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Visual Perception:
Texture
Definition
Characteristics
Plates
Quiz No. 2: ¼ sheet of paper
1 – 3 Major Gestalt Principle
4 – 7 4 Gestalt Principle of Grouping
Identify the Specific Kind of Gestalt
Principle:
8. 9. 10.
Texture
Texture by Definition
 The perceived surface quality of a work of
art.
 It is an element of two-dimensional and
three-dimensional designs and is
distinguished by its perceived visual and
physical properties.
 Use of texture, along with other elements
of design, can convey a variety of
messages and emotions.
Two Varieties of Texture
 Physical texture, also known as actual texture or
tactile texture, are the actual variations upon a
surface.
 This can include, but is not limited to, fur, wood grain,
sand, smooth surface of canvas or metal, glass, and
leather.
 It differentiates itself from visual texture by having a
physical quality that can be felt by touch.
 Specific use of a texture can affect the smoothness
that an artwork conveys. The use of rough surfaces
can be visually active, whilst smooth surfaces can be
visually restful. The use of both can give a sense of
personality to a design, or utilized to create
emphasis, rhythm, contrast, etc.
Example
Two Varieties of Texture
 Visual texture is the illusion of having
physical texture.
 Every material and every support surface has
its own visual texture and needs to be taken
into consideration before creating a
composition.
 Photography, drawings and paintings use
visual texture both to portray their subject
matter realistically and with interpretation.
Texture in these media are generally created
by the repetition of shape and line.
Example
Effects of Light on Physical
Texture
 Light is an important factor for physical
artwork, because it can affect how a
surface is viewed.
 Strong lights on a smooth surface can
obscure the readability of a drawing or
photograph, whilst they can create strong
contrasts in a highly textural surface such
as river rocks and sand
VIDEO
Working Time Plate 17 & 18 (July 27)
Working Time Plate 19 & 23 (Aug 2)
 Plate 17: Simulated Texture using Pencil (A)
Embossing
 Plate 18: Simulated Texture using Pencil (B) Drawing
 Plate 19: Simulated Texture using Technical Pens
 Plate 20: Simulated Texture using Brush (Smooth and
Rough)
 Plate 21: Applying Texture in Shape (Smooth Texture)
 Plate 22: Applying Texture in Form (Rough Texture)
 Plate 23: Applying Texture in Deconstructed Figure in
Form
 Creative Output 5 Body Painting Applying Gestalt
Principle (Bring Brush and assign One member to
bring Camera)  August 9
 MIDTERM Examination: August 9 Topic Gestalt
Principle, Form and Texture
Plate 17: Simulated Texture using
Pencil Embossed Style
 Use only HB pencil
 You will be given 1 long
paper and create 2 x 2
inches boxes
 Select 6 objects that you
will emboss
 Cut and glue the
embossed drawing
 Add label for each box
and identifying the
source of the drawing
Plate 18: Simulated Drawing using
Pencil
 Use any pencils of
your choice to
achieve the given
texture given.
 Indicate the
pencils you used
on the
MATERIALS at the
Margin Area.
 Each box will
measure 2 x 2
inches each
Wood Rice Paper Leaf
Pebbles Stones Wool

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Lesson 6 1 a gestalt principle life application and understanding texture

  • 2. Quiz No. 2: ¼ sheet of paper 1 – 3 Major Gestalt Principle 4 – 7 4 Gestalt Principle of Grouping Identify the Specific Kind of Gestalt Principle: 8. 9. 10.
  • 4. Texture by Definition  The perceived surface quality of a work of art.  It is an element of two-dimensional and three-dimensional designs and is distinguished by its perceived visual and physical properties.  Use of texture, along with other elements of design, can convey a variety of messages and emotions.
  • 5. Two Varieties of Texture  Physical texture, also known as actual texture or tactile texture, are the actual variations upon a surface.  This can include, but is not limited to, fur, wood grain, sand, smooth surface of canvas or metal, glass, and leather.  It differentiates itself from visual texture by having a physical quality that can be felt by touch.  Specific use of a texture can affect the smoothness that an artwork conveys. The use of rough surfaces can be visually active, whilst smooth surfaces can be visually restful. The use of both can give a sense of personality to a design, or utilized to create emphasis, rhythm, contrast, etc.
  • 7. Two Varieties of Texture  Visual texture is the illusion of having physical texture.  Every material and every support surface has its own visual texture and needs to be taken into consideration before creating a composition.  Photography, drawings and paintings use visual texture both to portray their subject matter realistically and with interpretation. Texture in these media are generally created by the repetition of shape and line.
  • 9. Effects of Light on Physical Texture  Light is an important factor for physical artwork, because it can affect how a surface is viewed.  Strong lights on a smooth surface can obscure the readability of a drawing or photograph, whilst they can create strong contrasts in a highly textural surface such as river rocks and sand
  • 10. VIDEO
  • 11. Working Time Plate 17 & 18 (July 27) Working Time Plate 19 & 23 (Aug 2)  Plate 17: Simulated Texture using Pencil (A) Embossing  Plate 18: Simulated Texture using Pencil (B) Drawing  Plate 19: Simulated Texture using Technical Pens  Plate 20: Simulated Texture using Brush (Smooth and Rough)  Plate 21: Applying Texture in Shape (Smooth Texture)  Plate 22: Applying Texture in Form (Rough Texture)  Plate 23: Applying Texture in Deconstructed Figure in Form  Creative Output 5 Body Painting Applying Gestalt Principle (Bring Brush and assign One member to bring Camera)  August 9  MIDTERM Examination: August 9 Topic Gestalt Principle, Form and Texture
  • 12. Plate 17: Simulated Texture using Pencil Embossed Style  Use only HB pencil  You will be given 1 long paper and create 2 x 2 inches boxes  Select 6 objects that you will emboss  Cut and glue the embossed drawing  Add label for each box and identifying the source of the drawing
  • 13. Plate 18: Simulated Drawing using Pencil  Use any pencils of your choice to achieve the given texture given.  Indicate the pencils you used on the MATERIALS at the Margin Area.  Each box will measure 2 x 2 inches each Wood Rice Paper Leaf Pebbles Stones Wool