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NITERO MUSEUM OF
CONTEMPORARY ART
Content
•   Description
•   Spaces
•   Structure
•   Materials
Description
The Niteroi museum
of contemporary art is
a building located in
the city of Niteroi
witch is in Guanabara
Bay, opposite to Rio de
Janeiro city in Brazil. It
was designed by the
famous architect
Oscar Niemeyer with
the assistance of
structural engineer
Bruno Contarini .
One of the facts that make this building very
interesting is the area where it was
constructed; it stands on a narrow area by a
cliff and surrounded by the sea, so the natural
solution was a central support. At the time of
its construction its shape was considered very
revolutionary.
Another characteristic is the appearance of
lightness of the building; this is thanks to the
elements that surround it and a reflecting pool
at its base.
Spaces
The project consists of a
semi-underground
facility and an upper
body that consists of
three levels. An external
ramp leads visitors to
the first two floors of
the
museum, connecting
the public space with
the core that contains
the permanent
exhibition hall.
Ground floor
In addition to the store where works are saved, there is a bar, a
restaurant and an auditorium with capacity for 60 people.
First level
It contains the reception, a work room, a large lobby, administrative
offices and access to the large double height hexagonal
room, surrounded by a circular path with views of the bay through a
window surrounding the entire level.
Mezzanine
This is between the first and second level around the entire interior
of the museum. It is divided into smaller rooms, also for exhibitions.
Second level
On this floor there are five galleries.
Structure
       Niemeyer designed a radial
       structure 16m high, with a
       deck of 50m in diameter and
       an area of almost 2000 m2
       which is based on a single
       central cylinder support.
       This complex structure that
       appears to float in the air
       was designed to withstand a
       weight equivalent to 400 kg
       / m² and winds up to 200
       km / hour.
Materials
5,500 tons of excavated material were removed and 3.2 million
cubic meters of concrete were consumed
Cover: The circular roof received heating and waterproofing
treatment.
Beams: The beams were built with prestressed concrete.
Floor: Concrete was used for the construction of the great
ramp, combined with the white side walls. The floors of the halls
were covered with blue carpet.
Crystals: The 70 triplex glass plates were manufactured exclusively
for the project. Each sheet of 18 mm thick is 4.80m high and
1.85m wide. Framed by steel bars and with an inclination of 40
degrees to the horizontal plane it can sustain a weight equivalent
to 20 people.
Lights: For the main
room, a lighting
technique involving
the environment
together with the
lighting from the
windows was used
The same applies to
the upper floor;
hidden indirect light
gently illuminates the
environment.
In total to illuminate
the main exhibition
halls were necessary
400 fluorescent lamps
and 200 dichroic
lamps.
Externally, the museum is illuminated by 34 aircraft
light bulbs, 1000 watts each and installed on or
under water at the base of the building, creating a
spatial pitch that emphasizes the lightness of the
main structure.

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Presentation niteroi museum

  • 2. Content • Description • Spaces • Structure • Materials
  • 3. Description The Niteroi museum of contemporary art is a building located in the city of Niteroi witch is in Guanabara Bay, opposite to Rio de Janeiro city in Brazil. It was designed by the famous architect Oscar Niemeyer with the assistance of structural engineer Bruno Contarini .
  • 4. One of the facts that make this building very interesting is the area where it was constructed; it stands on a narrow area by a cliff and surrounded by the sea, so the natural solution was a central support. At the time of its construction its shape was considered very revolutionary. Another characteristic is the appearance of lightness of the building; this is thanks to the elements that surround it and a reflecting pool at its base.
  • 5. Spaces The project consists of a semi-underground facility and an upper body that consists of three levels. An external ramp leads visitors to the first two floors of the museum, connecting the public space with the core that contains the permanent exhibition hall.
  • 6. Ground floor In addition to the store where works are saved, there is a bar, a restaurant and an auditorium with capacity for 60 people. First level It contains the reception, a work room, a large lobby, administrative offices and access to the large double height hexagonal room, surrounded by a circular path with views of the bay through a window surrounding the entire level. Mezzanine This is between the first and second level around the entire interior of the museum. It is divided into smaller rooms, also for exhibitions. Second level On this floor there are five galleries.
  • 7. Structure Niemeyer designed a radial structure 16m high, with a deck of 50m in diameter and an area of almost 2000 m2 which is based on a single central cylinder support. This complex structure that appears to float in the air was designed to withstand a weight equivalent to 400 kg / m² and winds up to 200 km / hour.
  • 8. Materials 5,500 tons of excavated material were removed and 3.2 million cubic meters of concrete were consumed Cover: The circular roof received heating and waterproofing treatment. Beams: The beams were built with prestressed concrete. Floor: Concrete was used for the construction of the great ramp, combined with the white side walls. The floors of the halls were covered with blue carpet. Crystals: The 70 triplex glass plates were manufactured exclusively for the project. Each sheet of 18 mm thick is 4.80m high and 1.85m wide. Framed by steel bars and with an inclination of 40 degrees to the horizontal plane it can sustain a weight equivalent to 20 people.
  • 9. Lights: For the main room, a lighting technique involving the environment together with the lighting from the windows was used The same applies to the upper floor; hidden indirect light gently illuminates the environment. In total to illuminate the main exhibition halls were necessary 400 fluorescent lamps and 200 dichroic lamps.
  • 10. Externally, the museum is illuminated by 34 aircraft light bulbs, 1000 watts each and installed on or under water at the base of the building, creating a spatial pitch that emphasizes the lightness of the main structure.