2. History : Portrait painting
The oldest known portrait in the world comes from Czech Republic.
It shows a woman face and was made from mammoth ivory and
is about 26,000 years old. Some of the earliest surviving painted
portraits of people, who were not kings or emperors, are the funeral
portraits that survived in the dry climate of Egypt's Fayum district.
These are almost the only paintings from the classical world that have
survived, apart from frescos, though many sculptures survive, and
portraits on coins.
The art of the portrait flourished in Ancient Greek and
especially Roman sculpture, where sitters demanded
individualized and realistic portraits, even unflattering ones.
During the 4th century, the portrait began to retreat in favor of an
idealized symbol of what that person looked like.
(Compare the portraits of Roman Emperors Constantine
I and Theodosius I at their entries.) In the Europe of the Early Middle
Ages representations of individuals are mostly generalized. True
portraits of the outward appearance of individuals re‐emerged
in the late Middle Ages, in tomb monuments, donor portraits, miniatures
in illuminated manuscripts and then panel paintings.
Moche culture of Peru was one of the few ancient civilizations which
produced portraits. These works accurately represent anatomical
features in great detail. The individuals portrayed would have been
recognizable without the need for other symbols or a written reference
to their names. The individuals portrayed were members of the ruling
elite, priests, warriors and even distinguished artisans.[1]
They were represented during several stages of their lives. The faces of
gods were also depicted. To date, no portraits of women have been
found. There is particular emphasis on the representation of the details of
headdresses, hairstyles, body adornment and face painting.
One of the best‐known portraits in the Western world is Leonardo da
Vinci's painting titled Mona Lisa, which is a painting of Lisa del Giocondo.
The world's oldest known portrait was found in 2006 in
the Vilhonneur grotto near Angoulême and is thought to be 27,000 years
old.[2][3]
THE DEFINITION ON THE INTERNET
3. Portrait ˈpɔːtrɪt/ noun
1. a painting, drawing,
photograph, or engraving of a
person, especially one depicting
only the face or head and
shoulders.
2. denoting a format of printed
matter which is higher than
it is wide.
You can print landscape and
portrait pages in the same
document
A portrait is
a painting, photograph, sculpture,
or other artistic representation of a
person, in which the face and its
expression is predominant. The
intent is to display the
likeness, personality, and even the
mood of the person. For this
reason, in photography a portrait
is generally not a snapshot, but a
composed image of a person in a
still position. A portrait often shows
a person looking directly at the
painter or photographer, in order
to most successfully engage the
subject with the viewer
THEDEFINITIONONTHEINTERNET
4. Portrait photography[edit]
Main article: Portrait photography
Portrait photography is a popular commercial industry all over the world. Many people enjoy having professionally
made family portraits to hang in their homes, or special portraits to commemorate certain events, such as graduations
or weddings. Since the dawn of photography, people have made portraits. The popularity of the daguerreotype in the
middle of the 19th century was due in large part to the demand for inexpensive portraiture. Studios sprang up in cities
around the world, some cranking out more than 500 plates a day. The style of these early works reflected the technical
challenges associated with 30‐second exposure times and the painterly aesthetic of the time. Subjects were generally
seated against plain backgrounds and lit with the soft light of an overhead window and whatever else could be
reflected with mirrors. As photographic techniques developed, an intrepid group of photographers took their talents
out of the studio and onto battlefields, across oceans and into remote wilderness.William Shew's Daguerreotype
Saloon, Roger Fenton's Photographic Van and Mathew Brady's What‐is‐it? wagon set the standards for making
portraits and other photographs in the field.
Sharaku: Actor Ichikawa Ebozo as Takemura Sadanoshin, 1794… P1
Roman‐Egyptian funeral portraitof a young boy
5. Self-portraiture[edit]
Main article: self-portrait
When the artist creates a portrait of him- or herself, it is
called a self-portrait. Identifiable examples become
numerous in the late Middle Ages, but if the definition is
extended the first was by
the EgyptianPharaoh Akhenaten's sculptor Bak, who
carved a representation of himself and his wife Taheri c.
1365 BC. However, it seems likely that self-portraits go
back to the cave paintings, the earliest representational
art, and literature records several classical examples
that are now lost.
Personality type
From Wikipedia, the free encyclopedia
This article is about the generic aspects of type theory.
For the book by Jung, see Psychological Types.
Personality type refers to the psychological classification
of different types of individuals. Personality types are
sometimes distinguished from personality traits, with the
latter embodying a smaller grouping of behavioral
tendencies. Types are sometimes said to
involve qualitative differences between people, whereas
traits might be construed
asquantitative differences.[1] According to type theories,
for example, introverts and extraverts are two
fundamentally different categories of people. According to
trait theories, introversion and extraversion are part of
a continuous dimension, with many people in the middle.
12. Émile Schuffenecker (8 December 1851 – 31 July 1934)
was a French Post‐Impressionist artist, painter, art
teacher and art collector. A friend of Paul
Gauguin and Odilon Redon, and one of the first
collectors of works by Vincent van Gogh, Schuffenecker
was instrumental in establishing the Volpini exhibition,
in 1889. His own work, however, tends to have been
neglected since his death—and even worse, recent
season campaigns in the media have reactivated
resentments virulent since the late 1920s, when
Schuffenecker was suspected to have imitated the work
of other contemporary artists, among them, Van
Gogh.[citation needed] Still a contentious issue, it has not
been established whether he produced forgeries.
Meanwhile, serious scholarly research at least has
provided the base for a sober art historical approach to
Schuffenecker's life and work.
220px‐Schuffenecker_self_portrait
This is the self portrait of the artist himself…
23. Frans Hals the Elder (/hɑːls/;[1] Dutch: [ɦɑls];
c. 1582 – 26 August 1666) was a Dutch Golden
Age portrait painter who lived and worked
in Haarlem. He is notable for his
loose painterly brushwork, and he helped
introduce this lively style of painting into
Dutch art. Hals played an important role in the
evolution of 17th‐century group portraiture.