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The Language of Film
Glenn Hirsch, Instructor
artists influence filmmakers
filmmakers influence artists
10 ways
Composition
Cropped / Staged
High Angle / Low Angle
Close-up / Long Shot
Space
Deep Depth of Field / Shallow Depth of Field
Light
Direct Light / Reflected Light
Single Source / Multiple Source
Backlight (Halo) / Key light (Highlight)
Chiaroscuro light
Dreamy Light / Glowing Light
Cast Shadow / Dappled Shadow
Motion
Action Sequence / Blur
Composition: Staged
carefully arranged
Composition: Cropped
accidental edges
Close-up
Long Shot
High Angle
(looking down)
Low Angle
(looking up)
Shallow Depth of Field
(only one thing in
focus)
Deep Depth of Field
(both near and far are
in focus)
Reflected Light
light reflected off the
ground!
Chiaroscuro Light
(the object emerges
from deep shadow)
Dramatic Single
Source Light
Complicated Multiple
Source Light
Backlighting
creates a ‘halo’
behind the
object,
emphasizes
the silhouette
Glowing Light
light is coming
from the object,
not
reflected
on it
Cast Shadow
Simple
or
Complex
Dappled Cast Shadow
soft, multiple patterns
Monochromatic
Light
creating a
strong
mood
Image in Motion
edges blurred
Reflected Light
reflected in a mirror
multiple points of view
Composition
Cropped / Staged
High Angle / Low Angle
Close-up / Long Shot
Space
Deep Depth of Field / Shallow Depth of Field
Light
Direct Light / Reflected Light
Single Source / Multiple Source
Backlight (Halo) / Key light (Highlight)
Chiaroscuro light
Dreamy Light / Glowing Light
Cast Shadow / Dappled Shadow
Motion
Action Sequence / Blur

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Language of Film-Painters_Influence_Film-Film_Influences_Painters