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Guerilla Productions for Very Small Screens:
Transformations through Mobile Creativity	




Helen Keegan 	

http://twitter.com/heloukee	

http://heloukee.wordpress.com
Mobile films…Pocket Cinema… Very Small Screens
Shoot the Summer (Hugh Garry)
Fear Thy Not – Sophie Sherman
“The Keitai Aesthetic emphasises the importance of location…
mobile devices make the mundane interesting, the everyday
confronted… the sense of intimate connectedness to the
message, it’s subject and the author”	

      	

    	

    	

    	

    	

    	

	

      	

    	

    	

    	

    	

    	

(Max Schlesser, 2008)
Personal Jesus - Yaroslav Dimont
“I first discovered the mobile phone camera as a creative tool quite by
accident when I was taking a video of my nephews playing on swings in a park
and the sun happened to be slowly setting in the background. When I later
viewed the videos on a computer I noticed that there were many appealing
"quirks" in the way that the camera dealt with things like sudden changes in
light and sudden movement. I guess in a sense I just found the way it dealt
with "errors" aesthetically appealing. Also it seemed to pixelate things in a way
which was reminiscent of old Super 8 film; somehow the digital noise was
distorted in a way that was unpredictable and inspiring.”	

	

                                                  (Tim Bruniges, visual artist and filmmaker)
RAGE – Sally Potter
An Ounce of Mother	

	

Cardboard Car 	

	

Touch	

	

Humanity
authentic
spontaneous
intimate
democratic
shareable
So how does this
    work in an
educational context?
Learning, Teaching 	

           and the 	

Very Small Screen
Epistemology of practice
FilmSoundFound
“When the new media replace or mix with traditional
ones, a long established practice may be perturbed or
even disrupted by the discontinuity.... the appearance of a
new medium in a specific domain of practice, whatever
conceptualization one may prefer to account for the
phenomenon, is always a complex and dynamic event,
involving a blend of discontinuity and continuity,
disruption as well as construction”	



     	

LANZARA (2010) Remediation of practices: How new media change the ways we see and do things in
                                  practical domains First Monday Volume 15, Number 6 - 7 June 2010
Life Cycles
From Busk til Dawn	

         The Move	

    Mobile Cyphers	

   8MP Desperados	

    Carry the Torch
Moar House and Whatever
authentic
spontaneous
intimate
democratic
shareable
Guerilla Productions for Very Small Screens:
Transformations through Mobile Creativity	




Helen Keegan Blog	

Twitter http://twitter.com/heloukee	

Blog http://heloukee.wordpress.com

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Guerilla Productions for Very Small Screens: Transformations through Mobile Creativity

  • 1. Guerilla Productions for Very Small Screens: Transformations through Mobile Creativity Helen Keegan http://twitter.com/heloukee http://heloukee.wordpress.com
  • 2. Mobile films…Pocket Cinema… Very Small Screens
  • 3. Shoot the Summer (Hugh Garry)
  • 4. Fear Thy Not – Sophie Sherman
  • 5. “The Keitai Aesthetic emphasises the importance of location… mobile devices make the mundane interesting, the everyday confronted… the sense of intimate connectedness to the message, it’s subject and the author” (Max Schlesser, 2008)
  • 6. Personal Jesus - Yaroslav Dimont
  • 7. “I first discovered the mobile phone camera as a creative tool quite by accident when I was taking a video of my nephews playing on swings in a park and the sun happened to be slowly setting in the background. When I later viewed the videos on a computer I noticed that there were many appealing "quirks" in the way that the camera dealt with things like sudden changes in light and sudden movement. I guess in a sense I just found the way it dealt with "errors" aesthetically appealing. Also it seemed to pixelate things in a way which was reminiscent of old Super 8 film; somehow the digital noise was distorted in a way that was unpredictable and inspiring.” (Tim Bruniges, visual artist and filmmaker)
  • 8. RAGE – Sally Potter
  • 9. An Ounce of Mother Cardboard Car Touch Humanity
  • 15. So how does this work in an educational context?
  • 16. Learning, Teaching and the Very Small Screen
  • 19.
  • 20. “When the new media replace or mix with traditional ones, a long established practice may be perturbed or even disrupted by the discontinuity.... the appearance of a new medium in a specific domain of practice, whatever conceptualization one may prefer to account for the phenomenon, is always a complex and dynamic event, involving a blend of discontinuity and continuity, disruption as well as construction” LANZARA (2010) Remediation of practices: How new media change the ways we see and do things in practical domains First Monday Volume 15, Number 6 - 7 June 2010
  • 22. From Busk til Dawn The Move Mobile Cyphers 8MP Desperados Carry the Torch
  • 23. Moar House and Whatever
  • 29. Guerilla Productions for Very Small Screens: Transformations through Mobile Creativity Helen Keegan Blog Twitter http://twitter.com/heloukee Blog http://heloukee.wordpress.com

Editor's Notes

  1. http://www.youtube.com/watch?v=RGjNkwJ7txU
  2. http://www.youtube.com/watch?v=baS3IKmcZkc
  3. http://www.youtube.com/watch?v=FPTfhjIw-cI
  4. http://www.youtube.com/watch?v=aAmR0xL5LIE
  5. http://www.youtube.com/watch?v=oV69CgPZpnU
  6. http://www.youtube.com/watch?v=K0umNDipDSk
  7. http://www.youtube.com/watch?v=wxzQi2A4Zh4