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THE GREAT PLEBEIAN COLLEGE
College of Teacher Education
Course Syllabus
SY 2021-2022
Course Code/Title GEN ED 6 - ART APPRECIATION
Day/Time/Room MWF / 1:00-2:00
Instructor EDLYN MAE C. SARMIENTO, MAEd
Consultation Hours
Course Description: This course will provide general understanding about the most important elements of the study of the humanities. Art
Appreciation as a course, attempts to develop students the ability to appreciate, scrutinize, and appraise works of art.
Learning Outcomes (LOs)
Graduate Attributes At the end of the course, the students will be able to:
LO1: Expert Learner  Understandthe role of humanitiesandartsin man’sattemptatfullyrealizinghisend,ClarifyMisconceptionson
Art
 identifythe subjectmatterand contentof specificexamplesof art
LO2: Critical and Creative
Thinker
 Characterize the Assumptionsof ArtsandEngage betterwithPersonalExperiencesof andinArt
 Distinguishbetweendirectlyfunctional andindirectlyfunctional art,Explainand discussthe basicphilosophical
perspectivesonthe art,
 Differentiaterepresentationalartandnon-representational art,Discussthe difference betweenanartwork’s
subjectandits content,
LO3: Fluent and Effective
Communicator
 Discussthe meaningof Art andWhendo we encounterArt
 Explainthe typesof Dramaand elementsof Drama
 Explainthe relevance of the elementsandprinciplesof artinthe studyof art and itsproducts(artworks),and
Illustrate examplesof hybridartanddissectwhatart formsare combinedtherein
LO4: Expert Doer  Realize the functionof some artformsindailylife andApplyconceptsandtheoriesonbeautyandaestheticsin
real life scenarios
LO5: Expert Self  DifferentiateArtfromNature,Characterize artisticexpression basedonpersonal experienceswithart,
 Discussthe nature of Art’s preliminaryexpressionandCategorize worksof artbycitingpersonal
experiences
 Identifyanddefine the differentindividualsandgroupswhotake onvariedrolesinthe worldof artand culture
and Classifythe practicesof artistsintermsof form,medium,andtechnique
LO6: Expert Community
Participant
 Outline the historyof the emergence of artistsandartisans,Recognize andcriticallydiscussthe functionof state
sponsorshipinthe fieldof artsand culture throughthe National AtistsAwardandthe Gawadsamanlilikhang
Bayan(GAMABA)
 Identifythe keyinfluencestoChinese art,Identifykeycharacteristicsof Japaneseart,Compare andcontrast
Chinese andJapanese artworks,Trace the developmentof Philippine artwork
LO7: Expert Agent of
Change
 Enumerate the sourcesof the subjectsof some of the mostrecognizableworksof artinPhilippine arthistory
 Differentiatethe techniquesusedduringthe three kingdomsof earlyEgypt,andExplainhowartislinkedwith
 religioninearlyEgyptiancivilization
 Differentiatemodernandcontemporaryart,Show the Interrelationof modernandcontemporaryart,Isolate and
discusssignificanthistorical eventsthatinformedandinspiredthe differentmovementsundercontemporaryart
and Classifyspecificartworksintodifferentmovementsundercontemporaryart
Final Course Output
LEARNING OUTCOME REQUIRED OUTPUT DUE DATE
Which LOs were achieved?
Example:
L01,L02, L03, L04, L05,
L06, L07
1. Online Quizzes, Activities, Assignments, Comprehensive oral and written reports on:
 What is Art, Introduction and Assumptions
 Art Appreciation, Creativity, Imagination, and Expression
 Functions and Philosophical Perspectives on Art
WEEK 1-5
L01, L02, L03, L04, L05,
L06, L07
 Online Quizzes, Activities, Assignments, Comprehensive oral and written report:
 Subject and Content
 Artists and Artisans
Week 6-9
L01, L02, L03, L04, L05,
L06, L07
1. Online Quizzes, Activities, Assignments,, Comprehensive oral and written report:
 Elements and Principles of Art
 Art in early Civilization
Week 10-15
L01, L02, L03, L04, L05 1. Online Quizzes, Activities, Assignments,, Comprehensive oral and written report
 Art of Emerging Europe
 Caught in Between; Modern and Cotemporary Art
Week 16-20
Learning Plan
LOs Topics Week # Experiential Learning Activities References
LO1
LO2
LO3
L04
L05
L06,
L07
Syllabus, Orientation/House Rules,
 Lesson 1: What is Art, Introduction and
Assumptions
 Lesson 2: Art Appreciation, Creativity,
Imagination, and Expression
 Functions and Philosophical Perspectives on
Art
1-5 Recorded Video/Online Class
Module
Multimedia
Recorded Video/Online Class
Module
Multimedia
Recorded Video/Online Class
Module
Multimedia
Art Appreciation
Bernardo Nicolas Caslib, Jr.,
Dorothea C. Garing, Jezreel Anne
R. Casaul
Art Appreciation
Bernardo Nicolas Caslib, Jr.,
Dorothea C. Garing, Jezreel Anne
R. Casaul
Art Appreciation
Bernardo Nicolas Caslib, Jr.,
Dorothea C. Garing, Jezreel Anne
R. Casaul
L01
L02
L03
L04
L05
L06
 Lesson 4: Subject and Content 6-9 Recorded Video/Online Class
Module
Multimedia
Art Appreciation
Bernardo Nicolas Caslib, Jr.,
Dorothea C. Garing, Jezreel Anne
R. Casaul
L07  Lesson 5: Artists and Artisans Recorded Video/Online Class
Module
Multimedia
Art Appreciation
Bernardo Nicolas Caslib, Jr.,
Dorothea C. Garing, Jezreel Anne
R. Casaul
L01
L02
L03
L04
L05
L06
L07
 Lesson 6: Elements and Principles of Art
 Lesson 7: Art in early Civilization
10-15 Recorded Video/Online Class
Module
Multimedia
Recorded Video/Online Class
Module
Multimedia
Art Appreciation
Bernardo Nicolas Caslib, Jr.,
Dorothea C. Garing, Jezreel Anne
R. Casaul
Art Appreciation
Bernardo Nicolas Caslib, Jr.,
Dorothea C. Garing, Jezreel Anne
R. Casaul
L01
LO2
L03
L04
L05
L06
L07
 Lesson 8: Art of Emerging Europe
 Lesson 9: Caught in Between; Modern and
Cotemporary Art
16-20 Recorded Video/Online Class
Module
Multimedia
Recorded Video/Online Class
Module
Multimedia
Art Appreciation
Bernardo Nicolas Caslib, Jr.,
Dorothea C. Garing, Jezreel Anne
R. Casaul
Art Appreciation
Bernardo Nicolas Caslib, Jr.,
Dorothea C. Garing, Jezreel Anne
R. Casaul
Grading System
CUMULATIVE GRADING SYSTEM:
Prelim Grade (PG) Criteria:
Recitation/ Participation ……………………….20%
Attendance……………………………………...10 %
Average Quizzes …………………………….…20%
Assignment/ Paperworks/ Projects……………..20%
Periodic Test ……………………………….….30%
TOTAL 100%
Midterm Grade (MG)= 1PG + Tentative Midterm Grade
3
Semi-final Grade (SPG)= 1MG + 2 Tentative Semi-Final Grade 3
Final Grade (FG)= 1 SPG + 2 Tentative Final Grade
3
NOTE: Grade should be ROUNDED OFF only in Final Grade.
References
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 Greene, M. (1995). Art and Imagination: Reclaiming the Sense of Possibility. Indiana, USA: Phi Delta Kappa International.
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https://www.moma.org/learn/moma_learning/themes/conceptual-art/performace-intro-art
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exhibitions/poetry-art-form.html.
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profile/national-artists-ofthe-philippines/.
 National Commission for Culture and the Arts. (n.d.). "National Living Treasures Guidelines." Accessed November 1, 2017. Retrieved from
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philippine-visual-arts/.
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 Modern Art Insight. Accessed November 3, 2017. Retrieved from http://www.theartstory.org/movement-minimalism.htm.
SUBMITTED BY:
Edlyn Mae C. Sarmiento, MAEd
Instructor
Notedby:
___________________________________________
Dean:Maria Corazon C. Colendrino, PhD
President:Francy C. Celso, MPA
Department: College of Teacher Education

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Art appreciation

  • 1. THE GREAT PLEBEIAN COLLEGE College of Teacher Education Course Syllabus SY 2021-2022 Course Code/Title GEN ED 6 - ART APPRECIATION Day/Time/Room MWF / 1:00-2:00 Instructor EDLYN MAE C. SARMIENTO, MAEd Consultation Hours Course Description: This course will provide general understanding about the most important elements of the study of the humanities. Art Appreciation as a course, attempts to develop students the ability to appreciate, scrutinize, and appraise works of art. Learning Outcomes (LOs) Graduate Attributes At the end of the course, the students will be able to: LO1: Expert Learner  Understandthe role of humanitiesandartsin man’sattemptatfullyrealizinghisend,ClarifyMisconceptionson Art  identifythe subjectmatterand contentof specificexamplesof art LO2: Critical and Creative Thinker  Characterize the Assumptionsof ArtsandEngage betterwithPersonalExperiencesof andinArt  Distinguishbetweendirectlyfunctional andindirectlyfunctional art,Explainand discussthe basicphilosophical perspectivesonthe art,  Differentiaterepresentationalartandnon-representational art,Discussthe difference betweenanartwork’s subjectandits content, LO3: Fluent and Effective Communicator  Discussthe meaningof Art andWhendo we encounterArt  Explainthe typesof Dramaand elementsof Drama  Explainthe relevance of the elementsandprinciplesof artinthe studyof art and itsproducts(artworks),and Illustrate examplesof hybridartanddissectwhatart formsare combinedtherein
  • 2. LO4: Expert Doer  Realize the functionof some artformsindailylife andApplyconceptsandtheoriesonbeautyandaestheticsin real life scenarios LO5: Expert Self  DifferentiateArtfromNature,Characterize artisticexpression basedonpersonal experienceswithart,  Discussthe nature of Art’s preliminaryexpressionandCategorize worksof artbycitingpersonal experiences  Identifyanddefine the differentindividualsandgroupswhotake onvariedrolesinthe worldof artand culture and Classifythe practicesof artistsintermsof form,medium,andtechnique LO6: Expert Community Participant  Outline the historyof the emergence of artistsandartisans,Recognize andcriticallydiscussthe functionof state sponsorshipinthe fieldof artsand culture throughthe National AtistsAwardandthe Gawadsamanlilikhang Bayan(GAMABA)  Identifythe keyinfluencestoChinese art,Identifykeycharacteristicsof Japaneseart,Compare andcontrast Chinese andJapanese artworks,Trace the developmentof Philippine artwork LO7: Expert Agent of Change  Enumerate the sourcesof the subjectsof some of the mostrecognizableworksof artinPhilippine arthistory  Differentiatethe techniquesusedduringthe three kingdomsof earlyEgypt,andExplainhowartislinkedwith  religioninearlyEgyptiancivilization  Differentiatemodernandcontemporaryart,Show the Interrelationof modernandcontemporaryart,Isolate and discusssignificanthistorical eventsthatinformedandinspiredthe differentmovementsundercontemporaryart and Classifyspecificartworksintodifferentmovementsundercontemporaryart Final Course Output LEARNING OUTCOME REQUIRED OUTPUT DUE DATE Which LOs were achieved? Example: L01,L02, L03, L04, L05, L06, L07 1. Online Quizzes, Activities, Assignments, Comprehensive oral and written reports on:  What is Art, Introduction and Assumptions  Art Appreciation, Creativity, Imagination, and Expression  Functions and Philosophical Perspectives on Art WEEK 1-5 L01, L02, L03, L04, L05, L06, L07  Online Quizzes, Activities, Assignments, Comprehensive oral and written report:  Subject and Content  Artists and Artisans Week 6-9
  • 3. L01, L02, L03, L04, L05, L06, L07 1. Online Quizzes, Activities, Assignments,, Comprehensive oral and written report:  Elements and Principles of Art  Art in early Civilization Week 10-15 L01, L02, L03, L04, L05 1. Online Quizzes, Activities, Assignments,, Comprehensive oral and written report  Art of Emerging Europe  Caught in Between; Modern and Cotemporary Art Week 16-20 Learning Plan LOs Topics Week # Experiential Learning Activities References LO1 LO2 LO3 L04 L05 L06, L07 Syllabus, Orientation/House Rules,  Lesson 1: What is Art, Introduction and Assumptions  Lesson 2: Art Appreciation, Creativity, Imagination, and Expression  Functions and Philosophical Perspectives on Art 1-5 Recorded Video/Online Class Module Multimedia Recorded Video/Online Class Module Multimedia Recorded Video/Online Class Module Multimedia Art Appreciation Bernardo Nicolas Caslib, Jr., Dorothea C. Garing, Jezreel Anne R. Casaul Art Appreciation Bernardo Nicolas Caslib, Jr., Dorothea C. Garing, Jezreel Anne R. Casaul Art Appreciation Bernardo Nicolas Caslib, Jr., Dorothea C. Garing, Jezreel Anne R. Casaul L01 L02 L03 L04 L05 L06  Lesson 4: Subject and Content 6-9 Recorded Video/Online Class Module Multimedia Art Appreciation Bernardo Nicolas Caslib, Jr., Dorothea C. Garing, Jezreel Anne R. Casaul
  • 4. L07  Lesson 5: Artists and Artisans Recorded Video/Online Class Module Multimedia Art Appreciation Bernardo Nicolas Caslib, Jr., Dorothea C. Garing, Jezreel Anne R. Casaul L01 L02 L03 L04 L05 L06 L07  Lesson 6: Elements and Principles of Art  Lesson 7: Art in early Civilization 10-15 Recorded Video/Online Class Module Multimedia Recorded Video/Online Class Module Multimedia Art Appreciation Bernardo Nicolas Caslib, Jr., Dorothea C. Garing, Jezreel Anne R. Casaul Art Appreciation Bernardo Nicolas Caslib, Jr., Dorothea C. Garing, Jezreel Anne R. Casaul L01 LO2 L03 L04 L05 L06 L07  Lesson 8: Art of Emerging Europe  Lesson 9: Caught in Between; Modern and Cotemporary Art 16-20 Recorded Video/Online Class Module Multimedia Recorded Video/Online Class Module Multimedia Art Appreciation Bernardo Nicolas Caslib, Jr., Dorothea C. Garing, Jezreel Anne R. Casaul Art Appreciation Bernardo Nicolas Caslib, Jr., Dorothea C. Garing, Jezreel Anne R. Casaul Grading System CUMULATIVE GRADING SYSTEM: Prelim Grade (PG) Criteria: Recitation/ Participation ……………………….20% Attendance……………………………………...10 %
  • 5. Average Quizzes …………………………….…20% Assignment/ Paperworks/ Projects……………..20% Periodic Test ……………………………….….30% TOTAL 100% Midterm Grade (MG)= 1PG + Tentative Midterm Grade 3 Semi-final Grade (SPG)= 1MG + 2 Tentative Semi-Final Grade 3 Final Grade (FG)= 1 SPG + 2 Tentative Final Grade 3 NOTE: Grade should be ROUNDED OFF only in Final Grade. References  Collingwood, R. G. (1938). The Principles of Art. Worcestershire: Read BooksLtd.  Dudley, L., Faricy,A., and McGraw-HillBook Company. (1960). The Humanities. New York:McGraw-Hill.  Mill, J.S. (1879). Utilitarianism. 7th Ed. London: Longmans, Green, and Co.  Scott, D. (2000). “Socrates and Alcibiades in the ‘Symposium.” Hermathena 168, 25-37.  Collingwood, R. G. (1938). The Principles of Art. Worcestershire: Read BooksLtd.  Collins, M. R. and Riley, O. (1931). Art Appreciation forJunior and Senior High Schools. New York:Harcourt, Brace & World, Inc.  Greene, M. (1995). Art and Imagination: Reclaiming the Sense of Possibility. Indiana, USA: Phi Delta Kappa International.  Moma Learning. (n.d). “Conceptual Art.” Accessed October 14, 2017. Retrieved from https://www.moma.org/learn/moma_learning/themes/conceptual-art/performace-intro-art  The Arts Center. (n.d). “Poetry is Art Form.” Accessed October 14, 2017. Retrieved from http://www.theartscenter.org/art- exhibitions/poetry-art-form.html.  Unbound Visual Arts. (n.d). “What is Visual Art? Accessed October 15, 2017. Retrieved from http://www.unboundvisualarts.org/what-is- visual-art/.  Butcher, S.H.. (Ed.)(1902). The Poeticsof Aristotle. New York:The Macmillan Company.  Dudley, L., Faricy,A., and McGraw-HillBook Company. (1960). The Humanities. New York:McGraw-Hill
  • 6.  Plato.(2000). The Republic. Accessed November 2, 2017. Retrieved from http://catdir.loc.gov/catdir/samples/cam031/00024471.pdf  Tolstoy, Leo. (2016). What Is Art? Accessed November 2, 2017. Retrieved from http://web.mnstate.edu/gracyk/courses/phil%20of%20art/printer-friendly/Tolstoy_on_Art_TWO_COLUMNS.pdf  Bambach, Carmen, (n.d.)."Anatomy in the Renaissance Essay |Heilbrunn Timeline of  Art History The Metropolitan Museum of Art." In The Met's Heilbrunn Timeline of Art History. Accessed October 27, 2017. Retrieved from https://www.metmuseum.org/toah/hd/anat/hd_anat.htm. Becker,Rachel. (2016). "Doesthe Michelangelo Painting in the Westworld Finale  Really Show a Brain - or is it a Uterus?" In The Verge. December 6, 2016. Retrieved from https://www.theverge.com/2016/12/6/13852240/westworld-finale-ford-dolores-michelangelo-brain-creation-of-adam. Google Cultural Institute. (n.d.). "Indian Miniature Paintings: The Rajasthan School -  Google Arts & Culture." Accessed October 18, 2017. Retrieved from https://www. google.com/culturalinstitute/betalexhibit/PgLSknKVvOF_JQ.  Guggenheim. (2010). "Vasily Kandinsky (1866–1944): Composition 8 (Komposition8)." Accessed December 6, 2016. Retrieved from https://www.guggenheim.org/arts-curriculum/topic/vasily-kandinsky-composition-8.  Meshberger, Frank Lynn. (2011). "An Interpretation of Michelangelo's Creation of Adam Based on Neuroanatomy." In Journal of American Medical Association 264, no. 14 (October 10, 1990): 1837- 41. Accessed October 27, 2017.Retrieved from http://www.nsic.wustl.edu/courses/bio3411/woolsey/2011/JAMA1990-Meshberger-1837-41.pdf. Museo Nacional Del Prado. (n.d.). "The 3rd of May 1808 in Madrid or 'The Executions'- The Collection." Accessed October 19, 2017. Retrieved from https://www. museodelprado.es/en/the-collection/art-work/the-3rd-of-may-1808-in-madrid-orthe-executions/5e177409-2993-4240-97fb- 847a02c6496c.  National Commission for Culture and the Arts. (n.d.). "The Spanish Colonial Tradition  in Philippine Visual Arts." Accessed October 26, 2017. Retrieved from http://ncca. gov.ph/subcommissions/subcommission-on-the-arts- sca/visual-arts/the-spanishcolonial-tradition-in-philippine-visual-arts).  Panofsky,E.(1983). Meaning in the Visual Arts. Chicago: University of Chicago Press.  Van Gogh Museum (1882). "Nature and the Artist." Accessed October 18, 2017.  Retrieved from https://www.vangoghmuseum.nl/en/stories/nature-and-the-artist.  Victoria and Albert Museum. (2012). "Gothic Architecture." December 10, 2012 Retrieved from http://www.vam.ac.uk/content/articles/g/gothic-architecturel.  Becker, H.S. (1982). Art Worlds. London, England: University of California Press Electronic. Accessed November 1, 2017. Retrieved from https://monoskop.org images/1/17/Becker_Howard_S_Art_Worlds.pdf.
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