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built in August 1965 as a symbol
of united Malaysia and a newly
independent.
NATIONAL
MOSQUE
ARCHITECTURE
CULTURE &
HISTORY 2
(ARC60203)
August 2016
PROJECT 2 : REPORT
Tutor : Ms. Patmaselvi Paramarajah
TAN YAN JIE 0323906 | TANG FU HONG 0323092
TANG YING JIEN 0322357 | TAY SIEW WEN 0322879
TEH WEI HONG 0323743 | TENGKU SYAKIRA 0323079
Content Page	Number
Introduc2on 1-	3
1. Site	Context	Analysis	
(TAY	SIEW	WEN	0322879)
4	-	17
2.	Architectural	Layout	of	the	Building	
(TAN	YAN	JIE	0323906)
18	-	29
3.	Architectural	Style	Analysis	
(TEH	WEI	HONG	0323743)
30	-	44
4.	Building	Construc2on,	Structure	&	Material	Analysis	
(TANG	FU	HONG	0323092)
45	-	61
5.	Architectural	Elements/	Components	Analysis	
(TENGKU	SYAKIRA	0323079)	
(TANG	YING	JIEN	0322357)
62	-	70	
71	-	82
Conclusion 83
References	List 84
TABLE CONTENT


Page 1
Introduction
The	na2onal	mosque	was	built	in	August	1965	as	a	symbol	of	united	Malaysia	and	a	newly	independent.	
The	architectural	style	of	na2onal	mosque	are	the	mixture	of	Islamic	and	Modernist.	The	na2onal	
mosque	is	originally	designed	by	a	three	architect	which	were	Howard	Ashley,	Hisham	Albakri	and	
Baharuddin	Kassim.	The	na2onal	mosque	is	located	at	Jalan	Perdana,	50480	Kuala	Lumpur.
Key	Plan
Page 2
Site	Plan
Page 3
History
A`er	Malaysia	had	gained	independence	from	the	Bri2sh	in	1957,	there	was	a	boom	in	the	architecture	
world	to	portray	a	successful	democracy.	Hence	on	30	July	1957,	the	Federal	Execu2ve	Council	propose	
to	build	a	na2onal	mosque	as	a	symbol	of	Malaysia's	independence.	
The	Masjid	Negara	in	Kuala	Lumpur	is	heavily	influenced	by	the	early	Modernism	in	Malaysian	
architecture.	The	architects	wanted	to	imitate	the	"free	plan"	design	of	Le	Corbusier,	they	were	the	first	
to	ignore	strict	symmetry	of	earlier	tradi2onal	Mosque.	As	form	is	more	exclusive	than	func2onality,	the	
principal	func2ons	of	a	mosque	follows	the	internal	space	and	shape.	Results	in	a	2	level	grand	prayer	hall	
that	accommodate	5000	worshippers.The	most	radical	design	that	defies	the	tradi2onal	mosque	design,	
is	the	umbrella	shaped	roof	which	act	as	a	symbolic	heads	of	state	for	the	Muslim.	It	was	a	genius	
combina2on	of	Middle	Eastern	and	Mogul	architecture	which	inspired	the	360°	folded	plate	structure.
TAY SIEW WEN 0322879 Page 3
SITE CONTEXT ANALYSIS
01
TAY SIEW WEN 0322879 Page 4
BUILDING ACCESSIBILITY
• The	Na2onal	Mosque	is	placed	in	a	category	of	the	government	administra2on	enclave	in	Kuala	
Lumpur.	
• Even	though	the	loca2on	of	the	site	is	far	from	Muslim	residen2al	areas,	it	is	nearer	to	major	
landmarks	such	as	the	Railway	sta2on,	Merdeka	Stadium,	Na2onal	Stadium,	Parliament	and	other	
government	offices.
Figure	1:	Loca2on	plan
TAY SIEW WEN 0322879 Page 5
• It	is	located	crosswise	opposite	Central	Railway	Sta2on	on	13	acre	of	low,	flat	land	
along	Sultan	Hishamuddin	Road	at	the	East,	Cenderasari	Road	at	the	North	and	
Lembah	Venning	Road	at	the	South	boundary.
Figure	2:	Site	plan	
Sultan	Hishamuddin	Road
Lembah	Venning	Road
Cenderasari	Road
TAY SIEW WEN 0322879 Page 6
• Underground	walkway	is	connected	from	the	mosque	to	the	railway	sta2on.	
• Public	facili2es	like	schools	and	other	marked	buildings	such	as	the	General	Post	
Office	Headquarters	and	recrea2onal	places	are	located	there.
Public	facilities	
National	Mosque	
Residential	area	
Figure	3:	Site	plan
TAY SIEW WEN 0322879 Page 7
• The	site	of	the	mosque	is	not	limited	by	compound	wall	
except	for	the	South-West	and	North-East	side	area.		
• There	is	no	proper	gateway.	
• Two	low	iron	grill	gates	were	found	at	the	South-West	and	
North-East	side	of	the	mosque	for	public	and	mosque	
authori2es	that	direct	to	an	open	car	park.		
• People	are	able	to	enter	from	the	South-East,	North-West	
and	North-East	side	of	the	mosque	from	an	open	
courtyard,	that	is	located	beside	the	3	main	roads.		
• Visitors	had	to	pass	through	some	of	the	open	courtyards,	
where	the	man-made	pools	and	water	fountains	will	be	
found	there,	before	entering	the	building.	
Figure	4:	Access	and	compound	wall	of	Na2onal	Mosque
TAY SIEW WEN 0322879 Page 8
National	Mosque
Figure	5:	Location	of	surrounding	buildings
TAY SIEW WEN 0322879 Page 9
Relationship of Building to the Surroundings
Name	of	Building Dayabumi Na2onal	Mosque
Similari1es Inspired	by	Moorish	
Islamic	buildings,	covered	
with	fretwork	refined	
palerned	with	the	eight	
point	stars	of	the	Islamic	
mo2fs	and	painted	white	
to	show	the	purity	of	
Islam.	
These	elements	are	also	
found	in	the	Na2onal	
Mosque.	
Dayabumi
TAY SIEW WEN 0322879 Page 10
Name	of	Building Sultan	Abdul	Samad	
Building
Na2onal	Mosque
Similari1es Has	various	styles	of	
arches,	horseshoe	arches	
and	point	arches
Has	various	arches	found	
in	the	building	as	well.
Differences Has	narrow	veranda Has	large	and	wide	
veranda
Sultan Abdul Samad
TAY SIEW WEN 0322879 Page 11
Name	of	Building The	Old	Railway	Sta2on Na2onal	Mosque
Similari1es Mixture	of	western	and	
Mughal	(similar	to	Moorish	
revival	architecture)
Na2onal	Mosque	and	The	
Old	Railway	Sta2on	shared	
the	same	architectural	
style
The Old Railway Station
TAY SIEW WEN 0322879 Page 12
Name	of	Building The	Islamic	Art	Museum Na2onal	Mosque
Similari1es • It	is	one	of	the	
landmarks	in	Kuala	
Lumpur.	
• Islamic	architecture	
style.	
• Arabic	calligraphy	
drawn	on	columns	
and	other	places	on	
the	structure.	
Na2onal	Mosque	and	The	
Islamic	Art	Museum	are	of	
the	same	Islamic	
architecture	style.
The Islamic Art Museum
TAY SIEW WEN 0322879 Page 13
Respond to Climate
The	Na2onal	Mosque	is	the	best	example	of	the	mixture	of	a	modernis2c	reinterpreta2on	of	
tradi2onal	Malay	Architecture	with	a	folded	plate	‘dome’	with	a	metaphor	of	a	royal	
umbrella.
TAY SIEW WEN 0322879 Page 14
A
The	roof	of	the	main	prayer	hall	is	made	
of	folded	concrete	plate	that	represents	
the	Malay	royal	canopy.	The	diameter	of	
the	roof	is	61m	and	supported	by	16	
main	columns.	The	external	part	of	the	
roof	is	covered	with	layers	of	green	and	
blue	tiles.	The	interior	part	of	the	roof	is	
painted	in	plain	white	with	no	design	on	
its	surface.		
B
Three	sides	of	the	main	prayer	hall	is	
surrounded	by	an	open	veranda	area.	
RooJing	structure	at	the	veranda	area	is	
made	of	concrete	slab	that	is	covered	by	
series	of	small	concrete	domes	that	are	
in	blue	tiles.	These	domes	are	placed	at	
proper	layoff.		
C
Underneath	the	folded	plate	roof	that	
covers	the	main	prayer	hall	is	a	series	of	
coloured	glass	window	to	allow	natural	
light	to	pass	through.	
D
At	the	peak	of	the	folded	plate	roof	is	a	
decorative	design	that	resembles	the	
dome	centre	piece	of	Sultan	Ahmet	
mosque	in	Istanbul.
TAY SIEW WEN 0322879 Page 15
TAY SIEW WEN 0322879 Page 16
A
Folded	 plates	 of	 the	
concrete	main	roof	were	to	
achieve	 the	 large	 spans	
required	 in	 the	 main	
gathering	hall.	
B
The	purposes	of	the	
concrete	grilles	are	for	
privacy	from	the	main	
road.	Also,	these	grilles	are	
for	ventilation	and	allow	
natural	lighting	to	enter	
the	veranda	area.	
C
A	‘serambi'	or	veranda	space	
with	light	courts	and	air	
wells	to	provide	ample	day	
ligh2ng	and	passive	cooling	
to	the	building.	It	will	block	
out	direct	sunlight	and	
provides	shade	for	prayers	
and	keeps	the	mosque	in	a	
comfortable	temperature.
TAY SIEW WEN 0322879 Page 17
The	pools	and	fountains	there	were	spread	throughout	the	compound	as	it	can	cool	down	
the	temperature	of	the	surrounding.
TAN YAN JIE 0323906 Page 17
ARCHITECTURAL LAYOUT OF
THE BUILDING
02
TAN YAN JIE 0323906 Page 18
DRAWINGS
Floor Plan
Elevation
TAN YAN JIE 0323906 Page 19
The	diagram	below	shows	the	interior	design	of	the	na2onal	mosque	with	the	legend.
Building Layout
LEGEND	OF	NATIONAL	MOSQUE	(	Ground	and	1st	Floor)	
1. Main	Prayer	Hall	
2. The	Woman	Prayer	Hall	
3. Library,	imam’s	room,	Administra2on	office	
4. Verandah	
5. Conference	Hall	
6. Mausoleum	
7. Rectangular	pool	where	the	minerat	stands	
8. Open	walkway
TAN YAN JIE 0323906 Page 20
-An	unique	contribu2on	to	the	idea	of	mosque	architecture	as	well	as	a	monument	to	the	strife	for	a	
na2onal	architecture	iden2ty	which	is	the	na2onal	mosque	that	is	located	in	KL.		
-The	design	of	the	Na2onal	Mosque,	Kuala	Lumpur	is	a	combina2on	of	contemporary	architecture	and	
the	Islamic	tradi2onal	arts.	
-The	mosque	is	comprise	of	two	floors.	The	first	floor	consists	of	main	prayer	hall,	administra2ve	office,	
library,	royal	antechamber,	imam’s	room,	verandah	area,	conference	hall,	mausoleum	and	rectangular	
pool.
PLAN TO SECTION ANALYSIS
TAN YAN JIE 0323906 Page 21
CIRCULATION TO USE SPACE
The	diagram	shows	the	circula2on	of	the	na2onal	mosque.	The	bold	part	is	mainly	more	people	will	pass	
by	and	it	is	also	react	as	the	main	pathway.
TAN YAN JIE 0323906 Page 22
As	walk	through	the	linear	path,	it	will	pass	by	a	minerat	which	located	at	the	rectangular	
pool	beside	the	pathway.	
Linear	path:	The	path	that	lead	to	the	Worriors’tomb	is	linear.
TAN YAN JIE 0323906 Page 23
Pass	by	spaces	is	the	rela2onship	between	spaces	and	pathway.	The	configura2on	of	the	path	
from	entrance	to	Warriors’	tomb	is	flexible.	But	the	loca2on	of	the	space	establishes	that	
path,	which	is	the	Warriors’	tomb.	The	path-space	rela2onship	is	used	to	approach	and	enter	
func2onally	or	symbolically	important	spaces.
TAN YAN JIE 0323906 Page 24
MAUSOLEUM : WARRIORS’ TOMB
The	mausoleums	contains	two	types	of	architectural	elements	which	is:	a	circular	plinth	which	provide	
shelter	but	need	walls	and	column	to	support	it.	
Mausoleums	are	buildings	which	are	large,	open	and	stately	one	where	it	is	for	the	shelter	of	the	tombs.	
Beside	that,	the	well-wishers	who	offer	prayers	or	visitors	who	come	to	visit	is	protected	by	the	shelter.
TAN YAN JIE 0323906 Page 25
The	opening	of	the	mausoleums	which	looks	like	a	triangular	shape	that	folds	which	are	large	enough	to	
allow	an	uninterrupted	view	from	outside	and	but	at	the	same	2me	it	allow	breeze	to	flow	through	the	
structure.	It	gives	us	the	feeling	of	being	‘inside	of	an	outside	space’.	
It	was	built	in	1965	and	the	combina2on	of	Islamic	and	Modernist	design	principles	were	used	in	building	
Warriors’	Tomb,	Na2onal	Mosque.	The	colour,	texture	and	coolness	of	the	marble	and	the	whiteness	of	
the	roof	are	to	enhance	the	quality	of	space	and	light	in	the	interior	of	the	mausoleum.
TAN YAN JIE 0323906 Page 26
ORGANIZATION SPACES
Balance	is	achieved	through	the	structural	plan	of	this	mosque	in	terms	of	propor2on	and	spa2al	
sequences.	As	the	form	of	this	building	is	basically	quite	simple	and	basic	where	it	is	almost	symmetrical	
to	each	site	of	the	plan	as	well	as	the	eleva2on.		
The	structural	plan	is	a	sequence	shaped,	hypostyle	mosque,	meaning	it	is	a	flat	roof	supported	by	
columns.	As	for	the	eleva2on	the	weight	of	every	building	is	almost	the	same	because	of	the	size	and	the	
height.
Symmetry and Balance
TAN YAN JIE 0323906 Page 27
Symmetrical	Balance	through	plan-	the	shape	of	the	two	roof	shows	the	balance	of	the	building.
Symmetrical	Balance	through	eleva2on-	the	size	and	height	of	the	building	shows	the	balance	between	
each	building.
TAN YAN JIE 0323906 Page 28
A	grid	organiza2on	consists	of	forms	and	spaces	whose	posi2ons	in	space	and	rela2onship	
with	one	another	are	regulated	by	a	three-dimensional	grid	palern	or	field.	The	
arrangement	of	the	pillars	in	that	area	is	perpendicular	sets	of	parallel	lines	that	establish	a	
regular	palern	of	points	at	their	intersec2ons.	
Grid Organization
TAN YAN JIE 0323906 Page 29
The	na2onal	mosque	doesn’t	show	quite	much	of	the	hierarchy	because	from	the	plan	it	
show	balance	whereas	on	eleva2on,	each	building	have	their	own	specific	shape	and	sizes.
Hierarchy
TEH WEI HONG 0323743 Page 29
ARCHITECTURAL STYLE
ANALYSIS
03
TEH WEI HONG 0323743 Page 30
INTRODUCTION
to	Na2onal	Mosque	architecture	style
Architecture	style	is	one	of	the	important	factors	which	makes	the	building	so	significant	and	historically	
notable.	Elements	like	the	unique	method	to	construct,	the	forms,	func2on	of	the	building,	or	even	the	
building	materials	could	affect	the	architecture	style	of	the	building.	
First	of	all,	the	idea	to	build	a	Na2onal	Mosque	is	to	commemorate	as	a	symbol	of	a	newly	independent	
and	united	Malaysia	a`er	Malaysia	independent	which	is	1957.	The	Na2onal	Mosque	was	constructed	in	
1965	and	it	was	designed	by	a	team	of	Bri2sh	and	Malaysian	architects	which	creates	a	combina2on	of	
cusng-edge	modernist	design	and	Islamic	architecture	can	bee	seen	in	the	building.	This	causes	Na2onal	
Mosque	influenced	by	western	style,	and	it	consists	some	of	western	features	for	example,	landscaped	
gardens,	fountains,	pools	and	a	decorated	courtyard.
TEH WEI HONG 0323743 Page 31
Na2onal	mosque	consists	of	two	main	structure	which	is	a	main	prayer	hall	and	a	Mausoleum.	
Main	prayer	hall
Mausoleum
Minaret
On	the	other	hand,	the	
minaret	was	inspired	by	the	
shape	of	a	folded	umbrella	to	
create	a	contrast	between	
them.
For	the	exterior	bright	blue	folded	
plates	of	the	main	dome	and	it	
represents	an	opened	umbrella,
TEH WEI HONG 0323743 Page 32
Inside	the	main	prayer	hall	is	a	vast	
space	with	intricately	palerned	walls,	
colour-glass	windows	and	elaborate	
chandeliers.
A	Mausoleum	or	a	ceremonial	area	is	connected	
to	the	main	prayer	hall	which	landscaped	with	
ornamental	pools	and	is	used	for	formal	
ceremonies	and	houses	the	bodies	of	key	
Malaysian	poli2cal	figures.		
Pools	and	pathways	to	go	in	represents	a	moat	
and	bridges.
As	a	conclusion	for	this,	the	forms	of	na2onal	mosque	follows	the	func2on	needed	and	most	of	the	
elements	or	style	are	adapted	from	local,	Islamic	architecture,	post-independence	architecture	and	some	
western	influence.


TEH WEI HONG 0323743 Page 33
The	Royal	Umbrella	
Besides	the	folded	plate	dome	represented	an	
umbrella	to	gets	rid	from	the	hot	and	humid	
tropical	climate,	it	also	resemble	of	a	royal	umbrella	
which	signifying	the	importance	of	the	building	as	a	
na2onal	monument.	
The	Royal	Umbrella	
The	architectural	expression	in	Na2onal	mosque	is	quite	
unique,	because	it	reflect	to	the	site	context	in	Malaysia	and	
some	of	the	forms	was	inspired	by	the	culture	or	local	
produc2on.	All	these	reflects	a	modern	interpreta2on	of	
tradi2onal	Malay	architecture	and	Islamic	architecture.
LOCAL ADAPTATIONS OF MODERNISM
TEH WEI HONG 0323743 Page 34
This	precast	concrete	panel	provides	
a	sense	of	rhythm,	scale,	form	and	
texture	to	the	façade.
Skin	of	Pineapple	
The	precast	concrete	panelling	part	with	numerous	well	
ornamental	details	of	the	building	that	envelope	the	18-storey	
tower	block	is	the	most	expressive,	and	func2onalist.	
Importantly	it	is	inspired	by	a	pineapple’s	skin	for	
atheis2c	purpose	that	allow	natural	lights	to	
penetrate	in	and	at	the	same	2me	provides	an	
opening	for	ven2la2on	to	prevent	the	hot	climate	in	
Malaysia.
To	overcome	local	hot	and	humid	climate	
The	architect	designed	an	extensive	set	of	serambi	or	
verandah	space	with	light	courts	and	air	wells	in	Na2onal	
Mosque	to	provide	sufficient	daylight	and	passive	cooling	
to	the	building	with	large	fenestra2on	for	ven2la2on.		
As	it	can	be	clearly	seen	that	the	whole	mosque	are	
surrounded	by	the	concrete	panel	through	figure	on	the	
le`.			
Local Adaptations of Modernism
TEH WEI HONG 0323743 Page 35
Horse Shoe Arch
Mosque	is	a	place	for	Muslim	to	worship	Gods,	which	Islamic	architecture	is	one	of	the	essen2al	
requirements	to	be	applied	in	that	building.	
By	comparing	to	typical	mosque,	mihrab	is	the	most	
important	structure	to	own	by	each	mosque	to	
shows	the	uniqueness	of	a	mosque,	but	minbar	is	
not	that	important	as	it	can	be	applied	or	not	to	be.	
ISLAMIC ARCHITECTURE
Figure	le`	shows	the	varia2on	of	horse	shoe	arches,	which	applied	in	
the	design	of	mihrab	in	Na2onal	Mosque.
TEH WEI HONG 0323743 Page 36
Moreover,	the	technology	and	the	materials	used	in	Na2onal	mosque	makes	Islam	a	progressive	and	
dynamic	religion	as	it	respect	the	spirit	of	the	age	in	.For	example,	the	tradi2onal	2mber	mosques	of	
Malaysia	were	built	according	to	their	spirit	of	the	2mes	in	rela2on	to	the	construc2on	and	structural	
technology	of	that	period.
Reinforced	concrete	is	widely	used	in	the	
construc2on	of	Na2onal	Mosque	which	shows	a	
modernism	influence.
The	ornaments'	palerns	or	forms	applied	shows	
that	Na2onal	mosque	can	s2ll	portray	mosque	
architectural	expression	which	concerns	the	idea	
of	spirit	of	the	2mes.
Minaret
Besides,	there	is	an	ancillary	feature	
that	should	be	installed	in	each	
mosque	as	a	typical	requirements	in	
Islamic	architecture,	which	is	the	
minaret	or	muezzin.	It	func2on	is	to	
give	a	call	to	fountain	or	prayer	for	
ambula2on.	
21
Islamic Architecture
TEH WEI HONG 0323743 Page 37
WESTERN AND MODERNIST INFLUENCES
The	Na2onal	Mosque	is	one	of	the	western	influenced	mosques	in	Malaysia.	This	is	because,	at	that	
par2cular	2me,	the	major	idea	of	having	buildings	with	western-designed	mosques	in	Malaysia	are	
derived	from	sultan	desires	and	the	nobility	to	shows	grandness	of	Bri2sh	culture.
Besides,	Mosques	are	built	during	18	and	19	century	followed	the	Georgian	architecture,	which	was	
widely	used	in	England.	Georgian	architecture	consists	symmetrical	buildings,	grand	structures,	and	most	
of	them	are	decorated	with	classical	mo2fs	such	as	capitalised	columns,	keyed	arches	and	pediments.	
Ornamented	columns,	pediments	and	arches	with	classical	mo2fs
TEH WEI HONG 0323743 Page 38
Symmetrical	planning
Influenced by Georgian Architecture
TEH WEI HONG 0323743 Page 39
Taj	Mahal	(Indian,	Mogul	architecture)
Moreover,	in	case	to	achieve	a	pala2al	effect	in	the	buildings,	Bri2sh	courts	choose	to	enlarge	the	space	
inside	although	the	space	is	beyond	its	func2on	at	that	2me.		
Besides	Georgian	architecture,	Indian	or	Mogul	style	of	architecture	were	also	preferred	by	the	Bri2sh	
administrators,	as	well	as	of	the	growing	Indian	Muslim	community	in	Malaysia	during	the	late	19th	and	
early	20th	centuries.	
Western and Modernist Influences
TEH WEI HONG 0323743 Page 40
1 2
First floor Ground floor
Free	plan	by	Le	Corbusier	
'It	refers	to	an	open	plan	with	
non	load-bearing	walls	dividing	
interior	space.’
Construc2on	of	the	Na2onal	Mosque,	in	1965	was	probably	the	most	significant	event	in	the	history	of	
early	Modernism	in	Malaysia	architecture.	It	was	the	first	building	having	the	design	which	is	different	
from	the	strict	symmetry	layout	of	typical	mosques,	and	it	also	create	a	‘free	plan'	feeling	that	inspired	by	
Le	Corbusier	(1887-1965),	the	well-known	French	architect.	
The	building	itself	contain	of	two	floors,	the	first	floor	with	piloted	columns	which	surrounded	the	main	
prayer	hall	and	it	is	preserved	like	a	wide	verandas.	It	is	dedicated	for	prayers’	performance	and	
ceremonies	as	well.	Hence,	the	ground	floor	house	18	public	facili2es,	such	as	the	administra2on	office	
for	collec2on	of	zakat,	a	clinic,	and	classrooms	for	religious	instruc2on.
POST-INDEPENDENCE MODERNIST
By	alaching	to	the	principle	of	‘form	follows	
func2on'	that	widely	used	in	the	early	
Modernist,	the	spaces	inside	Na2onal	
Mosque	are	arranged	to	its	func2on	
respec2vely.
TEH WEI HONG 0323743 Page 41
The	most	significant	architectural	style	of	
Na2onal	Mosque	is	the	‘umbrella’	roof.	It	
is	a	360	degree	folded	plate	structure	
which	comes	from	a	crea2ve	construc2on	
which	creates	a	unique	combina2on	of	the	
two	major	style	of	Malaysian	mosque	
architecture,	modernism	style	(material)	
and	tradi2onal	vernacular	mosque	(form).
Na2onal	Mosque	was	a	success	masterpiece,	which	correspond	to	an	interna2onal	trend,	its	structural	
system	(the	alachment	of	symbolic	meanings	to	the	structure	of	a	building)	became	the	predominant	
inspira2on	for	early	post-independence	Malaysian	mosques.	
Post-Independence Modernism
TEH WEI HONG 0323743 Page 42
COMPARISON TO A TYPICAL MOSQUE
Na1onal	Mosque,	Malaysia Blue	Mosque,	Istanbul	
Main	prayer	hall
Minaret
Domes
Ornaments
Elements (Arches)
TEH WEI HONG 0323743 Page 43
Pulpit (Mimbar)
Other features
Heroes’ Mausoleum
Fountain
Large Courtyard
Landscape
TEH WEI HONG 0323743 Page 44
As	a	conclusion	as	a	comparison,	every	mosques	consists	of	a	large	prayer	hall	which	called	a	
‘Sahn'	which	is	a	large	courtyard	to	be	held	a	large	number	of	prayer.	Moreover,	there	is	a	tower	
called	minaret,	it	is	one	of	the	most	obvious	features	in	mosque	architecture,	which	a	tall	tower	
located	nearby	a	mosque	or	even	alached	together.	Besides,	Qubba,	domes	of	mosques	called	
in	Arabic,	is	symbolic	represen2ng	the	vault	of	a	heaven.	It	is	a	significant	feature	to	be	owned	
for	every	mosque	but	it	is	not	a	ritual	requirement	like	minaret,	the	tower	for	calling	others	
prayer.
TANG FU HONG 0323092 Page 44
BUILDING CONSTRUCTION,
STRUCTURE & MATERIAL
ANALYSIS
04
TANG FU HONG 0323092 Page 45
TYPICAL MOSQUE CHARACTERISTICS
Concrete,	bricks,	steel,	stone	
and	marble	are	the	materials	
that	frequently	used	in	the	
construc2on	of	the	current	
modern	mosque.
The	modern	mosques	usually	come	with…
Plants,	palerned	pavements,	
garden	ligh2ngs,	water	features	
and	signages	are	the	pleasing	
landscape	features	that	usually	
incorporate	with	the	modern	
mosques.
Tall	minarets,	onion-shaped	or	
top-shaped	domes,	and	high	
ceilings	are	the	typical	elements	
that	found	in	the	modern	
mosque.	
Blue	Mosque	(Sultan	Ahmed	Mosque)	located	at	Istanbul
TANG FU HONG 0323092 Page 46
Malaysia	Na2onal	Mosque	comes	with	a	245	feet	
minaret	and	an	umbrella-like	roof	which	recognize	
as		an	impressive	example	for	expressionism.	
The	mosque	was	constructed	of	
reinforced	concrete	installed	with	Italian	
marble.	The	main	prayer	hall	of	the	
mosque	can	accommodate	more	than	
3,000	people	for	prayer	at	one	2me	
whilst.	
Apart	from	that,	the	galleries	roofed	with	plen2ful	
small	domes	surrounded	the	main	prayer	hall	can	
withstand	addi2onal	of	5,000	people.
Meanwhile,	the	Na2onal	Mosque	inspired	by	the	modern	mosque	but	ends	with	unique	elements	such	
as…
Na2onal	Mosque	sketch
TANG FU HONG 0323092 Page 47
Before Construction
An	Interna2onal	design	compe22on	was	held	by	the	Kuala	Lumpur’s	Township	Arrangement	and	
this	proposal	was	rejected.	Then,	they	decided	to	hold	the	compe22on	na2onally	and	was	turned	
down	too.	This	was	because	they	found	it	was	difficult	and	costly.		
Finally,	they	resolved	this	by	giving	this	job	to	the	Public	Works	Department	to	design	the	mosque.	
The	Public	Works	Department’s	architects	collected,	analyzed	and	compared	the	famous	mosques’	
designs.	Mr.	Baharuddin	bin	Abu	Kassim	and	another	two	architects	were	assigned	to	design	the	
mosque.	Mr.	Baharuddin	had	visited	and	studied	famous	mosques	from	Pakistan,	Iran,	Turkey,	
Spain,	Arab	and	India.	In	June	1960,	his	design	was	accepted	by	the	mosque	commilee.
CONSTRUCTION TIMELINE
TANG FU HONG 0323092 Page 48
During Construction
Before	they	started	this	project,	they	demolished	the	previous	building	on	site.	Then,	the	
levelling	the	ground,	piling	works	and	construc2on	of	water	system	were	carried	out.	The	design	
of	the	Na2onal	Mosque	was	known	for	its	modernism	expressionism	architecture.		
The	folded	plate	‘dome’	metaphorize	a	royal	umbrella	which	is	the	tradi2onal	Malay	Architecture	
signified	the	importance	of	the	building	as	a	na2onal	monument.	The	construc2on	method	of	the	
mosque	showed	the	advancement	in	building	technology	and	engineering.		
The	245	feet	(about	75	meter)	high	minaret	with	the	umbrella-like	roof	was	the	example	of	
expressionism	in	Na2onal	Mosque.	Reinforced	concrete	covered	with	the	Italian	marbles	were	
also	constructed	in	this	mosque.
After Construction
The	main	hall	prayer	can	shelter	over	3,000	people	for	prayer	and	the	surrounding	galleries	with	
numerous	smaller	domes	can	accommodate	5,000	more	people.
TANG FU HONG 0323092 Page 49
The	structural	system	of	the	Na2onal	Mosque	in	Kuala	
Lumpur	generally	is	a	fusion	of	post	and	beam	concrete	
structure.	
Reinforced	concrete	is	concrete	in	which	steel	is	ingrained	so	the	
two	materials	act	together	in	resis2ng	forces.	To	withstand	the	
bad	weather	condi2ons	such	as	monsoon	in	Malaysia,	the	
reinforced	concrete	was	applied	as	it	was	more	forceful	than	
normal	concrete.
Post		
Beam		
Concrete		
Steel	
Structure
Post and Beam Concrete Structure
Reinforced Concrete
TANG FU HONG 0323092 Page 50
The	Na2onal	Mosque	built	with	the	reinforced	concrete	
folded	plate	roof	which	was	a	Modernist	style	popular	
during	that	2me.	
Construc2on	methods	also	included	several	levels	of	cra`smanship	needed	for	
each	mosque,	covering	the	brand-new	technical	knowledge	brought	in	by	Chinese	
and	Indian	builders	in	conjunc2on	with	the	Bri2sh-educated	engineers	and	
architects	working	with	the	Public	Works	Department.	
The	construc2on	of	the	roof	along	the	veranda	was	built	in	waffle	slabs.
Pans	removed	
near	columns.
Waffle	ribs.	
Finished	
with	blue	
2les.
Waffle Slabs
Reinforced Concrete Folded Plate Roof
TANG FU HONG 0323092 Page 51
MATERIALS USED Exterior Facades
The	coolness	and	texture	of	marble	flooring	and	the	whiteness	of	concrete	roof	of	
the	Heroes’	Mausoleum	embellish	the	quality	of	the	space	by	reflec2ng	the	light	in	
the	interior	of	the	mausoleum	through	the	whiteness	of	the	materials	used.
In	Islamic	study,	the	colour	white	is	concord	with	funeral	rites.	
Heroes’ Mausoleum
The	Heroes’	Mausoleum	is	a	par2ally	
outdoor	space	located	at	the	west	of	
Na2onal	Mosque.
TANG FU HONG 0323092 Page 52
The	concrete	geometrical	grilled	palerns	located	at	the	north	and	east	
sides	of	the	exterior	facade.	Provide	ven2la2on	which	allows	the	wind	
to	pass	through	as	well	as	blocking	the	direct	sunlight	during	the	
day2me.
Concrete Geometrical Grilled Patterns
Provide	ven2la2on	which	allows	
the	wind	to	pass	through.
Blocking	the	direct	sunlight	and	
provide	sufficient	daylight	into	the	
building.
TANG FU HONG 0323092 Page 53
Plain	cream	coloured	marbles	are	installed	on	the	north,	south	and	east	walls	except	for	
the	mihrab	wall.	Decora2ve	elements	are	limited	to	the	main	prayer	hall	of	the	Na2onal	
Mosque.	Thus,	a	line	of	Quranic	verses	wrilen	in	gold	that	comes	across	the	walls	
func2ons	as	the	decora2ve	element	in	a	prudence	way.		
Main Prayer Hall
MATERIALS USED Interior Facades
Band	of	geometrical	palerns	and	Quranic	verses	run	across	the	main	prayer	hall.
TANG FU HONG 0323092 Page 54
The	main	prayer	hall	interlaced	with	the	Quranic	verses	designed	with	a	band	
of	geometric	palerns	made	from	brown,	green	and	blue	coloured	glaze	
ceramic	2les	with	so`	light	penetrated		from	background.
Main Prayer Hall
Quranic	verses
Green	coloured	glazed	ceramic	2les
Blue	coloured	glazed	ceramic	2les
Brown	coloured	glazed	ceramic	2les
TANG FU HONG 0323092 Page 55
The	main	prayer	hall	is	supported	by	16	main	concrete	columns	and	these	
columns	are	elaborated	with	muqarnas	plaster	at	the	top	and	glazed	ceramic	
2les	organized	in	diamond	palern	at	the	bolom.	
Main Prayer Hall
Muqarnas	plaster	
Glazed	ceramic	2les	
diamond	palern	at	
the	bolom.
TANG FU HONG 0323092 Page 56
The	verandah	comes	with	terrazzo	flooring	and	154	concrete	columns	
furnished	with	unglazed	black	mosaic	2les	are	built	to	support	the	billowy	
concrete	roof	at	the	same	2me.	These	columns	accomplished	with	strips	of	
anodized	gold	coloured	aluminium	at	the	top	and	base.	
Verandah
Terrazzo	Flooring
Anodized	Gold	
Coloured	Aluminium
Anodized	Gold	
Coloured	Aluminium
Unglazed	Black	
Mosaic	Tiles
TANG FU HONG 0323092 Page 57
The	walls	on	the	three	facades	of	the	main	prayer	hall	were	installed	with	nine	aluminium	
sliding	doors	anodized	with	gold	colour.	
Aluminium Sliding Doors
Aluminium	anodized	with	gold	colour	
gives	a	grandness	feeling.
TANG FU HONG 0323092 Page 58
Pavillion
The	48	concrete	columns	of	the	pavilion	built	at	the	east	side	of	the	main	
prayer	hall	are	furnished	with	unglazed	white	2le	mosaic.	These	columns	
are	used	to	withstand	the	parasol	roof	structure	of	the	Na2onal	Mosque.
Unglazed	Gold	Tile	
Mosaic
Unglazed	
White	Tile	
Mosaic
TANG FU HONG 0323092 Page 59
SIMILARITIES WITH THE MODERN BUILDING
The	 Similari2es	 with	 the	 Modern	 Building	 in	 the	 West	 Based	 on	 the	
construc2on	 of	 the	 Na2onal	 Mosque,	 we	 can	 see	 some	 similari2es	 with	 the	
construc2on	of	one	of	the	most	well-known	residences	in	the	west,	designed	
by	one	of	the	modern	masters,	Frank	Lloyd	Wright.	The	house	men2oned	is	the	
Falling	water	in	Bear	Run,	Pennsylvania.	
Falling	Water,	Pennsylvania Na2onal	Mosque,	Malaysia
Falling Water
TANG FU HONG 0323092 Page 60
One	of	the	Similari2es	is	that	Fallingwater	was	built	using	reinforced	concrete.	
Reinforced	concrete	is	commonly	used	in	the	modern	building	as	it	was	the	
new	 technology	 at	 that	 period.	 Wright	 had	 also	 designed	 the	 house	 with	
can2levered	 floors.	 This	 reflects	 back	 to	 the	 Na2onal	 Mosque’s	 can2levered	
roof	design.	
Reinforced Concrete
Reinforced	 concrete	 was	 used	 as	 the	 beam	 and	
suppor2ng	structure	of	the	Falling	Water.	Wright	
had	 also	 designed	 the	 house	 with	 can2levered	
floors.
Na2onal	Mosque’s	can2levered	roof	design.
TANG FU HONG 0323092 Page 61
Lastly,	the	third	similarity	was	the	use	of	waffle	slabs.	Wright	used	waffle	slabs	
in	the	construc2on	of	Falling	water	as	it	provided	a	lighter	and	s2ffer	slab	which	
reduced	the	extent	of	founda2ons.	This	slab	was	made	of	a	thin	topping	slab	
and	narrow	ribs	spanning	in	both	direc2ons	between	column	heads	or	band	
beams.	The	column	heads	or	band	beams	are	the	same	depth	as	the	ribs.		
Waffle Slabs
The	construc2on	of	the	roof	along	the	veranda	was	built	in	waffle	slabs.
Pans	removed	
near	columns.
Waffle	ribs.	
Waffles	slab	technique	
was	used	as	the	Falling	
Water’s	base.
TENGKU SYAKIRA 0323079 Page 61
ARCHITECTURAL ELEMENTS /
COMPONENTS ANALYSIS
05
TENGKU SYAKIRA 0323079 Page 62
ROOF
One	of	the	most	prominent	features	of	the	mosque	would	be	the	bright	blue	roof	that	holds	very	high	
significance.	As	other	mosques	would	have	rounded	dome	roofs,	the	Na2onal	Mosque	features	instead	a	
folded	blue	roof.	The	mosque	was	designed	with	the	inten2on	in	emphasising	Malaysia’s	advancement	in	
building	technology	without	forgesng	the	origins	and	incorpora2ng	the	influences	of	tradi2onal	Malay	
style.	In	designing	the	roof,	the	architect	was	inspired	by	how	royals	are	frequently	escorted	by	umbrellas.		
However,	the	use	of	concrete	meant	that	straight	lines	were	needed.	He	found	that	the	payung	kertas	
common	to	tradi2onal	Malaysian	culture	had	straight	lines.	The	final	design	is	similar	to	a	semi-opened	
umbrella	with	16	points.	The	design	not	only	combines	tradi2onal	and	modern,	it	became	an	interes2ng	
way	in	crea2ng	a	larger	span	as	it	covers	the	main	hall.
TENGKU SYAKIRA 0323079 Page 63
The	roof	of	a	mosque	have	come	a	long	way	from	the	first	mosque	which	is	a	rectangular	building	made	
of	four	mud	walls	to	gigan2c	semi	circular	dome	that	dominates	the	whole	building	with	its	iconic	Islamic	
design.	Most	of	the	older	genera2on	of	Mosque	found	in	Malaysia	are	influenced	by	the	Mughal	Style	and	
North	Indian	Style	as	they	carry	a	dis2nguishable	onion	shaped	dome.	
When	the	Malayan	soil	gain	its	independence,	modernism	starts	to	set	into	Malaysia	architecture.	The	
Na2onal	 Mosque	 are	 heavily	 influenced	 by	 Modernis2c	 Expressionism	 which	 carries	 a	 metaphoric	
message	in	a	structurally	expressive	form.	Confron2ng	with	previous	dome	shape	mosque	which	signifies	
a	perfect	circle	that	means	a	perfect	haven,	the	Na2onal	Mosque	ignored	the	tradi2onal	vernacular	style	
and	follows	the	metaphor	of	a	royal	symbolic	icon,	the	golden	payung	kertas.	
Roof Analysis
Roof of the National Mosque Payung Kertas
TENGKU SYAKIRA 0323079 Page 64
In	perspec2ve,	one	of	the	most	visible	and	eye-catching	feature	of	a	mosque	would	be	the	minarets.	It	
can	usually	be	seen	from	far	and	holds	the	importance	of	being	the	point	in	which	a	call	to	prayer	is	
recited	as	it	resonates	throughout	the	surrounding	areas.	A	minaret	is	also	used	as	a	visual	message	of	
the	presence	of	Islam	throughout	a	city’s	skyline.	At	the	Na2onal	Mosque,	the	minaret	stands	up	to	73-
metres	high	and	is	built	next	to	a	long	pool	where	the	reflec2on	of	the	dominant	minaret	can	be	seen	
from	the	main	hall.		Topping	off	the	tall	minaret	is	a	design	that	takes	a`er	the	iconic	roof,	it	resembles	a	
closed	umbrella.	The	top	is	very	unlikely	found	in	most	Islamic	architecture	thus	making	the	towering	
minaret	a	very	iden2fiable	landmark.	
MINARET
TENGKU SYAKIRA 0323079 Page 65
The	Minaret	in	Islamic	religious	architecture	have	always	been	a	beacon	to	the	faithful	prayers.	The	
minaret	was	influenced	by	former	Greek	watchtowers.	It	was	built	to	be	the	landmark	of	Islam.		
Before	the	Na2onal	Mosque	was	built,	the	previous	minaret	of	ancient	mosque	varies	from	pencil-slim	
towers	to	fat	square	sha`s	towers.	In	conjunc2on	with	different	sizes	of	minaret,	the	Na2onal	Mosque	
wanted	to	break	the	typical	norm	and	form	the	unique	octagonal	shaped	minaret.	
Minaret Analysis
TENGKU SYAKIRA 0323079 Page 66
WATER FEATURES
Throughout	the	compound	of	the	Na2onal	Mosque	various	water	features	are	distributed.	The	water	
fountains	are	designed	to	have	an	octagonal	base	which	is	common	in	Islamic	Architecture.
TENGKU SYAKIRA 0323079 Page 67
Water	has	always	been	an	important	element	in	Islamic	life	as	they	say	living	things	are	made	of	water.	
Water	features	have	played	a	vital	role	in	Islamic	architecture	as	symbolize	purifica2on	to	life.	
Viewed	in	an	architectural	perspec2ve,	water	features	found	in	mosque	are	usually	used	to	tackle	to	hot	
climates.	The	water	features	also	helps	to	provide	a	space	for	worshippers	to	cleanse	their	body	before	
entering	the	mosque	for	prayers.	It	also	plays	a	part	in	the	Islamic	architecture	decora2on	as	the	water	
reflects	the	Na2onal	Mosque's	facade	by	emphasizing	the	details	of	the	decora2ons.	
Water Features Analysis
TENGKU SYAKIRA 0323079 Page 68
MAIN HALL
The	main	hall	is	where	the	prayers	are	mostly	held	and	frequently	occupied	by	Muslims.	Upholding	the		In	
the	 hall,	 an	 important	 feature	 in	 a	 mosque’s	 architecture;	 the	 mihrab.	 The	 mihrab	 is	 important	 in	 a	
mosque	as	it	indicates	the	direc2on	of	prayer.	Thus	it	also	determines	the	direc2on	and	posi2on	of	the	
structure	to	increase	the	capacity	of	people	within	the	space.	
Enclosed	by	the	folded	roof,	the	main	hall	of	the	Na2onal	Mosque	is	decorated	with	blue	stained	glass.	As	
natural	light	hits	the	stained	glass	it	is	illuminated	showing	the	Quranic	inscrip2ons	meant	to	serve	as	a	
passive	reminder	of	the	teachings	in	Islam.		
The	 main	 hall	 is	 designed	 to	 have	 an	 open	 floor	 plan	 allowing	 an	 increase	 in	 spa2al	 capacity	 to	
accommodate	mass	crowds	coming	in	during	prayer	2mes.
TENGKU SYAKIRA 0323079 Page 69
COURTYARD
A	feature	that	can	be	found	in	all	congrega2onal	mosques	would	be	the	courtyard.	It	is	important	that	a	
mosque	is	able	to	hold	the	en2re	male	popula2on	of	the	town	especially	to	alend	for	Friday	prayers.	The	
Na2onal	Mosque	courtyard	is	semi-enclosed	thus	can	be	used	to	accommodate	up	to	15,000	Muslims.	
The	courtyard	is	designed	to	allow	sunlight	to	penetrate	into	the	area.	The	courtyard	has	concrete	
parasols	help	by	uniformed	pillars,	gaps	in	between	are	filled	with	glass	to	only	allow	light	to	enter	and	
keeps	the	area	dry	from	rain.	The	walls	are	made	of	octagonal	shapes	reflec2ve	of	Islamic	architecture,	
the	spaces	in	the	palern	allows	for	ven2la2on	as	wind	passes	through.	At	midday	the	courtyard	becomes	
well-lit	as	the	light	is	reflected	by	the	white	2les	crea2ng	a	pure	vibe	in	the	area.
TENGKU SYAKIRA 0323079 Page 70
The	most	basic	design	for	a	mosque	architecture	is	to	be	able	to	accommodate	a	large	amount	of	prayers.	
This	spaces	are	called	Sahn	and	are	influenced	by	the	house	of	Prophet	Muhammad	that	consist	of	a	large	
courtyard.		
As	perceived,	older	Mosque	usually	have	their	Sahn	in	the	open	space,	but	the	Na2onal	Mosque	had	it	
built	it	in	a	semi-enclosed	area.	This	can	be	analyze	that	the	climate	of	an	area	affects	the	spaces	in	the	
Mosque.	 As	 Malaysia	 is	 hot	 and	 humid,	 a	 semi-enclosed	 area	 provides	 a	 cool	 and	 dry	 area	 for	 the	
worshippers	to	carry	out	their	prayers.	
Courtyard Analysis
TANG YING JIEN 0322357 Page 71
Landscape
Roofing	for	low	thermal	capacity	that	
give	good	shading	against	sunlight
S2lted	structure	to	
keep	the	building	cool
Main	component	of		
the	Building	
The	Na2onal	Mosque	is	built	in	rela2on		
with	a	tradi2onal	Malay	house	and	its		
surrounding	landscape.
Landscape Analysis
TANG YING JIEN 0322357 Page 72
Cold	air	enters	the	building	from		
the	s2lt	structure	and	cools	the		
whole	building	through	convec2on
Hot	air	escapes	from	the		
upper	part	of	the	building
The	Na2onal	Mosque	that	are	influenced	by	
tradi2onal	Malay	house	have	columns	that	act	as	
s2lts	to	allow	cool	air	to	enter	from	the	bolom	of	
the	mosque
Landscape Analysis
TANG YING JIEN 0322357 Page 73
Columns
The	48	concrete	parasol-like	columns	in	the	main	
courtyard	are	fringed	sided	by	side	of	the	two	
rectangular	pools.	It	was	a	representa2ve	of	
coconuts	trees	as	the	columns	and	ponds	as	the	
pools	that	hovers	over	main	prayer	area	and	
keeps	it	cool
have	a	similar	
design	of	a	growing	
coconut	tree
Columns Analysis
TANG YING JIEN 0322357 Page 74
Columns	that	are	build	inside	the	grand	hall	have	
a	wider	and	thicker	size	to	support	a	huge	load	of	
worshippers	and	the	heavy	umbrella-shaped	roof
wider	and	stumpier	
in	size
supports	the	heavy	
weight	load
Columns Analysis
TANG YING JIEN 0322357 Page 75
The	idea	of	having	a	bunch	of	columns	in	front	of	
the	prayer	hall	is	to	s2mulate	a	forest	of	coconut	
trees.	It	also	provides	privacy	as	it	blocks	of	the	
visibility	of	the	prayer	hall’s	main	entrance.
Columns Analysis
TANG YING JIEN 0322357 Page 76
Facade
As	most	mosque	are	modelled	a`er	Islamic	
architecture,	the	façades	are	generally	in	
symmetrical	design	with	classical	mo2fs	such	as	8	
pointed	stars	and	basic	polygon	shapes
The	mosque	was	screened	by		
complex	grill	metal	frames,		
painted	with	white	paints
Doors	found	in	Na2onal	Mosque	
have	transparent	façade	to		
allow	the	flow	of	air	circula2on	
within	the	mosque
White	facade	wall	runs	across	
some	part	of	the	exterior
Mo2fs	that	are	commonly	found	in	the	facade	of	
Na2onal	Mosque
Facade Analysis
TANG YING JIEN 0322357 Page 77
Wind	blows	into	
the	Na2onal	Mosque	
allow	good	air		
ven2la2on
Façade	with	metal	frames	are	place	along	the	
exterior	of	the	mosque	to	act	as	a	“wall”	to	allow	
only	cool	wind	to	pass	through	and	blocks	of	the	
hot	sun,	for	allowing	the	worshippers	to	carry	out	
their	prayer	in	a	cool	atmosphere
Sunlights	are	reflected	
to	prevent	it	from	hea2ng	
up	the	interior
Facade Analysis
TANG YING JIEN 0322357 Page 78
Carpet
There	is	also	a	varia2on		
in	the	colour	of	the		
diamond	design	to	show		
the	top	and	bolom	point
Bolom	Point
Top	Point
The	design	of	the	carpets		
are	based	on	general	Islamic		
mo2fs,	which	in	this	case,		
they	use	diamond-like	shape		
to	decorate	the	carpets
Carpet	used	in	the	Na2onal	Mosque	have	a	
universal	idea	which	is	to	ensure	cleanliness	of	
the	place	of	the	prayer	and	carpets	have	a	strong	
symbolic	meaning	to	Islamic	culture
Carpet Analysis
TANG YING JIEN 0322357 Page 79
North	West
Na2onal	Mosque
Mecca
Palern	on	carpet	
showing	the	direc2on
The	use	of	geometrical	shapes	are	to	have	a	
sharp	point	that	points	directly	towards	the	
Mecca	with	a	definite	bolom	point.	Giving	a	hint	
for	worshippers	to	know	which	direc2on	to	pray	
to.
Carpet Analysis
TANG YING JIEN 0322357 Page 80
Mausoleum
Grand	hall	roof	design
Mausoleum	roof	design
the	mausoleum’s	faceted	roof	echoes	the	grand	
hall’s	roof	design.	It	was	to	signify	the	honouring	
for	the	seven	na2onal	heroes	by	sheltering	them	
with	a	golden	payung
Mausoleum Analysis
TANG YING JIEN 0322357 Page 81
the	mausoleum	is	surrounded	by	a	circular	pond	
as	a	circle	is	symbolic	to	a	safe	haven	for	the	
na2onal	heroes	to	rest	upon
A	circular	plan		
of	the	mausoleum
Mausoleum Analysis
TANG YING JIEN 0322357 Page 82
Comparing	to	the	grand	hall	that	have	complex	
design	and	blue	2ling,	the	mausoleum	have	a	
white	concrete	finishing	as	white	colour	
symbolise	pure	hearts	of	the	na2onal	heroes
Grand	Hall	with		
blue	2le	finishing
Mausoleum	with		
white	concrete	finishing
Mausoleum Analysis
Page 83
Before	this	assignment,	we	have	known	not	much	of	informa2on	about	Na2onal	
Mosque.	During	the	whole	assignment,	our	group	has	done	quite	a	lot	of	
research	about	the	characteris2cs	of	the	Na2onal	Mosque	and	the	Na2onal	
Mosque	itself.	The	design	of	the	Na2onal	Mosque	is	quite	interes2ng	because	
they	used	different	types	of	elements	to	construct	it.	Other	than	doing	
researches	on	the	internet,	we	went	to	the	Na2onal	Mosque	to	experience	it	
ourselves.	Before	we	went	into	the	mosque,	we	were	asked	to	wear	their	clothes	
for	not	being	too	expose.	
As	we	went	inside	the	Na2onal	Mosque,	we	experience	the	circula2on	and	how	
the	design	really	look	like	instead	of	seeing	it	in	the	internet.	There	was	a	Ustaz	
who	explained	more	detail	about	the	history	of	the	Na2onal	Mosque	and	the	
reason	they	construct	the	Na2onal	Mosque.	A`er	the	site	visit	and	through	the	
explana2on	of	that	Ustaz,	we	learnt	a	lot	about	the	Na2onal	Mosque	and	we	are	
able	to	proceed	to	divided	the	works	and	produced	a	report	about	the	Na2onal	
Mosque	in	detail.
CONCLUSION
Page 84
REFERENCES LIST
1. Chen,	V.	F.	(1998).	The	encyclopedia	of	Malaysia:	Architecture.	Singapore:	Archipelago	Press.	
2. Google	Maps.	(n.d.).	Retrieved	from	hlps://www.google.com/maps/place/
Na2onal+Mosque+of+Malaysia/@3.1420938,101.6917739,17z/data=!3m1!4b1!4m5!3m4!
1s0x31cc49cf64217f25:0xafe31372d22026~!8m2!3d3.1420938!4d101.6917739	
3. H.	(2015,	February	18).	How	Muslims	Use	Prayer	Rugs.	Retrieved	November	06,	2016,	from	hlp://
islam.about.com/od/prayer/f/prayer_rugs.htm	
4. Hammer,	J.	(2013).	The	Cambridge	companion	to	American	Islam.	New	York:	Cambridge	University	
Press.	
5. Ismail,	S.	(2008,	September).	The	influence	of	Islamic	Poli2cal	Ideology	on	the	Design	of	State	
Mosques	in	West	Malaysia	(1957-2003).	Retrieved	from	hlp://eprints.qut.edu.au/19371/1/
Alice_Ismail_Thesis.pdf	
6. Lai,	C.	K.	(2007).	Building	Merdeka:	Independence	architecture	in	Kuala	Lumpur,	1957-1966.	Kuala	
Lumpur,	Malaysia:	Petronas.	
7. Lim,	J.	Y.	(n.d.).	The	tradi2onal	Malay	house.	Retrieved	November	6,	2016,	from	hlp://
unossc1.undp.org/GSSDAcademy/SIE/Docs/Vol4/Malay_house.pdf	
8. Mah,	K.	(2015).	The	man	behind	Masjid	Negara’s	iconic	‘umbrella’	dome.	Retrieved	November	28,	
2016,	from	hlp://www.themalaymailonline.com/features/ar2cle/the-man-behind-masjid-negaras-
iconic-umbrella-dome	
9. Malaysian	architecture:	Crisis	within.	(2005).	Kuala	Lumpur:	Utusan	Publica2ons	&	Distributors.	
10. Masjid	Negara	(Na2onal	Mosque)	-	Islamic	Tourism	Centre	of	Malaysia.	(n.d.).	Retrieved	from	hlp://
www.itc.gov.my/mosque/masjid-negara-na2onal-mosque/	
11. Masjid	Negara	(Na2onal	Mosque).	(n.d.).	Retrieved	November	28,	2016,	from	hlp://www.itc.gov.my/
mosque/masjid-negara-na2onal-mosque/	
12. Rizvi,	K.	(n.d.).	The	transna2onal	mosque:	Architecture	and	historical	memory	in	the	contemporary	
middle	east	
13. Wijnen,	B.	V.	(n.d.).	Na2onal	Mosque.	Retrieved	November	28,	2016,	from	hlp://
www.malaysiasite.nl/na2onalmosqueeng.htm	
14. Yeang,	K.	(1992).	The	Architecture	of	Malaysia.	Kuala	Lumpur,	Malaysia:	The	Pepin	Press.
END

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National mosque

  • 1. built in August 1965 as a symbol of united Malaysia and a newly independent. NATIONAL MOSQUE ARCHITECTURE CULTURE & HISTORY 2 (ARC60203) August 2016 PROJECT 2 : REPORT Tutor : Ms. Patmaselvi Paramarajah TAN YAN JIE 0323906 | TANG FU HONG 0323092 TANG YING JIEN 0322357 | TAY SIEW WEN 0322879 TEH WEI HONG 0323743 | TENGKU SYAKIRA 0323079
  • 2. Content Page Number Introduc2on 1- 3 1. Site Context Analysis (TAY SIEW WEN 0322879) 4 - 17 2. Architectural Layout of the Building (TAN YAN JIE 0323906) 18 - 29 3. Architectural Style Analysis (TEH WEI HONG 0323743) 30 - 44 4. Building Construc2on, Structure & Material Analysis (TANG FU HONG 0323092) 45 - 61 5. Architectural Elements/ Components Analysis (TENGKU SYAKIRA 0323079) (TANG YING JIEN 0322357) 62 - 70 71 - 82 Conclusion 83 References List 84 TABLE CONTENT
  • 5. Page 3 History A`er Malaysia had gained independence from the Bri2sh in 1957, there was a boom in the architecture world to portray a successful democracy. Hence on 30 July 1957, the Federal Execu2ve Council propose to build a na2onal mosque as a symbol of Malaysia's independence. The Masjid Negara in Kuala Lumpur is heavily influenced by the early Modernism in Malaysian architecture. The architects wanted to imitate the "free plan" design of Le Corbusier, they were the first to ignore strict symmetry of earlier tradi2onal Mosque. As form is more exclusive than func2onality, the principal func2ons of a mosque follows the internal space and shape. Results in a 2 level grand prayer hall that accommodate 5000 worshippers.The most radical design that defies the tradi2onal mosque design, is the umbrella shaped roof which act as a symbolic heads of state for the Muslim. It was a genius combina2on of Middle Eastern and Mogul architecture which inspired the 360° folded plate structure.
  • 6. TAY SIEW WEN 0322879 Page 3 SITE CONTEXT ANALYSIS 01
  • 7. TAY SIEW WEN 0322879 Page 4 BUILDING ACCESSIBILITY • The Na2onal Mosque is placed in a category of the government administra2on enclave in Kuala Lumpur. • Even though the loca2on of the site is far from Muslim residen2al areas, it is nearer to major landmarks such as the Railway sta2on, Merdeka Stadium, Na2onal Stadium, Parliament and other government offices. Figure 1: Loca2on plan
  • 8. TAY SIEW WEN 0322879 Page 5 • It is located crosswise opposite Central Railway Sta2on on 13 acre of low, flat land along Sultan Hishamuddin Road at the East, Cenderasari Road at the North and Lembah Venning Road at the South boundary. Figure 2: Site plan Sultan Hishamuddin Road Lembah Venning Road Cenderasari Road
  • 9. TAY SIEW WEN 0322879 Page 6 • Underground walkway is connected from the mosque to the railway sta2on. • Public facili2es like schools and other marked buildings such as the General Post Office Headquarters and recrea2onal places are located there. Public facilities National Mosque Residential area Figure 3: Site plan
  • 10. TAY SIEW WEN 0322879 Page 7 • The site of the mosque is not limited by compound wall except for the South-West and North-East side area. • There is no proper gateway. • Two low iron grill gates were found at the South-West and North-East side of the mosque for public and mosque authori2es that direct to an open car park. • People are able to enter from the South-East, North-West and North-East side of the mosque from an open courtyard, that is located beside the 3 main roads. • Visitors had to pass through some of the open courtyards, where the man-made pools and water fountains will be found there, before entering the building. Figure 4: Access and compound wall of Na2onal Mosque
  • 11. TAY SIEW WEN 0322879 Page 8 National Mosque Figure 5: Location of surrounding buildings
  • 12. TAY SIEW WEN 0322879 Page 9 Relationship of Building to the Surroundings Name of Building Dayabumi Na2onal Mosque Similari1es Inspired by Moorish Islamic buildings, covered with fretwork refined palerned with the eight point stars of the Islamic mo2fs and painted white to show the purity of Islam. These elements are also found in the Na2onal Mosque. Dayabumi
  • 13. TAY SIEW WEN 0322879 Page 10 Name of Building Sultan Abdul Samad Building Na2onal Mosque Similari1es Has various styles of arches, horseshoe arches and point arches Has various arches found in the building as well. Differences Has narrow veranda Has large and wide veranda Sultan Abdul Samad
  • 14. TAY SIEW WEN 0322879 Page 11 Name of Building The Old Railway Sta2on Na2onal Mosque Similari1es Mixture of western and Mughal (similar to Moorish revival architecture) Na2onal Mosque and The Old Railway Sta2on shared the same architectural style The Old Railway Station
  • 15. TAY SIEW WEN 0322879 Page 12 Name of Building The Islamic Art Museum Na2onal Mosque Similari1es • It is one of the landmarks in Kuala Lumpur. • Islamic architecture style. • Arabic calligraphy drawn on columns and other places on the structure. Na2onal Mosque and The Islamic Art Museum are of the same Islamic architecture style. The Islamic Art Museum
  • 16. TAY SIEW WEN 0322879 Page 13 Respond to Climate The Na2onal Mosque is the best example of the mixture of a modernis2c reinterpreta2on of tradi2onal Malay Architecture with a folded plate ‘dome’ with a metaphor of a royal umbrella.
  • 17. TAY SIEW WEN 0322879 Page 14 A The roof of the main prayer hall is made of folded concrete plate that represents the Malay royal canopy. The diameter of the roof is 61m and supported by 16 main columns. The external part of the roof is covered with layers of green and blue tiles. The interior part of the roof is painted in plain white with no design on its surface. B Three sides of the main prayer hall is surrounded by an open veranda area. RooJing structure at the veranda area is made of concrete slab that is covered by series of small concrete domes that are in blue tiles. These domes are placed at proper layoff. C Underneath the folded plate roof that covers the main prayer hall is a series of coloured glass window to allow natural light to pass through. D At the peak of the folded plate roof is a decorative design that resembles the dome centre piece of Sultan Ahmet mosque in Istanbul.
  • 18. TAY SIEW WEN 0322879 Page 15
  • 19. TAY SIEW WEN 0322879 Page 16 A Folded plates of the concrete main roof were to achieve the large spans required in the main gathering hall. B The purposes of the concrete grilles are for privacy from the main road. Also, these grilles are for ventilation and allow natural lighting to enter the veranda area. C A ‘serambi' or veranda space with light courts and air wells to provide ample day ligh2ng and passive cooling to the building. It will block out direct sunlight and provides shade for prayers and keeps the mosque in a comfortable temperature.
  • 20. TAY SIEW WEN 0322879 Page 17 The pools and fountains there were spread throughout the compound as it can cool down the temperature of the surrounding.
  • 21. TAN YAN JIE 0323906 Page 17 ARCHITECTURAL LAYOUT OF THE BUILDING 02
  • 22. TAN YAN JIE 0323906 Page 18 DRAWINGS Floor Plan Elevation
  • 23. TAN YAN JIE 0323906 Page 19 The diagram below shows the interior design of the na2onal mosque with the legend. Building Layout LEGEND OF NATIONAL MOSQUE ( Ground and 1st Floor) 1. Main Prayer Hall 2. The Woman Prayer Hall 3. Library, imam’s room, Administra2on office 4. Verandah 5. Conference Hall 6. Mausoleum 7. Rectangular pool where the minerat stands 8. Open walkway
  • 24. TAN YAN JIE 0323906 Page 20 -An unique contribu2on to the idea of mosque architecture as well as a monument to the strife for a na2onal architecture iden2ty which is the na2onal mosque that is located in KL. -The design of the Na2onal Mosque, Kuala Lumpur is a combina2on of contemporary architecture and the Islamic tradi2onal arts. -The mosque is comprise of two floors. The first floor consists of main prayer hall, administra2ve office, library, royal antechamber, imam’s room, verandah area, conference hall, mausoleum and rectangular pool. PLAN TO SECTION ANALYSIS
  • 25. TAN YAN JIE 0323906 Page 21 CIRCULATION TO USE SPACE The diagram shows the circula2on of the na2onal mosque. The bold part is mainly more people will pass by and it is also react as the main pathway.
  • 26. TAN YAN JIE 0323906 Page 22 As walk through the linear path, it will pass by a minerat which located at the rectangular pool beside the pathway. Linear path: The path that lead to the Worriors’tomb is linear.
  • 27. TAN YAN JIE 0323906 Page 23 Pass by spaces is the rela2onship between spaces and pathway. The configura2on of the path from entrance to Warriors’ tomb is flexible. But the loca2on of the space establishes that path, which is the Warriors’ tomb. The path-space rela2onship is used to approach and enter func2onally or symbolically important spaces.
  • 28. TAN YAN JIE 0323906 Page 24 MAUSOLEUM : WARRIORS’ TOMB The mausoleums contains two types of architectural elements which is: a circular plinth which provide shelter but need walls and column to support it. Mausoleums are buildings which are large, open and stately one where it is for the shelter of the tombs. Beside that, the well-wishers who offer prayers or visitors who come to visit is protected by the shelter.
  • 29. TAN YAN JIE 0323906 Page 25 The opening of the mausoleums which looks like a triangular shape that folds which are large enough to allow an uninterrupted view from outside and but at the same 2me it allow breeze to flow through the structure. It gives us the feeling of being ‘inside of an outside space’. It was built in 1965 and the combina2on of Islamic and Modernist design principles were used in building Warriors’ Tomb, Na2onal Mosque. The colour, texture and coolness of the marble and the whiteness of the roof are to enhance the quality of space and light in the interior of the mausoleum.
  • 30. TAN YAN JIE 0323906 Page 26 ORGANIZATION SPACES Balance is achieved through the structural plan of this mosque in terms of propor2on and spa2al sequences. As the form of this building is basically quite simple and basic where it is almost symmetrical to each site of the plan as well as the eleva2on. The structural plan is a sequence shaped, hypostyle mosque, meaning it is a flat roof supported by columns. As for the eleva2on the weight of every building is almost the same because of the size and the height. Symmetry and Balance
  • 31. TAN YAN JIE 0323906 Page 27 Symmetrical Balance through plan- the shape of the two roof shows the balance of the building. Symmetrical Balance through eleva2on- the size and height of the building shows the balance between each building.
  • 32. TAN YAN JIE 0323906 Page 28 A grid organiza2on consists of forms and spaces whose posi2ons in space and rela2onship with one another are regulated by a three-dimensional grid palern or field. The arrangement of the pillars in that area is perpendicular sets of parallel lines that establish a regular palern of points at their intersec2ons. Grid Organization
  • 33. TAN YAN JIE 0323906 Page 29 The na2onal mosque doesn’t show quite much of the hierarchy because from the plan it show balance whereas on eleva2on, each building have their own specific shape and sizes. Hierarchy
  • 34. TEH WEI HONG 0323743 Page 29 ARCHITECTURAL STYLE ANALYSIS 03
  • 35. TEH WEI HONG 0323743 Page 30 INTRODUCTION to Na2onal Mosque architecture style Architecture style is one of the important factors which makes the building so significant and historically notable. Elements like the unique method to construct, the forms, func2on of the building, or even the building materials could affect the architecture style of the building. First of all, the idea to build a Na2onal Mosque is to commemorate as a symbol of a newly independent and united Malaysia a`er Malaysia independent which is 1957. The Na2onal Mosque was constructed in 1965 and it was designed by a team of Bri2sh and Malaysian architects which creates a combina2on of cusng-edge modernist design and Islamic architecture can bee seen in the building. This causes Na2onal Mosque influenced by western style, and it consists some of western features for example, landscaped gardens, fountains, pools and a decorated courtyard.
  • 36. TEH WEI HONG 0323743 Page 31 Na2onal mosque consists of two main structure which is a main prayer hall and a Mausoleum. Main prayer hall Mausoleum Minaret On the other hand, the minaret was inspired by the shape of a folded umbrella to create a contrast between them. For the exterior bright blue folded plates of the main dome and it represents an opened umbrella,
  • 37. TEH WEI HONG 0323743 Page 32 Inside the main prayer hall is a vast space with intricately palerned walls, colour-glass windows and elaborate chandeliers. A Mausoleum or a ceremonial area is connected to the main prayer hall which landscaped with ornamental pools and is used for formal ceremonies and houses the bodies of key Malaysian poli2cal figures. Pools and pathways to go in represents a moat and bridges. As a conclusion for this, the forms of na2onal mosque follows the func2on needed and most of the elements or style are adapted from local, Islamic architecture, post-independence architecture and some western influence.
  • 38. 
 TEH WEI HONG 0323743 Page 33 The Royal Umbrella Besides the folded plate dome represented an umbrella to gets rid from the hot and humid tropical climate, it also resemble of a royal umbrella which signifying the importance of the building as a na2onal monument. The Royal Umbrella The architectural expression in Na2onal mosque is quite unique, because it reflect to the site context in Malaysia and some of the forms was inspired by the culture or local produc2on. All these reflects a modern interpreta2on of tradi2onal Malay architecture and Islamic architecture. LOCAL ADAPTATIONS OF MODERNISM
  • 39. TEH WEI HONG 0323743 Page 34 This precast concrete panel provides a sense of rhythm, scale, form and texture to the façade. Skin of Pineapple The precast concrete panelling part with numerous well ornamental details of the building that envelope the 18-storey tower block is the most expressive, and func2onalist. Importantly it is inspired by a pineapple’s skin for atheis2c purpose that allow natural lights to penetrate in and at the same 2me provides an opening for ven2la2on to prevent the hot climate in Malaysia. To overcome local hot and humid climate The architect designed an extensive set of serambi or verandah space with light courts and air wells in Na2onal Mosque to provide sufficient daylight and passive cooling to the building with large fenestra2on for ven2la2on. As it can be clearly seen that the whole mosque are surrounded by the concrete panel through figure on the le`. Local Adaptations of Modernism
  • 40. TEH WEI HONG 0323743 Page 35 Horse Shoe Arch Mosque is a place for Muslim to worship Gods, which Islamic architecture is one of the essen2al requirements to be applied in that building. By comparing to typical mosque, mihrab is the most important structure to own by each mosque to shows the uniqueness of a mosque, but minbar is not that important as it can be applied or not to be. ISLAMIC ARCHITECTURE Figure le` shows the varia2on of horse shoe arches, which applied in the design of mihrab in Na2onal Mosque.
  • 41. TEH WEI HONG 0323743 Page 36 Moreover, the technology and the materials used in Na2onal mosque makes Islam a progressive and dynamic religion as it respect the spirit of the age in .For example, the tradi2onal 2mber mosques of Malaysia were built according to their spirit of the 2mes in rela2on to the construc2on and structural technology of that period. Reinforced concrete is widely used in the construc2on of Na2onal Mosque which shows a modernism influence. The ornaments' palerns or forms applied shows that Na2onal mosque can s2ll portray mosque architectural expression which concerns the idea of spirit of the 2mes. Minaret Besides, there is an ancillary feature that should be installed in each mosque as a typical requirements in Islamic architecture, which is the minaret or muezzin. It func2on is to give a call to fountain or prayer for ambula2on. 21 Islamic Architecture
  • 42. TEH WEI HONG 0323743 Page 37 WESTERN AND MODERNIST INFLUENCES The Na2onal Mosque is one of the western influenced mosques in Malaysia. This is because, at that par2cular 2me, the major idea of having buildings with western-designed mosques in Malaysia are derived from sultan desires and the nobility to shows grandness of Bri2sh culture. Besides, Mosques are built during 18 and 19 century followed the Georgian architecture, which was widely used in England. Georgian architecture consists symmetrical buildings, grand structures, and most of them are decorated with classical mo2fs such as capitalised columns, keyed arches and pediments. Ornamented columns, pediments and arches with classical mo2fs
  • 43. TEH WEI HONG 0323743 Page 38 Symmetrical planning Influenced by Georgian Architecture
  • 44. TEH WEI HONG 0323743 Page 39 Taj Mahal (Indian, Mogul architecture) Moreover, in case to achieve a pala2al effect in the buildings, Bri2sh courts choose to enlarge the space inside although the space is beyond its func2on at that 2me. Besides Georgian architecture, Indian or Mogul style of architecture were also preferred by the Bri2sh administrators, as well as of the growing Indian Muslim community in Malaysia during the late 19th and early 20th centuries. Western and Modernist Influences
  • 45. TEH WEI HONG 0323743 Page 40 1 2 First floor Ground floor Free plan by Le Corbusier 'It refers to an open plan with non load-bearing walls dividing interior space.’ Construc2on of the Na2onal Mosque, in 1965 was probably the most significant event in the history of early Modernism in Malaysia architecture. It was the first building having the design which is different from the strict symmetry layout of typical mosques, and it also create a ‘free plan' feeling that inspired by Le Corbusier (1887-1965), the well-known French architect. The building itself contain of two floors, the first floor with piloted columns which surrounded the main prayer hall and it is preserved like a wide verandas. It is dedicated for prayers’ performance and ceremonies as well. Hence, the ground floor house 18 public facili2es, such as the administra2on office for collec2on of zakat, a clinic, and classrooms for religious instruc2on. POST-INDEPENDENCE MODERNIST By alaching to the principle of ‘form follows func2on' that widely used in the early Modernist, the spaces inside Na2onal Mosque are arranged to its func2on respec2vely.
  • 46. TEH WEI HONG 0323743 Page 41 The most significant architectural style of Na2onal Mosque is the ‘umbrella’ roof. It is a 360 degree folded plate structure which comes from a crea2ve construc2on which creates a unique combina2on of the two major style of Malaysian mosque architecture, modernism style (material) and tradi2onal vernacular mosque (form). Na2onal Mosque was a success masterpiece, which correspond to an interna2onal trend, its structural system (the alachment of symbolic meanings to the structure of a building) became the predominant inspira2on for early post-independence Malaysian mosques. Post-Independence Modernism
  • 47. TEH WEI HONG 0323743 Page 42 COMPARISON TO A TYPICAL MOSQUE Na1onal Mosque, Malaysia Blue Mosque, Istanbul Main prayer hall Minaret Domes Ornaments Elements (Arches)
  • 48. TEH WEI HONG 0323743 Page 43 Pulpit (Mimbar) Other features Heroes’ Mausoleum Fountain Large Courtyard Landscape
  • 49. TEH WEI HONG 0323743 Page 44 As a conclusion as a comparison, every mosques consists of a large prayer hall which called a ‘Sahn' which is a large courtyard to be held a large number of prayer. Moreover, there is a tower called minaret, it is one of the most obvious features in mosque architecture, which a tall tower located nearby a mosque or even alached together. Besides, Qubba, domes of mosques called in Arabic, is symbolic represen2ng the vault of a heaven. It is a significant feature to be owned for every mosque but it is not a ritual requirement like minaret, the tower for calling others prayer.
  • 50. TANG FU HONG 0323092 Page 44 BUILDING CONSTRUCTION, STRUCTURE & MATERIAL ANALYSIS 04
  • 51. TANG FU HONG 0323092 Page 45 TYPICAL MOSQUE CHARACTERISTICS Concrete, bricks, steel, stone and marble are the materials that frequently used in the construc2on of the current modern mosque. The modern mosques usually come with… Plants, palerned pavements, garden ligh2ngs, water features and signages are the pleasing landscape features that usually incorporate with the modern mosques. Tall minarets, onion-shaped or top-shaped domes, and high ceilings are the typical elements that found in the modern mosque. Blue Mosque (Sultan Ahmed Mosque) located at Istanbul
  • 52. TANG FU HONG 0323092 Page 46 Malaysia Na2onal Mosque comes with a 245 feet minaret and an umbrella-like roof which recognize as an impressive example for expressionism. The mosque was constructed of reinforced concrete installed with Italian marble. The main prayer hall of the mosque can accommodate more than 3,000 people for prayer at one 2me whilst. Apart from that, the galleries roofed with plen2ful small domes surrounded the main prayer hall can withstand addi2onal of 5,000 people. Meanwhile, the Na2onal Mosque inspired by the modern mosque but ends with unique elements such as… Na2onal Mosque sketch
  • 53. TANG FU HONG 0323092 Page 47 Before Construction An Interna2onal design compe22on was held by the Kuala Lumpur’s Township Arrangement and this proposal was rejected. Then, they decided to hold the compe22on na2onally and was turned down too. This was because they found it was difficult and costly. Finally, they resolved this by giving this job to the Public Works Department to design the mosque. The Public Works Department’s architects collected, analyzed and compared the famous mosques’ designs. Mr. Baharuddin bin Abu Kassim and another two architects were assigned to design the mosque. Mr. Baharuddin had visited and studied famous mosques from Pakistan, Iran, Turkey, Spain, Arab and India. In June 1960, his design was accepted by the mosque commilee. CONSTRUCTION TIMELINE
  • 54. TANG FU HONG 0323092 Page 48 During Construction Before they started this project, they demolished the previous building on site. Then, the levelling the ground, piling works and construc2on of water system were carried out. The design of the Na2onal Mosque was known for its modernism expressionism architecture. The folded plate ‘dome’ metaphorize a royal umbrella which is the tradi2onal Malay Architecture signified the importance of the building as a na2onal monument. The construc2on method of the mosque showed the advancement in building technology and engineering. The 245 feet (about 75 meter) high minaret with the umbrella-like roof was the example of expressionism in Na2onal Mosque. Reinforced concrete covered with the Italian marbles were also constructed in this mosque. After Construction The main hall prayer can shelter over 3,000 people for prayer and the surrounding galleries with numerous smaller domes can accommodate 5,000 more people.
  • 55. TANG FU HONG 0323092 Page 49 The structural system of the Na2onal Mosque in Kuala Lumpur generally is a fusion of post and beam concrete structure. Reinforced concrete is concrete in which steel is ingrained so the two materials act together in resis2ng forces. To withstand the bad weather condi2ons such as monsoon in Malaysia, the reinforced concrete was applied as it was more forceful than normal concrete. Post Beam Concrete Steel Structure Post and Beam Concrete Structure Reinforced Concrete
  • 56. TANG FU HONG 0323092 Page 50 The Na2onal Mosque built with the reinforced concrete folded plate roof which was a Modernist style popular during that 2me. Construc2on methods also included several levels of cra`smanship needed for each mosque, covering the brand-new technical knowledge brought in by Chinese and Indian builders in conjunc2on with the Bri2sh-educated engineers and architects working with the Public Works Department. The construc2on of the roof along the veranda was built in waffle slabs. Pans removed near columns. Waffle ribs. Finished with blue 2les. Waffle Slabs Reinforced Concrete Folded Plate Roof
  • 57. TANG FU HONG 0323092 Page 51 MATERIALS USED Exterior Facades The coolness and texture of marble flooring and the whiteness of concrete roof of the Heroes’ Mausoleum embellish the quality of the space by reflec2ng the light in the interior of the mausoleum through the whiteness of the materials used. In Islamic study, the colour white is concord with funeral rites. Heroes’ Mausoleum The Heroes’ Mausoleum is a par2ally outdoor space located at the west of Na2onal Mosque.
  • 58. TANG FU HONG 0323092 Page 52 The concrete geometrical grilled palerns located at the north and east sides of the exterior facade. Provide ven2la2on which allows the wind to pass through as well as blocking the direct sunlight during the day2me. Concrete Geometrical Grilled Patterns Provide ven2la2on which allows the wind to pass through. Blocking the direct sunlight and provide sufficient daylight into the building.
  • 59. TANG FU HONG 0323092 Page 53 Plain cream coloured marbles are installed on the north, south and east walls except for the mihrab wall. Decora2ve elements are limited to the main prayer hall of the Na2onal Mosque. Thus, a line of Quranic verses wrilen in gold that comes across the walls func2ons as the decora2ve element in a prudence way. Main Prayer Hall MATERIALS USED Interior Facades Band of geometrical palerns and Quranic verses run across the main prayer hall.
  • 60. TANG FU HONG 0323092 Page 54 The main prayer hall interlaced with the Quranic verses designed with a band of geometric palerns made from brown, green and blue coloured glaze ceramic 2les with so` light penetrated from background. Main Prayer Hall Quranic verses Green coloured glazed ceramic 2les Blue coloured glazed ceramic 2les Brown coloured glazed ceramic 2les
  • 61. TANG FU HONG 0323092 Page 55 The main prayer hall is supported by 16 main concrete columns and these columns are elaborated with muqarnas plaster at the top and glazed ceramic 2les organized in diamond palern at the bolom. Main Prayer Hall Muqarnas plaster Glazed ceramic 2les diamond palern at the bolom.
  • 62. TANG FU HONG 0323092 Page 56 The verandah comes with terrazzo flooring and 154 concrete columns furnished with unglazed black mosaic 2les are built to support the billowy concrete roof at the same 2me. These columns accomplished with strips of anodized gold coloured aluminium at the top and base. Verandah Terrazzo Flooring Anodized Gold Coloured Aluminium Anodized Gold Coloured Aluminium Unglazed Black Mosaic Tiles
  • 63. TANG FU HONG 0323092 Page 57 The walls on the three facades of the main prayer hall were installed with nine aluminium sliding doors anodized with gold colour. Aluminium Sliding Doors Aluminium anodized with gold colour gives a grandness feeling.
  • 64. TANG FU HONG 0323092 Page 58 Pavillion The 48 concrete columns of the pavilion built at the east side of the main prayer hall are furnished with unglazed white 2le mosaic. These columns are used to withstand the parasol roof structure of the Na2onal Mosque. Unglazed Gold Tile Mosaic Unglazed White Tile Mosaic
  • 65. TANG FU HONG 0323092 Page 59 SIMILARITIES WITH THE MODERN BUILDING The Similari2es with the Modern Building in the West Based on the construc2on of the Na2onal Mosque, we can see some similari2es with the construc2on of one of the most well-known residences in the west, designed by one of the modern masters, Frank Lloyd Wright. The house men2oned is the Falling water in Bear Run, Pennsylvania. Falling Water, Pennsylvania Na2onal Mosque, Malaysia Falling Water
  • 66. TANG FU HONG 0323092 Page 60 One of the Similari2es is that Fallingwater was built using reinforced concrete. Reinforced concrete is commonly used in the modern building as it was the new technology at that period. Wright had also designed the house with can2levered floors. This reflects back to the Na2onal Mosque’s can2levered roof design. Reinforced Concrete Reinforced concrete was used as the beam and suppor2ng structure of the Falling Water. Wright had also designed the house with can2levered floors. Na2onal Mosque’s can2levered roof design.
  • 67. TANG FU HONG 0323092 Page 61 Lastly, the third similarity was the use of waffle slabs. Wright used waffle slabs in the construc2on of Falling water as it provided a lighter and s2ffer slab which reduced the extent of founda2ons. This slab was made of a thin topping slab and narrow ribs spanning in both direc2ons between column heads or band beams. The column heads or band beams are the same depth as the ribs. Waffle Slabs The construc2on of the roof along the veranda was built in waffle slabs. Pans removed near columns. Waffle ribs. Waffles slab technique was used as the Falling Water’s base.
  • 68. TENGKU SYAKIRA 0323079 Page 61 ARCHITECTURAL ELEMENTS / COMPONENTS ANALYSIS 05
  • 69. TENGKU SYAKIRA 0323079 Page 62 ROOF One of the most prominent features of the mosque would be the bright blue roof that holds very high significance. As other mosques would have rounded dome roofs, the Na2onal Mosque features instead a folded blue roof. The mosque was designed with the inten2on in emphasising Malaysia’s advancement in building technology without forgesng the origins and incorpora2ng the influences of tradi2onal Malay style. In designing the roof, the architect was inspired by how royals are frequently escorted by umbrellas. However, the use of concrete meant that straight lines were needed. He found that the payung kertas common to tradi2onal Malaysian culture had straight lines. The final design is similar to a semi-opened umbrella with 16 points. The design not only combines tradi2onal and modern, it became an interes2ng way in crea2ng a larger span as it covers the main hall.
  • 70. TENGKU SYAKIRA 0323079 Page 63 The roof of a mosque have come a long way from the first mosque which is a rectangular building made of four mud walls to gigan2c semi circular dome that dominates the whole building with its iconic Islamic design. Most of the older genera2on of Mosque found in Malaysia are influenced by the Mughal Style and North Indian Style as they carry a dis2nguishable onion shaped dome. When the Malayan soil gain its independence, modernism starts to set into Malaysia architecture. The Na2onal Mosque are heavily influenced by Modernis2c Expressionism which carries a metaphoric message in a structurally expressive form. Confron2ng with previous dome shape mosque which signifies a perfect circle that means a perfect haven, the Na2onal Mosque ignored the tradi2onal vernacular style and follows the metaphor of a royal symbolic icon, the golden payung kertas. Roof Analysis Roof of the National Mosque Payung Kertas
  • 71. TENGKU SYAKIRA 0323079 Page 64 In perspec2ve, one of the most visible and eye-catching feature of a mosque would be the minarets. It can usually be seen from far and holds the importance of being the point in which a call to prayer is recited as it resonates throughout the surrounding areas. A minaret is also used as a visual message of the presence of Islam throughout a city’s skyline. At the Na2onal Mosque, the minaret stands up to 73- metres high and is built next to a long pool where the reflec2on of the dominant minaret can be seen from the main hall. Topping off the tall minaret is a design that takes a`er the iconic roof, it resembles a closed umbrella. The top is very unlikely found in most Islamic architecture thus making the towering minaret a very iden2fiable landmark. MINARET
  • 72. TENGKU SYAKIRA 0323079 Page 65 The Minaret in Islamic religious architecture have always been a beacon to the faithful prayers. The minaret was influenced by former Greek watchtowers. It was built to be the landmark of Islam. Before the Na2onal Mosque was built, the previous minaret of ancient mosque varies from pencil-slim towers to fat square sha`s towers. In conjunc2on with different sizes of minaret, the Na2onal Mosque wanted to break the typical norm and form the unique octagonal shaped minaret. Minaret Analysis
  • 73. TENGKU SYAKIRA 0323079 Page 66 WATER FEATURES Throughout the compound of the Na2onal Mosque various water features are distributed. The water fountains are designed to have an octagonal base which is common in Islamic Architecture.
  • 74. TENGKU SYAKIRA 0323079 Page 67 Water has always been an important element in Islamic life as they say living things are made of water. Water features have played a vital role in Islamic architecture as symbolize purifica2on to life. Viewed in an architectural perspec2ve, water features found in mosque are usually used to tackle to hot climates. The water features also helps to provide a space for worshippers to cleanse their body before entering the mosque for prayers. It also plays a part in the Islamic architecture decora2on as the water reflects the Na2onal Mosque's facade by emphasizing the details of the decora2ons. Water Features Analysis
  • 75. TENGKU SYAKIRA 0323079 Page 68 MAIN HALL The main hall is where the prayers are mostly held and frequently occupied by Muslims. Upholding the In the hall, an important feature in a mosque’s architecture; the mihrab. The mihrab is important in a mosque as it indicates the direc2on of prayer. Thus it also determines the direc2on and posi2on of the structure to increase the capacity of people within the space. Enclosed by the folded roof, the main hall of the Na2onal Mosque is decorated with blue stained glass. As natural light hits the stained glass it is illuminated showing the Quranic inscrip2ons meant to serve as a passive reminder of the teachings in Islam. The main hall is designed to have an open floor plan allowing an increase in spa2al capacity to accommodate mass crowds coming in during prayer 2mes.
  • 76. TENGKU SYAKIRA 0323079 Page 69 COURTYARD A feature that can be found in all congrega2onal mosques would be the courtyard. It is important that a mosque is able to hold the en2re male popula2on of the town especially to alend for Friday prayers. The Na2onal Mosque courtyard is semi-enclosed thus can be used to accommodate up to 15,000 Muslims. The courtyard is designed to allow sunlight to penetrate into the area. The courtyard has concrete parasols help by uniformed pillars, gaps in between are filled with glass to only allow light to enter and keeps the area dry from rain. The walls are made of octagonal shapes reflec2ve of Islamic architecture, the spaces in the palern allows for ven2la2on as wind passes through. At midday the courtyard becomes well-lit as the light is reflected by the white 2les crea2ng a pure vibe in the area.
  • 77. TENGKU SYAKIRA 0323079 Page 70 The most basic design for a mosque architecture is to be able to accommodate a large amount of prayers. This spaces are called Sahn and are influenced by the house of Prophet Muhammad that consist of a large courtyard. As perceived, older Mosque usually have their Sahn in the open space, but the Na2onal Mosque had it built it in a semi-enclosed area. This can be analyze that the climate of an area affects the spaces in the Mosque. As Malaysia is hot and humid, a semi-enclosed area provides a cool and dry area for the worshippers to carry out their prayers. Courtyard Analysis
  • 78. TANG YING JIEN 0322357 Page 71 Landscape Roofing for low thermal capacity that give good shading against sunlight S2lted structure to keep the building cool Main component of the Building The Na2onal Mosque is built in rela2on with a tradi2onal Malay house and its surrounding landscape. Landscape Analysis
  • 79. TANG YING JIEN 0322357 Page 72 Cold air enters the building from the s2lt structure and cools the whole building through convec2on Hot air escapes from the upper part of the building The Na2onal Mosque that are influenced by tradi2onal Malay house have columns that act as s2lts to allow cool air to enter from the bolom of the mosque Landscape Analysis
  • 80. TANG YING JIEN 0322357 Page 73 Columns The 48 concrete parasol-like columns in the main courtyard are fringed sided by side of the two rectangular pools. It was a representa2ve of coconuts trees as the columns and ponds as the pools that hovers over main prayer area and keeps it cool have a similar design of a growing coconut tree Columns Analysis
  • 81. TANG YING JIEN 0322357 Page 74 Columns that are build inside the grand hall have a wider and thicker size to support a huge load of worshippers and the heavy umbrella-shaped roof wider and stumpier in size supports the heavy weight load Columns Analysis
  • 82. TANG YING JIEN 0322357 Page 75 The idea of having a bunch of columns in front of the prayer hall is to s2mulate a forest of coconut trees. It also provides privacy as it blocks of the visibility of the prayer hall’s main entrance. Columns Analysis
  • 83. TANG YING JIEN 0322357 Page 76 Facade As most mosque are modelled a`er Islamic architecture, the façades are generally in symmetrical design with classical mo2fs such as 8 pointed stars and basic polygon shapes The mosque was screened by complex grill metal frames, painted with white paints Doors found in Na2onal Mosque have transparent façade to allow the flow of air circula2on within the mosque White facade wall runs across some part of the exterior Mo2fs that are commonly found in the facade of Na2onal Mosque Facade Analysis
  • 84. TANG YING JIEN 0322357 Page 77 Wind blows into the Na2onal Mosque allow good air ven2la2on Façade with metal frames are place along the exterior of the mosque to act as a “wall” to allow only cool wind to pass through and blocks of the hot sun, for allowing the worshippers to carry out their prayer in a cool atmosphere Sunlights are reflected to prevent it from hea2ng up the interior Facade Analysis
  • 85. TANG YING JIEN 0322357 Page 78 Carpet There is also a varia2on in the colour of the diamond design to show the top and bolom point Bolom Point Top Point The design of the carpets are based on general Islamic mo2fs, which in this case, they use diamond-like shape to decorate the carpets Carpet used in the Na2onal Mosque have a universal idea which is to ensure cleanliness of the place of the prayer and carpets have a strong symbolic meaning to Islamic culture Carpet Analysis
  • 86. TANG YING JIEN 0322357 Page 79 North West Na2onal Mosque Mecca Palern on carpet showing the direc2on The use of geometrical shapes are to have a sharp point that points directly towards the Mecca with a definite bolom point. Giving a hint for worshippers to know which direc2on to pray to. Carpet Analysis
  • 87. TANG YING JIEN 0322357 Page 80 Mausoleum Grand hall roof design Mausoleum roof design the mausoleum’s faceted roof echoes the grand hall’s roof design. It was to signify the honouring for the seven na2onal heroes by sheltering them with a golden payung Mausoleum Analysis
  • 88. TANG YING JIEN 0322357 Page 81 the mausoleum is surrounded by a circular pond as a circle is symbolic to a safe haven for the na2onal heroes to rest upon A circular plan of the mausoleum Mausoleum Analysis
  • 89. TANG YING JIEN 0322357 Page 82 Comparing to the grand hall that have complex design and blue 2ling, the mausoleum have a white concrete finishing as white colour symbolise pure hearts of the na2onal heroes Grand Hall with blue 2le finishing Mausoleum with white concrete finishing Mausoleum Analysis
  • 90. Page 83 Before this assignment, we have known not much of informa2on about Na2onal Mosque. During the whole assignment, our group has done quite a lot of research about the characteris2cs of the Na2onal Mosque and the Na2onal Mosque itself. The design of the Na2onal Mosque is quite interes2ng because they used different types of elements to construct it. Other than doing researches on the internet, we went to the Na2onal Mosque to experience it ourselves. Before we went into the mosque, we were asked to wear their clothes for not being too expose. As we went inside the Na2onal Mosque, we experience the circula2on and how the design really look like instead of seeing it in the internet. There was a Ustaz who explained more detail about the history of the Na2onal Mosque and the reason they construct the Na2onal Mosque. A`er the site visit and through the explana2on of that Ustaz, we learnt a lot about the Na2onal Mosque and we are able to proceed to divided the works and produced a report about the Na2onal Mosque in detail. CONCLUSION
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  • 92. END