2. If the art of observation is
necessary itself to
experience something from
art itself, to be able to find
beautiful what is beautiful,
to enjoy that work of art
and look up to the artist’ s
spirit, it is even more
necessary to understand the
elements the artist uses for
his/ her work of art.
THE ART OF OBSERVATION.
3. 1.2 CREATIVEABILITIES.
Esthetics is the study of the
mind and emotions in relation
tothe sense of beauty.
IMAGINATIVEABILITY.
All kinds of artisticform are
the result of the order and
harmony created by the
intelligence over the
sensorial data.
BACKGROUND AND
SHAPE
Theart hasthemagicalpowerto
transportusto themoment in
whichthosecharacters’livestook
place.
4. 1.2 CREATIVEABILITIES.STYLIZATION
To emphasize the
features that allow the
development or
expression of his/her
main idea, dismissing
in this way all that
which is not subjected
to the work unit.
ABSTRACTION
Abstraction means to
take something out, to
get rid of what is just
an accessory and to
keep only what is
most interesting.
THEARTISTICIDEA
The concept – shape,
the concept - rhythm,
the concept harmony
or any other concept
could be abstracted
and become a universal
idea without sensorial
accessories: however,
during the creative
process of a
determined work, the
shape of that escape by
Bach.
6. 1.4 For a theory of Film – making realization.
SUBJECTIVE
INTERVENTION
• In here the director has
a great power, he can
express his intention in
several ways, all his
cultural relationship
with the world can be
manifested in the movie.
ILLUSION OFSIMILARITY
• Everything in a movie is
fictional.
• The way objects can be
presented may change
according to the
purpose and
development of the
story.
7. ILLUSION OF SIMILARITY.
The filmmaker chooses a series
of objects, things, landscape or
persons as syntagmas (signsof a
symbolic language) which, if they
have a grammatical history that
is conferred on them at this
precise moment.
The illusion of similarity and
illusion of motion, both ruled by
the magic art of the author.
