Putting History on the Map with Calisphere - CCSS 2011sherriberger
Presented at the California Council for the Social Studies annual conference March 4, 2011. Presented by Sherri Berger, California Digital Library, and Letty Kraus, UC Davis History Project.
Putting History on the Map with Calisphere - CCSS 2011sherriberger
Presented at the California Council for the Social Studies annual conference March 4, 2011. Presented by Sherri Berger, California Digital Library, and Letty Kraus, UC Davis History Project.
AS level introduction to the three approaches (intentional, constructive and reflective)
LESSON 7 - Follow up lesson was to research how age is represented and present their chosen examples.
This opensource presentation discusses the Subversion Process described by Yuri Bezmenov (1939-1993) who was a Soviet KGB defector. This presentation is derived from his 1984 book, "Love Letter to America". Please see: https://stpaulresearch.com/2019/11/14/a-love-letter-to-america-from-a-russian-spy/
College English WRT 105Dr. SmythDate Due Keep t.docxclarebernice
College English WRT 105
Dr. Smyth
Date Due:
Keep track of Developmental Due Dates in Syllabus
Documented Argument Assignment
Cultural Resistance and Dissent
Both the culture we enjoy and the culture in which we live provide us with ideas of how things are and how they should be, frameworks through which to interpret reality and possibility. They help us account for the past, make sense of the present and dream of the future. Culture can be, and is, used as a means of social control. More effective than any army is a shared conception that the way things are is the way things should be. The powers-that-be don’t remain in power by convincing us that they are the answer, but rather that there is no other solution. But culture can be, and is, used as a means of resistance, a place to formulate other solutions. In order to strive for change, you have to first imagine it, and culture is the repository of imagination.
~Stephen Duncombe
It is the common failing of totalitarian regimes that they cannot really understand the nature of our democracy. They mistake dissent for disloyalty. They mistake restlessness for a rejection of policy. They mistake a few committees for a country. They misjudge individual speeches for public policy.
~Lyndon Baines Johnson
In his introduction to the Cultural Resistance Reader, Stephen Duncombe reluctantly defines “cultural resistance” as “culture that is used, consciously or unconsciously, effectively or not, to resist and /or change the dominant political, economic, and/or social structure” (5). He goes on to raise questions about how cultural resistance works, whether or not it can also be thought of as political resistance, and eventually whether or not cultural resistance is even possible. We’ll spend the next segment of WRT 105 entertaining these ideas; exploring, analyzing, questioning, critiquing and arguing about how and why (and if) culture is being used to resist or challenge the dominant ideologies, policies, and practices of the contemporary American landscape. During that time we’ll grapple with difficult questions: How is culture being used to demonstrate dissatisfaction with the status quo, with the dominant American culture? What are the cultural artifacts associated with resistance and dissent? What are various countercultures, subcultures, or cultures of resistance identifying as the social, economic and political problems of the day? What are their goals (to raise awareness, to change the way we think, to affect “real” social or political change, etc.)? Are they effective? How do the critiques offered by these groups connect with larger issues being debated by the greater public? And where do you stand on the issues, on the means of resistance or dissent?
Your first task will be to identify a form of cultural resistance (or attempted cultural resistance) and its connected controversies and then to spend some time listening in on and analyzing the arg ...
Time to create the best museum in history, right in your own classroom! You'll develop an exhibit that illustrates one of the civilizations you read about earlier in this lesson.
Register to explore the whole course here: https://school.bighistoryproject.com/bhplive?WT.mc_id=Slideshare12202017
Ethnography of the Familiar…or the Unfamiliar 30 This a.docxhumphrieskalyn
Ethnography of the Familiar…or the Unfamiliar
30%
This assignment requires students to conduct a “mini-ethnography” over a period of a day or several days. Like all ethnographies, you should follow ethical guidelines (e.g., “do no harm” and “obtain informed consent”) employ
participant observation
,
interviews
, and a variety of other ethnographic methods while writing up extensive field notes and exploring
thick description
as a mode of observation and cultural translation. Given our unusual circumstances and recognizing that you may be at home, living with family, etc. this assignment is flexible. You may choose between a micro-
ethnography of the familiar
or a micro
-ethnography of the unfamiliar
. You will conduct your ethnography, complete with fieldnotes, and write up your observations and findings in a short visual essay. You should include photos or other graphic representations of the culture you study and be sure to address the following in your paper:
- What methods did you use?
- What were the ethical considerations in your ethnography and how did you navigate them?
- In stepping back and looking at culture through an anthropological lens, what were you able to see?
Ethnography of the Familiar
: As we learn about making “the strange familiar and the familiar strange” you will find that our own culture is just as enlightening as others, “out there” elsewhere in the world. If you choose to conduct an ethnography of the familiar, you should think carefully about who you are, what attributes make up your culture, how
others might represent you
. You can focus on one aspect of your culture (e.g., something that you hold dear such as a genre of music, gaming, a community such as a religious one or activist one, etc.) or multiple aspects of your culture (first generation university student, southern California youth, etc.) Take a step away from yourself and study your culture, as an outsider, to dig deep and observe what makes your culture(s) significant (or mundane, or exceptional, or fascinating).
Ethnography of the Unfamiliar
: Much of what you learn about in this course may seem or feel unfamiliar. For example, the waria in Indonesia may be a distinct community that you have never heard of, let alone seen. What else are you unfamiliar with in your own backyard? Gaming and eSports are a large cultural phenomenon here in southern California. Have you ever watched a gamer on Twitch? Are you unfamiliar with other communities (virtual or otherwise) in your community? Perhaps you are not a religious person but know there are virtual religious services taking place that are open to the public. If you choose to conduct an ethnography of the unfamiliar, you should “visit” (virtually is okay, of course) a field site and conduct an ethnography, perhaps chatting with people in the community, to gain a sense of what makes this community and culture tick. What do they value? Why are they “into” their cultural community?
Due .
AS level introduction to the three approaches (intentional, constructive and reflective)
LESSON 7 - Follow up lesson was to research how age is represented and present their chosen examples.
This opensource presentation discusses the Subversion Process described by Yuri Bezmenov (1939-1993) who was a Soviet KGB defector. This presentation is derived from his 1984 book, "Love Letter to America". Please see: https://stpaulresearch.com/2019/11/14/a-love-letter-to-america-from-a-russian-spy/
College English WRT 105Dr. SmythDate Due Keep t.docxclarebernice
College English WRT 105
Dr. Smyth
Date Due:
Keep track of Developmental Due Dates in Syllabus
Documented Argument Assignment
Cultural Resistance and Dissent
Both the culture we enjoy and the culture in which we live provide us with ideas of how things are and how they should be, frameworks through which to interpret reality and possibility. They help us account for the past, make sense of the present and dream of the future. Culture can be, and is, used as a means of social control. More effective than any army is a shared conception that the way things are is the way things should be. The powers-that-be don’t remain in power by convincing us that they are the answer, but rather that there is no other solution. But culture can be, and is, used as a means of resistance, a place to formulate other solutions. In order to strive for change, you have to first imagine it, and culture is the repository of imagination.
~Stephen Duncombe
It is the common failing of totalitarian regimes that they cannot really understand the nature of our democracy. They mistake dissent for disloyalty. They mistake restlessness for a rejection of policy. They mistake a few committees for a country. They misjudge individual speeches for public policy.
~Lyndon Baines Johnson
In his introduction to the Cultural Resistance Reader, Stephen Duncombe reluctantly defines “cultural resistance” as “culture that is used, consciously or unconsciously, effectively or not, to resist and /or change the dominant political, economic, and/or social structure” (5). He goes on to raise questions about how cultural resistance works, whether or not it can also be thought of as political resistance, and eventually whether or not cultural resistance is even possible. We’ll spend the next segment of WRT 105 entertaining these ideas; exploring, analyzing, questioning, critiquing and arguing about how and why (and if) culture is being used to resist or challenge the dominant ideologies, policies, and practices of the contemporary American landscape. During that time we’ll grapple with difficult questions: How is culture being used to demonstrate dissatisfaction with the status quo, with the dominant American culture? What are the cultural artifacts associated with resistance and dissent? What are various countercultures, subcultures, or cultures of resistance identifying as the social, economic and political problems of the day? What are their goals (to raise awareness, to change the way we think, to affect “real” social or political change, etc.)? Are they effective? How do the critiques offered by these groups connect with larger issues being debated by the greater public? And where do you stand on the issues, on the means of resistance or dissent?
Your first task will be to identify a form of cultural resistance (or attempted cultural resistance) and its connected controversies and then to spend some time listening in on and analyzing the arg ...
Time to create the best museum in history, right in your own classroom! You'll develop an exhibit that illustrates one of the civilizations you read about earlier in this lesson.
Register to explore the whole course here: https://school.bighistoryproject.com/bhplive?WT.mc_id=Slideshare12202017
Ethnography of the Familiar…or the Unfamiliar 30 This a.docxhumphrieskalyn
Ethnography of the Familiar…or the Unfamiliar
30%
This assignment requires students to conduct a “mini-ethnography” over a period of a day or several days. Like all ethnographies, you should follow ethical guidelines (e.g., “do no harm” and “obtain informed consent”) employ
participant observation
,
interviews
, and a variety of other ethnographic methods while writing up extensive field notes and exploring
thick description
as a mode of observation and cultural translation. Given our unusual circumstances and recognizing that you may be at home, living with family, etc. this assignment is flexible. You may choose between a micro-
ethnography of the familiar
or a micro
-ethnography of the unfamiliar
. You will conduct your ethnography, complete with fieldnotes, and write up your observations and findings in a short visual essay. You should include photos or other graphic representations of the culture you study and be sure to address the following in your paper:
- What methods did you use?
- What were the ethical considerations in your ethnography and how did you navigate them?
- In stepping back and looking at culture through an anthropological lens, what were you able to see?
Ethnography of the Familiar
: As we learn about making “the strange familiar and the familiar strange” you will find that our own culture is just as enlightening as others, “out there” elsewhere in the world. If you choose to conduct an ethnography of the familiar, you should think carefully about who you are, what attributes make up your culture, how
others might represent you
. You can focus on one aspect of your culture (e.g., something that you hold dear such as a genre of music, gaming, a community such as a religious one or activist one, etc.) or multiple aspects of your culture (first generation university student, southern California youth, etc.) Take a step away from yourself and study your culture, as an outsider, to dig deep and observe what makes your culture(s) significant (or mundane, or exceptional, or fascinating).
Ethnography of the Unfamiliar
: Much of what you learn about in this course may seem or feel unfamiliar. For example, the waria in Indonesia may be a distinct community that you have never heard of, let alone seen. What else are you unfamiliar with in your own backyard? Gaming and eSports are a large cultural phenomenon here in southern California. Have you ever watched a gamer on Twitch? Are you unfamiliar with other communities (virtual or otherwise) in your community? Perhaps you are not a religious person but know there are virtual religious services taking place that are open to the public. If you choose to conduct an ethnography of the unfamiliar, you should “visit” (virtually is okay, of course) a field site and conduct an ethnography, perhaps chatting with people in the community, to gain a sense of what makes this community and culture tick. What do they value? Why are they “into” their cultural community?
Due .
Job interview PowerPoint presentation: social sciencesThe Free School
Many academics and lecturers are required to prepare a 10 to 15 minute lecture before a panel as a part of their job interview. This presentation is designed for social sciences lecturers who must present a 10 to 15 mini lecture before a job interview panel. A copy of a lesson plan is available at the link below. Providing a PDF/PowerPoint presentation and a lesson plan to your panel will positively distinguish you from other applicants. You may provide this prior to the job interview by email and/or you may provide a paper copy to this panel as you commence your mini presentation. Wishing you every success with your job applications, interviews and presentations.
http://www.thefreeschool.education/career-planning-and-jobs-board.html
This is assignment is based on Global Capitalism. 2-3 pages.docxkenth16
This is assignment is based on
Global Capitalism.
2-3 pages
Introduction:
For this part of the assessment you will examine the role of the individual in a global society and how issues of globalization influence aspects of culture and the individual.
A) Using the four lenses
(History, Humanities, Natural and Applied Sciences, and Social Sciences)
, explain how Global Capitalism has or has not influenced modern society.
Conclusion:
A) Explain how integrating the four lenses
(History, Humanities, Natural and Applied Sciences, and Social Sciences)
, helps understand how problems in globalization
impact
both professional and personal context.
B) Analyze how
social practices
have been shaped by issues and events in globalization in modern culture.
C) Using relevant research or diverse perspectives, assess the
benefits and challenges
of addressing issues in globalization.
D) Explain how analyzing globalization can help
interactions
with those of a different viewpoint, culture, and perspective.
.
Outline of the TheoristsKarl Marx Turned Hegel on his head .docxalfred4lewis58146
Outline of the Theorists
Karl Marx: Turned Hegel on his head by arguing that the foundation of all societies, human lifeways, and
historical change was based in material concerns, our real life issues. A functionalist. Change occurs when the
current mode of production and relations of production break down. Ideas don’t matter.
Society is composed of: Base & Superstructure
The Base is composed of Mode of Production and Relations of Production:
The Mode of Production (Foraging, Horticulturalism, Pastoralism, Agriculturalism, Industrial Agriculturalism
[Capitalism]) is the foundation of society. It is the system by which you produce all the necessary material
needs of life. It gives rise to:
The Relations of Production: The set of social relationships that attain within a given Mode of Production (in
Capitalism—>owners and wage-workers; in Agriculturalism—>Nobles and Peasants/Serfs). Provides the
social/labor fabric through which the material needs are produced, distributed, and consumed.
The Superstructure is composed of art, philosophy, politics, religion, the cultural ethos, and other ideologies.
These social ideas exist to hide or naturalize the real inequalities that are inherent in a given Mode of
Production and the resultant Relations of Production. Two classic examples: The Divine Right of Kings and
Preachers using the bible to naturalize slavery in the American South.
Max Weber: Argues with Marx. Ideas may have a powerful effect on the current Mode of Production and
Relations of Production. These ideas move, in modern society, toward the greater and greater rational
organization and bureaucratization of daily life. The classic example: Luther—>Calvin—>Predestination—>The
Calling—>altered productive and social relationships—>Capitalism.
For Weber, society exists, and changes occur, in the following manner:
There is a synthesis between new ideas<—>current Mode of Production and Relations of Production.
For Weber, ideas and material both matter, but new ideas may be the driving seat.
Emile Durkheim: The most complex & wide-ranging of the early sociologists. I will only give a brief
overview of a few pieces. A functionalist. The basis of society is embedded in value systems.
Society types: Mechanical Solidarity (Society) & Organic Solidarity (Society). Mechanical Solidarity is
found in simple societies. Simple division of labor, common ethos, common language, common knowledge,
common religion, common morality, and common ethics. Organic societies are held together by the far weaker
bonds of Interdependence. They share little else and feature many of the tensions we associate with our
society when we try to figure out who belongs.
Social Facts: Things in the mind that are real because they have an effect on not just one mind but many. Not
caused by genetic inheritance, so they are cultural and learned. Durkheim demonstrates the power of social
facts by studying suicide and proving that rates of suicide.
Women&Technologies: Research and Innovation. Nell'ambito del prestigioso WCC, (World Computer Congress), una conferenza nella conferenza dedicata alle donne e alle tecnologie, con un particolare focus su ricerca e innovazione. Presentazione per l'intervento a distanza di Nik Nailah Binti Abdullah (Information Systems Architecture Research Division, National Institute of Informatics, Tokyo, Japan), intitolato "Art and Affective Computing: Holistic approach"
1) Examine the difference between material and nonmaterial culture i.docxkarisariddell
1) Examine the difference between material and nonmaterial culture in your world. Identify ten objects that are part of your regular cultural experience. For each, then identify what aspects of nonmaterial culture (values and beliefs) that these objects represent. What has this exercise revealed to you about your culture?
2) Do you feel that feelings of ethnocentricity or xenocentricity are more prevalent in U.S. culture? Why do you believe this? What issues or events might inform this?
3) What do you think of the Sapir-Whorf hypothesis? Do you agree or disagree with it? Cite examples or research to support your point of view.
4) How do you think your culture would exist if there were no such thing as a social “norm”? Do you think chaos would ensue or relative peace could be kept? Explain.
5) Identify several examples of popular culture and describe how they inform larger culture. How prevalent is the effect of these examples in your everyday life?
6) Consider some of the specific issues or concerns of your generation. Are any ideas countercultural? What subcultures have emerged from your generation? How have the issues of your generation expressed themselves culturally? How has your generation made its mark on society’s collective culture?
7) What are some examples of cultural lag that are present in your life? Do you think technology affects culture positively or negatively? Explain.
8) Consider a current social trend that you have witnessed, perhaps situated around family, education, transportation, or finances. For example, many veterans of the Armed Forces, after completing tours of duty in the Middle East, are returning to college rather than entering jobs as veterans as previous generations did. Choose a sociological approach—functionalism, conflict theory, or symbolic interactionism—to describe, explain, and analyze the social issue you choose. Afterward, determine why you chose the approach you did. Does it suit your own way of thinking? Or did it offer the best method to illuminate the social issue?
answer these questions ????
.
Copyright 2022 Post University, ALL RIGHTS RESERVED
Due Date: 11:59 pm, Thursday of Unit 8
Points: 100
Overview:
Throughout the term, you have studied events that shaped the history of the United
States. To demonstrate your understanding of U.S. history from the Reconstruction to
the modern era, choose one of the thematic essays below. You will write a paper
detailing your answer.
Instructions:
• Choose one of the following essay choices:
o Immigration - Compare the geographical trends and tensions surrounding
the issue of immigration and the United States government response to
these tensions for the years 1880 to 1925 and 2000 to the present day.
o Technology – Analyze the impact of technology on society and politics in
the 1920s, 1950s, and 2000s. In what ways was the effect on society and
politics in each of these time periods similar and different?
o War and Politics – Compare and contrast the post-World War I Red Scare,
the post-World War II anticommunism campaign, and the war on terrorism
after the Iraq War and September 11th. What effect did fear have on
political decisions, elections, and domestic/foreign policies?
• Include an introduction with a thesis statement, multiple body paragraphs, and a
conclusion.
Requirements:
• The paper should be 3-5 written pages, excluding title and reference page.
• There should be at least 5 reputable sources included in the paper.
• APA format, including an in-text citation for referenced works.
Be sure to read the criteria by which your work will be evaluated before you write
and again after you write.
HIS202 – US History II
Final Thematic Essay Assignment
Copyright 2022 Post University, ALL RIGHTS RESERVED
Evaluation Rubric for Final Thematic Essay Assignment
CRITERIA Deficient
Development
Needed
Proficient Exemplary
(0-1 points) (2-4 points) (5-7 points) (8-10 points)
Thesis
Statement
Unclear or
incomplete and
does not
demonstrate
an
understanding
of social
studies
concepts.
Weak or
inadequately
developed, and
marginally
demonstrates
an
understanding
of social studies
concepts.
Clear,
developed, and
demonstrates
a limited
understanding
of social
studies
concepts.
Clear, well-
developed,
and
demonstrates
an analytical
understanding
of social
studies
concepts.
(0-7 points) (8-13 points) (14-19 points) (20-25 points)
Addressed
Essay
Question
Does not
answer all
aspects of the
essay
questions, is
missing
information,
and/or
provides
inaccurate
information.
Lacks support
by research
and examples,
may include
inaccurate
information.
Does not
demonstrate
understanding
of content.
Inadequately
answers all
aspects of
essay question
or is missing
information.
Supported by
limited research
and examples,
which may
include
inaccuracies.
Minimally
demonstrates
understanding
of content,
demonstrates
gaps in
understanding.
Minimal ...
Similar to World mythology project and rubric and sources (20)
Palestine last event orientationfvgnh .pptxRaedMohamed3
An EFL lesson about the current events in Palestine. It is intended to be for intermediate students who wish to increase their listening skills through a short lesson in power point.
Ethnobotany and Ethnopharmacology:
Ethnobotany in herbal drug evaluation,
Impact of Ethnobotany in traditional medicine,
New development in herbals,
Bio-prospecting tools for drug discovery,
Role of Ethnopharmacology in drug evaluation,
Reverse Pharmacology.
The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
1. World Mythology Research Project
The Situation: The ideas of Greco-Roman mythology have had a lasting impact on modern Western culture.
However, the Greeks and Romans weren’t the only ancient cultures who created elaborate mythologies, and
it’s time for us to learn about some of them and the messages they convey.
The Task: You will research the mythology of another ancient culture in groups of 3-4 and present it to your
classmates. In your GROUP research, you should focus on-
· The daily life of that culture (Where were they located? What was the climate like? What did they eat?
What types of wildlife were present? How did they dress? What types of physical challenges would this culture
face? How did this culture look at the world?)
· The creation story of that culture (How was the world created? Why was it created? What was it created
from? Who created it? How did humans end up on it, and why? How does it influence the way humans in this
culture see the world and themselves?)
The political structure (Was their society a democracy, an oligarchy, a monarchy? How were leaders
chosen and laws applied?)
Pick two to three additional myths from your culture and describe them (What happened in these
stories? Why were these stories told? Are humans involved? What phenomenon, rite, ceremony, practice, or
other part of life do these stories explain?)
· A modern day comparison (What happened to this civilization? Do they still believe in the same things?
What is the region like in modern day? )
Individual Component: In addition to finding researching the general culture and mythology of your ancient
region, you will also be responsible for researching a specific deity (god or goddess) from said culture on your
own. There is another hand out for this.
Group Requirements:
- Research should be summarized on a poster board(s) (which you will turn in to me after you present)
- The poster board(s) must address all the bolded areas above
- The poster board(s) must have a Works Cited page in MLA format on the back with a minimum of 5
sources. Three of the 5 sources must be from books.
- Each board must have a minimum of 8 photos and typed summaries of your research
- Your group will present the poster boards to the class
Potential Web Sites To Use:
Please visit http://franklin9thlibrary.weebly.com/ . Use Mrs. Wittman’s “Links” and “Research” tabs to find the
best databases and Web sites available.
Extra credit:
Extra credit (100 as a project grade) will be given to any group that brings in a 3D representation of their
culture whether in ancient or modern times. Students may come in costume, cook food from the region, create
a 3D object (ex: Thor’s hammer), a painting, play music, etc. The 100 for a project grade will be given to
students who clearly put effort into creating something that is hand-made. Buying a costume online will not
count.
Due Dates: Research Check 1 due April 7th
& 8th
Research Check 2 due April 14th
& 15th
All citations due April 22nd
& 23rd
Final Project due April 28th
& 29th
(Group poster, individual poster & presentation)
2. Grading Rubric Points
Earned
Points
Possible
Comments
Information: Does the appropriately, clearly, and accurately address
the Daily Life, Creation Story, Political Structure, and Modern Day
Comparison?
30
Works Cited: Does the citation page follow MLA guidelines? Is credit
given where credit is due? Are the sources credible?
20
Visuals: Does the poster board have 8 pictures and good summaries
of the information? Are there few/no misspellings or typos? It is neat,
creative, and professional, academic quality?
30
Oral Presentation: Were you familiar with your research? Did every
member of your group have something to contribute? Were you able to
speak from memory instead of only reading off your poster boards?
20
Total 100
Final Grade: ______________