The Problem Of Digital Media Essay

The Problem Of Digital Media Essay
The "business" of music has a deep and dense history, music itself began as a means of communicating emotions from pleasure to pain and
everything in between, the "business" of music became a money making proposition. The average person may believe that an artist's success is
defined by hearing their music on the radio or when they perform to a big stadium audience. An artist's measure of success, however, is more likely
that moment at which they sign a record deal. Before the most recent technological advancements, a record deal was the single factor thought about
as having the power to potentially skyrocket an unknown artist 's career into the next level. As a result of the digital age, record labels' utilization
has shifted. We (of this generation) are well aware that digital media also has the power to launch a career. For example, Adele was discovered on
Myspace at 18 years old in 2008 and currently has the highest one–week sales of an album in music history (Lansky, 2016). If a "career" is launched
because of social medial followers, the path to monetization usually starts with the very exciting step of an artist signing with a record label. This
technological revolution has given birth to the second–generation record label called "indie" (independent) labels adding a new additional component
to the previous and only option of the major label.
What is interesting about this shift, is the recent struggle we see major labels facing as a result of trying to be a bit
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Informational Communication Technology
11. Assessments Assignment Number 1: Case Study (35%) Assignment Title: Business Problem
–Solving Case: Soundbuzz's Music Strategy for Asia
Pacific Assignment Length: 2500 words minimum Submission Deadline: Learning Outcome: * Demonstrate knowledge and understanding of the main
concepts, tools and techniques of competitive planning * Evaluate critically and comment on control process techniques, tools and methods required
for the development of ICT for competitive advantage * Demonstrate a critical awareness of the sources and characteristics of data necessary to
support management information systems * Undertake research into the area of ICT and its usage in Business and e–business strategy * Review... Show
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Sales of CDs, in retail music stores started declining, while MP3 songs, shared freely through sites encouraged Napster and the like, started escalating.
Though the traffic to Soundbuzz was in the millions of unique users, the customers were not buying the fee–based content. Despite all the efforts by
Soundbuzz, it was faced with becoming irrelevant due to its flawed business model. In 2001, the Soundbuzz management decided to abandon the
B2C model and instead focus back on a B2B model that was based on the deal they had closed with Lycos almost a year earlier. Aligned with the
change in business model, a new B2B revenue model was also established. This model saw Soundbuzz aggregating record labels' music content and
providing a technical platform and content management service to other portals. In November 2001, Soundbuzz provided an end–to–end digital music
solution for Hewlett–Packard's (HP) digital music service that included developing a customised on–line music store, aggregation of digital music
content and creation of unique promotions for HP with applications to its products. Soon after, Soundbuzz closed deals with other regional and local
portals to provide them with digital music. In early 2002, Soundbuzz decided to diversify in the wireless and device area. The company began
developing software that integrated music entertainment as part of text and

The Music Industry Has Changed A Lot
Music Business Assignment
Part A (1.1) For the past decades the music industry has changed a lot. The old music business module, where the artist hands over his music to the
record label and through the record label the artists' music is sold on a high street to consumers, is not as efficient and profitable as it used to be.
The internet changed the way how people consume music. With the internet along came music streaming that opened new ways for upcoming
artists and songwriters to share their music with the audience on YouTube and Spotify. Social media like Facebook, Bandcamp and Soundcloud
made it possible to do it independently without signing deals with major record labels but the downside of it is that now every musician has that
kind of an access so it is easy to vanish in that great ocean of new music. The CD sales dropped because of the change of how people now consume
music so the record labels had to adapt to the new environment and come up with new ideas and deals in order to keep earning money. A deal called
''360 deal'' is now almost the only deal that new artists can get from a major record label. A ''360 deal'' is a contract between a record label and an artist.
For the artist the record label provides a financial and other support (direct advances as well as support in marketing, touring, promotion and other
areas). In return, the artist gives the record label a percentage of their revenue streams, often including sales of live performances, publishing,

The Recorded Music Industry
The recorded music industry is currently experiencing difficulties unimaginable during the 1980s, which were a period of growth, consolidation, and
technical advancement. The album sector was still strong across the industry, something that became a financial boom from the mid–80s onwards with
the advent and subsequent popularity of compact discs (CD). CDs became the dominant carrier of recorded music and quickly superseded vinyl
albums. This was a major fillip to record companies, as fans bought CDs of their favourite old vinyl albums, thus classic albums artists from the 60s
and 70s sold substantial amounts of CD versions of their old album catalogue. As many major record companies were part of multinational electric
goods companies, a valid argument can be that record companies were providing the software (CDs) for the multinationals hardware (CD players). To
illustrate this point, the electrical goods giants Philips and Sony owned record companies, and as stated on the Philips' website also collaborated in the
research and development of the compact disc. The effect of owning both aspects of the process resulted in profits being monopolised by the
multinationals.
The current malaise afflicting the recorded music industry can be traced to the development of digital downloads to the market. Recorded music can
now be compressed and made available in a digitally transferable format known as MP3. However, due to the digital nature of the format it is easier to
share

The Music Of The Digital Age
In today's digital age, the record industry is booming and in 2014 alone recorded music generated almost 15 billion dollars, ("Global Recorded
Music Sales Totalled US $15 billion in 2014.") and now, more than ever is the best time to capitalize on it. Due to the increased value of music and
money that is being brought in from such artists as Taylor Swift, Justin Bieber, and Kanye West music is becoming a money making game.There
are many start up indie labels that are capitalizing on local music scenes all around the world. By doing this they earn money, as well as promoting
originality and exposing music that should be heard by the masses. Because the DIY music scene is booming, with places such as Brooklyn, LA,
Philly and Austin all on the rise, now is a great time to promote, record and expose tomorrow 's future stars. For me and my label, Basement Tapes
Records, I am going to create a record label that is different than the rest. I will only sign and promote unknown artists who have the potential to be
great. I plan keeping everything "in–house" that includes, production, promotion, revenue, and having producers that only work for my label. By
doing all of these things I feel as though I can build Basement Tapes Records, to be a successful, money making, label. Originality and the ability to be
different are crucial in today's music world. By being different I am more likely to attract more attention from people, other labels and most importantly,
potential acts. Music

AJR- Indie Pop Band
AJR is an indie pop band containing three brothers Adam, 23, Jack, 16 and Ryan,19 from New York City. Their musical sound incorporates oldies
music with a modern twist. According to a personal interview, AJR stated their musical influence is that, "We grew up listening to 50s and 60s music
from The Beach Boys to Simon and Garfunkel. They have really inspired our sound. We combine those stylings with the more contemporary sounds of
Fun, Imagine Dragons and Vampire Weekend. We like to think that our sound is pretty signature." (AJR 2013) In 2007, AJR started street performing
in and around parks in Manhattan and playing gigs in small music venues such as Sullivan Hall and The Bitter End. According to Billboard magazine,
in an interview with AJR, Adam stated "We realized that the three of us could sing together and our voices worked really well harmonizing." (Hyman
2013) AJR continued performing for the next seven years until 2013 when they realized that they can pursue their musical career professionally. In
2012 during Hurricane Sandy, Ryan wrote a song called "I'm Ready" which they originally released on their Youtube channel. They ended up taking it
down and re–releasing the song on iTunes on August 22, 2013. "I'm Ready" instantly became a smash hit reaching #104 on the iTunes Pop Chart,
making its official music video VEVO premiere, reaching over 300,000 views on Youtube and receiving serious radio play from SiriusXM 20 on 20
about 230 times and RyanSeacrest.com. With

Compass Records
COMPASS RECORDS
BACKGROUND
Compass records is a small, independent music recording company and co–founded in 1994 by musicians Alison Brown and Garry West. Compass is a
new breed of roots–music label: eclectic, sophisticated, and artist–friendly. It is called "one of the greatest independent labels of the last decade" by
Billboard Magazine, Compass Records has provided a thriving haven of creativity for artists and a reliable beacon of quality for music fans. Its 2006
acquisition of the Green Linnet catalog and the 2008 acquisition of the seminal Mulligan Records label has made Compass the place to go for Celtic
and roots music.
HISTORY
Alison Brown a Harvard graduate, record label co–founder and owner, mother, and, the role that ... Show more content on Helpwriting.net ...
The record label did not pay any recording artist royalties until certain cost incurred in making and promoting the album had been recouped.
Compass Record for instance often negotiated a 10 song per CD maximum for mechanicals which capped the mechanical expense at $0.85 per sold
CD. Recording artist royalties were not determined statutorily but were negotiated between the artist and the record label and it based on the type of
contract. At Compass Record, the average recording artist royalty for an owned master recording was $1.45 per unit sold whereas the royalty for a
licensed recording was around $1.75 per sold unit. Recording royalties were generally lower for produce and own contacts because the record label
was underwriting the expense of album production.
Production and Manufacturing
The cost of producing the recording would depend on the size of the project, the complexity of the recording and the label of perfection desired.
Compass Records incurred production cost that were significantly lower than the major labels and even had an advantage over some other indie
labels because Brown and West had acquired a recording studio in May 2004. Compass Records might spend between $15,000 and $25,000 to
produce an album.
The manufacturing cost with included pressing the CD, Purchasing the standard jewel case and others was about $0.70 per unit and $0.20 as an

The, A Independent Label Executive Essay
As a Independent label Executive; I am in a constant game of playing the sheep in a padded room surrounded by Elephants. I prepare for the abuse
of being trampled upon, but hope that my coyness will somehow make me invisible. I for one can honestly say that I receive thousands of phone
calls during a typical week from independent label owners and execs with the same sentiments. "How can I avoid being Robbed", I ponder? I
understand the position of the Majors and furthermore realize that the consumers are no longer standing in lines at Sam Goody 's to purchase that ten
dollar cd. I never thought that Wally World would become the Nation 's leading retailer of physical music content, but I never thought we would be
able to carry a phone call everywhere we go neither! Go Figure! However; help is on the way – the timer goes off on the oven and out pops Apple
Music! Yes, are you surprised? The Guys from Silicon Valley seem to have genetically engineered a way to provide a platform for independent label
owners and artist alike. The million dollar question is how will this shape the landscape of the Industry? To better understand this, one must first realize
that the music industry has circum to the same ideology and generational period that most dynasties travel.... Although the plight of the Music Industry
and that of a Dynasty have similar characteristics, the Music Industry differs in its overall chemistry. For example, let 's begin with the 80 's – the 80 's
offered a

So Def's Music Industry Analysis
Back in the 1990s, music ruled the entertainment world and it was led by five legendary record labels. As the saying goes, "they don't make 'em like
they used to" – a statement that holds true to the way record labels were run in the 1990s and early 2000s. These five record labels were at the top of
their games, and their artists became household names and some of the biggest entertainers in the world. These labels operated more like a family, and
most artists would have done anything to be a part of the movement.
Number Five: No Limit Records (Notable artists– Master P, Silkk the Shocker, C–Murder, Mia X, Lil Romeo, Snoop Dogg, and Mystikal). No Limit
had a really strong influence in music for about ten years. The southern label was led ... Show more content on Helpwriting.net ...
"Ya'll know what this is," was the perfect way of putting the stamp on So So Def's music. So So Def was one of the few companies that had a
very–well respected R&B and Hip–Hop record label. Jermaine Dupri was not only the CEO and founder of So So Def, but he was also one of the top
producers in the music business. During its reign, the label sold millions of records and So So Def became synonymous with the city of Atlanta. Dupri
is one of the reasons why artists started flocking to Atlanta, and it is still a city where artists can become superstars– as opposed to having to move to
New York or Los Angeles.
Number Three: Cash Money Records (Notable artists– Lil Wayne, Nicki Minaj, Drake, Juvenile, B.G., and Turk). Even though Cash Money still has
the biggest names in the game on their roster, there is a strong possibility Lil Wayne, Nicki Minaj, and Drake won't be a part of the Cash Money
label by 2016. Nonetheless, Cash Money was "the label" back in the 1990s. When Juvenile stated, "Cash Money taking over for the '99 and 2000,"
he wasn't lying. The label ruled the charts with songs like "Back That Azz Up" by Juvenile, "#1 Stunna" by the Big Tymers, "Bling Bling" by B.G.,
and "HA" by

Starting a Recording Artist Project Management Company Essay
Company Description
This organization is a full–service recording artist project management company based in Nashville, Tennessee, which specializes in producing all
popular mainstream genres of music that need marketing, venue and audio support. Our business model will specialize in a much–needed grass–roots
launching pad for underground hip–hop artist services in the music industry. We will book these grass roots clients to play extensively during the
summer of 2010 based on their target demographic profile. All band clients will be part of the "On the Road" tour in various global regions. The
Artists and repertoire (A&R) department will be a division of the company that provides a network of outside vendors to develop and produce any ...
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Featuring a project management component Omni is one of the few Tennessee area studios, with a one stop shop and pre–production facility for demo
or promotional ready releases. To develop a global customer base we will use the internet as a main source of potential expansion opportunities.
(ORMS) will market these music product and services to clients with small, medium, and large budgets. The client resources will include various
entertainment companies, organizations, record labels, and talent agencies, private clients of artist, labels and entrepreneurs. We will display our
client's catalogs at weekly sponsored showcase events by the marketing team and aid in the promotion of their products in each specialized genre of
music. As part of the concert series, we will sponsor free product of compact disc samplers distributed of the recording artists on the label, thus gaining
exposure, generating revenue and creating value. In doing so, (ORMS) will generate revenue from billing our artist for these entertainment industry
services.
Development to Date
Founded in early 2008 by Gary King, Omni Recording and Marketing Services are in the initial pre–start up stage. It is a subsidiary of the parent
company Bobo Record Corp operating as a legal C–Corp in Atlanta Georgia. The name and logo are in development and has not been trademark
protected with copyrights protecting. The Omni

Relationship Between Creativity And Commerce Essay
The relationship between creativity and commerce is key within the creative industries. Finding a balance between the exploration of artistic freedom
while remaining a viable means of income is proving to be a crucial challenge in all of the emerging creative industries. Specifically, the music
industries face these challenges. More than ever artists are being forced to question whether they must compromise their artistic integrity in order to
make money. This notion is in large part influenced by major record labels, who have been dominant for the better part of the past century. Due to the
perpetually changing landscape of the music industries, however, it is no longer necessary for emerging artists to follow the traditional path of signing
to a major label while surrendering true creativity along the way. In fact, greater success can be achieved independently while maintaining total creative
control.
Foremost, it is necessary to define define "music industries." In a 2007 edition of Popular Music, John Williamson and Martin Cloonan make a fitting
distinction:
"We see two main problems with the term 'the music industry'. First, it suggests a homogenous industry, whereas the reality is of disparate industries
with some common interests. Secondly, the term is frequently used synonymously with the recording industry. Thus the term 'the music industry' is
often used in ways that lead to misrepresentation and confusion" (Williamson, Cloonan 307).
Music as an industry

The Sound And Music Industry
The Sound and Music Industry UA1 Section 1 Copyright and Publishing: Music publishers are companies responsible for the development of new
music and the business that comes with it (royalties), thus freeing songwriters and composers to focus their time and attention on their creative work.
Publishers collect royalties and administer copyrights on behalf on an artist when their songs are used, including on the radio, on television, in a film
score (synchronisation) or when another artist covers it. A publisher does this by getting administrative rights to the artists ' songs. Artists ' use
copyright to protect their work from being used without their permission and to prevent another person from passing off their work as their own.... Show
Dividing Royalties amongst band members is something that varies. For album royalties some bands will split the money evenly, even if they 're
only playing a tambourine or not playing on some songs on an album. With publishing royalties however, it 's a little different. Sometimes a song
writer will take 100% of the royalties. Sometimes, like in the case of U2, they split the royalties evenly, no matter who wrote it. There is no set way to
divide royalties. PRS – The PRS are in charge of collecting royalties for an artist when their song is used or played in public or made available online.
PPL – PPL licenses businesses to play an artists music and music videos. This includes everything from bars and hotels to gyms and radio stations.
Record Companies: Today, most major record companies are actually huge conglomerates that own a variety of subsidiary record labels. There are
two kinds of record labels; independent and major. Independent labels are usually owned by major labels. For example, Warner Brothers Records
(major) owns Reprise Records (indie). This then makes the indie label a subsidiary label, however there are many stand alone indie labels. Most
record companies have a CEO, with each subsidiary label having its own president. There are also vice presidents in charge of the different
departments. Record companies are involved with signing, promoting, recording

The Music Industry Of The Revolutionary Digital Age
The recorded music industry is a major part of the media and entertainment industry that is responsible for creating, manufacturing, and distributing
music. As technology has continued to advance rapidly, the music industry has become one of the most dynamic industries in decades, as well as the
wildest among industry roller coasters. Listeners are now able to expand their music tastes and collect more music in virtual libraries than ever before,
thanks to technological innovations that allow access to convenient outlets for music downloading, such as iTunes and Amazon. As music has evolved
from being delivered on cassette tapes and CDs to mp3 files that can be downloaded directly onto computers and smartphones, record label companies
are ... Show more content on Helpwriting.net ...
In fact, digital music has been a major contributor to the music industry's revenue increase since its recent emergence. Subscriptions to online music
services and online radios, such as Pandora and Spotify, have also assisted in raising the industry's overall profits by over $200 million during the
past 5 years (Degusta). Nonetheless, despite the overall transition to digital format, physical music sales still account for a substantial proportion of
industry revenues in major markets. Physical formats account for more than half of all global revenues, while digital formats now account for 39%
of total industry global revenues and a majority of revenues in 3 of the world's top 10 markets (Smirke). Aside from the aforementioned factors,
there are numerous others that are taken into account when determining the industry's profitability as a whole. Some of the many various revenue
streams include physical format or record sales, digital downloads, performance rights, and synchronization revenues. While profits from one
variable may face a sharp increase, another may see a major decrease. For example, between 2003 and 2009, U.S. revenue for single downloads
increased by over $1.2 billion and by nearly $0.8 billion for album downloads. On the other hand, during this 6–year time frame, CD sales in the United
States dropped over $1.6 billion and cassette tape revenues practically reached zero by the end of 2009. Evidently, one of the most vital revenue
streams of the industry

Technology Is Destroying The Music Industry
Every adult, over the age of 18, has seen the changes the music industry has gone through since the introduction of the internet, digital downloading,
and online streaming. We have heard that Tapes, CDs, MP3s, and the internet were going to destroy the industry. Have they destroyed it yet? According
to Ian Morris, Author of the article, "Technology is Destroying theMusic Industry, Which is Great for the Next Taylor Swift", music is changing but
the only thing the internet is destroying are the record labels. Which he explains as a good thing for the industry. Morris talks about the roles the record
label plays and why it 's on the way out. The biggest change in music since the internet was the development of Napster. 2014 marked fifteen years
after the rise and fall of this online file sharing platform. The article "15 years After Napster: How the Music Service Changed the Industry", by
Alex Suskind, talks about the failed program and why the biggest change in the music industry made record labels scared. So what does this all
mean and why should people care? Well for starters when it comes to musicians and record labels, the company makes most of the money, as well as
most of the decisions. Music was never meant to be something that was used for money. Music is made enjoyment and should be shared without
extensive rules and regulations. Music existed before man and will exist after. It is not something that should be governed by big companies looking to
make money. The

Music Industry Research Paper
Music Industry: Independent vs. Major Record Label
Music is at our fingertips. We can turn on a radio or select a song on a menu and it chimes back at you the melody of the song you selected. A man
named Scott de Martinville of the 18th century was fascinated by the way photographs preserved images, and he felt as if he could do the same with
sound. The invention of the phonograph was the beginning of the music industry. Musicians could now use a machine to record their sounds and then
publish and dis– tribute records. With records came record labels, the leaders of the music business. Then just like everything else in a capitalist
country it became all about the money, rather than the music. The business aspect of music should be based off of independent artistry in opposed to
corporate wel– fare.
Ludwig van Beethoven one of the most talented, prolific, and remembered composers of all time was an independent artist. One has to wonder, how
did composers/musicians make their money 150 years before labels were established? Beethoven used the same methods as an inde– pendent artist
would today. He would do live performances on piano or composing a large or– chestra. These performances would bring profit while expanding
popularity just like modernized artists. Beethoven also found profit in selling his sheet music, patronage, and being an instructor. This was the
unintentional start of independent music, and it continued to be this way until one man decided to industrialize the

The Future Of Recorded Music
Marissa Hanson Professor Lisa Farese Introduction to Media 17 November 2015 The Future of Recorded Music Historically, recorded music holds a
prominent place in social and civil issues. People recorded music themselves from live concerts or radio play. More people also bought physical
copies of music, such as records and CDs. Music both creates and comments on culture. Music brings together individuals of all backgrounds, creating
an environment of safety and self–expression. Advertising for recorded music becomes increasingly difficult for artists affiliated with any but the
largest of record companies. It becomes a struggle to attract advertisers when artists do not have as much guaranteed audience and reception as major
record companies. Convergence with the Internet would solve the issues of market suppression, advertising struggles, and piracy issues. Recorded
music traditionally associates with societal change and cultural significance, but current issues bar it from reaching its full potential, while converging
with the Internet and guiding the industry toward a focus on independent artists and on cultivating less creative restrictions would solve many of the
problems. Before digital media emerged, listeners primarily accessed recorded music through buying physical copies of records or CDs. They also
recorded live music or music played on the radio, so they could listen at a later time. Even further in the past, the public could only access music
through live

Motown Records Influence On Society Essay
Bailey Frigon
Litz
American Lit
December 7, 2016
Motown Records Influence on society Through the creation of Motown records Berry Gordy changed the barrier between white and black americans
and their music. Before Gordy come along to change the standards of american culture whites and blacks had different labels and music. Motown
Records is the first record label to successfully market black artists to the white mainstream audience. (Dahl 12–15) Berry Gordy was the first African
American to own a music label and have artists of different races on the same label. In the 1960s racial tension was a problem because of segregation
and equal rights,"For the most part, black artists were forced to record on white–owned labels that regarded their work as novelties, one–offs and
curiosities." (Ross). When Gordy opened the record label it started to break down the tension between races. The reason the label opening broken
down tention was because Gordy didn 't care about the color of their skin or where they come from. Berry Gordy founded Motown records in 1959.
Before that Gordy grew up in Detroit Michigan and was the seventh of eight children. He was not the first businessperson in the family; his father as
a plastering contractor, his mother as an insurance agent.when Gordy was young he was interested in music, and his song "Berry 's Boogie" won a
talent contest. However, he did not get a lot of real training in music, only a little on the piano and about a week on the

The Effect of Social Media and the Digital Age on New and...
Social Media and Music: The Effect of Social Media and the Digital Age on New and Independent Artists
Traditionally, artists have had to beat down the doors of big name record companies to get their records heard in the hopes of getting a recording
contract. Social media pervades all aspects of youth culture functioning as a one–stop shop for popular culture. At any time the trending topics on
Twitter range from the latest news or a character from a popular television show.
With the growing popularity of social media, artists are well equipped for success in a digital age using non–traditional methods. Sites like YouTube,
Twitter, Facebook, Spotify and iTunes, make music accessible to anyone with an Internet connection. Social Media... Show more content on
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The way that artists communicate on social networks like Twitter can reinforce their brand and the image that artist wants to project. Social media
also gives new and upcoming artists a greater chance of being discovered. YouTube, Twitter, Bandcamp and Soundcloud are really effective tools
for new artists to share their music and to build a fan base. Justin Bieber's career is a great example of the influence of social media. Beiber started
with a few videos on YouTube and was noticed by producer Scooter Braun. At the peak of YouTube's popularity, Bieber posted several videos and
before long, had over 10 million views and was signed by Usher and Island Def Jam. Currently, Justin Bieber is the top trending topic on Twitter.
Bieber still uses Twitter to interact with his fans, announcing appearances and tour dates.
Artists will get the most out of social networks by taking advantage of the services they offer and still pursue some routes artists traditionally take. The
present state of the industry promotes competition within the industry because there is so much music out there and so much of it is available for
free. However, the influence of social media presents a great opportunity for artists to pursue a career in the music industry, generating their own
revenue through tours and digital sales. In this age, there is a greater incentive for artists to start independent careers because they can make money by

Music And Its Impact On Development Of Musical...
INTRODUCTION This essay will be looking at "Indie music" and discussing its impact with regard to the development of musical performances
and production. The word "Indie" is a term derived from the word Independent. Originally, independent music referred to bands or artists who
performed and/or produced music autonomously and without the commercial rules and restrictions associated with major record labels (Hale, 2014).
As a result, this offered artists more freedom of expression and a wider scope to push the musical boundaries. Throughout the years the term "Indie"
has evolved into a broader meaning that is harder to define. Today Indie is recognised as a genre of music and is often used as a prefix to another
genre such as Indie–Pop and Indie–Folk. So what is Indie music? And how did Indie evolve to become a genre? BRIEF HISTORY OF EARLY
INDEPENDENT RECORD LABELS 'Independent record labels have been around since music started being recorded' (King, 2012, p.13). Created by
fanatics with a passion for music, the recording and production process was often self–funded and the purpose was to nurture talent and creativity.
Most of the major record companies we know today would have once started in this manner (King, 2012). As far back as 1917 independent record
labels were recording early Blues and Jazz music. In 1920 following the end of World War 1 (WW1), Brunswick became known as the biggest
independent label in the USA. Due to financial problems, Brunswick went

Music Week Magazine Article On The Music Industry
Music Week magazine article
In the Music Industry there are four main areas:
1.Live Performance
2.Record Companies/Labels
3.Publishing Companies
4.Artist Management
It is vital to know how these four main areas of the music industry operate to this date, what is happening around you and the impact it has on the
world. Also, it is important to understand their business mechanism, their role within Music Industry and the relationships between the areas and how
they link.
Live Performance:
Live performance in the music industry is big because this is where the most money is made and how people get their most publicity. Since smart
phones, and the Internet has become such a huge deal, buying CD's is not as common as it was anymore, which is why live performance is where a
lot of the money is made. The reason behind this is because a lot of the artists/bands fan bases much prefer watching them live as to listening to an
edited, highly compressed electronic version.
The live performance area consists of many different people with many different roles in the music industry, which are booking, planning, managing,
promoting, setting up and performing. All roles in live performance are all just as important as each other and cannot be done without one another.
The people that book and secure venues, also known as booking agents mainly book the artists/bands a venue for a specific time and date. But it is not
the booking agents that decide on when and where to book for the

Analysis of the Music Industry
Music may be defined romantically as `the food of love ' (Shakespeare) or more prosaically as `sound with particular characteristics ' (Wikipedia), but
it is undeniably a `vibrant artform ' (Arts Council England) and one which touches more people, in more ways, than any other art form.
In commercial terms, music certainly generates a higher market value than the other arts, although a comprehensive market size for music in all its
manifestations is impossible to calculate. Key Note has put a value of ВЈ3.03bn on consumer spending on music in 2005, derived from three sectors:
recorded music (which accounts for the bulk of the market), live music and musical instruments. However, data for other related markets are included,
such as ... Show more content on Helpwriting.net ...
Each chapter of the report starts with more detailed definitions and coverage.
For coverage of recorded music, Key Note is grateful to the statistics and commentary provided by the British Phonographic Industry (BPI), detailed
later in this chapter under Key Trade Associations. For other sectors, an important component of the report is the field research into the attitudes and
buying habits of UK consumers with regard to music, conducted for Key Note by NEMS Market Research specifically for this report.
Report Background
This is the first edition of a Market Review of the Music Industry published by Key Note. Although coverage is targeted mainly at the UK market, the
global aspects of the music industry are given full acknowledgment. In particular, it is recorded music – by far the largest market by value – that has
evolved a global structure. Since 2004, it has featured just four `majors ' owning dozens of famous labels and holding recording contracts (or back
catalogues) for the vast majority of the world 's top–selling recording artists.
The `big four ' major groups, including the UK 's own `home–grown ' giant, EMI Group PLC, also own rights to publish and to license the majority of
successful songs, theme music, etc. These rights are increasingly important as the market moves towards a more fluid, ICT (information and
communications technology)

Advantages And Disadvantages Of Independent Record Labels
There are many advantages and disadvantages of the two different types of record labels, these include. Advantages of Independent Music Record
Labels: Artists Get The Rights To Their Music: This is a massive benefit of signing a contract with an indie label. As they have there own rights
their have been a big increase of artists music being in the charts or being used in tv, film, and movies. By being allowed to keep the rights to the
music, artists have the option to do what they would like once the song has been recorded. They Sign You Because They Love Your Music,
Believe In Your Music and Your Brand: As indie record companies are smaller there not under stress of directors to produce so many songs and
year or to sign people that have a specific look or sound, this gives people a chance who wouldn't usually get it with the major labels.Typically when
you are sign a contract with an indie label, they trust that your brand will sell, and work to promote you, and you have your own individual image.
Close Personal Relationships: Independent record labels tend to have much smaller number of artists then the larger, major record labels. Although this
also means there is a smaller total staff employed by the label, artists typically work one–on–one with a... Show more content on Helpwriting.net ...
This means when recording their is a tight budget to stick with. It's not just recording they have to consider when they are planning for the budget they
have to think about production of physical disks, packaging, distribution costs, tour support, merchandise, etc. Another significant issue caused by a
lack of budget is that proper marketing for the artist is sacrificed, making the artists promote themselves if they want to be seen and heard. But the
rewards can be greater as the artist get more famous for creating good

The Pros And Cons Of Indipendent Record Label
foundations of meaningful relationships and interactions with the artists. The latters are implanted within a peer–to–peer relation, based on trust,
mutual esteem, honesty, and high reciprocal self–disclosure, and they shape a good working environment, a highly creative system, whereas individual
inspiration is nurtured and increased, since high levels of creative freedom and discussions are granted. Consequently, given that the artists are granted
creative freedom and control, their intrinsic motivation increases, meaning they perceive to create authentic music, to be true to themselves, to fully
serve aesthetic values, and not to compromise their musical production for commercial purposes.
Directly streaming from the considerations regarding ... Show more content on Helpwriting.net ...
However, it is highly advisable that Indies' consider recurring to A&R managers demonstrating to possess t–shaped skills, operating and interacting
with artists through a hybrid approach. Furthermore, it should be dedicated more significance to artists' personalities, as one of the most important
selection criteria, since it would also influence the eventual relationship with the label seeks to build with them. Dealing with a excessively
self–confident artists, such as "prima donnas", could be highly risky and could led to potentially detrimental conflicts. Relationships with the artists
have been proven to be crucial, especially on the matter of talent development, and they should be founded on value homophily, rather than being
considered as an employer–employee interaction. Finally, Indies should allocate more resources and efforts in building non–substitutable personal
networks, in order to perform their activities within a peer–to–peer ground, rather than mainly rely on formalized and constrained business partnerships,
typical within Majors' practices. Indies' success is believed to rest upon their unique and inimitable characteristics, as well as the artistic credibility and
commitment they should preserve as manifesto, which contribute to attract new and noteworthy

Japan Is a Better Environment than the US for Inspiring...
Companies seek to profit off the work of the individuals they employ. If you aren't generating more value for the company than they pay you will
likely not be working for that company much longer. They also hate taking risks and dealing with the unknown. Manga, like many forms of art,
throughout the years was commercialized after it was shown to be capable of making money. Like all markets there was a void where companies
viewed the risks to be too high, and eventually an independent group of fans stepped in to fill that demand. This is why Comiket was established.
Comiket, the Japanese abbreviation of Comic Market started small with 32 circles and about 700 people in attendance but today has 35,000 circles
and about 500,000 attendants. It is, "A marketplace where individuals can offer their own self–produced creations to a community that appreciate and
supports such creative personal activities." (1) These creations are known as dЕЌjinshi and dЕЌjin, and can be used to mean to any independently
created and released works not just manga. Since and likely because of the success of Comiket the market for niche manga in Japan has exploded in
popularity, there are an increasingly large number of artists, fans, and companies seeking to publish these works. Although often original, much of the
work is derivative fan art, yet the copyright holders allow and sometimes even encourage these creations. In this paper I will argue that Japan is a better
environment than the U.S.

Independent Music's Influence On The Development Of...
INTRODUCTION This essay will be looking at Independent music in relation to the categorisation of distribution and production. It will also discuss
the impact with regard to the development of musical performances and production. Originally, Independent music referred to bands or artists who
performed and/or produced music autonomously and without the commercial rules and restrictions associated with major record labels (Hale, 2014).
Throughout the years Independent music has evolved into a broader meaning that is harder to define. Today, the term "Indie" is used to describe a
genre of music and is often used as a prefix to another genre such as Indie–Rock and Indie–Folk. So what is Indie music? And how did Indie evolve to
become a genre? BRIEF HISTORY OF EARLY INDEPENDENT RECORD LABELS 'Independent record labels have been around since music started
being recorded' (King, 2012, p.13). Created by fanatics with a passion for music, the recording and production process was often self–funded and the
purpose was to nurture talent and creativity. Most of the major record companies we know today would have once started in this manner (King,
2012). As far back as 1917 independent record labels were recording early Blues and Jazz music. In 1920 following the end of World War 1 (WW1),
Brunswick became known as the biggest independent label in the USA. Due to financial problems, Brunswick went into receivership in 1930 and was
bought out by Warner Brothers who are still one of

The 35 Year Reversion Clause
Joseph Burleson
Prof. P. Abril
BSL 412
12/9/14
The 35 Year Reversion Clause
As 2013 began, artists and songwriters of classic music gained the ability to terminate transfer of copyright ownership for their intellectual property.
These so called legacy artists include Tom Petty, Bryan, Adams, Bob Dylan, and countless others whose music still have a profound impact on the
industry. In fact, catalog sales of legacy artists were reported by music industry officials as comprising 49% of album sales and 55% of single sales as
recently as 2012. This means that billions of dollars are on the line for record labels, music publishers, and musicians.
Background
Once an author independently creates a work, copyright ownership is immediately ... Show more content on Helpwriting.net ...
Transfer of copyright is referred to in section 101 of the Copyright Act of 1976 as "an assignment, mortgage, exclusive license, or any other
conveyance, alienation, or hypothecation of a copyright or of any of the exclusive rights comprised in a copyright, whether or not it is limited in time
or place of effect but not including a non exclusive license." Songwriters will give away ownership to the copyright of their compositions to music
publishers while recording artists will grant copyright ownership of their records to their respective labels enabling the companies to receive a larger
stream of royalties. The size of this stream depends on the deal signed.
Royalties for sound recordings are paid out on a purely contractual basis. There is no statutory rate for sound recording royalties like there is for song
royalties. However, the artist negotiates a percentage of the profits from the sale of mechanical sound recordings. This usually numbers around
8%–25% of the suggested retail pricing for the album or song depending on the quality of the recordings and the stature of the artist. More established
artists are able to negotiate into the high spectrum because there is less risk involved for the record label.
Royalties for songs are paid out 50% to the writer and 50% to the copyright holder. For music publishing companies, there are three main types of deals

that an artist can enter

Starting an Independent Record Label
Starting an Independent Record Label
Introduction
Throughout these four chapters I will be discussing how to start your own record label.
Part one will be talking about how to get started, like what a record company does.
Part two will be talking about setting up the actual label, like record deals, contracts that you will need, and making your business plan.
Part 3 will be discussing how to find the group you will represent, like what to look for in an artist, what is the artist looking for, and indentifying your
market.
Part 4 will be the production and part 5 will be the marketing and distribution, like creating the recording, finding a recording studio, mixing and
mastering, and manufacturing and packaging. And what ... Show more content on Helpwriting.net ...
It describes the number of recordings the artist will make, the labels responsibility to pay for the production of the recordings, the record company's
rights to the recordings, and the amount the label will label will pay the artist from the sale of those records.
You will also need a producer's agreement. The producer is the technical and creative person. The producer works with the artist to complete the master
recording that a label will then manufacture into cassettes etc. its pretty similar to the recording agreement. A producer agreement explains the deal of
the producer will perform on the recording, the record labels rights to the recording, and how much the label will pay.
Business Plan
Everyone who wants to achieve their goals for their business effectively must create a business plan. It's the direction you're looking to head in a
certain amount of years and how you're going to achieve the goals you want.
Your labels business plan will show to artists and other professionals that you are organized and professional. A business plan should include
management, your promotion thinking and strategy, marketing and sales, the whole financial view.
Music Terms
You need to know the basics and importance of themusic industry's knowledge.
Such as copyright, the record royalty and the mechanical royalty.
Copyright is the legal right of a

Begin Again Music Analysis
In the film, Begin Again music is shown throughout the film by a form of communication in the daily lives of all the characters. Whether it is open
mic night, they are at home singing or writing a song. All the characters express their feelings and communicate with music. John Carney developed
this movie with music being the main focus. The main characters in the film used music as a way of communication, a way to express their feelings,
how they found their family and the one thing that helped them find who they were meant to be.
Not shortly after Gretta and Dave came to New York Dave had to travel to Los Angeles with his recording studio group and Gretta had to stay. The
tension began at the start of the scene, when Dave comes back home. His regretful, unemotional demeanor is a great contrast to Gretta's excitement
when they first see each other. Once they are in the kitchen, it is almost as if Dave is yearning to reveal something. The fact that he is so eager it is
almost as if he wants to get caught. When Dave comes home from his trip in LA he tells Gretta about his new song that he was inspired to write
while in LA. "You take me to another space in time. You take me to a higher place. So, I
–I'm about to get out of the race. I don't mind" (Carney) Gretta
knew when she heard this song that she was not the one who he was inspired by. The race he is referring to is the competitive drive of trying to find a
soulmate. Dave did not think of Gretta in this way so he

Independent Record Label Essay
The Music Industry has been a constant in the hearts of fans and the general public for years. During those years, music companies were ran a certain
way that may have seemed successful for a while. Everything changed when Independent Record Labels were created. Music was revolutionized when
the effects of Independent Record Labels took place, when Atlantic Records was created, and when founders, producers, and artists worked together to
create a viable business and music outlet. Music was indeed revolutionized when the effects of Independent Record Labels took place. Atlantic
Records and Stax both play a role in showing how Independent Record Labels were so successful. Before Atlantic Records, there had been
Independent Record Labels but ... Show more content on Helpwriting.net ...
In 1947, Atlantic Records was created by Ahmet Ertegun and Herb Abramson in New York City (Callahan and Edwards). This would end up being
one of the biggest and most important achievements in music history. As discussed in the previous paragraph, Atlantic Records was able to
incorporate many different kinds of genres into their label making them unique compared to their competitors. Callahan and Edwards describe the
jazz musicians that they had as "giants", such as Lester Young and Sidney Bechet. The fact that they were able to have connections with these
"giants" shows that from the start, they appealed to the big stars and I believe this showed they were destined for stardom. Atlantic Records also
produced multiple #1 hits in the R&B category in the 1950's (Callahan and Edwards). In the late 1950's and throughout the 1960's, Atlantic Records
created many big soul hits as well (Callahan and Edwards). This record company was able to do it all. Another big time period was from 1953–1955
when pop artists started to cover R&B songs (Callahan and Edwards). Atlantic Records was able to jump on this new trend and this became a big part
of their success and continued fame (Callahan and Edwards). The ability to capitalize on market trends is important in all facets of business and
Atlantic Record showed that they were smart in running the business. Atlantic Records had a great relationship

Music Industry Financials
TASK 1
Marginal costing is a traditional financial technique which is used by companies for short term decision making within the music & entertainment
industry. The concept of marginal costing is concerned with the treatment of fixed costs and the relationship that exists between sales, variable costs
and contribution. This technique is often used by record labels to estimate the costs which they will incur & profits they will earn per unit which
is manufactured and sold.
Cost behaviour – we need to understand how costs behave at different levels of activity so that we can determine what costs should have been for a
trading period and estimate costs for a future period. Cost behaviour studies the way that costs fluctuate. Two ... Show more content on Helpwriting.net
...
of units
Margin of safety is the amount which a price of a product can drop before you stop making a profit. It is also explained as the excess of actual sales
over breakeven sales (expressed either as a no. of units or as a percentage). This calculation is considered important in times of recession or where the
market is falling for other reasons. See the example below for explanation of how the margin of safety is calculated.
Units sold = 500
Breakeven level of sales (units) = 357
Margin of Safety = 500 – 357 = 143 units
143 units Г· 500 = 0.286 x 100 = 28.6%
Sales could fall by 28.6% before losses incurred
Although these calculations are used on a daily basis by companies within the music industry, we must remember that these are all estimated figures.
Music trends vary all the time, which makes the music & entertainment industry very unpredictable, as well as a volatile market to work within.
In conclusion there is a lot of risk involved when investing in a product or service because the amount of sales is always a predicted figure.
TASK 2 1. Royalty revenue under the traditional deal for a single CD unit is ВЈ0.76p. 2. Royalty revenue under the traditional deal for a single digital
download is ВЈ0.06p. 3. 31,579 CDs and 266,667 digital downloads. 4. Contribution per unit (CDs) is ВЈ4.55p and (Digital downloads) is ВЈ0.47p. 5.
The recoupment point is when 39,560 CDs and 255,319

The Music Industry Has Changed The Years Essay
The Internet has transformed the music industry immensely over the years. Some will argue that it has helped in a positive manner, while others
would say it has destroyed the music industry. With the use of the Internet, independent artist have broke down many barriers, which seemed
impossible in the past. Independent artist, have been given the opportunity to find success without the need of a major deal from a music label. Artists
have gained access to a number of new ways to reach out to their audience and have been forced to adapt to the change by acquiring a bundle of new
skills. With the direction that the music industry has been headed, a lot of music professionals have became very little to no value to industry with
results in loss of jobs. "According to 2014's year–end Nielsen Music statistics, the added attention has resulted in indie artists increasing their market
share from 34.6% in 2013 to 35.1% in 2014, once again, gaining more sales than any other major label group (Westergreen)". The tables have turned
to where the music labels are in more need of the artist, rather than the other way around. Although this is the truth, major record labels want to do
business with artists who have already PROVEN themselves in the music industry. They not only want your music, but they also want your fan base as
well. There now have been artists who were invisible in the music business who now get exposed to an audience that is big enough to support them.
There's an

Music : Music And Alternative Music
Throughout time, music has become an innovation which influences generation after generation. It has always been a significant part of citizen
everyday lives. It creates mixed emotions for every individual in any situation that they are a part of. There are many genres of music in specific
cultures. All music has its own individuality to it but two in particular have unique and similar qualities, Indie music and Alternative music, through its
musical structure, publishing with record labels, and their popularity. Musical structures are how to format a song, whether it is has a rhyme scheme
of ABAB, AABA, etc. Music does not even necessarily need a rhyme scheme, as long as if there is a flow agreeing with the instrumentals than
anything is possible. The general music structure for Alternative music usually have a format of an intro, following by a verse, then a chorus, then a
second verse, chorus again, and then an outro. But not all alternative music is alike. There is a sub–genre called "alt–rock" and it follows that same
structure but the band may have just added a guitar solo after the second chorus. The music form that Alternative music has is common in any genre, it
is very common in pop, rap, country, metal, etc. The structure of Indie music is very similar to Alternative music but what makes it unique is the way
lyrics do not form up with chords, or the words being sung off key, it sounds interestingly perfect the way it is. A band that sums that up perfectly is

The Rossafella Records Label Inc
Summary
The Rossafella Records Label (RRL) is an independent, multifaceted record label that aims to produce high quality audio and visual entertainment to a
diverse audience across both national and international borders.
Located in Bondi, Sydney (NSW); RRL, will aim to capitalise on the growing music market across the country by bringing talented local acts to the
forefront of the Australian music scene by allocating time and resources to their projects. In doing this it is of the best interest of both the record label
and of the individual artists, that a creative environment is established that will allow for meaningful and innovative songwriting. This environment
will include working with qualified audio engineers, producers and ... Show more content on Helpwriting.net ...
This approach will then create a more unbiased approached to scouting talent. Choosing bands or artists that are ready for exposure by means of their
musical expression instead of their stature financially.
All services related to the mixing, engineering, and recording of music will be completed by a professional audio engineer or producer of the RRL
team. This allows the business to have maximum efficiency of its capital, also promoting the idea of a familiar aesthetic associated with the label.
Whilst the sessions will be run explicitly by the RRL team, it has been chosen in an attempt to both lower costs and also to branch out the audio
networking, to hold all recordings at already established studios such as 301, jungle and Linear studios. The Company will also hold a number of
promotional events by renting out large bars/clubs that will concurrently promote Rossafella Records artists while generating a large stream of revenue
for the business.
To achieve the goal of creating widely enjoyed audio entertainment, The RRL will engage in both traditional and onlinemarketing techniques to
promote each artist, all of their tours, their album sales as well as all online sales and merchandise sales. RRL will be the owner of all master
sessions, copyright licenses as well as other licenses for its products. This will ensure that RRL will be rewarded with an immediate revenue stream
whilst at the same

Introduction of the Music Industry
ucIntroduction to the Music Industry
Within the last twenty years, the music industry has experienced drastic changes. Information and Communication technology has impact almost every
aspect of the industry, ranging from its supplier to consumer, be it positively or negatively.
Some reputable music suppliers includes Yamaha as well as LiveNations, a live event company, who specialise in event planning and supplies music
venue for record label companies.
Supplier , those who manufacture CD, supply equipment to record company, artist who supplies and created music such as ArtistLed, Inc
Now , let us see what are some of the ways in which IT has affected the various suppliers in the music industry.
Internet
Decreasing revenue for ... Show more content on Helpwriting.net ...
This approached of bypassing the record label company has hence help artist to earn more revenue.
This is evident by a survey that reveals 83% of musicians and songwriters provide music samples online.[ Rainie, L., Madden, M. "Preliminary
Findings from a Web Survey of Musicians and Songwriters," Pew Internet and American Life Project, Washington, DC, May 2004.]
A example will be singer–songwriter Jill Sobule released "California Years" in 2009, an album for which she 'd raised nearly $90,000 online. Sobule
explained her telethon–like fundraising approach thusly: "The contribution levels went from $10, which got you a digital download of the record, to
$10,000, which gave you the chance to sing on the record." (One generous donor did contribute at the $10,000 level.)[ http://en.wikipedia.org/wiki
/Independent_music]
[http://origin–www.computer.org/plugins/dl/pdf/proceedings/hicss/2005/2268/07
/
22680180a.pdf?template=1&loginState=1&userData=anonymous–IP%253A%253AAddress%253A%2B202.156.56.23%252C%2B%255B140.9
BegoTel System
Entersys electronic catalogue and ordering system
Before entersys was introduced,
Entersys can be seen as a one–stop–shop for the major record companies, rather than as an independent intermediary between suppliers and customers.
Entersys enables retailers and other customers to place orders centrally by

Essay about Richard Wagner
Printing label
1. Summary p. 3
В§ What Is The Business
В§ What Is The Market
В§ Potential For Business
В§ Forecast Profit Figures
В§ How Much Money Is Needed
2. Business ... Show more content on Helpwriting.net ...
11
В§ Where Based, Location
В§ Suppliers
В§ Equipment Needed
6. Financial Analysis p. 13
В§ Monthly Profit/Loss 2yrs
В§ Monthly Cashflow Forecast For 2yrs
В§ Balance Sheet Forecast For 2yrs
В§ The Assumptions Behind Your Forecasts
В§ Principle Risks Which Could AffectFigures, Things Beyond Your Control
7. Prospects p. 14
В§ Objectives – Short & Medium Term
В§ The Finance Needed & What It Is For
Summary

What Is The Business:
Blue Label is a one–stop–shop for unsigned talent looking to release and promote short runs of their singles/EP's. We will

A Company Responsible For Marketing Music Recordings
Question 1: Sole traders– they run their business on their own, are personally responsible for it and can keep all of the business's profits after they paid
the taxes. Limited company– an organisation set up to run a business. It is responsible for everything it does. The profit it makes, minus the taxes, is
owned by the company and can be shared. Every limited company has people or organisations that hold a share in it. Business partnership– in a
partnership, all the business partners personally share responsibility for the business. The partners might share the profits between them and each of
them has to pay tax on their share. Franchise– a business that functions independently under an already trademarked name. Question 2: Record... Show
Thanks to accounting, the owners of a business can control their finances and can compare their company's results between certain periods and
different businesses. Question 4: Users of accounts are any people that might be involved or interested in a particular business and its status, such as:
–Sponsors –Investors –Customers –Employees –Management –Competitors –Media –Law enforcement –Banks –The government Question 5:
–Book–keeping –Management accounting –Financial accounting –Tax accounting Question 6: Entrepreneur is a person who establishes, owns or
operates a business and is characterised by traits such as creativity, strong will, motivation, passion, determination, leadership qualities, work ethic and
non–conformity. They are willing to take (non–excessive) risk in order to make a financial profit and are fully responsible for the outcomes. Their
ideas are usually ground–breaking and innovative in their particular field. Question 7: –Richard Branson –David Geffen –Ahmet Ertegun –Simon
Cowell Question 8: The probability that the costs connected with establishing a new business or undertaking a certain action in an already existing one
might be bigger than the revenue. Question 9: –Strategy –Control over assets –Risk management – Legal responsibilities Question 10: Budget is a
form of management control relating to the financial performance of a company. It helps to monitor resources of a business, to create a plan for its
development, to relate the

Digital Recording And Digital Distribution
Digital recording and digital distribution has affected the Recorded Music Industry in many different ways; it has created issues for major record
labels and solutions for independent artists. Digital recording has made it harder for labels to stop piracy, and easier for independent artists and labels
to distribute and create music. The evolution of digital music has created an apparent and drastic shift in the way consumers and producers view and
use the music industry. The existence of these music files that have been digitally compressed, making them easily obtainable for a small fee or
illegally downloaded for free, has made the music industry reevaluate how they are able to make a profit from their art form. "These new means
of music distributing and marketing have not only pushed the music industry to new levels, but has created a whirlwind of changes as record
labels are losing control, with artists and consumers having the upper hand"(Stafford). Digital recording and digital distribution has given major
record labels a new and better way to market and distribute music, but has also made it difficult to monitor exactly where the files are going.
Moving from a material era where one had to buy physical cassette tapes and CDs to listen to music, to an era where anyone can buy a digital file
online has made it very hard to stop people from sharing copyrighted music. As the digital age came in the 1990's and sites like Napster later started
showing up, people were able

Contractual Aspects Of A Recording Contract
This essay seeks to investigate contractual aspects of a recording contract offered to solo artist and songwriter George Ezra (The Artist), particularly
paying attention to several clauses which are considered most important to ring–fence and to guard against in the interest of the artist.
George Ezra is a young, hyped solo singer–songwriter from Hertford with whom I signed a management agreement in 2012. After two years of
promoting and marketing the George Ezra 'Brand' we have now decided to seek an exclusive recording contract with a major record label to monetise
the brand and to expand on a wider audience and demographic.
The next section provides a general discussion about recording agreements – written in favour of the record label.
With the negotiations between Sony Music Entertainment and George Ezra's management team underway we begin to discuss general information
related to contracts. In short, the manager's duty is to ensure that the recording contract is in the best interest of his/her artist. Generally speaking, you
often hear that major labels 'rip off' artists with their recording contracts being written in favour of the label as oppose to the artist, which consequently
occurs as a result of the labels lawyers drafting the initial contract in their favour to protect their own interest– as a result artists are also advised to
employ a lawyer to overlook the contract, and for their legal representative to amend the contract accordingly to suit the needs of

The Independent Record Labels of the 1950вЂ™s and 1960вЂ™s
The Independent Record Labels of the 1950's and 1960's History of Music Production Eric Eller Throughout the 1950's and 1960's, a wave of new
musical movements by independent record labels and new artists emerged in the United States. This movement is captured in the stories of those label
creators and owners, and in the turbulent journey through their successes and failures. The first emergence was fueled by multiple factors: competitive
economic circumstances, up–and–coming local musical talent in conjunction with the independent labels and studio owners, and the commercially
viable musical interest and curiosity of consumers in these local artists. An article poses another causative factor that makes sense: when rock and roll...
Show more content on Helpwriting.net ...
Philips would take a while to realize that a huge prospect was about to enter his life and studio. Elvis Presley, a young truck driver, had come in to
record two songs at a cost of $8 as a birthday present for his mother. Philips was actually out of the office so his secretary Marion Keisker recorded
Presley. Foreseeing talent, Keisker put aside a copy of the acetate master. Keisker continued to advocate to Philips the idea of investing in Presley's
commercially promising musical potential. Philips eventually agreed to give Presley a try and matched him up with local guitarist Scotty Moore and
bass player Bill Black. This group became quite successful, and together, under the direction of Philips, helped to influence and redefine the
'rockabilly' genre of music at the time. It shows Sun's success that by '61, Phillips was able to buy a Presto 900–P recorder. Elvis Presley's presence at
the label allowed Philips to once again upgrade his system, this time opting for a Tube 76–D broadcast console and two new Ampex 350 tape
recorders. The growing sophistication of his studio rig is a testimony to the success that he accomplished with such sensations as Presley. He delayed
one tape head slightly in relation to the other, which made the signature "Sun Sound." While Philips did find success for a while with artist Elvis
Presley; Elvis' popularity outgrew the facilities and financial capabilities of Sun

The Problem Of Digital Media Essay

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