Presentación sobre texturas en Inglés

1. Basic elements of the images
TEXTURES

2. What is Texture?
 Texture is the surface quality of an object, and
what gives a design the feeling of a surface.
 Another way to put this is how to make a
design more realistic or give it depth and detail
of any kind.

3. What does texture look like
when its used? What can I use
it for?
Some examples for texture are used in the following designs (ice,
fire smoke,)
Texture does not have just one use but unlimited usage.

4. Grainy, smooth, wrinkled, flat,soft, rough... and some other adjectives!
To describe the textures we use
adjectives
Can you describe these?
Texture describes the feel of a surface, gives us info about
the smoothness or roughness of surfaces, sometimes it
identifies the material of the object, sometimes the tool
used to create the image.

5. 1. VISUAL / TACTILE
2. NATURAL OR ARTIFICIAL
3. GEOMETRIC AND ORGANIC
4. PATTERN
Some CLASIFICATIONS

6. 1.According to its volume:Texture can be
VISUAL (simulated) or TACTILE (touchable) .
VISUAL you perceive it by sight (eyes)
TACTILE you perceive it it by touch (skin)

7. 2. According to its origin :NATURAL OR ARTIFICIAL
Natural textures are offered by surfaces and bodies
of the nature
Artificial textures are the objects made by humans.

8. 3.According what is represented : Geometric or Organic
Geometric textures are always intended and
have an orderly arrangement on the
surfaces on which they appear. They are
usually regular textures with a repetitive
structure that does not always have to be
uniform.
In organic textures the curved line
predominates over the straight
line. We can observe them
especially in elements of nature:
clouds, trees, moving water, etc.

9. 4 Patternis an underlying structure that
organices surfaces or structures in a
consistent., regular manner. Pattern can be
described as a repeating unit of shape or
form, but can also be thought of as the
¨skeleton¨that organizes the parts of a
composition.

10.  Frotados. Esta técnica consiste en colocar papel sobre
diferentes superficies rugosas con relieves y frotar cada
hoja con lápices, ceras (blandas o duras), lápices de colores,
etcétera.
1 Through 'scrubbing'
WAYS OF REPRESENTING TEXTURES
Rubbing is an easy technique that allows for passing an object´s texture
directly onto paper. Place the paper on the surface of the texture that you
propose to reproduce. Rub the pencil colour or wax paper. You can use
various colours and overlap rubbed.

11. • 1 Through 'scrubbing'
• 2 Through 'stamping '
• 3 Through 'scraping'
• 4 Through drawing or painting
Some ways to make TEXTURES :

12. Estampados.Consiste en estampar con una matriz entintada sobre una superficie.
Se puede utilizar como tampón una esponja, un papel arrugado, tela, cartón, etc.
Primero se entinta la superficie del tampón con témpera, acrílico, óleo, etc.,
utilizando un rodillo, pincel o espátula, y después se imprime sobre el papel.
Raspados.Esta técnica consiste en raspar una superficie previamente pintada.
2 Through 'stamping '
Estampados.Consiste en estampar con una matriz entintada sobre una superficie.
Se puede utilizar como tampón una esponja, un papel arrugado, tela, cartón, etc.
Primero se entinta la superficie del tampón con témpera, acrílico, óleo, etc.,
utilizando un rodillo, pincel o espátula, y después se imprime sobre el papel.
Raspados.Esta técnica consiste en raspar una superficie previamente pintada.
Sobre un soporte rígido se pinta la superficie con témpera, acrílico, ceras blandas, etc.
It´s about painting textured surfaces with tempera and pressing them on paper. If
you print a leaf, for example, do not cover the whole surface with tempera: let the nerves
stay with no colour to stand out when printed on paper. Leaves, twigs, shells, hands,
feet ... They´re all good to stamp.
3 . Through 'scraping': this technique involves scraping a previously
painted surface

13. • 4 . Through drawing or painting

14. WAYS OF REPRESENTING TEXTURES
La fami
Goya 18
Texturas en el arte
La familia de
Carlos IV
Goya 1800
link

15. Campo de trigo con cuervos
Vinvent Van Gogh
1890
Campo de trigo con cuervos
Vicent van Gogh 1890
Museo Van Gogh Amterdam

16. El pensador
Auguste Rodim
1880-1900
Museo Rodin
París

17. El preso
Juan Genovés
1965
El preso
Juan Genovés 1965, 116 x 116 cm
Acrílico y collage sobre tela
Edificio del congreso, Madrid

18. Pabellones y bungalós
Hundertwasser
1980
Sede europea de las Naciones
Unidas en Ginebra.
Miquel Barceló
2007-2009
Sigue este link
Sede europea de las Naciones Unidas,
Ginebra
Miquel Barceló 2007-2009
Pabellones y bungalós
Hundertwasser 1980