1. ARCHITECTURE CULTURE & HISTORY 2 [ARC 60203]
Project 2: Web Book (Group & Individual)
CHIN WOO STADIUM
Group Member:
TAN WEN HAO 0319923
TANG ZE ZHENG 0318967
TOH KEAN HOU 0319575
WONG ZHEN FAI 0317890
YONG YU JOON 0318299
2. 2
1.0 INTRODUCTION
(Group component)
• 1.1 Fast Facts
• 1.2 History of Chin Woo Stadium
• 1.3 The Architect
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2.0 SITE CONTEXT ANALYSIS
(by Wong Zhen Fai)
• 2.1 Site accessibility
• 2.2 Building accessibility
• 2.3 Local climate
• 2.4 Climate response
• 2.5 Relationship of building to surrounding
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3.0 ARCHITECTURAL LAYOUT
(by Tan Wen Hao)
• 3.1 Introduction
• 3.2 Elevations (Façades) analysis
• 3.3 Organization analysis
• 3.4 Scale (Visual Scale, Human Scale)
• 3.5 Circulation to use space (Public vs. Private space)
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4.0 ARCHITECTURAL STYLE
(by Yong Yu Joon)
• 4.1 Introduction to Art Deco style
• 4.2 Art Moderne in Chin Woo Stadium
• 4.3 Comparison of Architectural Style
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5.0 BUILDING CONSTRUCTION
(by Tang Ze Zheng)
• 5.1 Structural system in Chin Woo Stadium
• 5.2 Building materials used in Chin Woo Stadium
• 5.3 Comparison of building construction
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Table of Content
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2.4.2 Natural ventilation
As Chin-Woo-Stadium is an indoor sports stadium and air conditioning was
uncommon in the 50s, ventilation portholes and slits were the only rational way of cooling
the interior.
Figure-2.4 – Sunlight-+-Shade-diagram
As less sunlight enters through the
windows into the building, the interior
temperature naturally cools down, thus,
increasing user comfort.
VENTILATION SLITS
Figure-2.3 – Cantilevered window shades-(Photo by Wong Zhen Fai)
These slits direct wind into
the stadium hall
Figure-2.5 – Exterior view of ventilation slits (Photo
from www.skyscrapercity.com)
WINDOW
SHADED AREA
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2.5 Relationship of Building to Surroundings
Figure-3.1 – Ariel view of the 3 stadiums-(Image from www.skyscraper.com)
DIFFERENCES CHIN WOO STADIUM STADIUM NEGARA STADIUM MERDEKA
YEAR 1953 1962 1957
STYLE ART DECO BRUTALISM EXPRESSIONISM
ARCHITECT Y. T. LEE STANLEY JEWKES STANLEY JEWKES
INITIAL
FUNCTION
SPORTS FACILITIES THOMAS CUP MERDEKA
CAPACITY <2000 10,000 25,000
Figure-3.2 – Differences between the 3 stadiums
SIMILARITIES CHIN WOO STADIUM STADIUM NEGARA STADIUM MERDEKA
PERIOD 50s MODERN PERIOD EARLY 60s
MODERN PERIOD
50s
MODERN PERIOD
STYLE
CATEGORY
MODERN
ARCHITECTURE
MODERN
ARCHITECTURE
MODERN
ARCHITECTURE
LOCATION PETALING HILL PETALING HILL PETALING HILL
Figure-3.3 – Similarities between the 3 stadiums
Despite the differences in capacity and initial purpose, the 3 stadiums are closely similar in
several aspects. All 3 were built after the modern architecture breakthrough in the 50s to be
served as a national identity after gaining independence. Chin Woo Stadium is located on
Petaling Hill along with Stadium Merdeka and Stadium Negara. After gaining independence
for Malaysia, Tunku Abdul Rahman had intended Petaling Hill to be the acropolis of Kuala
Lumpur, serving as a public space where the people can gather in harmony. However, Chin
Woo Stadium is relatively overshadowed by the colossal size of the other 2 stadiums and
their popularity.
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3.0 ARCHITECTURAL LAYOUT
(by Tan Wen Hao 0319923)
3.1 Introduction
Chin woo stadium is constructed in 1953, as an example of Art Deco period
architecture with decorative motifs complete with the requisite vertical elements, a
squarish clock tower, whose prominence was tempered by its somewhat modernist
starkness. The layout of the stadium, as what is seen, a rounded rectangle in shape. In this
building, we can see that the master architect – Dato Y.T Lee is trying to play around from
geometry shapes and curvy edges, to little construction details like window openings and
floor tiles. He is trying to bring every essence of art deco architecture into the building. We
knew that the physical and spiritual philosophy of Chin Woo was first introduced to Malaya
in the 1920 and founded in Shanghai in 1910s, and the architect, as well, wanted the
building to completely take over the late modern shanghai theatre look which was brought
into Malaysia in the early 1930s, as part of the international art deco style.
1
2
6
5
3
4
8
Floor plan of Chin woo stadium (Scale: NTS)
(drawn by Tan Wen Hao)
Roof plan of Chin woo stadium (Scale: NTS)
(drawn by Tan Wen Hao)
5) Semi-circle administration buidling
6) Multi-layered curved rectangle roof
7) Stadium interior
8) Clock tower
1) Stairs of administration building
2) Entrance to stadium hall
3) Spectator/audience seats
4) Stage
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3
3.2 Elevations (Façades) analysis
The front part of the stadium is a half-circular building, and the exterior is lavish with Art
Deco elements and details. The corner of the building is truncated to serve as the
frontispiece. This curved façade is the main entrance of the building with a symmetrical
wing on each side forming a curved corner. The administration office occupies this part of
the building. The building is three stories in total, where the second floor leads to the
projection room and upper level entrance to the stadium. The third floor houses the storage
room, multi-purpose hall and meeting room.
Multi-layered roof Stage Stairs of administration
building (Picture taken from www.skyscrapercity.com)
2 8 5
(Photo by Wong Zhen Fai)
(Photo by Wong Zhen Fai)
1
2
Strong sense of vertical
& horizontal elements
Clock tower
emphasizing right
corner of building
Flagpoles
Curvy edged stairs
Front elevation of Chin woo stadium (Scale: NTS)
(drawn by Tan Wen Hao)
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1. Horizontality and verticality: Viewed as the most significant feature of Art Deco
architecture, continuous and dense parallel lines can be seen from each facades, in
both direction, horizontally and vertically.
2. Hierarchy: The roofs of the stadium is built in hierarchy form, from big to small
upwards, help shaping the visual of façade and volume of interior of stadium as well,
to give a sense of flow in space.
3. Symmetry: Chin woo stadium is built in obvious symmetry of two circle of same
sizes, linked with a rectangle which eventually form a proportionate curved
rectangle. Symmetry can also be seen both horizontally and vertically on both side of
stadium. Streamline Moderne is significant in the hall, offering the users to view the
stadium from top to bottom in left and right simultaneously.
4. Proportion/Scale: The curved beams in the building transmit their loads from
horizontally across space to vertically foundation support. The size and proportion
are directly related to the structural task they perform, we can see that the gap
between each beams are equal and proportionate and able to support the whole
structure.
Roof and floor plan of Chin woo stadium (Scale: NTS)
(drawn by Tan Wen Hao)
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Enclosed area like corridors on both side of stadium relates to the spaces it links through
entrances in a wall plane. Stadium hall provides visual and spatial continuity with the spaces
it link. Entrance area, which is open on both sides forming a colonnaded passageway
becomes a physical extension of the space it passes through.
The width and height of circulation space is proportionate with the type and amount of
movement it handle. For example, the stadium hall is highest and broadest in height and
volume to handle large number of human circulation. Entrance area, respectively, is a
narrow and enclosed as it encourages forward motion.
Enclosed corridors
Stadium
passageway
Front entrance
Backstage
and storage
room
Stadium hall (Primary circulation)
Entrance area (Secondary circulation)
Toilet and storage room (Tertiary
circulation)
Circulation space range (public events)
Circulation space range (private events)
Circulation space range (daily activities)
Secondary circulation space range
(Entrance area)
From above diagram, we can see that circulation space range affects the circulation
pattern. However, by looking at the space range we know that spaces are built wide and
broad so that users can move freely, therefore there is no fixed circulation pattern.
Circulation diagram (Scale: NTS) (drawn by Tan Wen Hao)
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3.5.1 Stairs
Stairs at entrance provide vertical movement between outdoor space and indoor space. The
curvy edging staircase in front of the entrance is wide and shallow, which serve as an
invitation, a welcoming staircase. The size of the entrance and stairs also help giving users
an idea of large the stadium is.
3.5.2 Entrance hall
3.5.3 Front Façade
When entering the entrance hall, we can notice the scale of
the entrance door is small comparing to the façade, this is
to limit the visual and physical access between two
adjacent space, reinforce the individuality of each space,
and accommodate their difference. The stairways leading
to upper floors give users an idea of the vertical dimension
of the room as well as suggest a human presence.
Art deco stairs at entrance
(Photo by Wong Zhen Fai)
Entrance hall
(Photo by Wong Zhen Fai)
Front façade
(Photo by Wong Zhen Fai)
The circulation from surrounding to the
stadium is frontal approach. The visual goal
that terminates the approach is clear;
Entrance is elaborated within front façade.
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4.2.2 Interior
(Photo-by-Wong Zhen Fai)
The interior of Chin Woo stadium has an open floor plan. This is a prominent feature
in Art Deco buildings to function as performing spaces during the early 1900s to encourage
the performing arts. The interior walls are also mostly painted in clean white or bright
colours.
Eyebrows are typically
placed above the
windows and columns
slightly below the roof.
Provides slight shelter.
Art Moderne usually featured
nautical elements which
include metal railings like
these that were normally
placed on rooftops.
Ship Railings
(Photo by Wong Zhen Fai)
Eyebrow
(Photo by Wong Zhen Fai)
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4.3 Comparison of Architectural Style
Central market is also another Art Deco masterpiece located in the Klang Valley. The
structure was completed in 1937 and was also designed by the same architect, which was
Dato Lee Yoon Thim. It was built in the more original style of Art Deco compared to the
more recent style of Art Moderne in Chin Woo Stadium. This building finished its
construction 4 years after Chin Woo and is also a post Merdeka modern building.
Similarities: Both the structures though slightly different have and Art Deco base design
style. Both the structures have a strong sense of vertical and horizontal lines. Besides that,
both have symmetrical facades with a flag or symbol in the middle and incorporate the use
of Shanghai plaster as Dato Lee Yoon Thim is inspired by Chinese architecture. A vertical
structure is also present in both buildings, for Chin Woo it is the clock tower while for
central market it is the white painted part of the façade. Furthermore, the use of metal
framed windows are used in both facades due to the effects of the industrial revolution.
(Photo by Wong Zhen Fai) (Photo from www.wolffchronicles.com)
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6.4 Roof - Flat Roof
A flat roof is a roof which is almost level in contrast to the many types of sloped roofs. The
slope of a roof is properly known as its pitch and flat roofs have up to approximately
10°. Flat roofs are an ancient form mostly used in arid climates and allow the roof space to
be used as a living space or a living roof. In a flat roof, the waterproofing is always
supported by a structural roof deck. This is usually a timber boarding of some type, which in
turn is supported on joists.
Front-façade-of-Chin-Woo-stadium-(Photo-by –Wong-Zhen-Fai)
The Chin Woo Stadium is in a form of semi-circular shape. The roof of the stadium is flat roof, that
makes the semi-circular shape looks more arch and also making it different form.
Perspective of-Chin-Woo-stadium-(Photo-by –Wong-Zhen-Fai)
Other perspective of Chin Woo Stadium
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6.5 Walls
6.5.1 Small pebbles tiles covered wall
The stadium wall is covered with small pebbles tiles which are formed with small pebbles
tiles. The small pebbles tiles are usually used on floor and bath room but the stadium
covered it with the external used. The surface of the small pebbles tiles is very rough and it
is formed with small pebbles stones.
Front-part-of-Chin-Woo-stadium-(Photo-by –Wong-Zhen-Fai)
The building is mostly covered with this kind of tiles which makes the building looks more
unique and attractive.
Small-pebble-tiles-(Photo-by Wong-Zhen-Fai)
6.5.2 Timber Wall
These walls are covered with timber which making it looks sync with the interior of the hall.
Timber can also absorb sound and also reduce the amount of energy used to heat and
operate a building.
Interior-(Photo-by –Wong-Zhen-Fai)
55. 55
Reference
Books:
• Architectural heritage: Kuala Lumpur-Pre-Merdeka. (2007). Kuala Lumpur: Malaysian
Institute of Architects.
• Ching, F. (1996). Architecture: Form, space & order (3rd ed.). New York: John Wiley.
• Chin, K., & Chen, V. (2003). Landmarks of Selangor. Kuala Lumpur: Jugra Publications.
• Brooker, G., & Stone, S. (2008).Context environment. Lausanne: AVA Academia.
• The architectural heritage of Selangor (2012 ed.). (1962). Kuala Lumpur: Dewan
Bahasa dan Pustaka.
• D.K, Ching, F. (2001). Building Construction Illustration (Third ed.). John Wiley &
Sons.
Websites:
• Malaysian Architecture - Kuala Lumpur Buildings - e-architect. (n.d.). Retrieved
November 17, 2015, from http://www.e-architect.co.uk/malaysian-architecture
• (n.d.). Retrieved November 17, 2015, from
http://www.parracity.nsw.gov.au/__data/assets/pdf_file/0019/93250/Urban_Conte
xt_Analysis.pdf
• 雪隆精武体育会. (n.d.). Retrieved November 14, 2015, from
http://www.chinwoo.org.my/cn/home.php
• Chin woo stadium. (n.d.). Retrieved November 13, 2015, from
http://www.slideshare.net/zhijun/chin-woo-stadium
• Understanding Human Scale and the Importance of its Relationship with Enclosure.
(n.d.). Retrieved November 13, 2015, from
http://researcharchive.vuw.ac.nz/xmlui/handle/10063/2367
• Art Deco | art movement. (n.d.). Retrieved November 14, 2015, from
http://global.britannica.com/art/Art-Deco
• ART DECO .: Malaysia :. - SkyscraperCity. Retrieved November 17, 2015, from
http://www.skyscrapercity.com/showthread.php?t=101916