The document discusses the works of two early 20th century German artists, Paula Modersohn-Becker and Käthe Kollwitz. It describes several of Modersohn-Becker's self-portraits and paintings of peasants, questioning why she chose these subject matters and whether her style captured expressionism. Kollwitz's works portraying poverty, weavers, and the human toll of war are also examined. Her woodcut series "The Mothers and the War" depicts the anguish of women who lost their sons to WWI, targeting those affected by the conflict.