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What do film companies have to
think about when they are
targeting different audiences
GLOBAL AND LOCAL
AUDIENCES
At the Pre -Production Stage
• While the idea is being developed in the pre-production phase the
producers will need to think about the potential target audience,
how the audience will relate to the idea, how many people would
watch the film.
• Global Appeal Local Appeal
The Hobbit Fifth Estate Shifty
l
Casting Appeal – Global or Local?
Riz Ahmed Shifty
Daniel Mays Chris
Jason Flemyng Glen
Nitin Ganatra Rez
Jay Simpson Trevor
Dannielle Brent Jasmine
Francesca Annis Valerie
Kate
Groombridge
Loretta
Jason Maza Malik
Peter Capaldi
Alan
Rushbridger
David Thewlis Nick Davier
Dan Stevens Ian Katz
Daniel Brühl Daniel Berg
Benedict
Cumberbatch
Julian
Assange
Jamie
Blackley
Ziggy
Ludger Pistor Supervisor
Martin
Freeman
Bilbo
Richard
Armitage
Thorin
Ken Stott Balin
Graham
McTavish
Dwalin
William
Kircher
Bifur / Tom
Troll
James
Nesbitt
Bofur
Stephen
Hunter
Bombur
Aidan
Turner
Kili
Peter
Hambleton
Gloin / Will
iam Troll
• Hobbit – many UK based James Nesbitt, Martin Freeman
New Zealand: William Kircher
Fifth Estate: Benedict Cumberbatch – British but with past
Hollywood successes e.g Atonment
Daniel Bruhi – German but with past credits
Alicia Vikander – Sweedish
Shifty: Daniel Mays – British (low key work previously) Ritz Ahmed –
British – generally low key did act in the Road to Guantanmo
Director Appeal – Global or Local?
• Peter Jackson Bill Condon Eran Creevy
New Zealand
American
British
Summary
• Summarise why The Hobbit appealed to a global audience
• How did The Fifth Estate try to appeal to both a local and global
audience? Why do you think it failed to appeal to the global market
• Why would Shifty not appeal to a global audience? How does it
appeal to a UK audience?
Distribution -Local VS Global
• Who distributed our case study film?
• Local Appeal – will often have an understated/small distribution
campaign. The budget will be a lot smaller. Independent
Distributors tend to be the people that distribute films with local
appeal (Warp/ WarpX /Metrodome/ Optimum Releasing)
• Global – distribution campaign will be big, backed with a lot of
money and will be controlled by the big six -Viacom Time Warner
Walt Disney, Fox, Universal/Vivendi, and Sony. They don’t play well
with others!
• Why did it work for The Hobbit but not The Fifth Estate?
Frozen and 12 Years a Slave
• Research these two case studies and find out about their Global and
Local (British) appeal
• Discus how they managed to do both successful and what evidence
there is to say that they were successful for both a Global and Local
audience.
• You should consider
• Cast
• Crew
• Storyline , stereotypes and characters
• Themes and messages
• Production Values
• Distribution
• Reviews
• Box Office Mojo
Planning a response in Groups
• What are some of the reasons for the popularity of US
produced films for UK audiences and can UK films achieve
success in the US?
• Write the introduction to this question (200 words)
• What would be your central argument and what four key points
would you make?
• Give specific details from the case studies and explain why you
would include that information.
• What other films could you talk about and what could you say?
• What key terminology would you use (explain the terms in your
own words)
Prepare as a ONE PAGE word document that can be photocopied for
the class

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Global and local audiences 2015

  • 1. What do film companies have to think about when they are targeting different audiences GLOBAL AND LOCAL AUDIENCES
  • 2. At the Pre -Production Stage • While the idea is being developed in the pre-production phase the producers will need to think about the potential target audience, how the audience will relate to the idea, how many people would watch the film. • Global Appeal Local Appeal The Hobbit Fifth Estate Shifty l
  • 3. Casting Appeal – Global or Local? Riz Ahmed Shifty Daniel Mays Chris Jason Flemyng Glen Nitin Ganatra Rez Jay Simpson Trevor Dannielle Brent Jasmine Francesca Annis Valerie Kate Groombridge Loretta Jason Maza Malik Peter Capaldi Alan Rushbridger David Thewlis Nick Davier Dan Stevens Ian Katz Daniel Brühl Daniel Berg Benedict Cumberbatch Julian Assange Jamie Blackley Ziggy Ludger Pistor Supervisor Martin Freeman Bilbo Richard Armitage Thorin Ken Stott Balin Graham McTavish Dwalin William Kircher Bifur / Tom Troll James Nesbitt Bofur Stephen Hunter Bombur Aidan Turner Kili Peter Hambleton Gloin / Will iam Troll
  • 4. • Hobbit – many UK based James Nesbitt, Martin Freeman New Zealand: William Kircher Fifth Estate: Benedict Cumberbatch – British but with past Hollywood successes e.g Atonment Daniel Bruhi – German but with past credits Alicia Vikander – Sweedish Shifty: Daniel Mays – British (low key work previously) Ritz Ahmed – British – generally low key did act in the Road to Guantanmo
  • 5. Director Appeal – Global or Local? • Peter Jackson Bill Condon Eran Creevy New Zealand American British
  • 6. Summary • Summarise why The Hobbit appealed to a global audience • How did The Fifth Estate try to appeal to both a local and global audience? Why do you think it failed to appeal to the global market • Why would Shifty not appeal to a global audience? How does it appeal to a UK audience?
  • 7. Distribution -Local VS Global • Who distributed our case study film? • Local Appeal – will often have an understated/small distribution campaign. The budget will be a lot smaller. Independent Distributors tend to be the people that distribute films with local appeal (Warp/ WarpX /Metrodome/ Optimum Releasing) • Global – distribution campaign will be big, backed with a lot of money and will be controlled by the big six -Viacom Time Warner Walt Disney, Fox, Universal/Vivendi, and Sony. They don’t play well with others! • Why did it work for The Hobbit but not The Fifth Estate?
  • 8. Frozen and 12 Years a Slave • Research these two case studies and find out about their Global and Local (British) appeal • Discus how they managed to do both successful and what evidence there is to say that they were successful for both a Global and Local audience. • You should consider • Cast • Crew • Storyline , stereotypes and characters • Themes and messages • Production Values • Distribution • Reviews • Box Office Mojo
  • 9. Planning a response in Groups • What are some of the reasons for the popularity of US produced films for UK audiences and can UK films achieve success in the US? • Write the introduction to this question (200 words) • What would be your central argument and what four key points would you make? • Give specific details from the case studies and explain why you would include that information. • What other films could you talk about and what could you say? • What key terminology would you use (explain the terms in your own words) Prepare as a ONE PAGE word document that can be photocopied for the class

Editor's Notes

  1. Discuss in general what you would need to do to appeal to global or a UK local audience
  2. How would these films appeal to Global/Local market and why Hollywood actors tend to have more global appeal than actors from other countries – unless they have acted in a Hollywood film, Talk about how the non US stars are ‘americanised’ David Thewlis – Harry Potter, War Horse, Striped PJs
  3. Big name directors help sell the film to a global audience – especially if the have created a global hit before. English ones can if they have a track record but can better for a local market, no name no chance with global
  4. Discuss questions