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Digipak Analysis
Ellie Addison
The out of focus lighting effect was used to add texture to the Digipak but also to
provide subtle links to the music video. Within the video there is the use of fairy
lights and we decided to use these on the cover, almost acting as a feature of our
artist’s identity.

Throughout the Digipak,
we chose to use the font
“Firenze SF”. We felt this
would be appropriate as
the font is clear for the
audience to read but also
has a softer edge which
we feel represents our
artist’s more playful side
which is portrayed in the
video. By using the same
font, we created continuity
throughout the album
which would be
recognisable for our
audience.

We used a black border to frame the album
to enhance our artist and draw audience
attention towards the centre frame.

For our main image, we chose to
frame our artist in the centre-third of
the frame as we felt it drew the
audiences’ attention in. We
constructed the image with our artist
in this particular pose because we
feel it represents her identity. By
having her looking away, it portrays
her more mature side as displayed in
the video when she splits with her
boyfriend. However her slight smile
reveals her happy, go-lucky
personality which is portrayed in the
video when she is with her friends.

We also chose to use the same
colour font – “crimson”. We felt
this worked well as a colour
scheme as it provided links
between the Digipak and video as
in the video and the album cover,
our artist is wearing a similar
coloured top.
This frame is the inside
cover for our Digipak.
We decided we wanted
to have a longer shot of
our artist for the
audience. We chose to
frame this shot
differently from the
front cover for shot
variety and so decided
to place our artist
predominantly in the left
and centre frame.
The repetition of the
black border to frame
our artist and also add
continuity throughout
the Digipak.

We chose our artist’s outfit
based upon what was worn in
the video as we feel by our
artist wearing the same outfit,
her identity is strengthened for
the target audience and it
would be easier for her to be
recognised. The use of the
window seat was also one that
was included in the video and
we felt it was important to use
this again for continuity
purposes and we also liked
how the seat framed our artist.

Repetition of the out of focus light effect. We created this on Photoshop by taking pictures of the
lights, deliberately out of focus and then lowering their opacity to layer them on top of the image.
We also layered these around our artist to add emphasis to her features.
The I and G within the
pane which also feature
on the front pane, are
the only letters where
the font is differently.
We decided we wanted
our artist’s initials to
have more of a flow to
them, which would
almost create a logo, as
evident on this pane. We
felt that having the two
initials in a different,
more stand-out font
would allow the
audience to recognise
this as being associated
with our artist. Thus, the
I and G would act as a
representative logo for
Isabella – Grace.

This frame is the CD holder. We wanted to keep it
relatively plain but also have small links to our
artist’s identity.

Continuation of the light
effect. We chose to
increase the number of
lights on this pane as
there is a relatively plain
background in which the
lights would not detract
from.

We chose to frame our
CD holder in a crimson
border (the same as
used previously) We felt
that by it framing our
artist’s initials, it would
draw attention towards
this.
Repetition of Firenze SF font as portrayed by “Don’t
Stop.” We felt this is clear and balances well with the
fluidity of Isabella’s initials, above.
For the track list, we
continued to use the
font Firenze SF in
crimson. We wanted to
keep the back cover also
simple as throughout
the Digipak we were
aiming to create a sense
of simplicity which
represents our artist’s
laid-back, musicorientated nature but
also make sure she was
not under-represented.
We chose to frame the
track list in the centre
third to draw audience
attention.
We chose to include a barcode, record label and copyright as
these as typical conventions of a Digipak. Thus, this added an
element of professionalism to our Digipak.

Through research of
similar artists (e.g.
Gabrielle Aplin, Ellie
Goulding) we found that
the majority of their
albums featured
approximately 10-11
songs. Thus this affected
our decision to choose
ten songs which was
therefore typical of our
genre.

Continuation of the light effect.
We decided to increase their
opacity in this frame, thus the
lights are perhaps harsher. We
felt this subtle change was
appropriate as it helped to
balance the text and is visually
engaging for the audience.

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Digipak Design Analysis

  • 2. The out of focus lighting effect was used to add texture to the Digipak but also to provide subtle links to the music video. Within the video there is the use of fairy lights and we decided to use these on the cover, almost acting as a feature of our artist’s identity. Throughout the Digipak, we chose to use the font “Firenze SF”. We felt this would be appropriate as the font is clear for the audience to read but also has a softer edge which we feel represents our artist’s more playful side which is portrayed in the video. By using the same font, we created continuity throughout the album which would be recognisable for our audience. We used a black border to frame the album to enhance our artist and draw audience attention towards the centre frame. For our main image, we chose to frame our artist in the centre-third of the frame as we felt it drew the audiences’ attention in. We constructed the image with our artist in this particular pose because we feel it represents her identity. By having her looking away, it portrays her more mature side as displayed in the video when she splits with her boyfriend. However her slight smile reveals her happy, go-lucky personality which is portrayed in the video when she is with her friends. We also chose to use the same colour font – “crimson”. We felt this worked well as a colour scheme as it provided links between the Digipak and video as in the video and the album cover, our artist is wearing a similar coloured top.
  • 3. This frame is the inside cover for our Digipak. We decided we wanted to have a longer shot of our artist for the audience. We chose to frame this shot differently from the front cover for shot variety and so decided to place our artist predominantly in the left and centre frame. The repetition of the black border to frame our artist and also add continuity throughout the Digipak. We chose our artist’s outfit based upon what was worn in the video as we feel by our artist wearing the same outfit, her identity is strengthened for the target audience and it would be easier for her to be recognised. The use of the window seat was also one that was included in the video and we felt it was important to use this again for continuity purposes and we also liked how the seat framed our artist. Repetition of the out of focus light effect. We created this on Photoshop by taking pictures of the lights, deliberately out of focus and then lowering their opacity to layer them on top of the image. We also layered these around our artist to add emphasis to her features.
  • 4. The I and G within the pane which also feature on the front pane, are the only letters where the font is differently. We decided we wanted our artist’s initials to have more of a flow to them, which would almost create a logo, as evident on this pane. We felt that having the two initials in a different, more stand-out font would allow the audience to recognise this as being associated with our artist. Thus, the I and G would act as a representative logo for Isabella – Grace. This frame is the CD holder. We wanted to keep it relatively plain but also have small links to our artist’s identity. Continuation of the light effect. We chose to increase the number of lights on this pane as there is a relatively plain background in which the lights would not detract from. We chose to frame our CD holder in a crimson border (the same as used previously) We felt that by it framing our artist’s initials, it would draw attention towards this. Repetition of Firenze SF font as portrayed by “Don’t Stop.” We felt this is clear and balances well with the fluidity of Isabella’s initials, above.
  • 5. For the track list, we continued to use the font Firenze SF in crimson. We wanted to keep the back cover also simple as throughout the Digipak we were aiming to create a sense of simplicity which represents our artist’s laid-back, musicorientated nature but also make sure she was not under-represented. We chose to frame the track list in the centre third to draw audience attention. We chose to include a barcode, record label and copyright as these as typical conventions of a Digipak. Thus, this added an element of professionalism to our Digipak. Through research of similar artists (e.g. Gabrielle Aplin, Ellie Goulding) we found that the majority of their albums featured approximately 10-11 songs. Thus this affected our decision to choose ten songs which was therefore typical of our genre. Continuation of the light effect. We decided to increase their opacity in this frame, thus the lights are perhaps harsher. We felt this subtle change was appropriate as it helped to balance the text and is visually engaging for the audience.