SlideShare a Scribd company logo
1 of 21
AQA 2016
Science Fiction Films
AUDIENCES
Audiences
The audience is the people who watch the film.
• Different films will have different audiences.
Not everybody will watch the same film. The
audience who watches Gravity may be very
different to the audience who watches Big
Hero 6.
• Films can have a primary (main) audience,
teens, for example, and a secondary
audience like older people.
• The primary or main audience is often called
the TARGET audience.
Mainstream or niche?
• Some science fiction films are mainstream –
they appeal to a very wide range of people.
• Hollywood films are often very mainstream –
they need to appeal to a lot of people to
make enough money.
• Some sci-fi films are more niche – they
appeal only to a small group of people.
• Independent and low-budget films may be
niche. They are not under pressure to appeal
to everyone, so they can be more unusual or
take more risks.
Segmentation and the target
audience
Sci-fi films are designed and marketed to appeal to
different types of people.
Producers 'segment' the audience into different
groups, and aim their product at one segment.
This is their target market or target audience.
Audiences can be broken down into segments by
demographics or psychographics.
Audience: demographics
• Demographics is one way of dividing up the
audience into certain groups. Each group is
assumed to have similar ideas and interests.
Marketers use this idea of demographic groups
to target advertising and promotion.
• What is your demographic?
o Gender:
o Age / stage:
o Occupation:
o Region / location:
o Ethnicity:
o Class:
o Any other key aspects?
BBFC classification
The BBFC classification is based on the demographics of age. It
assumes that certain films are only suitable for certain age groups.
The categories:
• Suitable for all
• Parental Guidance
• Suitable for 12 years and over
• Suitable for 15 years and over
• Suitable only for adult
Audience: psychographics
Psychographics is less about facts such as age, and more
about attitudes and values. The audience can be divided up
into categories like:
• Survivors: who like security and routine
• Social climbers: who like material wealth and status
symbols
• Care givers: who believe in ‘caring and sharing’
• Explorers: who are interested in personal growth and
social change
Which one are you?
Demographics and psychographic
profiles
Profile a typical science fiction film fan, and explain
why you think a typical fan would be like this.
• Demographics: gender; age / stage; occupation;
region; ethnicity; any other key aspects?
• Psychographics: survivors, social climbers, care
givers, explorers?
Identify the target audience
• What kind of audience will these trailers
attract? Create a demographic and
psychographic profile for the likely target
audience. Give your reasons.
oMen in Black
oNever Let Me Go
Uses and Gratifications
This is a media studies theory that tries to
explain why people choose and use certain
media products. The theory says that we use
them to satisfy various needs.
The theory is also known as the Four Needs
theory. It was developed by Blumler and Katz.
Uses and gratifications
Entertainment and diversion – taking you away from your own
problems and your own world for a while – escapism, to give you some
excitement and drama in your life, to stop you being bored.
Surveillance and information – finding out about new things
and places, scientific possibilities and problems, helping you to get
knowledge about science, the world and what is happening.
Personal identity – comparing yourself to people in films,
wondering how would you react to the same situation, thinking about how
you feel about various issues and conflicts.
Personal companionship – getting accustomed to the
characters as if they are friends; getting involved in the plot and wanting
to find out what happens to people; discussing films and their issues with
other people, having something to talk about with other people.
What 'need' is being fulfilled by sci-
fi films?
One need that all films must fulfil is entertainment.
They are part of the entertainment industry!
But films may also fulfils other needs too. Audiences
might select different films according to how much
of their other needs it fulfils. Some films offer more
opportunity to consider perosnal identity, while
others build a strong sense of community and team
spirit.
Watch this trailer for Big Hero 6
Which of the Uses and Gratifications does the
trailer suggest the film will offer, and how?
Entertainment?
Information?
Identity?
Companionship?
Watch this trailer for The Matrix
Which of the Uses and Gratifications does the
trailer suggest the news will offer?
Entertainment?
Information?
Identity?
Companionship?
Dyer’s Utopian Solutions
Dyer suggested that the media fulfils our needs, and compensates for what
we are lacking in our own lives. For example, the exhausted office worker
might watch lots of shows where the hero shows immense energy in
chasing villains and fighting bad guys; the lonely person might watch lots
of soap operas to gain a sense of community, and so on. The five main
solutions the media can offer us are:
• Transparency – finding out what is really happening, seeing behind the
scenes, seeing into hidden or private places.
• Energy – seeing people involved in very energetic activities, including
sports.
• Intensity – the emotional drama and excitement of conflict, arguments,
tension and suspense, life and death situations.
• Community – working as a team, having a group of friends, neighbours,
a community who need you.
• Abundance – the plentiful supply of money or material goods such as
clothes, technology, cars.
Dyer’s Utopian Solutions in
science fiction films
• Transparency – seeing what the government is really
up to, how technology is controlling us or taking over ….
• Energy – watching the hero chase the villain, fight the
aliens…
• Intensity – Will the hero save the world? Will the hero
live or die? Conflict and suspense.
• Community – working as a team, having a sidekick,
fighting on behalf of your people, your community, your
nation, your planet.
• Abundance – the plentiful supply of technology,
weapons, ammunition, fast cars, helicopters, equipment,
gadgets, whatever the hero needs…
What pleasures do science fiction
films offer their audience?
• Interesting ideas and perspectives (intensity).
• Spectacular special effects and action
sequences (energy and intensity).
• Escapism from everyday life (intensity and
transparency).
• Seeing the hero fighting against alien races or
other powerful forces and ultimately winning
(intensity and abundance).
• Sacrifice and heroism (intensity and community).
• Seeing authorities being in the wrong
(transparency and community).
Dyer’s Utopian Solutions
• Watch this trailer for Terminator Genisys
• Describe how the film appeals to the
audience’s need for:
o Transparency
o Community
o Energy
o Intensity
o Abundance
Dyer’s Utopian Solutions
• Watch this trailer for Rise of the Planet of
the Apes
• Describe how the film appeals to the
audience’s need for:
o Transparency
o Community
o Energy
o Intensity
o Abundance
Websites
Websites and other materials are all aimed at a
particular target audience too. They promise
particular gratifications or solutions.
• Look at the website for Star Wars. What kind
of audience will it attract? Create a
demographic and psychographic profile for
the likely target audience. Give your reasons.
• What uses and gratifications does it fulfil?
Summary – explain these terms
• The BBFC
• Segmentation
• Target audience
• Mainstream
• Niche
• Demographics
• Psychographics
• Uses and gratifications
• Utopian solutions

More Related Content

What's hot

Conventions of a sci fi and a drama
Conventions of a sci  fi and a dramaConventions of a sci  fi and a drama
Conventions of a sci fi and a drama
troalfe
 
Action adventure overview
Action adventure overviewAction adventure overview
Action adventure overview
Vicky Casson
 
common conventions of sci fi
common conventions of sci ficommon conventions of sci fi
common conventions of sci fi
Graveney School
 
Introduction to film genre
Introduction to film genreIntroduction to film genre
Introduction to film genre
ecclestona
 
Assignment 8 posters
Assignment 8 postersAssignment 8 posters
Assignment 8 posters
DiamondLSilva
 
Action adventure 1 2 3
Action adventure 1 2 3Action adventure 1 2 3
Action adventure 1 2 3
ibz10
 
Representation of men in action films
Representation of men in action filmsRepresentation of men in action films
Representation of men in action films
MsJMcLeod
 
Killer in horror
Killer in horrorKiller in horror
Killer in horror
rushelle016
 

What's hot (20)

Genre research
Genre researchGenre research
Genre research
 
GCSE Media Action Adventure Lesson 4 - NICS
GCSE Media Action Adventure Lesson 4 - NICSGCSE Media Action Adventure Lesson 4 - NICS
GCSE Media Action Adventure Lesson 4 - NICS
 
Conventions of a sci fi and a drama
Conventions of a sci  fi and a dramaConventions of a sci  fi and a drama
Conventions of a sci fi and a drama
 
Action adventure overview
Action adventure overviewAction adventure overview
Action adventure overview
 
Film Genre
Film Genre Film Genre
Film Genre
 
common conventions of sci fi
common conventions of sci ficommon conventions of sci fi
common conventions of sci fi
 
GCSE Media Action Adventure Lesson 3 - pirates
GCSE Media Action Adventure Lesson 3 - piratesGCSE Media Action Adventure Lesson 3 - pirates
GCSE Media Action Adventure Lesson 3 - pirates
 
FM2 Revision Help
FM2 Revision HelpFM2 Revision Help
FM2 Revision Help
 
Introduction to film genre
Introduction to film genreIntroduction to film genre
Introduction to film genre
 
Assignment 8 posters
Assignment 8 postersAssignment 8 posters
Assignment 8 posters
 
Action adventure 1 2 3
Action adventure 1 2 3Action adventure 1 2 3
Action adventure 1 2 3
 
GCSE Section A Exam Revision
GCSE Section A Exam RevisionGCSE Section A Exam Revision
GCSE Section A Exam Revision
 
Lesson 9 - narrative
Lesson 9 - narrativeLesson 9 - narrative
Lesson 9 - narrative
 
Horror genre
Horror genreHorror genre
Horror genre
 
Horror genre
Horror genreHorror genre
Horror genre
 
Conventions of the horror genre
Conventions of the horror genreConventions of the horror genre
Conventions of the horror genre
 
Representation of men in action films
Representation of men in action filmsRepresentation of men in action films
Representation of men in action films
 
Killer in horror
Killer in horrorKiller in horror
Killer in horror
 
Horror genre
Horror genreHorror genre
Horror genre
 
Horror representation
Horror representationHorror representation
Horror representation
 

Viewers also liked

Demographics and Psychographics
Demographics and PsychographicsDemographics and Psychographics
Demographics and Psychographics
jayjammerz
 
Learning outcome three
Learning outcome threeLearning outcome three
Learning outcome three
mattwako
 
Learning outcome two
Learning outcome twoLearning outcome two
Learning outcome two
mattwako
 
Documentary apocalypse
Documentary apocalypseDocumentary apocalypse
Documentary apocalypse
mattwako
 
E media marketing
E media marketingE media marketing
E media marketing
ibz10
 
Appealing to the audience
Appealing to the audienceAppealing to the audience
Appealing to the audience
OliviaBolt
 
Codes & conventions of a website
Codes & conventions of a websiteCodes & conventions of a website
Codes & conventions of a website
FatimaIftikhar5
 
How media producers define their target audience
How media producers define their target audienceHow media producers define their target audience
How media producers define their target audience
mattwako
 
How media producers define their target audience
How media producers define their target audienceHow media producers define their target audience
How media producers define their target audience
Charlotte Jean
 
Demographics and psychographics
Demographics and psychographicsDemographics and psychographics
Demographics and psychographics
BigDproductions
 

Viewers also liked (17)

Unit 6 addressing audience
Unit 6   addressing audienceUnit 6   addressing audience
Unit 6 addressing audience
 
Adverts: Audience Characteristics
Adverts: Audience CharacteristicsAdverts: Audience Characteristics
Adverts: Audience Characteristics
 
Demographics and Psychographics
Demographics and PsychographicsDemographics and Psychographics
Demographics and Psychographics
 
Learning outcome three
Learning outcome threeLearning outcome three
Learning outcome three
 
Learning outcome two
Learning outcome twoLearning outcome two
Learning outcome two
 
Conventions your example
Conventions your exampleConventions your example
Conventions your example
 
Documentary apocalypse
Documentary apocalypseDocumentary apocalypse
Documentary apocalypse
 
Conventions list
Conventions listConventions list
Conventions list
 
Codes and conventions of a film poster (2)
Codes and conventions of a film poster (2)Codes and conventions of a film poster (2)
Codes and conventions of a film poster (2)
 
E media marketing
E media marketingE media marketing
E media marketing
 
Appealing to the audience
Appealing to the audienceAppealing to the audience
Appealing to the audience
 
Demographics and Psychographics
Demographics and PsychographicsDemographics and Psychographics
Demographics and Psychographics
 
Codes & conventions of a website
Codes & conventions of a websiteCodes & conventions of a website
Codes & conventions of a website
 
How media producers define their target audience
How media producers define their target audienceHow media producers define their target audience
How media producers define their target audience
 
How media producers define their target audience
How media producers define their target audienceHow media producers define their target audience
How media producers define their target audience
 
Demographics and psychographics
Demographics and psychographicsDemographics and psychographics
Demographics and psychographics
 
Media Audiences an Introduction
Media Audiences an IntroductionMedia Audiences an Introduction
Media Audiences an Introduction
 

Similar to Media Codes and Conventions: Audience

Science fiction representation
Science fiction representationScience fiction representation
Science fiction representation
shaniajay
 
Week 12 pro-forma audiences & products (2)
Week 12  pro-forma audiences & products (2)Week 12  pro-forma audiences & products (2)
Week 12 pro-forma audiences & products (2)
charles-stick
 
Week 12 pro-forma audiences & products
Week 12  pro-forma audiences & productsWeek 12  pro-forma audiences & products
Week 12 pro-forma audiences & products
charles-stick
 
Week 12 pro-forma audiences & products
Week 12  pro-forma audiences & productsWeek 12  pro-forma audiences & products
Week 12 pro-forma audiences & products
charles-stick
 
Week 12 pro-forma audiences & products (1)
Week 12  pro-forma audiences & products (1)Week 12  pro-forma audiences & products (1)
Week 12 pro-forma audiences & products (1)
Jack Booth
 
Audiences in tv d rama
Audiences in tv d ramaAudiences in tv d rama
Audiences in tv d rama
CCN Media
 
Week 12 pro-forma audiences & products
Week 12  pro-forma audiences & productsWeek 12  pro-forma audiences & products
Week 12 pro-forma audiences & products
Robert Ryan
 
Evaluation - Who are your audience and what have you learned from your audien...
Evaluation - Who are your audience and what have you learned from your audien...Evaluation - Who are your audience and what have you learned from your audien...
Evaluation - Who are your audience and what have you learned from your audien...
samduxbury18
 

Similar to Media Codes and Conventions: Audience (20)

Sci fi audience theories
Sci fi  audience theoriesSci fi  audience theories
Sci fi audience theories
 
Genre
GenreGenre
Genre
 
Science fiction representation
Science fiction representationScience fiction representation
Science fiction representation
 
Week 12 pro-forma audiences & products (2)
Week 12  pro-forma audiences & products (2)Week 12  pro-forma audiences & products (2)
Week 12 pro-forma audiences & products (2)
 
Week 12 pro-forma audiences & products
Week 12  pro-forma audiences & productsWeek 12  pro-forma audiences & products
Week 12 pro-forma audiences & products
 
Week 12 pro-forma audiences & products
Week 12  pro-forma audiences & productsWeek 12  pro-forma audiences & products
Week 12 pro-forma audiences & products
 
Sci fi Representation
Sci fi RepresentationSci fi Representation
Sci fi Representation
 
Theoretical research complete
Theoretical research completeTheoretical research complete
Theoretical research complete
 
Audience theory pro forma
Audience theory pro formaAudience theory pro forma
Audience theory pro forma
 
Action adventure films audience benefits
Action adventure films   audience benefitsAction adventure films   audience benefits
Action adventure films audience benefits
 
Week 12 pro-forma audiences & products (1)
Week 12  pro-forma audiences & products (1)Week 12  pro-forma audiences & products (1)
Week 12 pro-forma audiences & products (1)
 
"Blackfish" National 4/5 Media Documentaries Unit
"Blackfish" National 4/5 Media Documentaries Unit"Blackfish" National 4/5 Media Documentaries Unit
"Blackfish" National 4/5 Media Documentaries Unit
 
Audiences in tv d rama
Audiences in tv d ramaAudiences in tv d rama
Audiences in tv d rama
 
Genre final
Genre finalGenre final
Genre final
 
Week 12 pro-forma audiences & products
Week 12  pro-forma audiences & productsWeek 12  pro-forma audiences & products
Week 12 pro-forma audiences & products
 
Evaluation - Who are your audience and what have you learned from your audien...
Evaluation - Who are your audience and what have you learned from your audien...Evaluation - Who are your audience and what have you learned from your audien...
Evaluation - Who are your audience and what have you learned from your audien...
 
The four Cs
The four CsThe four Cs
The four Cs
 
Audience profile 2
Audience profile 2Audience profile 2
Audience profile 2
 
Audience profile 2
Audience profile 2Audience profile 2
Audience profile 2
 
Audiences
AudiencesAudiences
Audiences
 

More from hanaa_m

Brand guidelines
Brand guidelinesBrand guidelines
Brand guidelines
hanaa_m
 

More from hanaa_m (20)

Short film proposal: Clara Barroso
Short film proposal: Clara BarrosoShort film proposal: Clara Barroso
Short film proposal: Clara Barroso
 
Character mise-en-scene: Clara Barroso
Character mise-en-scene: Clara BarrosoCharacter mise-en-scene: Clara Barroso
Character mise-en-scene: Clara Barroso
 
Location-mise en-scene: Clara Barroso
Location-mise en-scene: Clara BarrosoLocation-mise en-scene: Clara Barroso
Location-mise en-scene: Clara Barroso
 
Side by Side -Comparison -Clara Barroso
Side by Side -Comparison -Clara BarrosoSide by Side -Comparison -Clara Barroso
Side by Side -Comparison -Clara Barroso
 
Editing Process -Final Magazine Article: Clara Barroso
Editing Process -Final Magazine Article: Clara BarrosoEditing Process -Final Magazine Article: Clara Barroso
Editing Process -Final Magazine Article: Clara Barroso
 
Image manipulation- Clara Barroso
Image manipulation- Clara BarrosoImage manipulation- Clara Barroso
Image manipulation- Clara Barroso
 
Side by side
Side by sideSide by side
Side by side
 
Call sheet- Clara Barroso
Call sheet- Clara BarrosoCall sheet- Clara Barroso
Call sheet- Clara Barroso
 
Rushes log for short film- Clara Barroso
Rushes log for short film- Clara BarrosoRushes log for short film- Clara Barroso
Rushes log for short film- Clara Barroso
 
Shot list- Clara Barroso
Shot list- Clara BarrosoShot list- Clara Barroso
Shot list- Clara Barroso
 
Short film script
Short film scriptShort film script
Short film script
 
Stages/Processes
Stages/ProcessesStages/Processes
Stages/Processes
 
Rushes log
Rushes logRushes log
Rushes log
 
Creating my title
Creating my titleCreating my title
Creating my title
 
Image manipulation
Image manipulationImage manipulation
Image manipulation
 
Editing processes
Editing processesEditing processes
Editing processes
 
Brand guidelines
Brand guidelinesBrand guidelines
Brand guidelines
 
Personnel for short film
Personnel for short filmPersonnel for short film
Personnel for short film
 
Location recce 4- Praia Fluvial de Merelim
Location recce 4- Praia Fluvial de MerelimLocation recce 4- Praia Fluvial de Merelim
Location recce 4- Praia Fluvial de Merelim
 
Location recce 3-Apulia
Location recce 3-ApuliaLocation recce 3-Apulia
Location recce 3-Apulia
 

Recently uploaded

Recently uploaded (20)

Food safety_Challenges food safety laboratories_.pdf
Food safety_Challenges food safety laboratories_.pdfFood safety_Challenges food safety laboratories_.pdf
Food safety_Challenges food safety laboratories_.pdf
 
Philosophy of china and it's charactistics
Philosophy of china and it's charactisticsPhilosophy of china and it's charactistics
Philosophy of china and it's charactistics
 
Interdisciplinary_Insights_Data_Collection_Methods.pptx
Interdisciplinary_Insights_Data_Collection_Methods.pptxInterdisciplinary_Insights_Data_Collection_Methods.pptx
Interdisciplinary_Insights_Data_Collection_Methods.pptx
 
Graduate Outcomes Presentation Slides - English
Graduate Outcomes Presentation Slides - EnglishGraduate Outcomes Presentation Slides - English
Graduate Outcomes Presentation Slides - English
 
Unit 3 Emotional Intelligence and Spiritual Intelligence.pdf
Unit 3 Emotional Intelligence and Spiritual Intelligence.pdfUnit 3 Emotional Intelligence and Spiritual Intelligence.pdf
Unit 3 Emotional Intelligence and Spiritual Intelligence.pdf
 
HMCS Max Bernays Pre-Deployment Brief (May 2024).pptx
HMCS Max Bernays Pre-Deployment Brief (May 2024).pptxHMCS Max Bernays Pre-Deployment Brief (May 2024).pptx
HMCS Max Bernays Pre-Deployment Brief (May 2024).pptx
 
FICTIONAL SALESMAN/SALESMAN SNSW 2024.pdf
FICTIONAL SALESMAN/SALESMAN SNSW 2024.pdfFICTIONAL SALESMAN/SALESMAN SNSW 2024.pdf
FICTIONAL SALESMAN/SALESMAN SNSW 2024.pdf
 
COMMUNICATING NEGATIVE NEWS - APPROACHES .pptx
COMMUNICATING NEGATIVE NEWS - APPROACHES .pptxCOMMUNICATING NEGATIVE NEWS - APPROACHES .pptx
COMMUNICATING NEGATIVE NEWS - APPROACHES .pptx
 
latest AZ-104 Exam Questions and Answers
latest AZ-104 Exam Questions and Answerslatest AZ-104 Exam Questions and Answers
latest AZ-104 Exam Questions and Answers
 
AIM of Education-Teachers Training-2024.ppt
AIM of Education-Teachers Training-2024.pptAIM of Education-Teachers Training-2024.ppt
AIM of Education-Teachers Training-2024.ppt
 
Exploring_the_Narrative_Style_of_Amitav_Ghoshs_Gun_Island.pptx
Exploring_the_Narrative_Style_of_Amitav_Ghoshs_Gun_Island.pptxExploring_the_Narrative_Style_of_Amitav_Ghoshs_Gun_Island.pptx
Exploring_the_Narrative_Style_of_Amitav_Ghoshs_Gun_Island.pptx
 
Basic Intentional Injuries Health Education
Basic Intentional Injuries Health EducationBasic Intentional Injuries Health Education
Basic Intentional Injuries Health Education
 
Basic Civil Engineering first year Notes- Chapter 4 Building.pptx
Basic Civil Engineering first year Notes- Chapter 4 Building.pptxBasic Civil Engineering first year Notes- Chapter 4 Building.pptx
Basic Civil Engineering first year Notes- Chapter 4 Building.pptx
 
Beyond_Borders_Understanding_Anime_and_Manga_Fandom_A_Comprehensive_Audience_...
Beyond_Borders_Understanding_Anime_and_Manga_Fandom_A_Comprehensive_Audience_...Beyond_Borders_Understanding_Anime_and_Manga_Fandom_A_Comprehensive_Audience_...
Beyond_Borders_Understanding_Anime_and_Manga_Fandom_A_Comprehensive_Audience_...
 
Towards a code of practice for AI in AT.pptx
Towards a code of practice for AI in AT.pptxTowards a code of practice for AI in AT.pptx
Towards a code of practice for AI in AT.pptx
 
How to Create and Manage Wizard in Odoo 17
How to Create and Manage Wizard in Odoo 17How to Create and Manage Wizard in Odoo 17
How to Create and Manage Wizard in Odoo 17
 
Mehran University Newsletter Vol-X, Issue-I, 2024
Mehran University Newsletter Vol-X, Issue-I, 2024Mehran University Newsletter Vol-X, Issue-I, 2024
Mehran University Newsletter Vol-X, Issue-I, 2024
 
Details on CBSE Compartment Exam.pptx1111
Details on CBSE Compartment Exam.pptx1111Details on CBSE Compartment Exam.pptx1111
Details on CBSE Compartment Exam.pptx1111
 
TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...
TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...
TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...
 
Python Notes for mca i year students osmania university.docx
Python Notes for mca i year students osmania university.docxPython Notes for mca i year students osmania university.docx
Python Notes for mca i year students osmania university.docx
 

Media Codes and Conventions: Audience

  • 1. AQA 2016 Science Fiction Films AUDIENCES
  • 2. Audiences The audience is the people who watch the film. • Different films will have different audiences. Not everybody will watch the same film. The audience who watches Gravity may be very different to the audience who watches Big Hero 6. • Films can have a primary (main) audience, teens, for example, and a secondary audience like older people. • The primary or main audience is often called the TARGET audience.
  • 3. Mainstream or niche? • Some science fiction films are mainstream – they appeal to a very wide range of people. • Hollywood films are often very mainstream – they need to appeal to a lot of people to make enough money. • Some sci-fi films are more niche – they appeal only to a small group of people. • Independent and low-budget films may be niche. They are not under pressure to appeal to everyone, so they can be more unusual or take more risks.
  • 4. Segmentation and the target audience Sci-fi films are designed and marketed to appeal to different types of people. Producers 'segment' the audience into different groups, and aim their product at one segment. This is their target market or target audience. Audiences can be broken down into segments by demographics or psychographics.
  • 5. Audience: demographics • Demographics is one way of dividing up the audience into certain groups. Each group is assumed to have similar ideas and interests. Marketers use this idea of demographic groups to target advertising and promotion. • What is your demographic? o Gender: o Age / stage: o Occupation: o Region / location: o Ethnicity: o Class: o Any other key aspects?
  • 6. BBFC classification The BBFC classification is based on the demographics of age. It assumes that certain films are only suitable for certain age groups. The categories: • Suitable for all • Parental Guidance • Suitable for 12 years and over • Suitable for 15 years and over • Suitable only for adult
  • 7. Audience: psychographics Psychographics is less about facts such as age, and more about attitudes and values. The audience can be divided up into categories like: • Survivors: who like security and routine • Social climbers: who like material wealth and status symbols • Care givers: who believe in ‘caring and sharing’ • Explorers: who are interested in personal growth and social change Which one are you?
  • 8. Demographics and psychographic profiles Profile a typical science fiction film fan, and explain why you think a typical fan would be like this. • Demographics: gender; age / stage; occupation; region; ethnicity; any other key aspects? • Psychographics: survivors, social climbers, care givers, explorers?
  • 9. Identify the target audience • What kind of audience will these trailers attract? Create a demographic and psychographic profile for the likely target audience. Give your reasons. oMen in Black oNever Let Me Go
  • 10. Uses and Gratifications This is a media studies theory that tries to explain why people choose and use certain media products. The theory says that we use them to satisfy various needs. The theory is also known as the Four Needs theory. It was developed by Blumler and Katz.
  • 11. Uses and gratifications Entertainment and diversion – taking you away from your own problems and your own world for a while – escapism, to give you some excitement and drama in your life, to stop you being bored. Surveillance and information – finding out about new things and places, scientific possibilities and problems, helping you to get knowledge about science, the world and what is happening. Personal identity – comparing yourself to people in films, wondering how would you react to the same situation, thinking about how you feel about various issues and conflicts. Personal companionship – getting accustomed to the characters as if they are friends; getting involved in the plot and wanting to find out what happens to people; discussing films and their issues with other people, having something to talk about with other people.
  • 12. What 'need' is being fulfilled by sci- fi films? One need that all films must fulfil is entertainment. They are part of the entertainment industry! But films may also fulfils other needs too. Audiences might select different films according to how much of their other needs it fulfils. Some films offer more opportunity to consider perosnal identity, while others build a strong sense of community and team spirit.
  • 13. Watch this trailer for Big Hero 6 Which of the Uses and Gratifications does the trailer suggest the film will offer, and how? Entertainment? Information? Identity? Companionship?
  • 14. Watch this trailer for The Matrix Which of the Uses and Gratifications does the trailer suggest the news will offer? Entertainment? Information? Identity? Companionship?
  • 15. Dyer’s Utopian Solutions Dyer suggested that the media fulfils our needs, and compensates for what we are lacking in our own lives. For example, the exhausted office worker might watch lots of shows where the hero shows immense energy in chasing villains and fighting bad guys; the lonely person might watch lots of soap operas to gain a sense of community, and so on. The five main solutions the media can offer us are: • Transparency – finding out what is really happening, seeing behind the scenes, seeing into hidden or private places. • Energy – seeing people involved in very energetic activities, including sports. • Intensity – the emotional drama and excitement of conflict, arguments, tension and suspense, life and death situations. • Community – working as a team, having a group of friends, neighbours, a community who need you. • Abundance – the plentiful supply of money or material goods such as clothes, technology, cars.
  • 16. Dyer’s Utopian Solutions in science fiction films • Transparency – seeing what the government is really up to, how technology is controlling us or taking over …. • Energy – watching the hero chase the villain, fight the aliens… • Intensity – Will the hero save the world? Will the hero live or die? Conflict and suspense. • Community – working as a team, having a sidekick, fighting on behalf of your people, your community, your nation, your planet. • Abundance – the plentiful supply of technology, weapons, ammunition, fast cars, helicopters, equipment, gadgets, whatever the hero needs…
  • 17. What pleasures do science fiction films offer their audience? • Interesting ideas and perspectives (intensity). • Spectacular special effects and action sequences (energy and intensity). • Escapism from everyday life (intensity and transparency). • Seeing the hero fighting against alien races or other powerful forces and ultimately winning (intensity and abundance). • Sacrifice and heroism (intensity and community). • Seeing authorities being in the wrong (transparency and community).
  • 18. Dyer’s Utopian Solutions • Watch this trailer for Terminator Genisys • Describe how the film appeals to the audience’s need for: o Transparency o Community o Energy o Intensity o Abundance
  • 19. Dyer’s Utopian Solutions • Watch this trailer for Rise of the Planet of the Apes • Describe how the film appeals to the audience’s need for: o Transparency o Community o Energy o Intensity o Abundance
  • 20. Websites Websites and other materials are all aimed at a particular target audience too. They promise particular gratifications or solutions. • Look at the website for Star Wars. What kind of audience will it attract? Create a demographic and psychographic profile for the likely target audience. Give your reasons. • What uses and gratifications does it fulfil?
  • 21. Summary – explain these terms • The BBFC • Segmentation • Target audience • Mainstream • Niche • Demographics • Psychographics • Uses and gratifications • Utopian solutions

Editor's Notes

  1. Stage – for example, new mothers (can be a range of ages but their ‘stage’ of life unites them) or students
  2. Entertainemnt – funny, slapstick, new characters. Information – about potential scientific developments. Identity – could you do what Hiro does? Companionship – the team working together, the vlaue of friendship.