Why do we make portraits?
a look at the reasons behind portrait painting
Reasons for creating a
portrait
People like to look at themselves
People want to show off their families
The subject matter is always willing and able, in the case of self portraits
To represent important figures

To place a conceptual meaning on a person
To influence someones opinion about a person
We like to look at ourselves

Patrons often commission artists to create a
portrait of themselves.
This was seen often in the past before the
widespread use of photography.
These portraits were painted from life.

Hans Holbein the Younger, “Sir Thomas More”,1527
Holbein the Younger, “Portrait of Henry
the VIII”, 1536

Original Burned in a
fire 1698

Commissioned by
Henry VIII
Created as a mural
in the palace of
whitehall
Walker Art Gallery Copy
Andy Warhol, “Tina Chow”, 1985

Commissioned artartwork payed for by
a patron
Patron- someone
who pays for an
artwork

http://edu.warhol.org/aract_comport.html
Andy Warhol, “Silver Liz”,
1963

http://artobserved.com/2009/06/go-see-paris-warhols-wide-world-a-retrospective-on-andy-warhol-at-the-galeries-nationalesdu-grand-palais-through-july-13th-2009/
We want to show off our
families
This painting is located in the
Biltmore house
Shows off the family of William
A. V. Cecil, descendantsof the
Vanderbilt family.

Stone Roberts, “William A. V. Cecil Family”, 1990-91
http://www.biltmore.com/our_story/our_history/vanderbilt.asp
The subject matter is always willing and
able
All artists create self
portraits

Self portraits allow the
artist to have a model
who is available at any
time
Self portraits allow the
artists to study the face
Mary Cassatt, “Self-Portrait”, circa 1878
Hokusai, “Self-portrait”, 19th century
Hokusai, “Self-Portrait as old man”
To represent important
figures
Even today well after the invention
of photography, important people
are represented with the arts
The painted portraits of each of our
presidents can be found with a
quick search of the web
Other important people represented
in portraiture include: Media figures,
military leaders, political leaders
Norman Rockwell, “Richard Nixon”, 1968

http://www.npg.si.edu/exh/travpres/index6.htm
Elaine De Kooning, “John F. Kennedy”,
1963

Not all portraits of leaders have
to show incredible realism
This example is created by an
abstract expressionist

http://www.npg.si.edu/exh/travpres/index6.htm
Mansudae art studio, Kim
Jung Il, 2012
Recently in the news:
statue of late North
Korea leader Kim Jung
Il

http://www.cp24.com/servlet/an/local/CTVNews/20120214/120214_north_korea?hub=C
P24Extras
To place a conceptual meaning on a
person
What kinds of
conceptual ideas do you
see?
Conceptual:Meaning
based on Idea more
than representation
Notice the hand
Robert Rauschenberg, “Retroactive
1”, 1963

http://www.nytimes.com/imagepages/2008/05/13/arts/13cndrausch2.ready.html
To influence and opinion about a person

What kind of feeling
does the photographer
give the viewer
What do you think was
the photographer’s
purpose

Lewis Hine, “Breaker Boys in Coal
Mine”,1911

http://www.authentichistory.com/1898-1913/2-progressivism/3-laborreform/2hine/index.html
“Indiana Glass Works at
Midnight”,1908

http://www.authentichistory.com/1898-1913/2-progressivism/3-laborreform/2-hine/index.html

Why

  • 1.
    Why do wemake portraits? a look at the reasons behind portrait painting
  • 2.
    Reasons for creatinga portrait People like to look at themselves People want to show off their families The subject matter is always willing and able, in the case of self portraits To represent important figures To place a conceptual meaning on a person To influence someones opinion about a person
  • 3.
    We like tolook at ourselves Patrons often commission artists to create a portrait of themselves. This was seen often in the past before the widespread use of photography. These portraits were painted from life. Hans Holbein the Younger, “Sir Thomas More”,1527
  • 4.
    Holbein the Younger,“Portrait of Henry the VIII”, 1536 Original Burned in a fire 1698 Commissioned by Henry VIII Created as a mural in the palace of whitehall Walker Art Gallery Copy
  • 5.
    Andy Warhol, “TinaChow”, 1985 Commissioned artartwork payed for by a patron Patron- someone who pays for an artwork http://edu.warhol.org/aract_comport.html
  • 6.
    Andy Warhol, “SilverLiz”, 1963 http://artobserved.com/2009/06/go-see-paris-warhols-wide-world-a-retrospective-on-andy-warhol-at-the-galeries-nationalesdu-grand-palais-through-july-13th-2009/
  • 7.
    We want toshow off our families This painting is located in the Biltmore house Shows off the family of William A. V. Cecil, descendantsof the Vanderbilt family. Stone Roberts, “William A. V. Cecil Family”, 1990-91 http://www.biltmore.com/our_story/our_history/vanderbilt.asp
  • 8.
    The subject matteris always willing and able All artists create self portraits Self portraits allow the artist to have a model who is available at any time Self portraits allow the artists to study the face Mary Cassatt, “Self-Portrait”, circa 1878
  • 9.
  • 10.
  • 11.
    To represent important figures Eventoday well after the invention of photography, important people are represented with the arts The painted portraits of each of our presidents can be found with a quick search of the web Other important people represented in portraiture include: Media figures, military leaders, political leaders Norman Rockwell, “Richard Nixon”, 1968 http://www.npg.si.edu/exh/travpres/index6.htm
  • 12.
    Elaine De Kooning,“John F. Kennedy”, 1963 Not all portraits of leaders have to show incredible realism This example is created by an abstract expressionist http://www.npg.si.edu/exh/travpres/index6.htm
  • 13.
    Mansudae art studio,Kim Jung Il, 2012 Recently in the news: statue of late North Korea leader Kim Jung Il http://www.cp24.com/servlet/an/local/CTVNews/20120214/120214_north_korea?hub=C P24Extras
  • 14.
    To place aconceptual meaning on a person What kinds of conceptual ideas do you see? Conceptual:Meaning based on Idea more than representation Notice the hand Robert Rauschenberg, “Retroactive 1”, 1963 http://www.nytimes.com/imagepages/2008/05/13/arts/13cndrausch2.ready.html
  • 15.
    To influence andopinion about a person What kind of feeling does the photographer give the viewer What do you think was the photographer’s purpose Lewis Hine, “Breaker Boys in Coal Mine”,1911 http://www.authentichistory.com/1898-1913/2-progressivism/3-laborreform/2hine/index.html
  • 16.
    “Indiana Glass Worksat Midnight”,1908 http://www.authentichistory.com/1898-1913/2-progressivism/3-laborreform/2-hine/index.html