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Prepered by
Laxmikant Kapgate
o About the poet
 John Keats, born October 31, 1795, London, England—
died February 23, 1821, Rome, Papal States [Italy]
 Romantic lyric poet with vivid imagery, great sensuous appeal
 an attempt to express a philosophy through classical legend.
 His first mature poem is the sonnet “On First Looking into
Chapman’s Homer” (1816), which was inspired by his excited
reading of George Chapman’s classic 17th-century translation of
the Iliad and the Odyssey.
 Arnold said of Keats, “ He is with Shakespeare.”
kapgate.laxmi
 Written September 19, 1819; first published in 1820.
 Last major poem by John Keats, published in Lamia,
Isabella, The Eve of St. Agnes, and Other Poems (1820)
 The poem treats autumn not as a time of decay but as a
season of complete ripeness and fertility
 Composed after an evening walk near Winchester
 Walter Evert called it ‘the only perfect poem that Keats ever wrote’.
o Quick Facts about An Autumn
kapgate.laxmi
Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For summer has o'er-brimm'd their clammy cells.
 The first stanza us the bounty of autumn.
kapgate.laxmi
Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap'd furrow sound asleep,
Drows'd with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.
 The second addresses autumn in the style
of a female goddess, with a trace of the
homemaker about her
Stanza II
kapgate.laxmi
Where are the songs of spring? Ay, Where are they?
Think not of them, thou hast thy music too,—
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies.
 The third stanza goes back to the beauty of
autumn, advising her not to mourn the loss of
springtime, for there is ample life in autumn.
Stanza III
kapgate.laxmi
• An ode—a poem that praises a person, an event, or an aspect
of nature
• Three 11-line stanzas (most of Keats's other odes from 1819
have 10-line stanzas).
• Each stanza starts with a quatrain (a group of four lines) with
a normal alternating rhyme scheme (ABAB), and ends with
seven lines with some relatively funky rhyming.
• Within these seven lines, Keats inserted rhyming couplets. So,
each stanza can be thought of as having three units: the
quatrain, the seven lines, and a rhyming couplet toward the
end of the seven lines.
o Form
kapgate.laxmi
• Each of these stanzas follows the same rhyme scheme
• In each stanza, the third-to-last and second-to-last lines form a
rhyming couplet. In stanza 1, this couplet rhymes with the C
rhyme. But in stanzas 2 and 3, this couplet uses the D rhyme.
• So stanza 1's rhyme scheme looks like this: ABABCDEDCCE
• And the scheme in the other two stanzas looks like this:
ABABCDECDDE
o Rhyme scheme
kapgate.laxmi
• Sensuousness : grapes, apples, the grounds, the hazels with their
sweet kernel- all appeals to our senses of taste and smell
• Vivid imagery: The reaper. The winnower, the gleaner, and the
cider-presser symbolize Autumn. The sun is ripening or
“maturing” the earth./ season of “mellow fruitfulness”
• Interest in Nature: minute observation of natural sights and sound/
sensitivity to natural phenomena
• Spirit of Greek poetry: Greek touch in the personification of
Autumn
• Felicity of diction: various phrases like ‘mellow fruitfullness’,
‘maturing sun’, ‘barred cloud’, ‘hair-soft lifted,’ ‘bloom the soft –
dying day’
o Highlights
kapgate.laxmi
kapgate.laxmi

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To Autumn by John Keats

  • 2. o About the poet  John Keats, born October 31, 1795, London, England— died February 23, 1821, Rome, Papal States [Italy]  Romantic lyric poet with vivid imagery, great sensuous appeal  an attempt to express a philosophy through classical legend.  His first mature poem is the sonnet “On First Looking into Chapman’s Homer” (1816), which was inspired by his excited reading of George Chapman’s classic 17th-century translation of the Iliad and the Odyssey.  Arnold said of Keats, “ He is with Shakespeare.” kapgate.laxmi
  • 3.  Written September 19, 1819; first published in 1820.  Last major poem by John Keats, published in Lamia, Isabella, The Eve of St. Agnes, and Other Poems (1820)  The poem treats autumn not as a time of decay but as a season of complete ripeness and fertility  Composed after an evening walk near Winchester  Walter Evert called it ‘the only perfect poem that Keats ever wrote’. o Quick Facts about An Autumn kapgate.laxmi
  • 4. Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To bend with apples the moss'd cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For summer has o'er-brimm'd their clammy cells.  The first stanza us the bounty of autumn. kapgate.laxmi
  • 5. Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reap'd furrow sound asleep, Drows'd with the fume of poppies, while thy hook Spares the next swath and all its twined flowers: And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; Or by a cyder-press, with patient look, Thou watchest the last oozings hours by hours.  The second addresses autumn in the style of a female goddess, with a trace of the homemaker about her Stanza II kapgate.laxmi
  • 6. Where are the songs of spring? Ay, Where are they? Think not of them, thou hast thy music too,— While barred clouds bloom the soft-dying day, And touch the stubble-plains with rosy hue; Then in a wailful choir the small gnats mourn Among the river sallows, borne aloft Or sinking as the light wind lives or dies; And full-grown lambs loud bleat from hilly bourn; Hedge-crickets sing; and now with treble soft The red-breast whistles from a garden-croft; And gathering swallows twitter in the skies.  The third stanza goes back to the beauty of autumn, advising her not to mourn the loss of springtime, for there is ample life in autumn. Stanza III kapgate.laxmi
  • 7. • An ode—a poem that praises a person, an event, or an aspect of nature • Three 11-line stanzas (most of Keats's other odes from 1819 have 10-line stanzas). • Each stanza starts with a quatrain (a group of four lines) with a normal alternating rhyme scheme (ABAB), and ends with seven lines with some relatively funky rhyming. • Within these seven lines, Keats inserted rhyming couplets. So, each stanza can be thought of as having three units: the quatrain, the seven lines, and a rhyming couplet toward the end of the seven lines. o Form kapgate.laxmi
  • 8. • Each of these stanzas follows the same rhyme scheme • In each stanza, the third-to-last and second-to-last lines form a rhyming couplet. In stanza 1, this couplet rhymes with the C rhyme. But in stanzas 2 and 3, this couplet uses the D rhyme. • So stanza 1's rhyme scheme looks like this: ABABCDEDCCE • And the scheme in the other two stanzas looks like this: ABABCDECDDE o Rhyme scheme kapgate.laxmi
  • 9. • Sensuousness : grapes, apples, the grounds, the hazels with their sweet kernel- all appeals to our senses of taste and smell • Vivid imagery: The reaper. The winnower, the gleaner, and the cider-presser symbolize Autumn. The sun is ripening or “maturing” the earth./ season of “mellow fruitfulness” • Interest in Nature: minute observation of natural sights and sound/ sensitivity to natural phenomena • Spirit of Greek poetry: Greek touch in the personification of Autumn • Felicity of diction: various phrases like ‘mellow fruitfullness’, ‘maturing sun’, ‘barred cloud’, ‘hair-soft lifted,’ ‘bloom the soft – dying day’ o Highlights kapgate.laxmi