Cinema Appreciation

2.  1.1 Observation of Art and the art of
Observation
 1.2 Creative abilities
 1.3 Fundamental principles of artistic work
 1.4 For a theory of Film – making realization.

3.  When you participate in an artist’s work in
short periods of time you must do it in a
deep way.

4.  In the middle of the 18th century the term
Esthetics was created by the disciple of
Leibniz, Alejandro Baumgarten.

5.  The word “art” comes from “aguere”, which
in Latin means to do, to carry out.

6.  Cinema is the creation of motion by means
of images on the screen.

7.  Fantasy or imagination is a human ability
which has unfortunately dismissed in the
education of human beings.

8.  “BACKGROUND” is used to refer to the
content presented by the work of art.

9.  UNITY
 RHYTHM
 VARIETY
 CONTRAST
 PROGRESSIVE DEVELOPMENT
 CLIMAX
 THE TOTAL CYCLE
 TIME AND SPACE

10.  It is the most elemental and necessary
quality of a work
 at the same time, the most difficult to build ,
simply because it is not on a level or another,
but demands, masters and organizes all
those elements that make the whole work.

11.  Is then the continuous repetition of the same
element
 The art of avoiding monotony

12.  There is another useful resource to avoid
monotony
 Means increasing interest

13.  The most important even in the story.
The Dramatic Plan has four essential parts:
-Introduction
-Development
-Culmination or Climax and
E-nd

14.  The Unity and Variety also the Repetition,
Rhythm, Contrast, Progressive Development
and Total Cycle phenomena within a
temporality order, that is to say, as a TIME
manifestation.

15.  Subjective intervention.
 Film – making narration: it cannot hide the
reporter .
 The ilusion of similarity: Everything is
fictitious on the screen.