When is art now? This lecture will focus on definitions of Contemporary Art that focus on the experience of 'time', comparing and contrasting them with theories of contemporary art that hold it to be a (sub)culture, a genre, a period, or a style.
What does it mean to state that art is contemporary rather than to hold that it is modern, prescient, traditional, nostalgic, postmodern, ancient...?
What concepts of time do people need to develop and share in order to understand the contemporary?
Where and how is the temporality of the contemporary situated?
This lecture will outline some of the key ways in which art theory has attempted to approach such questions by introducing a few key concepts such as: supercessionism, presentism, contemporaneity, anachrony, polychrony and chronopolitics.
To illustrate how this works in practice, the lecture will examine the chronopolitics of the 2012 Documenta and 2013 Venice Biennale.
VISUAL ANALYSIS PAPER One of the more traditional as.docxjessiehampson
VISUAL ANALYSIS PAPER
One of the more traditional assignments that students encounter in an introductory Art
History class is to go to a museum to observe an object(s) and write a paper that details its stylistic
features. Since the Lowe Art Museum on the University of Miami campus has a very fine
collection of Renaissance to Rococo paintings, select one painting from this time span to
concentrate on.
Once having selected the painting from the Lowe’s collection, pay close attention to
stylistic features (i.e., composition, color, use of light/shadow, perspective, figures, pose, gestures,
et al). Describe the object and compare/contrast it to pieces we have studied in class, whether in
the PowerPoint lectures or in the textbook. When selecting objects to compare the museum piece
to, be discerning. That is, try to find objects that share more characteristics than not. The aim of
this assignment is for students to develop an eye for style and to locate the subtle differences that
distinguish one technique or tendency from another.
Organize the paper, which should be five to seven (5-7) pages in length, into an
introductory paragraph, body, and conclusion. The introduction may include some general
information (e.g., historical, economic, cultural) about the object's specific time period, the
technique utilized to create the object, etc. More importantly, the introduction should include a
thesis statement about the object's overall aesthetic. Then organize the body in a logical, analytic
fashion, and conclude the paper with some remarks about the significance of the object -- that is,
how it fits into a larger Renaissance to Rococo art historical framework.
Remember, this is NOT a research paper; however, if you quote a source (e.g., a placard
or web site from the museum), be sure to cite it.
JH
SYLLABUS
ART HISTORY 132
Fall 2020
Section: E
Lecturer: Joel Hollander, Ph.D.
Credits: 3
Class Time: M/W/F 12:20 – 1:10 PM
Location: Whitten Learning Center (LC) 130
Telephone: (305) 284-5438
E-mail: [email protected]
Office: 309-A Merrick Building
Office Hours: Wednesdays 11:00 AM - 12:00 PM (or by appointment)
Course Description:
The Survey of Western Art History 2 is designed to provide students with both a
thorough introduction to the evolution of style and an analysis of aesthetic qualities. We
will be concerned with the meaning of the work by focusing on cultural and historical
contexts as well as on iconography. Unit 1 concentrates on the Renaissance; whereas
Unit 2 investigates the pan-European 17th century developments during the Baroque
period, along with 18th century Rococo and Neoclassical art movements. Unit 3
addresses 19th century developments, including Romanticism and Realism, followed by
later 19th century avant-garde movements (i.e., Impressionism, Post-Impressionism,
Symbolism). Unit 4 completes the introduction by dis ...
Final Project InformationSan Francisco Museum of Modern Art.docxlmelaine
Final Project Information
San Francisco Museum of Modern Art
Minnesota Art Project – SF Galleries
Final Project Review of the essay format and required content.
Include the following concepts in your paper:
FINAL PROJECT: Written Visual Analysis/ Role of the Artist
DUE: Reference the due date on Canvas- If you do not complete the final project essay you will not pass the class.
Be sure to let me know if you have any questions.
Select a twentieth {1900’s} or twenty-first-century {2000’s} and their work being exhibited at a local museum.
I recommend the San Francisco Museum of Modern Art (SFMOMA), or any other major museum or gallery that is available to you. If you plan to go to a different museum or gallery, it is required you check in with me to get approval to go to a different museum.
Once you pick the artist, include and reference the four types of investigation Process of Visual Analyze, and explain what Role (out of the four roles) your artist identifies with during their creative process and concepts presented in their exhibition. Also include a biography on the artist in the introduction of your essay. Be sure to be thoughtful with your essays conclusion, {closing paragraph}, it is best to summarize the main points, considerations and concepts covered in your essay.
If you have an Oakland library card, or sign up for one you can get 2 free tickets to SFMOMA.
Here is the information:
You can use this website- https://oaklandlibrary.discoverandgo.net/ and get 2 free adult tickets for SFMOMA.
1) Artist name - Dianne Jones
2) The name of the work – Mission Bay Facing Northeast
3) The date the work was made – June 2008
4) Size of the artwork – 96 in x 120 in
5) Materials / medium - Chromogenic Color Print
6) Technique – created with a 4x5 large format camera, long exposure
7) Does it have any apparent function – Fine Art Photography Genre
Format the images with the assessment of physical properties, review the sample included in the PowerPoint that discusses the final project requirements.
One image/artwork page per, and the other pages would be your written text.
Artist name - Dianne Jones
The name of the work – Avenal Prison
The date the work was made – May 2012
Size of the artwork – 60 in x 60 in
Materials / medium - Chromogenic Color Print
Technique – created with a 4x5 large format camera, long exposure
Does it have any apparent function - Fine Art Photography Genre
Artist name - Dianne Jones
The name of the work – Mission Bay Facing South
The date the work was made – May 2002
Size of the artwork – 50 in x 60 in
Materials / medium - Chromogenic Color Print
Technique – created with a 4x5 large format camera, long exposure
Does it have any apparent function – Fine Art Photography Genre
Essay requirements:
Double-spaced 6 to 7 pages, which includes the images and the assessment of physical properties.
One image/artwork page per, and the other pages would be your written text.
Include a biogr ...
Acetabularia Information For Class 9 .docxvaibhavrinwa19
Acetabularia acetabulum is a single-celled green alga that in its vegetative state is morphologically differentiated into a basal rhizoid and an axially elongated stalk, which bears whorls of branching hairs. The single diploid nucleus resides in the rhizoid.
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
Model Attribute Check Company Auto PropertyCeline George
In Odoo, the multi-company feature allows you to manage multiple companies within a single Odoo database instance. Each company can have its own configurations while still sharing common resources such as products, customers, and suppliers.
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
For more information, visit-www.vavaclasses.com
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdfTechSoup
In this webinar you will learn how your organization can access TechSoup's wide variety of product discount and donation programs. From hardware to software, we'll give you a tour of the tools available to help your nonprofit with productivity, collaboration, financial management, donor tracking, security, and more.
1. THE GREAT PLEBEIAN COLLEGE
College of Teacher Education
Course Syllabus
SY 2021-2022
Course Code/Title GEN ED 6 - ART APPRECIATION
Day/Time/Room MWF / 1:00-2:00
Instructor EDLYN MAE C. SARMIENTO, MAEd
Consultation Hours
Course Description: This course will provide general understanding about the most important elements of the study of the humanities. Art
Appreciation as a course, attempts to develop students the ability to appreciate, scrutinize, and appraise works of art.
Learning Outcomes (LOs)
Graduate Attributes At the end of the course, the students will be able to:
LO1: Expert Learner Understandthe role of humanitiesandartsin man’sattemptatfullyrealizinghisend,ClarifyMisconceptionson
Art
identifythe subjectmatterand contentof specificexamplesof art
LO2: Critical and Creative
Thinker
Characterize the Assumptionsof ArtsandEngage betterwithPersonalExperiencesof andinArt
Distinguishbetweendirectlyfunctional andindirectlyfunctional art,Explainand discussthe basicphilosophical
perspectivesonthe art,
Differentiaterepresentationalartandnon-representational art,Discussthe difference betweenanartwork’s
subjectandits content,
LO3: Fluent and Effective
Communicator
Discussthe meaningof Art andWhendo we encounterArt
Explainthe typesof Dramaand elementsof Drama
Explainthe relevance of the elementsandprinciplesof artinthe studyof art and itsproducts(artworks),and
Illustrate examplesof hybridartanddissectwhatart formsare combinedtherein
2. LO4: Expert Doer Realize the functionof some artformsindailylife andApplyconceptsandtheoriesonbeautyandaestheticsin
real life scenarios
LO5: Expert Self DifferentiateArtfromNature,Characterize artisticexpression basedonpersonal experienceswithart,
Discussthe nature of Art’s preliminaryexpressionandCategorize worksof artbycitingpersonal
experiences
Identifyanddefine the differentindividualsandgroupswhotake onvariedrolesinthe worldof artand culture
and Classifythe practicesof artistsintermsof form,medium,andtechnique
LO6: Expert Community
Participant
Outline the historyof the emergence of artistsandartisans,Recognize andcriticallydiscussthe functionof state
sponsorshipinthe fieldof artsand culture throughthe National AtistsAwardandthe Gawadsamanlilikhang
Bayan(GAMABA)
Identifythe keyinfluencestoChinese art,Identifykeycharacteristicsof Japaneseart,Compare andcontrast
Chinese andJapanese artworks,Trace the developmentof Philippine artwork
LO7: Expert Agent of
Change
Enumerate the sourcesof the subjectsof some of the mostrecognizableworksof artinPhilippine arthistory
Differentiatethe techniquesusedduringthe three kingdomsof earlyEgypt,andExplainhowartislinkedwith
religioninearlyEgyptiancivilization
Differentiatemodernandcontemporaryart,Show the Interrelationof modernandcontemporaryart,Isolate and
discusssignificanthistorical eventsthatinformedandinspiredthe differentmovementsundercontemporaryart
and Classifyspecificartworksintodifferentmovementsundercontemporaryart
Final Course Output
LEARNING OUTCOME REQUIRED OUTPUT DUE DATE
Which LOs were achieved?
Example:
L01,L02, L03, L04, L05,
L06, L07
1. Online Quizzes, Activities, Assignments, Comprehensive oral and written reports on:
What is Art, Introduction and Assumptions
Art Appreciation, Creativity, Imagination, and Expression
Functions and Philosophical Perspectives on Art
WEEK 1-5
L01, L02, L03, L04, L05,
L06, L07
Online Quizzes, Activities, Assignments, Comprehensive oral and written report:
Subject and Content
Artists and Artisans
Week 6-9
3. L01, L02, L03, L04, L05,
L06, L07
1. Online Quizzes, Activities, Assignments,, Comprehensive oral and written report:
Elements and Principles of Art
Art in early Civilization
Week 10-15
L01, L02, L03, L04, L05 1. Online Quizzes, Activities, Assignments,, Comprehensive oral and written report
Art of Emerging Europe
Caught in Between; Modern and Cotemporary Art
Week 16-20
Learning Plan
LOs Topics Week # Experiential Learning Activities References
LO1
LO2
LO3
L04
L05
L06,
L07
Syllabus, Orientation/House Rules,
Lesson 1: What is Art, Introduction and
Assumptions
Lesson 2: Art Appreciation, Creativity,
Imagination, and Expression
Functions and Philosophical Perspectives on
Art
1-5 Recorded Video/Online Class
Module
Multimedia
Recorded Video/Online Class
Module
Multimedia
Recorded Video/Online Class
Module
Multimedia
Art Appreciation
Bernardo Nicolas Caslib, Jr.,
Dorothea C. Garing, Jezreel Anne
R. Casaul
Art Appreciation
Bernardo Nicolas Caslib, Jr.,
Dorothea C. Garing, Jezreel Anne
R. Casaul
Art Appreciation
Bernardo Nicolas Caslib, Jr.,
Dorothea C. Garing, Jezreel Anne
R. Casaul
L01
L02
L03
L04
L05
L06
Lesson 4: Subject and Content 6-9 Recorded Video/Online Class
Module
Multimedia
Art Appreciation
Bernardo Nicolas Caslib, Jr.,
Dorothea C. Garing, Jezreel Anne
R. Casaul
4. L07 Lesson 5: Artists and Artisans Recorded Video/Online Class
Module
Multimedia
Art Appreciation
Bernardo Nicolas Caslib, Jr.,
Dorothea C. Garing, Jezreel Anne
R. Casaul
L01
L02
L03
L04
L05
L06
L07
Lesson 6: Elements and Principles of Art
Lesson 7: Art in early Civilization
10-15 Recorded Video/Online Class
Module
Multimedia
Recorded Video/Online Class
Module
Multimedia
Art Appreciation
Bernardo Nicolas Caslib, Jr.,
Dorothea C. Garing, Jezreel Anne
R. Casaul
Art Appreciation
Bernardo Nicolas Caslib, Jr.,
Dorothea C. Garing, Jezreel Anne
R. Casaul
L01
LO2
L03
L04
L05
L06
L07
Lesson 8: Art of Emerging Europe
Lesson 9: Caught in Between; Modern and
Cotemporary Art
16-20 Recorded Video/Online Class
Module
Multimedia
Recorded Video/Online Class
Module
Multimedia
Art Appreciation
Bernardo Nicolas Caslib, Jr.,
Dorothea C. Garing, Jezreel Anne
R. Casaul
Art Appreciation
Bernardo Nicolas Caslib, Jr.,
Dorothea C. Garing, Jezreel Anne
R. Casaul
Grading System
CUMULATIVE GRADING SYSTEM:
Prelim Grade (PG) Criteria:
Recitation/ Participation ……………………….20%
Attendance……………………………………...10 %
5. Average Quizzes …………………………….…20%
Assignment/ Paperworks/ Projects……………..20%
Periodic Test ……………………………….….30%
TOTAL 100%
Midterm Grade (MG)= 1PG + Tentative Midterm Grade
3
Semi-final Grade (SPG)= 1MG + 2 Tentative Semi-Final Grade 3
Final Grade (FG)= 1 SPG + 2 Tentative Final Grade
3
NOTE: Grade should be ROUNDED OFF only in Final Grade.
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SUBMITTED BY:
Edlyn Mae C. Sarmiento, MAEd
Instructor
Notedby:
___________________________________________
Dean:Maria Corazon C. Colendrino, PhD
President:Francy C. Celso, MPA
Department: College of Teacher Education