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By: Glenn S. Competente BEEd 2B
 IT EXPRESSES THE
THOUGHTS AND
FEELINGS OF THE POEM’S
SPEAKER, THE ONE WHO
SAYS ITS WORDS
…these poems rely
on their own music
created through
rhythm and sound…
---IT IS A SINGLE , UNIFIED
STRAIN OF EXALTED VERSE
WITH A SINGLE PURPOSE
AND DEALING WITH A
SINGLE THEME…
(Practice Hall Literature, 2002)
 TO CELEBRATE
A SINGLE IDEA
OR OBJECT
AN ODE CAN BE
ABOUT ANY
SUBJECT.
ELABORATE AND
DIGNIFIED
IT GLORIFIES AND
CELEBRATES ITS SUBJECT
WITH A FORMAL TONE
MAY OR MAY
HAVE NOT END
RHYME OR
REGULAR RHYTHM
ITS NUMBER AND
LENGTH CAN VARY.
IT’S USUALLY LONG
WITH VARYING
LENGTHS.
Under the trees light
has dropped from the top of
the sky,
Light
Like a green
Latticework of branches,
Shining
On every leaf,
Drifting down like clean
White sand.
a cicada sends
Its sawing song
high into the empty
air.
The world is
a glass of
overflowing
With water
A SHORT POEM THAT
ORIGINATES IN JAPAN, BUT
PEOPLE AROUND THE
WORLD ENJOY WRITING
READING THESE VERY SHORT
POEMS. (Practice Hall
Literature, 2002)
ANYTHING BUT
USUALLY MORE
ON NATURE
SERIOUS
DOESN’T RHYME
AND DOESN’T
HAVE REGULAR
RHYTHM…
IT HAS THREE LINES: THE 1ST
AND LAST LINE ARE SEVEN
SYLLABLES WHILE THE
MIDDLE LINE CONTAINS
FIVE SYLLABLES
Temple bells die out
The fragrant blossoms
remain
A perfect evening!
-Basho
Bearing no flowers,
I am free to toss madly
Like the willow tree
-Chijoyo
 A FORMAL POEM WRITTEN IN
ALTERNATING DACTYLIC
HEXAMETER AND DACTYLIC
PENTAMETER THAT REFLECTS ON
DEATH OR ANOTHER SOLEMN
THEME (Grolier Encyclopedia of
Knowledge, 2003)
TO MEMORIALIZE
A PERSON OR
REFLECT ON A
SUBJECT
THE DEATH OF A
PARTICULAR PERSON
OR ANOTHER SERIOUS
SUBJECT SUCH AS
WAR.
FORMAL
AND SERIOUS
MAY OR MAY NOT
HAVE END RHYME.
MAY OR MAY NOT
HAVE A REGULAR
RHYTHM.
VARY
She dwelt among the untrodden ways
Beside the springs of Dove
A maid whom were none to praise
And very few to love.
A violet by a mossy stone
Half-hidden from the eye!
-Fair as a star, when only one
Is shining in the sky.
She lived unknown, and few could know
When Lucy ceased to be;
But she is in her grave, and, oh,
The difference to me
IT IS A FOURTEEN-LINE
POEM THAT FOLLOWS
A SPECIFIED RHYME
SCHEME(Practice Hall
Literature, 2002)
SONNET IS
DERIVED FROM
THE ITALIAN WORD
‘SONNETO’ WHICH
MEANS LITTLE
SONG…
VARIES, BUT
OFTEN ITS
PURPOSE IS TO
PRAISE...
 IT HAS A DEFINITE RHYME SCHEME.
THE TYPE OF RHYME SCHEME A
SONNET HAS PLACES IT INTO AN
EVEN SMALLER CATEGORY OF
PETRARCHAN (ITALIAN) SONNETS
OR SHAKESPEREAN (ENGLISH OR
ELIZABETHAN) SONNET.
IAMBIC
PENTAMETER ( AN
UNSTRESSED BEAT
FOLLOWED BY A
STRESSED BEAT)
ALL HAS FOUTEEN LINE.
PETRARCHAN SONNETS HAVE 2
STANZAS: AN OCTET
FOLLOWED BY A SEXTET.
SHAKESPEREAN SONNETS HAVE
4 STANZAS: 3 QUATRAINS
FOLLOWED BY A COUPLET.
SONNET 116
1 LET ME NOT TO THE MARRIAGE OF TRUE
MINDS
2 ADMIT IMPEDIMENTS. LOVE IS NOT LOVE
3 WHICH ALTERS WHEN IT ALTERATION FINDS,
4 OR BENDS WITH THE REMOVER TO
REMOVE.
5 OH NO, IT IS AN EVER-FIXED MARK
6 THAT LOOKS ON TEMPESTS AND IS NEVER
SHAKEN;
7 IT IS THE STAR TO EVERY WAND’RING BARK
8WHOSE WORTH’S UNKNOWN, ALTHOUGH
HIS HEIGHT BE TAKEN.
9 LOVE’S NOT TIME’S FOOL, THOUGH ROSY
LIPS AND CHEEKS
10 WITHIN HIS BENDING SICKLE’S COMPASS
COME
11 LOVE ALTERS NOT WITH HIS BRIEF HOURS AND
WEEKS,
12 BUT BEARS IT OUT EVEN TO THE EDGE OF
DOOM.
13 IF THIS BE ERROR AND UPON ME PROVED,
14 I NEVER WRIT, NOR NO MAN EVER LOVED.

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Lyrical poetry.literature 2

  • 1. By: Glenn S. Competente BEEd 2B
  • 2.  IT EXPRESSES THE THOUGHTS AND FEELINGS OF THE POEM’S SPEAKER, THE ONE WHO SAYS ITS WORDS
  • 3.
  • 4. …these poems rely on their own music created through rhythm and sound…
  • 5.
  • 6. ---IT IS A SINGLE , UNIFIED STRAIN OF EXALTED VERSE WITH A SINGLE PURPOSE AND DEALING WITH A SINGLE THEME… (Practice Hall Literature, 2002)
  • 7.  TO CELEBRATE A SINGLE IDEA OR OBJECT
  • 8. AN ODE CAN BE ABOUT ANY SUBJECT.
  • 9. ELABORATE AND DIGNIFIED IT GLORIFIES AND CELEBRATES ITS SUBJECT WITH A FORMAL TONE
  • 10. MAY OR MAY HAVE NOT END RHYME OR REGULAR RHYTHM
  • 11. ITS NUMBER AND LENGTH CAN VARY. IT’S USUALLY LONG WITH VARYING LENGTHS.
  • 12. Under the trees light has dropped from the top of the sky, Light Like a green Latticework of branches, Shining On every leaf, Drifting down like clean White sand. a cicada sends Its sawing song high into the empty air. The world is a glass of overflowing With water
  • 13. A SHORT POEM THAT ORIGINATES IN JAPAN, BUT PEOPLE AROUND THE WORLD ENJOY WRITING READING THESE VERY SHORT POEMS. (Practice Hall Literature, 2002)
  • 17. IT HAS THREE LINES: THE 1ST AND LAST LINE ARE SEVEN SYLLABLES WHILE THE MIDDLE LINE CONTAINS FIVE SYLLABLES
  • 18. Temple bells die out The fragrant blossoms remain A perfect evening! -Basho Bearing no flowers, I am free to toss madly Like the willow tree -Chijoyo
  • 19.  A FORMAL POEM WRITTEN IN ALTERNATING DACTYLIC HEXAMETER AND DACTYLIC PENTAMETER THAT REFLECTS ON DEATH OR ANOTHER SOLEMN THEME (Grolier Encyclopedia of Knowledge, 2003)
  • 20. TO MEMORIALIZE A PERSON OR REFLECT ON A SUBJECT
  • 21. THE DEATH OF A PARTICULAR PERSON OR ANOTHER SERIOUS SUBJECT SUCH AS WAR.
  • 23. MAY OR MAY NOT HAVE END RHYME. MAY OR MAY NOT HAVE A REGULAR RHYTHM.
  • 25. She dwelt among the untrodden ways Beside the springs of Dove A maid whom were none to praise And very few to love. A violet by a mossy stone Half-hidden from the eye! -Fair as a star, when only one Is shining in the sky. She lived unknown, and few could know When Lucy ceased to be; But she is in her grave, and, oh, The difference to me
  • 26. IT IS A FOURTEEN-LINE POEM THAT FOLLOWS A SPECIFIED RHYME SCHEME(Practice Hall Literature, 2002)
  • 27. SONNET IS DERIVED FROM THE ITALIAN WORD ‘SONNETO’ WHICH MEANS LITTLE SONG…
  • 29.  IT HAS A DEFINITE RHYME SCHEME. THE TYPE OF RHYME SCHEME A SONNET HAS PLACES IT INTO AN EVEN SMALLER CATEGORY OF PETRARCHAN (ITALIAN) SONNETS OR SHAKESPEREAN (ENGLISH OR ELIZABETHAN) SONNET.
  • 30. IAMBIC PENTAMETER ( AN UNSTRESSED BEAT FOLLOWED BY A STRESSED BEAT)
  • 31. ALL HAS FOUTEEN LINE. PETRARCHAN SONNETS HAVE 2 STANZAS: AN OCTET FOLLOWED BY A SEXTET. SHAKESPEREAN SONNETS HAVE 4 STANZAS: 3 QUATRAINS FOLLOWED BY A COUPLET.
  • 32. SONNET 116 1 LET ME NOT TO THE MARRIAGE OF TRUE MINDS 2 ADMIT IMPEDIMENTS. LOVE IS NOT LOVE 3 WHICH ALTERS WHEN IT ALTERATION FINDS, 4 OR BENDS WITH THE REMOVER TO REMOVE. 5 OH NO, IT IS AN EVER-FIXED MARK 6 THAT LOOKS ON TEMPESTS AND IS NEVER SHAKEN; 7 IT IS THE STAR TO EVERY WAND’RING BARK
  • 33. 8WHOSE WORTH’S UNKNOWN, ALTHOUGH HIS HEIGHT BE TAKEN. 9 LOVE’S NOT TIME’S FOOL, THOUGH ROSY LIPS AND CHEEKS 10 WITHIN HIS BENDING SICKLE’S COMPASS COME 11 LOVE ALTERS NOT WITH HIS BRIEF HOURS AND WEEKS, 12 BUT BEARS IT OUT EVEN TO THE EDGE OF DOOM. 13 IF THIS BE ERROR AND UPON ME PROVED, 14 I NEVER WRIT, NOR NO MAN EVER LOVED.