The passage discusses several themes related to modern architecture, including new myths of modernity, expressions of technology through poetry, the reemergence of abstraction, and analogies between architecture and other realms like sculpture, landscape art, and nature. It notes how seminal statements on modern architecture must be understood through the sensibilities and societal myths they exemplify. As an example, it mentions Navarro Baldeweg's Congress building and how architecture oscillates between the unique and typical, with the old and new sometimes reunited in unexpected ways.

1. Descriptive Essay About Mexico City
Throughout the world there are many cities tourists can choose to travel to such as New York City,
Los Angles or San Francisco. Each one of these cities have a huge amount of tourism on a yearly
basis attracting hundreds of people from all over the world. All these cities have plenty to over to
tourist when it comes to food and entertainment. One city in particular is unique in ways that can not
compare to these others cities. Mexico City, being such an incredible city that has so much to offer
from famous places to go sight seeing. To taking a tour around the city or eating some of the best
foods you have ever eaten. This city is so amazing it makes it one of my favorite places to visit.
Located in the heart of the country Mexico City is a place one should visit once in their life time.
Similar to Las Vegas, Mexico City is a sleepless city at all hours there is tourist flooding the streets
having a great time walking around. The streets are full of street vendors selling food filling the air
with the aroma of someone making some mouthwatering asada tacos covered in the sauce of your
choice and freshly cut onion and cilantro topping them off. Keep walking down the street and a
sweet smell is in the air. The smell is coming from a nearby bakery and you see trays full of
Mexico's famous sweet bread. The smell is irresistible making you purchase way your nose has lead
you too. It can be very difficult to pass bye and not being tempted to buy buy something that smells
very delicious.
The City of Mexico always has something for its tourist to see and entertain them. Throughout the
city there are many street performances that always seem to amuse the people. Live music is
performed to people putting on a dance off or simply someone showing off any talent that they
might have. If your favorite thing to do is sight seeing their area many buses that take you on a tour
and drive you around the city. These buses show you various famous landmarks that are scattered
around the city. One of the most famous and most recognizable landmark that you are taken to is
Angle of Independence located in the middle of a roundabout. Serving as a tribute to the people that
fought in the Mexican war. Another landmark you are taken to is
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3. Kahlo Y Calderon Research Paper
Magdalena Carmen Frieda Kahlo y Calderon was born on July 6, 1907 in Coyocoán, Mexico City,
Mexico. She grew up in what is now referred as the Blue House or Casa Azul. Here she lived along
side her father, Guillermo Kahlo, her mother, Matilde Calderon y Gonzalez, and her three sisters,
Matilde, Adriana, and Cristina. When Frida was around six years old, she contracted polio, which
rendered her right leg shorter and thinner than her left. Unfortunately, her illness forced her to not
only be bedridden for nine months but also be isolated from her peers. Because of this life marking
experience, she got bullied for her deformed leg which ultimately changed her personality,
becoming an introvert. She also began wearing pants, long skirts and or ... Show more content on
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One great example, April 13, 1953 at the "Galería de Arte Contemporáneo", Frida's doctor told her
she was not well enough to attend the opening and she was not to leave her bed. Frida determined to
attend the opening, loaded her bed into the back of a truck, driven to the exhibition opening as Frida
followed in an ambulance. Upon arrival, Frida was carried into the gallery on a stretcher by four
men who carry her inside to greet her friends and was placed in the middle of the gallery in her bed.
Unfortunately a year later, she took her last breath at the Casa Azul just days after her birthday.
Since her death, Kahlo's fame as an artist has only grown. Her beloved Blue House was opened as a
museum in 1958. The feminist movement of the 1970's led to a renewed interest in her life and work
becoming an icon to many. More recently, her life was the subject of a 2002 film in which was
nominated for six Academy Awards ("Frida Kahlo Biography"). Despite Frida fearing that after her
death she would be forgotten, aside from her fascinating masterpieces immortalizing her throughout
the years, she keeps living within the hearts of many Mexicans that know her back story because of
being the true embodiment of a very important lesson she left behind, despite all of the challenges
life throws at you, keep pushing forward
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5. The Values Of Arte Povera
"King Midas had turned everything he touched into gold: capitalism turned everything into a
commodity" (Fischer, P.49)
According to Marx, Value can be described as the socially necessary labor needed to produce a
commodity. In order to form a foundation of the understand value, we must first understand what
exactly the term 'socially necessary labor' means and of course, how its process gives us a true value
of a given commodity.
In Capital (Marx, Capital Vol.1), Marx writes in reference to commodities – "a man must not only
produce an article satisfying some social want, but also his labor itself must form part and parcel of
the total sum of labor expended in society ." (Marx, Capital Vol.1). Marx states that in the process
of labor the worker must not only take into account the social demand and the cost of the material he
is working with to create the product, but also the time expended in the creation of said product.
Marx describes socially necessary labor time as "the quantity of labor necessary for its production in
a given state of society." (Marx, Capital Vol.1), Therefore this time is dependent on the state of
society the labor is being carried out in. This state of society ... Show more content on
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When viewing art as commodities, Arte Povera is a particularly interesting movement to refer to,
given its anti–consumerist beginnings and rejection of generally accepted gallery criteria
(particularly regarding material, and aesthetics put into place when creating art.) Germano Celant,
the man who coined the term "Arte Povera", spoke of how what existed insignificantly in the art
world was beginning to impose itself with the establishment of the movement and how "Physical
presence and behaviour have themselves become art".(Bakargiev, P. 18) Penones work, as one
example, furthers "the free self–projection of human activity" (Bakargiev, P. 18) and exemplifies the
intention of the movement
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7. Sample Essay : La Sibila
RECUPERACION DEL INFORME: LA SIBILA
Capitulo 1.
La desconocí de inmediato. ¿Había sido yo, profesor e investigador de genética ingeniería molecular
en la Universidad de Harvard, escéptica y abandonado, miserablemente solo en el interminable año
sabático en Roma.
Serena.... Todo se lo toma al pie de la letra y a grandes sorbos de café y yo me encontraba solamente
desarrollando un argumento cuando la vi levantar sus cejas en forma de ala de gaviota.
Me llamo monstruo de soberbia y engendro de la ciencia capitalista, si crees que eso existe. ¿Acaso
te crees Dios?– me grito de manera histérica. Le respondí, sin pensarlo mucho, que de ninguna
manera porque Dios no existía. Serena palideció y creyó ver al diablo encarnado en mi persona.
Había ido a cumas porque si. Como hubiera podido ir a la toscana o Mónaco o a esquiar a suiza.
Como serena la vieja sibila no quería oír hablar de inmortalidad, y yo sin pensarlo, hice la pregunta
que hacían todos los niños sin preguntarme de momento que hacían los niños romanos en un antro
tan macabro molestando a la sibila–cigarra...una voz de mujer claramente dijo, en melodioso
italiano: voglio moriré.
Capitulo 2.
Mi voz me sobrecogió a mí misma, aunque había hecho sobre el ánimo del doctor wise el efecto
deseado.
He ido muchas veces a la cueva de cumas, primero acompañando a mi padre, después como
estudiante de arqueología y ahora como el único ser humano sobre la tierra que está en posesión de
un secreto terrible.
II conte había confiado
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9. The Art Of Guernica By Pablo Picasso
The second piece of work for consideration into the Apollo collection is Guernica. It was painted by
Pablo Picasso between May 1st and June 4th, 1937 in Paris. An oil painting on canvas standing
349.3 cm tall and 776.6 cm wide. It is currently on display in room 206 of the Museo Nacional
Centro de Arte – Reina Sofia. Subject Matter and Interpretation Looking at the work for the first
time, there is an intensity and excitement that overwhelms the viewer coming from the subject
matter of lines and shapes that form a narrative for the piece. This work depicts a story of battle and
a town in distress. The building in the background is in flames as a person is falling from a balcony
of the burning building. There is a horse that whinnies while trampling dismembered limbs grasping
a broken sword. A mother wails as she holds her injured or dying child in her arms, while the
townspeople watch on holding their lamps out, stretching and bending their necks to see the
commotion in horror and shock. A bull stands in the corner as a figure of anger and strength with a
shocked look on its face, symbolizing the strong town that is now in the throes of a war like battle.
The oval shaped light fitting beams over the battle suggesting that the action may have started inside
and escalated into the streets as there is an open door on the left–hand side of the work. The piece
makes my heart race in apprehension as my eyes travel through the scene, taking in the terror
unfolding. The cold
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11. Sherrie Levine
Sherrie Levine From Wikipedia, the free encyclopedia Sherrie Levine (born April 17, 1947 in
Hazleton, Pennsylvania, United States) is an American photographer and conceptual artist. Contents
[hide] * 1 Education * 2 Style and career * 3 See also * 4 External links | [edit] Education Levine
received her B.A. from the University of Wisconsin, Madison in 1969. In 1973, she earned an
M.F.A. from the same institution. [edit] Style and career Much of Levine's work is in the form of
very direct image appropriation. She first gained critical attention for her work in the 1980s, where
she was considered part of an emergent group of political, conceptual artists which also included
Jenny Holzer, Richard ... Show more content on Helpwriting.net ...
S. R. Interieurs Parisiens: 1–60 After Atget, 1997 Desde sus primeras series en las que refotografió
los desnudos de Edward Weston, los paisajes de Eliot Porter y las escenas rurales de Walker Evans,
Sherrie Levine ha vuelto con asiduidad a esta técnica. Esta serie de fotografías recoge un grupo de
sesenta imágenes de interiores de casas parisinas, sin personajes, realizadas a lo largo de varias
décadas por Eugène Atget (1856–1927), uno de los maestros de la fotografía francesa. Atget fue el
creador de uno de los más importantes archivos fotográficos que existen sobre la capital francesa.
Durante treinta años su objetivo fue documentar todo lo que de pintoresco o artístico tenían París y
sus alrededores, llegando a crear un cuerpo de trabajo de casi diez mil fotografías. La elección de
este artista no es gratuita ya que él fue uno de los primeros en reconocer que la fotografía tenía su
propio lenguaje, y que era un medio independiente y autónomo, alejándose de los presupuestos
pictoralistas de las corrientes finiseculares. Atget murió sin el reconocimiento público que mereció
en vida, excepto por el que le tributaron las primeras vanguardias que le revistieron de un aura
heroica. Fotografió algunas de
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13. Postmodernismo y Modernidad Essay
POSTMODERNISMO Y MODERNIDAD INTRODUCCION
El Postmodernismo describe la filosofía del examinar la naturaleza del significado y del
conocimiento, aunque muchos académicos en varios campos han debatido sobre su definición
precisa. Los postmodernistas cuestionan la validez de la fe en la ciencia y el racionalismo que se
originó durante el Ilustramiento y que comenzó a estar asociada con la filosofía conocida como el
modernismo. También cuestionan si la antropología es, o debería ser una ciencia. Ya que todo el
conocimiento está necesariamente moldeado por la cultura, ellos argumentan, los antropólogos no
pueden ser objetivos en su investigación.
En respuesta a este argumento, algunos antropólogos han comenzado simplemente a estudiar ...
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Muchos investigadores en estudios culturales han trabajado para deconstruir (separar las partes para
analizar y criticar) las etnografías tradicionales y otros tipos de investigación antropológica. Su
análisis demuestra que una gran parte de esta investigación pueden haber representado
equivocadamente o afectado negativamente las culturas descritas. La práctica de criticar los trabajos
antropológicos iniciales no requiere adiestramiento o trabajo de campo especializado en
antropología. Así, el campo de los estudios culturales incluye personas educadas en tópicos tan
diversos como literatura, estudios de género, sociología e historia.
Algunos antropólogos han reaccionado contra las críticas anticientíficas del Postmodernismo.
Rechazan la posición de que la investigación científica no puede enseñarnos nada acerca de la
naturaleza del mundo o de la humanidad. Pero los críticos de las prácticas antropológicas
tradicionales pueden mejorar la calidad del trabajo haciendo investigaciones aún más conscientes
sobre los métodos que utilizan.
Caracterización de la modernidad y la postmodernidad
Nuestra sociedad ya no es "moderna" pero queda todo un substrato de creencias de la modernidad
que se van rápidamente disolviendo. El postmodernismo es algo profundamente distinto. El pos–
modernismo acaba con las ilusiones de la modernidad. Lo podríamos caracterizar como el
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15. Hampton Vs. Thomas.
Hampton vs. Thomas Artists use many elements when creating paintings, from the use of different
paints, surfaces and technique they use to create true art. The technique can influence the how artists
chooses to present they works to the world. Artist such as Debra Hampton and Mickalene Thomas
create very unique artworks using various techniques to express feelings in the world they live in.
Debra Hampton completes Rapid Fire in 2009 as part of the Twenty Paces exhibit for Priska C.
Juschka Fine Art in New York City. Hampton gives her personal expression in Rapid Fire by
creating what she believes is both innovative and pleasurable for her audience. Hampton gave form
to the immaterial with spiritual insight. Mickalene Thomas created Something You Can Feel in 2008
for La Conservera Centro de Arte Contemporaneo, in Murcia, Spain. Thomas's creation has her
personal expression and makes record of the places and events about memories of growing up. Both
artist describe their art work through lines used, the light, and color as well as techniques. Debra
Hampton was born in Los Angeles, California and moved to New York to obtain a Master of Art
Degree. She utilizes magazine cut–out that she forms into powerful women creating a sense of
feminism. Hampton's painting, Rapid Fire, expresses the lightest value as the background and uses
dark values on and around the face. Values switch from light to dark without the use of fading into
medium values. The sudden change in values gives
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17. Technology, Abstraction and Ideas of Nature
Coming to terms with modern architecture, we must read through such seminal statements through
their sensibilities and societal myths which they exemplify. Now, we shall explore parallel themes to
do with new myths of modernity, poetic expressions of technology, the reemergence of abstraction,
and analogies between architecture and other realms such as minimalist sculpture, landscape art and
nature. Architecture oscillates between the unique and the typical where the old and new may
reunite in unexpected ways. Example, the Navarro Baldeweg's Congress Hall in Salamanca which
underlines the complexity of ideas, fantasies, memories and aspirations that may operate in a single
function. If this interconnections work on the ... Show more content on Helpwriting.net ...
Part from his exchange with painters, sculptors and conceptual artists, part from his direct
engagement with ordinary techniques of construction in which he found extraordinary possibilities
of expression. Spiller House in Vernice, California (1979) in which angled planes and tilting
volumes introduced visual tension and ambiguities while materials, as found, were handled in a
deliberately casual way which exposed the process of assembly. Another route towards
fragmentation and abstraction lay through the works of "neo–modernist" such as Richard Meier and
Bernard Tschumi. Richard Meier established a signature style that was characterized by layers of
wall planes and transparencies, fractured structural grids, interpenetrating ramps and space of vying
luminosity. All these devices were all on display in the Museum für Kunsthandwerk in Frankfurt
(1981–5). The Parc de La Villete (1984–9) by Bernard Tschumi revealed another aspect of the neo–
modernist stance. His basic strategy of co–ordinates, sinuous lines and boundaries suggested a
latter–day version of Kadinsky's elements of abstract painting or perhaps the score for an avant–
garde film in which the same shot–pieces were repeated in different montages. The site recalled past
mechanistic fantasies such as Tchernikov's sketches of around 1929. The cubic "follies" were like
giant toys scattered across the grass. Rem Koolhass's proposal for the Grande Bibliothèque
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19. Desenvolvimento Da Consciencia Humana
DESENVOLVIMENTO DA CONSCIÊNCIA HUMANA O Brasil diante dos problemas sociais
XXXXXX XXXXXX XXXXXx XXXXXX RESUMO O seguinte estudo apresenta fatos que
afetaram o pensamento social desde o final do século XVIII até a atualidade. Abordando pontos
críticos na história da humanidade para uma compreensão maior e conseqüentemente objetiva do
relacionamento humano na sociedade quando deparada por fatores como: guerras, fome,
preconceitos, choques–culturais e desigualdades. O ponto principal é como a consciência humana é
afetada pelo meio, dando ênfase ao Brasil no processo de desenvolvimento social. E ao caminho que
a sociedade brasileira esta trilhando diante das desigualdades sociais, má distribuição de renda e a
formação intelectual do povo. ... Show more content on Helpwriting.net ...
Atualmente nos países desenvolvidos, o operário vive cerca de, 78 anos e trabalha 69 mil horas ao
longo da vida. Além disso, as instalações precárias das fábricas prejudicavam a saúde do
trabalhador. Apesar do avanço da medicina, surgiram doenças ligadas às péssimas condições de
trabalho e da moradia dos operários. 3 NOVAS IDEOLOGIAS – O DEBATE SOBRE A NOVA
ORDEM ECONÔMICA E SOCIAL O rápido processo de industrialização logo repercutiu em
vários aspectos da vida social. Crescia o número de operários pobres que, por meio de suas
organizações, reivindicavam condições dignas de trabalho. Já a burguesia industrial estava
empenhada, principalmente, em aumentar seus lucros e enriquecer. O debate decorrente desse
conflito de interesses contribuiu para a elaboração de várias teorias sociais. Algumas justificavam os
rumos da nova sociedade industrial capitalista. Outras, identificadas com o interesse dos operários,
denunciavam a exploração do trabalho e pregavam uma sociedade mais livre e justa. 3.1
SOCIALISMO: Entre as teorias que criticavam a exploração dos trabalhadores e as injustiças da
sociedade industrial destacou–se o socialismo. Essa teoria reunia correntes político–ideológicas que
se opunham, de modo geral, ao liberalismo burguês e ao capitalismo. Saint–Simon, Pierre Proudhon
e Robert Owen, entre outros, são os criadores das
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21. Literary Analysis Of Pablo Picasso's Guernica
Julius Byla
Hake
English 101
10/22/17
Picasso's Guernica Throughout time paintings have been used to record events, communicate ideas
or evoke an emotional response. Pablo Picasso's painting Guernica does just this. Guernica was
created to bring attention to the Nazi bombing of the town of Guernica, Spain during the Spanish
civil war in the second half of the 1930s. Its exhibition was used to provide relief and a call against
the horrors of war. Through its visual elements and symbolic concepts, Guernica depicts the chaos
and aftermath of the bombing of the city and the need to bring about change over the tragedies of
war. Standing at a massive seven feet by twenty–five feet, this black and white painting depicts a
massacre of the bombing of the town of Guernica. The composition of the work is a dimly lit space,
the only light coming from an eye shaped light at center top of the painting and a woman holding a
lantern next to it. From left to right, the scene contains a screaming bull beneath it a woman holding
a dead child. In the center there is a mangled horse pierced by spear and below it, the mangled body
of a fallen soldier. To the right are three women, one crawling towards the light, above her is a
woman leaning out of a window holding a lit lantern and the other screaming while falling from a
burning building. Guernica captures the brutal chaos of the bombing with its physical action and
intended symbolism. Being black and white, the painting represents the somber
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23. Francisco de Holanda y Felipe de Guevara: Inventar,...
Con la aparición humanismo renacentista, ser artista dejó de ser considerada una ocupación de
carácter mecánico para elevarse a lo más alto de la jerarquía de las artes y ciencias. El ser ahora
concebida como una actividad intelectual y liberal dio lugar a un nuevo interés por explorar los
aspectos teóricos y conceptuales de su de la producción artística. Pero, el pensador de la época
también se vio enfrentado ante la tarea de delimitar las fronteras de esta nueva categoría;
ciertamente, el prestigio traía consigo exclusividad. Sin embargo, este proceso se complicó aún más
cuando dichos pensadores encararon las formas artísticas –para ellos insólitas– que venían de o
encontraron fuera de Europa. La inclusión de estas nuevas formas dentro ... Show more content on
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Por ende, sólo siguiendo rigurosamente sus parámetros, basados en las formas de la "pintura antiga"
y maneras es que uno puede lograr producir arte liberal (51). Unos años más tarde, el español Felipe
de Guevara propuso un modelo diferente en su manuscrito Comentarios sobre la pintura (1560–
1563). Para De Guevara, aunque coincide con De Holanda en que arte liberal necesariamente tiene
que mantener proporciones y decoro, para el español esto se logra a través de la pura imitación de la
naturaleza. Él no considera la imitación como un medio, si no, como un fin en sí. Sin embargo, él se
aleja de idea de imitar como el acto mecánico de sólo copiar. Según De Guevara, el artista va más
allá; al tener la capacidad intelectual de observar, de entendimiento y de ingenio, logra extraer lo
perfecto de la naturaleza para imitar el ideal, no el imperfecto individuo. Consecuentemente, yace en
la habilidad de "imitativa imaginaria" –de imaginar algo nuevo a través de imitar e idealizar– la
capacidad de hacer arte liberal (236). No sorprende entonces, que el arte grecorromano, con sus
cuerpos ideales, su realismo anatómico y sus meticulosa atención a la proporciones, sea para De
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25. Cirque Du Soleil-Caso de Estudio
MBA GERENCIAL XLIII CURSO: COMPORTAMIENTO ORGANIZACIONAL CASO:
CIRQUE SOLEI Profesora: Sylvia Santisteban Vargas Corbacho Grupo N° 6:     Mesías
Araujo, Armando Reyes Prieto, Sheyla Ruiz Saldarriaga, Luis Miguel Yupari Vásquez, Alejandro
Orlando Marzo 2011 DESARROLLO 1. ¿CUÁL ES EL PRODUCTO, LA ESTRATEGIA QUE
DESARROLLA? No existe un producto tangible o un servicio ofrecido directamente al cliente, para
el Cirque du Soleil su propósito es desarrollar, tal como ellos lo mencionan en la lectura, "obras
artísticas" que son fruto de la creatividad de sus integrantes. La angustia, la alegría y la imaginación
se convierten en los ingredientes básicos para el desarrollo de sus espectáculos. Es en este escenario
donde los artistas ... Show more content on Helpwriting.net ...
Entre las principales medidas adoptadas para este fin, tenemos: – Búsqueda continúa de artistas, la
cual se realiza por todo el mundo. La incorporación de los artitas se da en grupos por localidades y
no individualmente, con el objetivo que para las personas no tengan tanta dificultad para integrarse y
que la integración se dé por grupos. – Atención a las demandas y sugerencias de los artistas, la cual
está orientada a brindarles capacitación con nuevos técnicos y entrenadores que los artistas sugieran.
– Mejora continua de la infraestructura, que se orienta a que los artistas puedan desarrollar los actos
y números artísticos dentro de instalaciones cada vez mejores y de acuerdo a sus necesidades
artísticas. – Entorno Multicultural, los artistas aprenden a desenvolverse en un entorno intensamente
multicultural donde aprender a confiar en personas de diferentes culturas y creencias, en contraste
con ambientes rígidos en disciplina y uniculturales. – Concientización de personal administrativo
(staff), Cirque se encuentra enfocado en concientizar al personal de Staff, con la finalidad de que
tomen conciencia respecto a la verdadera razón de su trabajo: "Los Artistas", incluso se han
desarrollado programas con la finalidad
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