of how heroes are portrayed and wrote. He strongly believed the character under the mask is just as or more
important than the hero itself. This shift in direction changed the entire way visual story telling was perceived at the time. Now characters weren't just
super, they were human too. Relatable people with struggles, relationships, and even everyday jobs. He also strived to set the majority of Marvels
stories in the real world and not in fictional settings. This allowed for relatable fathomable individuals and the creation of Marvels biggest triumph
character to date;

How Stan Lee Turned the World into True Believers
How Stan Lee Turned the World into True Believers As humans, we are always fascinated with the extraordinary and the fantastical. Whether its
fantasies, science–fiction tales, or comic books, people have always been drawn to the adventures of men and women with amazing powers and
colorful costumes fighting evil and saving the world. Stan Lee is often considered to be the father of the modern superhero, and it's not hard to see
why. Even if you've never heard of Stan Lee, you've definitely heard of the myriad of cultural icons he's created throughout the years. Spider–Man, Iron
Man, the Incredible Hulk, the Fantastic Four, the Avengers, Thor, the X–Men, as well as so many others are all the creations of Stan Lee. Lee created
so many realistic characters that combined typical human emotions and traits with their super powers. Lee's personal writing style, attention to
detail, and his revolutionary ideas changed the idea of the superhero forever; he created ideals and themes that have been adapted by others as well
as standing the test of time to be relevant even to this day. Born Stanley Martin Lieber, Stan Lee was born in New York City on December 28, 1922.
According to Gale's Biography in Context, Lee grew up during the Great Depression and had a variety of jobs while in school to support his family
during the tough times. Lee worked part–time as a theater usher, newspaper subscription salesman, pharmacy delivery boy, and obituary writer. Lee
was also an avid reader,

Time To Take Charge: My Definition Of A Leader
Time to Take Charge Keep going! I know you can do it! That is what a person that has the trait or characteristic for leadership can do, push people
to do what they want. Leadership is a thing or activity people do to show what they like to do. An example of leadership is when a student sees a
couple people struggling in class and helps them or tells the teacher that a couple people need help. Another example is a person does something
in a story or in real life to give someone leadership. People like firefighters or policemen also use leadership in their everyday lives. We use this
term in everyday life to describe what someone does to impress people in a crowd and we kind of use it correctly. A definition of leadership is
"Position or function of a leader, a person that guides or directs a group"(Leadership). My definition of leadership is a person that takes charge and
does there best at what they are doing to help people. What leadership is not is something that is like loyalty. Loyalty is something you get when
people trust you and what you are doing. Leadership is not to be confused with loyalty because Leadership takes charge and loyalty shows a person
you can trust. A second word that can be closely related with leadership is dictatorship. Dictatorship is a person who thinks they can take... Show more
content on Helpwriting.net ...
This person's name is the great Stan Lee. His career started when he was starting his job at timely comics for a couple years. Then he asked the boss
if he could be promoted from janitor to writer in the paper for the comics section. The boss did promote him and that is how he started to make the
great comics we know today ("Stan Lee: The American). Stan Lee also had help creating comics from Jack Kirby in 1960's. They created the comics
Fantastic Four, Spider Man, The Incredible Hulk, and X–Men also with the help of Steve Ditko who drawed the pictures ("Stan Lee" Britannica

Stan Lee Research Paper
Stanley Martin Lieber, also known as Stan Lee, is a publisher, author, editor, and television producer. However, he is best known for being the
president and chairman of Marvel Comic. He might not be someone who created their own company, but he did create many of everybody's favorite
superheroes. Stan Lee made a difference in the world of superheroes.
Stan Lee was born on December 28, 1922 in New York City. Growing up, Stan lived with his mother, father, and little brother, Larry. Both of his
parents were immigrants from Russia who traveled to America, before having Stan. He was growing up during the Great Depression, and he and his
brother had to watch as his parents struggled to provide for them. As a child, Stan always loved writing, so it was no surprise when he started working
as an assistant in Timely Comics.
In the 1940's Stan Lee became an interim editor for the same company, Timely Comics, that he was an assistant at. He also later served domestically in
the Army as a writer and illustrator during World War II.... Show more content on Helpwriting.net ...
He has also done many good things in his lifetime. Including, in 2010, when the Stan Lee Foundation was founded. The foundation works towards
helping literacy, education, and the arts. He also, is super nice ot all the superhero fans. He said in an interview that it does get tired of some of them
sometimes,but that he's a good faker. He doesn't want to hurt anyone's feelings. He cares and he knows how excited people get with some of their
superheroes.
In conclusion, Stan Lee isn't known as a creator of a big company, but is widely known for his awesome creations of superheroes and hilarious
cameos. Stan Lee, at the age of 93 and a net worth of about 200 million dollars, he continues to make people laugh. So, Stan Lee hasn't created his
own huge business, but he did create things that people will always know about; and that is

Research Paper On Superheroes
Superheroes; to most people, superheroes are for a young boy's first obsession or for an awkward teenager's companion on lonely days. However,
with the recent releases of blockbuster movies from Marvel and DC, the audience of the superhero genre is growing. (Complex) Both companies are
now battling to be the best and their effects show in the characters and story arcs they produce. (Hyperbole) Some of the most prominent characters in
Marvel, such as Captain America, Thor, Hulk, and Iron Man, feature in Marvel's most prominent team: The Avengers. (Colon) Alternatively, DC
Comic's popular superheroes: Batman, Superman, and Wonder Woman, are distinctively solitary heroes who only form the Justice League of America
in response to Marvel's Avengers. With most of Marvel's superheroes forming groups, the company is able to assign simpler powers to the characters,
allowing for the strength and power of the team to be evenly distributed. (Complex) For example; within the Fantastic Four, the Thing carries out all
the brute force, Mr. Fantastic handles all the research, Invisible Woman takes care of all the stealth missions and espionage, and the Human Torch
builds all the mechanics. Each character has a simple power and a niche within the group that allows the heroes to be stronger as a whole. Creating
solitary heroes, with occasional partnerships with sidekicks, forces DC Comics to assign their heroes with more complicated and sophisticated powers.
(Participle) Superman,

Fantastic Four Essay
Marvel's Fantastic Four debuted in '61 as a superhero comic book series that zeroed in on the flawed loving and familial bond shared among its
characters. Given that this context and the comic book series' main focus on the "problems of human existence hindered with their crimefighting
capabilities" (Genter 2007), it's hard to read the significance of matriarch Susan 'Sue' Storm (Invisible Girl then later dubbed as Invisible Woman) far
from of the understandings of the second wave feminism. She is a wife to Reed Richards (Mister Fantastic), an older sister to Johnny Storm (the
Human Torch), and a colleague and caretaker to Ben Grimm (the Thing), Invisible Woman's power (the ability to become invisible) could be seen as a
message on the changing cultural visibility of women's rights in the '60s. Laura Mattoon D'Amore (2008) purposed that Sue Storm figuratively
expressed the '50s suburban housewife, "under–compensated and unnoticed of all her victories,"invisible and unappreciated in a world of and for men."
Following these notions within Fantastic Four comic books through the 60s, Laura Mattoon D'Amore explains that Invisible Woman's power of
invisibility is seen as both literally and symbolically, reflecting and averting the time period's gender norms. Laura Mattoon D'Amore shows this
change from reflection to deflection in '64's Fantastic Four #22, in which Invisible Woman learns to create force fields, staying visible as she undergoes
invisibility onto other characters.

Erik Schultz's Accomplishments
Stuntman Erik Schultz has only been in the game for a few years, but has racked up quite a resume in that short time. Some of his credits include
Dawn of the Planet of the Apes (utility stunts/double for Enrique Murciano) and Django Unchained (stunt performer). He is also frequently doubles for
actor Liam Hemsworth and worked on the last three Hunger Games films among other Hemsworth projects. Recently he did the stunts for Victor von
Doom aka Doctor Doom in the latest Fantastic Four. We had a chance to ask Erik some questions about working on Fantastic Four as well as his
experience so far in the stunt industry.
When did you decide to become a stuntman? Why?
It was about 6 years ago I officially began working as a stunt performer, but I was certainly trying a lot earlier than that, haha. However, only in the last
2–3 years have I started ... Show more content on Helpwriting.net ...
Being so busy I think I experienced a little burnout and wasn't being as active as I had always been. I've been an athlete my entire life and I think I
was missing that part of my identity. That in conjunction with the lack of creativity in my work really started to affect me emotionally and I became
open to the idea of doing something more active and creative. Being a stunt performer gives me that; it allows me to be extremely active physically,
to travel, and to see myself in my work, I love it!
What is your favorite action film growing up?
I didn't grow up watching a lot of movies; I was more of a bookworm when I was younger. Sports and martial arts also kept me pretty busy. But I
suppose when I did watch action movies I enjoyed westerns, the Rocky and Indiana Jones films as well as anything with Jackie Chan in it, but no
favorite.
Do you have any action icons (actors or other members of the industry?) If so who are

Silver Age Research Paper
The Silver Age is also recognized to be the superhero era of science. Science would explain any dilemma in the story line and would also be the answer
to how to fix it. Many superhero origins were also based on the idea of science such as the X–Men, Spiderman, and the Fantastic Four gained their
superhuman abilities by genetic mutation. Science topics and factoids also appeared in comics during the Silver Age through comic issues of The
Flash. Each issue contained multiple panels explaining scientific topics that related to the plot line. An example of this would be from The Flash Issue
#140, in which one of Flash's nemeses Heat Wave used a gun–like weapon to transform heat waves into physical bullets. Throughout The Flash Issue
#140, factoids about heat waves were laced within the story line, creating an educational standpoint within comic books. Another significant aspect of
the Silver Age was the international "space race" between the United States and the Soviet Union over usage of satellites and spacecraft in Earth's
atmosphere. The heated topic became inspiration for many storylines to break boundaries both with setting and characters by having storylines take
place in space and having superheroes defending Earth from extraterrestrials (Hatfield 102). The use of outer space and aliens in superhero... Show
more content on Helpwriting.net ...
Whether it is the art style or the storyline, superhero comics have evolved over the years to appeal to their diverse audience. In the end, superhero
comics are so popular because they give people hope. They're a push to carry on and make something of yourself even in times of oppression. Today
there are superheroes of different genders, sexual orientations, ethnicities and professions and the representation everyone gets is doing a lot to prove
that anyone, regardless of who they are, can accomplish great

Heroes: Fantastic Four And The Civil Rights Movement
Valerie Castillo
April 29, 2015
English 1A
Fantastic Four
Fantastic Four were 4 times the action, 4 times the adventure,4 times the fantastic! They were created during the 1960s whereas the civil rights
movement demonstrated equal rights for everyone. This heroic group came together despite their differences in order to make the world a better place.
Fantastic Four represents the rapid changes in the world such as cultural and scientific.
The main artist responsible for the creation of Fantastic Four is Stan Lee. In Publishers Weekly article it states, "Fantastic Four was co–created by Stan
Lee" (Kidcast, Publishers Weekly). However, Jack Kirby played a role for their creation as well, he was artist and co–plotter. As Pender states, "Marvel
... Show more content on Helpwriting.net ...
It was a time where people were marginalized due to their race and skin color. Martin Luther King Jr. played a major role in the civil rights
movement seeking justice and equality for African Americans. He was a very ambitious and a determined man who stood firm and fought for what he
believed in. As a result, the Civil Rights Act of 1964 was issued causing and an end to segregation and prohibiting racial discrimination. The economy
during the 1960s was a time of prosperity with low unemployment rates, and an increase in technological advances.
The social issue Fantastic Four represents is a group of people coming together to accomplish a goal. It encourages team work and it allows them to
rely on one another. It as well promotes a sense of assurance and confidence between each other.
The youth in the 1960s resembles much like Fantastic Four. The children from the baby boom after WWII were reaching adulthood, and were shaping
their opinions and ideas. The youth movement came together and fought for their beliefs. These young adolescents weren't like previous generations
who were very traditional, they however had different mindsets. As Jazzlizzle states, "The accomplishments of the youth of this era greatly influenced
the way society is today" (Jazzlizzle, The 1960s Youth Movement). Fantastic Four is much similar like the youth in the sixties due to their
accomplishments as a

The Black Panther: A Marvel Hero
For all, you comic book or marvel fans as may know the next ultimate battle between the earth's mightiest heroes will come to screens on May 6,
2016, in Captain America Civil War. This movie will feature many of your favorite superheroes like Iron Man, Captain America, Thor, Hawkeye,
Black Widow, The Hulk, and Spiderman. But there will be new heroes appearing in this movie. One of the heroes includes the Black Panther. The
Black Panther is a marvel superhero created by Stan Lee and Jack Kirby. The Black Panther made his first appearance in Fantastic Four Vol. 1 #52 in
1966 comic.
The originally drawing of the Black Panther's costume in 1966 by Jack Kirby is very colorful. Here you have a muscular 6'feet African man with a
Yellow leotard

Black Panther ( Marvel Comics )
Black Panther (Marvel Comics )
February 17
2015
By, Kyle Marxen
Cultural Diamond Paper
пїј
Page Break
Marvel Comics
Black Panther Introduction
Culture has many different definitions. Culture could mean someone likes literature, music, food, or art. Culture is a human tool, but the tool can be
very fragile. Culture can change and it can be lost like it is found. Examinations of cultural objects do not tell us much about the culture of the large
society, but it does show us cultural patterns within a certain culture. These objects can show us a certain piece of someone 's culture and what it means
about that particular culture. A cultural object is something that is made by human beings; it just does not come out of nowhere. I... Show more content
on Helpwriting.net ...
This paradigm also takes into account how an audience responds to the cultural object. "The final part of the diamond is the social world, which is
the point in the diamond sees if the object fits in the social world in which it is found" (Griswald 1994). Black Panther was written in 1966. This is
when we were dealing with racism all over the country. Black Panther was the first black superhero ever created. The lines that link these four points
say something very specifically. It states that if you have a cultural object it will always be linked to a creator, receiver, and a social world. You cannot
have one without the other.
Cultural Object
Black Panther has special abilities just like any superhero. "Black Panther's knowledge is one of those powers that let the Panther draw the
knowledge, strength, and experiences from every previous Black Panther" (CBS Interactive Inc. 2015, para 50). Black Panther also has superhuman
agility, senses, strength, endurance, and durability. "All of these superhuman abilities come from a heart shaped herb" (CBS Interactive Inc. 2015). The
herb also gives the Black Panther a healing factor that is naturally healing at its peak. Black Panther also has superhuman speed. The Panther can run
and move faster than any normal human. Black Panther has a genius level intellect. "T'Challa also known as the Black Panther is a master of tactician,
physicist, and engineer" (CBS Interactive Inc. 2015). T'Challa was taught by his father in

Marvel Hero
The past decade has brought blockbuster movies and crazy stories from the giant franchise that is Marvel. Most people around the world have heard
of the company, but where did their company originate, and who is responsible for their massive success? Marvel Comics, more commonly known to
the public as Marvel, originates in New York City, New York. Here, great stories, ideologies, and characters are born. Characters that may seem
impossible to relate become easily identifiable to readers new and old since 1944. New York, located in the northeastern part of the United States and
known as the Empire State, is home to the revered comic book creator Stan Lee who created many beloved and iconic superheroes and giving them
superhuman abilities, while ... Show more content on Helpwriting.net ...
Lee was in the lowest point of his comic book career and was about to change careers. He decided to give it one last go by writing two different
superhero stories: The Fantastic Four and The Amazing Spider–Man. These two stories defied the superhero graphic at the time with the Fantastic Four
being a family turned superhero team and Spider–Man being the first teen superhero that was not a sidekick. Spider–Man put a grand effect on people
as it put a realistic high school student struggling with the loss of his parental figure. The origin of Spider–Man is shown in Amazing Fantasy #15.
Peter Parker was a "hard working honor student" constantly rejected being seen as a nerd. One day, however, Peter is bitten by a radioactive spider
that somehow grants Peter the "proportionate speed, strength and agility of a spider" (Marvel Masterworks: The Amazing Spider–Man). After finding
these powers, Peter later exploits them for himself as a wrestler winning money nightly. One night, a thief is running from a cop with Peter in front of
him. Instead of stopping the thief, Peter arrogantly lets the thief go and tells the cop, "Sorry, pal! That's your job!... From now on I just look out for
number one –– that means –– me!" (Marvel Masterworks: The Amazing Spider–Man). Peter would later find out that the same thief he had let escape
would kill his Uncle Ben. After he hands the thief to the police as Spider–Man, he tells himself, "If only I had stopped when I could have! But I didn't
–– and now –– Uncle Ben –– is dead" (Marvel Masterworks: The Amazing Spider–Man). In the story, Parker is an intelligent, socially awkward, and
often bullied young teenager who has parental figures in his life. This allowed him to be more relatable and more interesting to readers who were
accustomed with characters like Superman who is an alien on Earth, Wonder Woman who is a goddess, and Batman who is a

Superheroes In Fantastic Four
In Stan Lee and Jack Kirby's "Fantastic Four" issue one, the comic emphasizes the significance of working together in a team, regardless of whatever
personal differences or opinions the members may have. They highlight the importance of uniting together to achieve a common goal and being
reliable within the team. These moral characteristics were ranked highly among the children, with a significant correlation between the children's own
morals and of the Fantastic Four's (Martin 246). Young boys tend to identify themselves with superheroes, who share their main values, which include
doing what they think is right and to be counted on doing their part in a group (Martin 247): all values that the Fantastic Four demonstrates. Through
the immediate... Show more content on Helpwriting.net ...
A standard hero "embodies what we believe is best in ourselves. A hero is a standard to aspire to as well as an individual to be admired" (Miczo 4).
The displays of these superheroes emerged as the characters underwent certain transformations, experiences of growth in empathy, and turned towards
the good. They uphold and maintain the public sphere as they operate in complete freedom and for the benefit of others. In later parts of the
Spider–Man series, Peter readiness to forgive and not be bound by his past mistakes but be conditioned by it are what the Fantastic Four also did in
their first issue. They ensure a connection between their identities and facilitate the development in the community, often adding to it and learning from
it. They provide memorable messages and have a significant influence on behavior (Miczo 91–92, 94). It is also good to note that Spider–Man's origin
differs from the Fantastic Four as it was only through the death of someone Peter cared for that becomes the catalyst needed for his transformation
to set himself on the right path of a hero. His origin and trauma towards the guilt of the death of his uncle by the hands of a criminal he could have
stopped (seen and revealed on also page 8 and 11 of "Amazing Fantasy") at the time later conditioned him to be a responsible person (Miczo100–101).
Therefore, these character traits illustrated by these superhero characters such as the Fantastic Four and Spider–Man only adds to the positive
development of children as it nurtures and encourages the heroic narratives of justice and the benefits of

Marvel Of The Superhero Genre
Superheroes. To most people, superheroes are for a young boy's first obsession or for an awkward teenager's companion on lonely days. However,
with the recent releases of blockbuster movies from both companies, the audience of the superhero genre is growing. (Complex) Both companies are
now battling to be the best and the characters and story arcs these brands produce show their efforts. Some of the most prominent characters in Marvel,
such as Captain America, Thor, Hulk, and Iron Man, feature in Marvel's most prominent team: The Avengers. (Colon) Alternatively, DC Comic's
popular superheroes, Batman, Superman, and Wonder Woman, are distinctively solitary heroes who only formed the Justice League of America in
response to ... Show more content on Helpwriting.net ...
(Participle) Superman, for instance, has super strength, super endurance, super speed, ice breath, laser vision, and flight. Marvel characters are human
first, hero second. This means that Marvel creates simple and ordinary characters, for the most part, who later gain their powers through a freak
accident or, in the case of the X–Men, an inherited mutation on a cellular level. Spiderman is a simple high school science nerd before he is bitten by
the genetically created spider. Almost every single student at Xavier's School for the Gifted Youngster starts out as normal children before their
mutations activate. This is not the case with DC Comics in that three of their most popular characters, Batman, Superman, and Wonder Woman, are a
billionaire acrobatic, an extraterrestrial, and an Amazon Princess, respectively. The way each company develops its characters also causes the
superheroes to have distinct personalities. Marvel's heroes are human and create human mistakes; in fact, Spiderman virtually creates almost all his
major villains. (Semicolon) Many of Marvel's supposed heroes have no qualms with killing when necessary; Deadpool, surprisingly considered a
superhero, is a mercenary for higher who loves to kill. (Semicolon) With DC Comics, they create superheroes first, and only in later publication do the
characters develop more human characteristics and tendencies. DC's characters are the panicle of good and conduct themselves with high moral
values. Batman

Short Story
There is nothing amazing about being a wannabe YouTube star, however my neighbor, a tall, greedy, e
–begging, neckbeard seemed to believe
otherwise. His large YouTube channel was an excellent measuring tool for his insatiable ego. He had made a steady living over the years from his
pseudo–intellectual rants covering a wide variety of topics. He also did a fair number of internet challenges so he could get some money from the
high number of views they received. Needless to say, he was a greedy person. He could eat his own weight in cake, and was probably about two
happy meals away from a mobility scooter. He was a chronic narcissist who also owned a podcast with three other people. You've got the man himself,
his brother wearing sunglasses... Show more content on Helpwriting.net ...
I cursed under my breath and managed to open the extremely loud, stubborn door. I decided I wouldn't tell my neighbor and let him think it happened
en–route to his house. After two more days, the garage really started to smell badly. It had an unholy odor and I knew immediately what it was. I
was furious, I knew my neighbor had done some prank to me! I had had a feeling this was some "prank" and he was going to take my reaction out
of context and put it out on the internet, for all to see! I approached the rancid box and cut the flaps open. The smell was a wave, like opening an
oven. The stench of urine, fecal matter, and sweat hit me like a truck, and I was forced to retreat into the house. I was ready to dial the police, this
had to be illegal! However, I decided to see what was in the box instead. I wish I hadn't done that. There wasn't some nasty concoction in the box.
My neighbor was in the box. Dead. I called the police, and naturally, they arrested me. They obviously thought I did it since the corpse is in my
garage. Luckily, it was discovered I wasn't involved. In my neighbor's hand laid a camera. They showed me the footage, I'm not sure why they did
but they did. My neighbor was laying in box, telling his fans that he was going to send himself through the mail. He was doing one those annoying
"challenge" videos. He had brought a lot of food and water. His brother closed the lid and presumably dropped him off at the post office. Throughout

Analysis Of Stan Lee 's ' The ' Of All Time '
Stan Lee, born Stanley Martin Lieber in Manhattan, is a revered comic book writer, editor, media producer, and emeritus chairman of Marvel Comics.
Starting out as an office assistant at Timely Comics after high school, he has then invented a thoroughly shared superhero universe with complex
fictional characters with a sense of humanity, tackling real–world issues. Mr. Lee's tremendous success cannot be denied that he subsequently led the
expansion of Timely Comics from a small publishing house to a large multimedia corporation, which he renamed as Marvel Comics. Here we explore
Stan Lee's superhero world in 10 movies.
Wildest comic film of all time, which has exceeded Hollywood's expectations that Deadpool is the most unorthodox superhero comic. Wade Wilson, a
former Special Forces operative turns mercenary, is diagnosed with cancer that forces him to leave his fiancГ© behind to undergo a rogue medical
experiment. After torturing and disfiguring by the evil scientist, Ajax, Wilson transforms into Deadpool, a mutant with accelerated healing powers and
a twisted sense of humor. As he escapes from Ajax's captivity, he confronts the evil scientist who holds his fiancГ© hostage with help from mutant
allies Colossus and Negasonic Teenage Warhead.
While Tony Stark begins a peacekeeping program, Ultron, a technological terror, starts a conspiracy to human extinction. In the time of need, Iron Man
team up with Thor, the Incredible Hulk, and the rest of the Avengers to battle Ultron.

How Superheroes Have Changed over Time
How has Superheroes change through time
Thesis Statement/Introduction:
The portrayal of superheroes in films has changed in terms of their character, appearance, style and strength. Superheroes has been a popular theme in
hollywood films since its inception. They are what peoples imagination can only think of. A perfect human being who saves the world .The first time
superhero appeared on T.V was "The Adventures of Captain Marvel" in 1941. Superheroes was on the rise within popular comic books in 1930вЂІs to
the 1940's as well in which they were considered the 'Golden Age of Comic Books' . Comic books became widespread and popular which translated
into making films about them.
Body Paragraph 1
The superhero films was once unheard of by people but the genre has moved to a mainstream audience over time and has gained huge profits by the
films that are created. This genre has been on the rise since 1940s when the comics on batman originally came out. Popular stars are always willing to
play the main protagonist in the film in order to increase chances of profit. They also need an eye–catching marketing campaign to draw in a new
audience by trailers, posters, adverts, sponsors.
Body Paragraph 2
What makes us want to watch super heroes? Why do we think them as super–heroes? In films, We follow their battles and their struggles, as we hope
they would come out victorious, we actually know they will never lose. The movies now not only target the young

The Adventures Of Mr. Obadiah Oldbuck Essay
Dating back to 1841, modern comics have had a long history. Since The Adventures of Mr. Obadiah Oldbuck, which is generally accepted as the first
American comic, comics as a genre of literature has changed both technologically and in perception (Greenberger). Throughout American history,
comics have served as both an influence and a reflection of the time period. As America grew, changed, and experienced major historical events, society
and the ideas within changed along with it.
Many comic historians cite Genovese author and painter Rodolph TГ¶pffer as the first modern comic artist ("Comics Theory"). TГ¶pffer is the
author of a comic titled Histoire de M. Vieux Bois, which was published in 1839. This was eventually translated in 1841 to the first American comic
The Adventures of Mr. Obidiah Oldbuck (Greenberger). Though this was the first comic published in America, it cannot be said to reflect American
history very well since it was not originally written in America. Instead, it was first published in Europe before gaining widespread popularity in the
United States (TГ¶pffer 2014).
Years later in 1894, the first significant recurring comic strip character The Yellow Kid debuted (Greenberger). Created by Richard Outcault, The
Yellow Kid was seen as the beginning of the "Funnies", the name given to comic strips in newspapers at the time ("Comic Theory"). His debut led to
an explosion of merchandising, culminating in the publication of a collection of comic strips in 1897.

Fantastic Four Essay
Over the course of the past few years, Marvel's first family has suffered one devastating defeat after another. In the pages of the once prominent comic
book, the Fantastic Four have endured seemingly endless roster shake–ups, reboots, and uninspiring shifts in creative direction – ultimately leading to a
recent, full–blown canceling of the Fantastic Four books. Essentially, they're a mess, and their parents (Marvel) have washed their hands of them
completely (and we'll get into the understandable reasoning behind it shortly). And, if you, true believer, were hoping a new film development would
right the Fantastic Four's sunken ship, you may as well learn to love salt water – because the days of darkness look to continue for the foreseeable...
Show more content on Helpwriting.net ...
Jordan), and Reed's best friend, Ben (Jamie Bell), unceremoniously trek to the alternate dimension – at which point they are subjected to an unidentified
energy that gives each of them individual superpowers. And, as a result, after fleeing from his teammates, Reed vows to find a cure for his altered
friends – leading to a deadly confrontation with the villainous, and thought–to–be lost, Dr. Doom. Back in 2005, Fantastic Four hit the big screen with
a solid wave of momentum – but was stumped in its tracks by a less than thrilling response from fans and critics, alike. Regardless, the film, which
starred Jessica Alba and Chris Evans, performed well enough at the box office to garner a sequel. Two years later, Rise of the Silver Surfer cruised into
cinemas – though panned and swept under the rug faster than Batman and Robin. It's been 8 years since the last time we saw the Fantastic Four, and in
that span, the 20th Century Fox brain trust obviously hasn't learned one single iota about how to handle this franchise. In fact, their true intent was the
completely bury the franchise, then they've successfully accomplished their mission – because Fantastic Four is easily the worst superhero movie in
this modern age of superhero cinema (and here I didn't think it could get any worse than Teenage Mutant Ninja

Marvel Research Paper
Marvel is better than DC. Without a doubt, I can say that Marvel is a better franchise than DC, for many different reasons. The superheroes Marvel
makes have more solid structure, made so that you can believe that anyone or anything could possibly become a superhero. Exhibit A. Let's compare
Iron Man to Batman, for one they're both rich and have lost their parents, but as known without the armor or fancy gadgets, Tony Stark (Iron Man)
would be a 'genius, billionaire, playboy, philanthropist' as he said in the Avengers, Bruce Wayne (Batman) would still have his fighting skills and he
does support companies but not to the same degree as Tony. Many characters in the Marvel franchise weren't anything special, just normal people trying
to survive ... Show more content on Helpwriting.net ...
The character is shown as a villain, but he wasn't always that way, he had grown up in someone's shadow, as fans know it's his brother Thor's. Years
later, he learns that Thor isn't even his brother, that he was stolen as a child and raised to believe that his own kind, Frost Giants, were, in simple
terms, monsters. Of course Frost Giants were (yes, were, they were destroyed in one of Loki's attempts to please his "father" Odin) uncivilized in the
way Thor's people acted, but that doesn't mean one should be raised to hate their own kind without knowing. Therefore, he is just a young man that was
unintentionally lead

Comparison Between Stan Lee And Jack Kirby
Stan lee was born in NYC on December 28,1922. In stan lee's early work he created the fantastic four,spider–man,and the x–men with the help of Jack
Kirby. Jack Kirby was a person who sketched,colored and design what the character was going to look like.
Together they made great comics.
Stan lee's work was great so his boss ( Martin Goodman also known as the creator of marvel ) promoted him to editorial director. Stan Lee later was
involved in multimedia projects and was an ambassador of the marvel industry. After this Stan Lee's creations came to life by directors wanting to turn
these comics into movies,tv shows and games. Stan lee made a lot of amazing comics and productions that is what made him famous. Spiderman was
one of the characters

Persuasive Essay On Dc Heroes
Just as superheroes fight evildoers, Marvel fights DC. Some say DC is better. After all they're slightly older, they created Superman and Batman.
These are compelling arguments for the supremacy of DC. But the thing is, this battle for supremacy is over before it even began. It's done and Marvel
has won.
DC heroes can't lose because they were never created to fail. DC movies are horrible. Batman vs Superman and Suicide Squad received bad
reviews because they were bad movies.There's a reason DC keeps killing off its own characters, it's the only way to keep them interesting.
Superman's making fans yawn? Take him down. Batman's still sulking in the alleyways? Break his spine. Is the Flash slowing down? Make him
sacrifice himself for the universe. We will never be able to ... Show more content on Helpwriting.net ...
Do they always get along? No. Do they always even like each other? Of course not. But they have to, because the fate of the world is a stake. They
have diverse skills and backgrounds, and they have to grudgingly work together for the betterment of humanity. Same goes for the Fantastic Four. What
does the Flash do? He runs really fast. Alone. And never really seems bothered by that. The closest DC knows to teamwork is the Justice League.
Compared to the X–Men or the Avengers, the Justice League is like a weekend social club.
The loneliest Marvel hero is Spiderman, who is arguably the most DC–like. But amazing as Spiderman is, he's not an easy–going newspaper reporter
(Clark Kent), a spoiled industrialist (Bruce Wayne), a forensics expert (Barry Allen), or the King of Atlantis (Aquaman). Peter Parker is a dorky
freelance photographer. He stutters through ordinary conversations. He pines over a sweet girl Superman wouldn't even notice, unless she had a cat
stuck in a tree. Everybody treats Peter like dirt. He's a normal orphaned nerd with conflicted feelings and a secret life. What could be more human than

Peter Parker Influence On Identity
Furthermore, Peter Parker's character struggles as Spider–Man is also good to note in term of identity as it differs from the Fantastic Four and their
personal identities. The superhero identity is one that is shaped and reshaped through many narratives as it can be a title or persona that is carried
throughout the course of the series. To be asuperhero is to be more than a normal human as this distinction is what makes the genre so compelling
for most readers who understand what actual power does in society. For the norm, it is a force to be feared and aspired to have; for superheroes in
comics, it is the separation between hero and personal responsibility as this adds to the superhero mantle (White 47–48). Likewise to the influence of
childhood development, there is often time a need to reshape one's own identity to meet the demands of similarly shifting and transforming cultures. ...
Show more content on Helpwriting.net ...
Superhero comics such as the Fantastic Four and Spider–Man are collective stories and ever–expanding ongoing processes that change with the times
alongside those who read them (Ndalianis 11). It is often times in the iconography of superheroes that costumes and masks are depended upon for
secret identity, as most superheroes hide in plain sight and with the exception of the Fantastic Four; Spider–Man similarly announced his superhero
identity behind a mask (Ndalianis 114). The secret identity is one of the most persistent tropes in superhero comics and for Spider–Man, Peter's
personal identity embodies the struggle of assimilation in which one who deviates from the norm of the mainstream can pass within society. It is a
masquerade that is always in jeopardy of being exposed (Ndalianis

History of Comic Books
The distribution, audience, narrative style, and dramatic content, of comic books were the direct descendants of the pulp magazine. They were called
pulp magazine because they were printed on the cheapest paper for non–costly mass distribution, these publications were as old as newspaper comic
strips. Pulp magazines can be traced to their Civil War–era ancestors, called dime novels. Unlike the funnies, pulp magazines styles were outside of the
mainstream and featured adventure, fantasy, and suspense. In 1933, Harry Wildenberg and Max Gaines took the traditional comic and folded it in half
and then created the first four–color newsprint comic. It would became the new format which is still seen in modern comic books still today.
The biggest rise in comic books was World War II, because the comic had two underling messages at the time that kept the industry alive: social reform
and patriotism. The DC superhero comics implicitly stressed a common interest in public welfare and strong federal government all based its comics
around the Social status of America at the time. While Marvel comics took up the cause of WWII patriotism in the early creation of Captain America, by
showing Captain America punching Hitler. The biggest underling message of comics during the Golden Age is the defense of normal people and good
citizens. After WWII, the energy driving the Golden Age died off, but that didn't mean that the comic book industry was done creating new heroes or
done expanding it

Superhero Worship By ' The Atlantic Virginia Postrel '
In her essay, "Superhero Worship" published in The Atlantic Virginia Postrel discusses how people limit themselves to try to become what they are
not. Although people view celebrity impact on society as positive, Postrel argues that superhero's or celebrities limit ordinary people 's lives because
they strive to be what they can not. The author talks about how the word glamour has changed over the years, and how different the definition has
become. Postrels' definition is "it is an imaginative process that creates a specific, emotional response: a sharp mixture of projection, longing,
admiration, and aspiration. It evokes and audience's hopes and dreams and makes them seem attainable, all the while maintaining enough distance to
sustain the fantasy"(Postrel, 2006 p.2). This definition is spot on in what she is talking about and the present day definition would not make any
sense at all. Today 's definition is the attractive or exciting quality that makes certain people or things seem appealing or special (dictionary.com).
While that definition fits for how people view glamour today, it does not fit in the author 's essay. Postrel talks about how and why people try to be a
superhero or exactly like their favorite celebrity and uses the old definition of glamor to explain it perfectly. Virginia Postrel has a quote that explains
her definition perfectly it says, "glamour is always vulnerable to those who love it" (Postrel, 2006 p.5). What she is talking about is that movies

Factors That Make People Become A Supervillain
I have always thought of superheroes as beings with an unattainable, unnatural level of perfection. They were, to me at least, those who were faster
than a speeding bullet and more powerful than a locomotive. There is, however, more to superheroes (and by association, supervillains) than that. I've
found there are several factors that make someone become a superhero or a supervillain. The world needs saving, and knowing what it takes to become
a superhero or a supervillain, makes it easier to support the former and avoid the latter.
It's important to acknowledge that as humans, we are prone to divide the world into an "us" versus "them" situation. The "them" category is seen as
the one with more negative, undesirable attributes. For instance vampires, demons, evil Gods, they're all viewed as "them"; they're different so they're
the bad guys. Whenever one feels noticeably different, it leads them to think of themselves as part of the "them" category. For someone really smart,
for example, growing up with children not as smart or gifted in a particular way, they will feel different. The Thing, from the movie TheFantastic Four
says as he walks through a ... Show more content on Helpwriting.net ...
In contrary to popular belief, costumes aren't only for superheroes and Halloween. Costumes communicate something about the person wearing it. It
also communicates something about the role they're playing. People form impressions based on what they glean from the costume. The same way
good–looking people are seen as kind, and well groomed job applicants as more competent, we see Superman, with his square jaw, his powerful
posture, and his colorful latex suit as a superhero. Similarly, people tend to view old and unattractive people as unfriendly, the same way they see, say,
nose–less Lord Voldemort as the epitome of unfriendliness. Catwoman, in her daunting leather suit, communicates style, sensuality and

Influence Of Social Status On Comics
Comic Books Changing With The Times
Growing up the biggest dream of mine was to wake up one day and have a super power. I would be able to help defend the world, save people from
bad guys, and make the world a better place. Sadly, I ended up just going to college and studying to be a mechanical engineer, but the dream is still
alive! Even now while going through my studies, comic books still intrigue me and one of the aspects that has me the most curious is the sudden
shift recently taking place in Marvel comics. Iron man has been replaced by a young African American girl, Thor is female, and the mantle of
Spiderman now goes to a homosexual teenage boy. Society has been drastically changing as time has gone on, and Marvel is starting to follow suit
with changing some of their main comics. I have researched the impact of social status on comics in the past versus how they are now to determine
how the audience is receiving these changes, either positively or negatively. When Marvel first started making stories for the public, they followed a
generic pattern of mildly successful monster, romance, and western stories to reach their audience. Around the sixties, when fear of the Cold War was
at a high, it got the creative juices at marvel flowing and led to some of the most successful and longest running comic series. (O'neal 2016) The first
to appear was the Fantastic Four that received their powers from going into space in an attempt to beat Russia in the space race. The Cold

Movie Analysis : Film Revenue
The past decade has seen superhero movies rise to box office dominance. This is a new trend. Batman and Superman movies found success early, but
the surprise blockbusters Spider–man and X–men at the turn of the millennium revealed that the market for comic based entertainment was not yet
saturated (Fritz, 2014). Looking back a decade and a half later, consumer demand has clearly spoken: six of the last ten highest grossing movies were
based on comic books: Guardians of the Galaxy, Iron Man 3, The Avengers, Transformers: The Revenge of the Fallen, The Dark Knight, and
Spider–Man 3 (Lev–Ram, 2015). Today, studios have demonstrated confidence that this trend will continue. For example, movies set in the Marvel
Cinematic Universe are scheduled out until at least 2019, with Inhumans set for release in June of that year (Marvel, 2015).
Film revenue is only part of the profit equation. A successful blockbustersuperhero generates interest in its characters, returning massive profits from
merchandising and licensing (Schedeen, 2015). Video games, television spin–offs, collectible toys, apparel, books, and home dГ©cor are just a few
examples that come to mind. These products, in turn, act as advertisement for the films themselves and future films in the franchise by increasing
visibility (Schedeen, 2015). While this works well for franchises in which Marvel owns all rights to the characters, Marvel transferred the film rights
to several of their comics via "a series of

Rhetorical Analysis Of Shampoo Advertising
Shampoo advertisements use Visual Rhetorical appeals to convince consumers to buy a certain shampoo. The Fantastic Four exemplify the way that
these shampoo ads use rhetorical appeals to sell products. The Fantastic Four made it apparent that Shampoo commercials bundle a set of values and
false hopes with their product which allows them to be successful. They made appeals by using characters, setting, and actions these ads successfully
appealed to ethos, pathos, and logos, revealing why shampoo ads are successful. There are two different ads, a L'Oreal commercial and a Head and
Shoulders commercial, with two major distinctions. In the L'Oreal commercial the person narrating the ad is a woman and the character that appears is
a woman. In the Head and Shoulders ad both the character and narrator is a man. The L'Oreal d shows a L'Oreal shampoo bottle sitting by a pool. It
then cuts to the shampoo being squirted into a hand and ends with the bottle being held by a happy consumer. Throughout the L'Oreal commercial a
woman's voice explains all of the benefits that come with using L'Oreal. The Head and Shoulders shows a man holding a Head and Shoulders
shampoo bottle followed by the same man catching the bottle multiple times. The imagery ends with the shampoo placed on the edge of a bathtub. The
Head and Shoulders ad is fully narrated by a man. The narrator repeatedly says that the shampoo cannot be dropped. The first defining element that
both ads used were characters. The

T Challa And Ororo Monroe Analysis
T'Challa and Ororo Monroe (Storm) have had various aspects of their histories retconned over the years, but one of the most significant changes came
in 2006, when Marvel announced that the pair would be marrying one another. The sometimes leader of the X–Men and the ruler of Wakanda were
married in a huge Wakandan ceremony surrounded by their superhero friends and allies.
They immediately went on a diplomatic tour (she was now queen after all), meeting with Dr. Doom in Latveria, the President of the United States,
Namor in Atlantis, and others. Then for a short time they even filled in for Sue and Reed Richards as members of the Fantastic Four.
Eventually the marriage was annulled when Namor attacks Wakanda and T'Challa felt he had

The X Men Series, And Avengers : Age Of Ultron
In today's film culture, superhero films are very popular genre. Yet, woman are still objectified, over–sexualized, and given roles with little or no real
merit within this genre. This has been shown since the beginning of the Wonder Woman comics and has progressed to the films we have today. Films
like Supergirl, Catwoman, the Fantastic Four series, the X–Men series, and Avengers: Age of Ultron show these issues within our film culture. Their
physical appearance, clothing, and sex appeal have more importance than the actual characters themselves. The first woman to be called a superhero,
Wonder Woman, was created by William Marston to fight the troubling lack of woman superheroes in the 1940's. Marston was a self
–proclaimed
feminist, yet had a great deal of strange ideals. To begin with, Marston did not believe feminism was about gender equality or fighting sexism in
the world. Marston believed feminism was a temperance movement about how women were morally superior to men. He strongly believed
woman were designed to fix men's problems using love, compassion, and justice. Although deeply flawed, Marston believed it was his job to help
others to realize the world needed to allow women to advance into leaders. The comics began to show a greater diversity in not only gender but also
races and ethnicities. However, in 1947, Marston died of cancer at the age of 53, seven days shy of his 54th birthday. Due to this, many of his
feministic ideas for Wonder Woman died as well.

Josh Trank's Fantastic Four
In the most recent Fantastic Four directed by Josh Trank, Reed Richards is a boy genius which, with the help of his partner, Ben Grimm, creates a
teleportation device. Dr. Franklin Storm takes interest in this project as he believes the invention may hold the secret to inter–dimensional travel. Dr.
Storm invites Reed to join his son Johnny, daughter Sue, and Victor Von Doom to build a Quantum Gate. When those four plus Ben Grimm use the
Quantum Gate unexpectedly, "Planet Zero" leaves each of them with a genetic mutation. The inventors soon learn that their powers will make them a
team of superheros.
Fox hired Trank to direct this new film hoping he could make Fantastic Four as big of a success as Tim Story did in the mid–2000s. Instead Trank

Marvel Enterprises
Marketing Strategy 8050
Marvel Enterprises, Inc. Case Writing by Xiaodan Dong
February, 2008
Marvel Enterprises, Inc.
(b) Why was Marvel's turnaround so successful? Would you characterize that success as a fluke? Or do you view it as sustainable? Why? How?
Marvel's success is not a fluke because its business model is sustainable. Marvel's new strategy monetized the content library by licensing characters for
use with media products. During an era in which mass media is very important in people's life, only one media tool, publishing, is not strong enough
to expand Marvel's influence to consumers. Comic books can target a very limited market, mostly composed of male teenagers and young adults from
13 to 23 years old. It is ... Show more content on Helpwriting.net ...
In the future, licensing will keep increasing and its percentage of revenue will grow, especially if the management adopts a strategy of capitalizing on
it. In the past, the toy business was just an annex of the publishing industry. Little effort was invested in toys which were not even mentioned strategic
plans. Now the toy industry is the second–highest profit maker in Marvel, generating over $20 billion in sales in 2003. The toy business is very
promising in the future. However its percentage in revenue will still remain stable or slightly decrease, just as publishing will do, because licensing has
such a strong possibility for growth. In addition, while the toy industry competition is too fierce to permit further achievements.
(d) To what extent is Marvel's success due to only one character, Spider–Man? How can Marvel develop its lesser–known characters? There is no doubt
that, to a great extent, Marvel's success since the 1960s is due to Spider–Man. However, during the 1990s, the company declined despite such a
successful superhero. "Exploiting" strategy by significantly increasing the number of titles stretched out consumers' interest. Marvel's new CEO, Peter
Cuneo, restructured the company with negative assets and turned the company around. Spider–Man was resuscitated in comic–book sales. In the
Publishing Division, Marvel's 64.7% revenue was

Spidey's Last Questions
They should have thought this through––it would have saved them so much trouble. Doom was bound to come back from there at some point, right?
They could've attacked him as soon as he was back to a warmer climate, not when he was at actual hypodermic freezing levels. Not, whenever one of
their teammates was on the brink of death, without Doctor Doom even remotely close to them.
Anyways, it's not like they actually thought any of this was going to happen. How were they supposed to know? Realistically, maybe they should have
asked questions. . . . But, they didn't ask questions, after all, they've known Spidey for quite some time.
Maybe they should have known? It would've saved a lot of trouble.
в—Џ в—Џ в—Џ
Doctor Doom was up to no good, Spidey and the Fantastic Four knew that by now. Doom was kind of in his name. . . . Albeit, they didn't expect him to
take business up a freaking mountain. A freezing, vacant mountain––in the ... Show more content on Helpwriting.net ...
At first, Spidey was super confused and embarrassed about it. Spider–Man found it super awkward and once didn't talk to Johnny for a whole week.
However, Spidey grew used to it and even flirts back (it's just a response, but Johnny refers to it as flirting). Sadly, none of his attempts of flirting with
Spidey worked.
It was a regular occurence, his failures of "wooing" Spider–Man. Even worse, his whole family would tease him over his failed attmepts. Ben would
smirk and laugh at his attempts right then and there, right in front of Spidey. Reed just pretended it did happen around Spidey, and then tease Johnny
when they were alone or with the rest of the Fantastic Four. Sue, on the other hand, was more worried that his attempts were pressuring Spidey. But,
she still made fun of him if she really felt like it.
Johnny didn't care that much, though (unless the teasing happened in front of Spidey). Spider–Man just laughed whenever they teased

Joker Vs Marvel
My game will be in the form of a quiz about DC and Marvel comics, which will be aimed at comic lovers. It will feature aspects of the comics in the
cinematic and television world too. Both comic companies are well established; familiar superheroes in the DC world, include Superman, Batman,
Wonder Woman, Green Lantern, the Flash, Aquaman, and Green Arrow. Moreover, well knownsuperhero teams still in the DC universe are Justice
League, Justice Society, Watchmen, and the Teen Titans, as well as antagonists such as the Joker, Lex Luthor, Catwoman, Deathstroke, and Professor
Zoom/Reverse–Flash. Furthermore, popular Marvel superheroes, include Spider–Man, Wolverine, Iron Man, the Hulk, Thor and Captain America.
Superhero teams in that universe are the Avengers, theFantastic Four, the Guardians of the Galaxy, and X–Men, and antagonists such as the Green
Goblin, Magneto, Loki, Thanos, and the Red Skull. ... Show more content on Helpwriting.net ...
But, perhaps, about the company itself, e.g.: one question maybe 'what did Marvel comics used to be called, before its name was changed in the
1960s?' The correct answer would be 'Timely Comics'. The quiz will be created using python; there are going to be four levels with three questions
per level, and there will be four options for the player to choose from, so for the above question about 'The Flash (Barry Allen)', other options would
be 'Green Arrow (Oliver Queen)', 'Thor' and 'The

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