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TOPIC ON 
THE GRASSHOPPER 
AND THE CRICKET 
WRITTEN BY 
JOHN KEATS
SREE NARAYANA TRAINING 
COLLEGE, SREEKANTESWARAM, 
POOCHAKKAL 
B-ED 2013-14 
UNIVERSITY OF KERALA
SUBMITTED BY 
Name : MARY SHEEBA V J 
Option : ENGLISH 
Reg No. : 13383008 (165)
SUBMITTED TO 
Ms. DHANYA KUMAR 
ENGLISH LECTURER 
SREE NARAYANA TRAINING COLLEGE, 
SREEKANTESWARAM, POOCHAKKAL
POWERPOINT 
PRESENTATION 
ON 
THE GRASSHOPPER AND 
THE CRICKET
JOHN KEATS 
English Romantic poet John Keats was born on October 31, 1795, in London. The oldest of four 
children, he lost both his parents at a young age. His father, a livery-stable keeper, died when Keats 
was eight; his mother died of tuberculosis six years later. After his mother’s death, Keats’s maternal 
grandmother appointed two London merchants, Richard Abbey and John Rowland Sandell, as 
guardians. Abbey, a prosperous tea broker, assumed the bulk of this responsibility, while Sandell 
played only a minor role. When Keats was fifteen, Abbey withdrew him from the Clarke School, 
Enfield, to apprentice with an apothecary-surgeon and study medicine in a London hospital. In 1816 
Keats became a licensed apothecary, but he never practiced his profession, deciding instead to write 
poetry. 
Around this time, Keats met Leigh Hunt, an influential editor of the Examiner, who published his 
sonnets “On First Looking into Chapman’s Homer” and “O Solitude.” Hunt also introduced Keats to 
a circle of literary men, including the poets Percy Bysshe Shelley and William Wordsworth. The 
group’s influence enabled Keats to see his first volume,Poems by John Keats, published in 1817. 
Shelley, who was fond of Keats, had advised him to develop a more substantial body of work before 
publishing it. Keats, who was not as fond of Shelley, did not follow his advice. Endymion, a four-thousand- 
line erotic/allegorical romance based on the Greek myth of the same name, appeared the 
following year. Two of the most influential critical magazines of the time, theQuarterly 
Review and Blackwood’s Magazine, attacked the collection. Calling the romantic verse of Hunt’s 
literary circle “the Cockney school of poetry," Blackwood’s declaredEndymion to be nonsense and 
recommended that Keats give up poetry. Shelley, who privately disliked Endymion but recognized 
Keats’s genius, wrote a more favorable review, but it was never published. Shelley also exaggerated 
the effect that the criticism had on Keats, attributing his declining health over the following years to 
a spirit broken by the negative reviews.
Keats spent the summer of 1818 on a walking tour in Northern England and Scotland, returning 
home to care for his brother, Tom, who suffered from tuberculosis. While nursing his brother, Keats 
met and fell in love with a woman named Fanny Brawne. Writing some of his finest poetry between 
1818 and 1819, Keats mainly worked on “Hyperion," a Miltonic blank-verse epic of the Greek 
creation myth. He stopped writing “Hyperion” upon the death of his brother, after completing only a 
small portion, but in late 1819 he returned to the piece and rewrote it as “The Fall of Hyperion” 
(unpublished until 1856). That same autumn Keats contracted tuberculosis, and by the following 
February he felt that death was already upon him, referring to the present as his “posthumous 
existence.” 
In July 1820, he published his third and best volume of poetry,Lamia, Isabella, The Eve of St. 
Agnes, and Other Poems. The three title poems, dealing with mythical and legendary themes of 
ancient, medieval, and Renaissance times, are rich in imagery and phrasing. The volume also 
contains the unfinished “Hyperion," and three poems considered among the finest in the English 
language, “Ode on a Grecian Urn," “Ode on Melancholy," and “Ode to a Nightingale.” The book 
received enthusiastic praise from Hunt, Shelley, Charles Lamb, and others, and in August, Frances 
Jeffrey, influential editor of the Edinburgh Review, wrote a review praising both the new book 
and Endymion. 
The fragment “Hyperion” was considered by Keats’s contemporaries to be his greatest achievement, 
but by that time he had reached an advanced stage of his disease and was too ill to be encouraged. 
He continued a correspondence with Fanny Brawne and—when he could no longer bear to write to 
her directly—her mother, but his failing health and his literary ambitions prevented their getting 
married. Under his doctor’s orders to seek a warm climate for the winter, Keats went to Rome with 
his friend, the painter Joseph Severn. He died there on February 23, 1821, at the age of twenty-five, 
and was buried in the Protestant cemetery.
THE GRASSHOPPER AND THE CRICKET 
by JOHN KEATS 
The Poetry of earth is never dead: 
When all the birds are faint with the hot sun, 
And hide in cooling trees, a voice will run 
From hedge to hedge about the new-mown mead; 
That is the Grasshopper’s—he takes the lead 
In summer luxury,—he has never done 
With his delights; for when tired out with fun 
He rests at ease beneath some pleasant weed. 
The poetry of earth is ceasing never: 
On a lone winter evening, when the frost 
Has wrought a silence, from the stove there shrills 
The Cricket’s song, in warmth increasing ever, 
And seems to one in drowsiness half lost, 
The Grasshopper’s among some grassy hills.
SUMMARY 
The poem “On the Grasshopper and the Cricket” by John Keats, 
reflects on the poet’s belief that the beauty of nature never ends. It 
depicts that the two animals; the grasshopper and the cricket, 
although seemingly different in many ways, are oddly similar. The 
poet stresses on the immortality of poetry which is demonstrated 
by two opposite seasons i.e. poetry continues to survive and lasts 
forever regardless of the scorching summer and the freezing 
winter. Following the iambic parameter, Keats poem is a 
Petrachan sonnet which is evident through the familiar structure 
and fourteen-verse arrangement. The poem is divided into an 
octave and a sestet, each relating to different themes. “A voice will 
run” shows that even when the world is exhausted by heat and is 
drowsy with sleep, the sounds of nature never really cease. They 
continue to make their impact through one thing or the other. 
In this poem, a unique arrangement of the lines is to be found. In 
order to place an emphasis on the theme of comparison and 
contrast, the author places certain lines one after the other, e.g. 
“hot sun” and “cooling trees”, “wrought a silence” and “there 
shrills”, etc. All these lines with opposing images are meant to
on the theme that although these things are different, yet they continue to 
exist along with each other. Furthermore, the poet also makes use of the 
natural pauses and line endings in his poem to give more emphasis on 
certain words. Also, in this way, the author I able to relate the words at 
the end of the lines or at pauses with others that carry the same 
meaning, e.g. “luxury” and “delights”. 
As we come towards the sestet, the opening line sounds archaic and 
wiser as compared to the first line of the poem. In the sestet, the subject 
of the poem changes from the grasshopper to the cricket. Over here we 
see another example of contrasting ideas as the grasshopper is a fun 
loving, carefree creature while the cricket appears to be the more 
responsible and serious of the two. Thus, if viewed figuratively, Keat is 
suggesting that although the beauty of life is easily recognized in the 
youth, there is also plenty of beauty in old age. 
At the beginning of the sestet, the same line as the beginning of the 
poem is repeated, the only difference being that it is rephrased. The echo 
of the words “never” lays even more emphasis on the fact that the call of 
nature is never-ending and is ever living. This emphasis is compounded 
by the fact that the repeated phrase ends with the word “never”, thus 
laying more emphasis onto it. 
In the octave of the poem, the liveliness of the grasshopper is depicted. 
Although summer is at its peak with scorching heat, the grasshopper 
seems unaffected by it all, living only for the present. As the grasshopper 
is fond of warmth, he uses the season to his advantage, his life filled with
jaunty mood of the octave. Quite on the contrary, the sestet forms the 
image of winter along with its bitter cold and loneliness. Thus on the 
whole, summer tends to be more poetic and cheerful, while winter is 
harsher and gloomier, both on different ends, neither surviving without 
the other. Thus the nature of beauty lives on.
Sheeba   proj

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Sheeba proj

  • 1. TOPIC ON THE GRASSHOPPER AND THE CRICKET WRITTEN BY JOHN KEATS
  • 2.
  • 3. SREE NARAYANA TRAINING COLLEGE, SREEKANTESWARAM, POOCHAKKAL B-ED 2013-14 UNIVERSITY OF KERALA
  • 4. SUBMITTED BY Name : MARY SHEEBA V J Option : ENGLISH Reg No. : 13383008 (165)
  • 5. SUBMITTED TO Ms. DHANYA KUMAR ENGLISH LECTURER SREE NARAYANA TRAINING COLLEGE, SREEKANTESWARAM, POOCHAKKAL
  • 6. POWERPOINT PRESENTATION ON THE GRASSHOPPER AND THE CRICKET
  • 7. JOHN KEATS English Romantic poet John Keats was born on October 31, 1795, in London. The oldest of four children, he lost both his parents at a young age. His father, a livery-stable keeper, died when Keats was eight; his mother died of tuberculosis six years later. After his mother’s death, Keats’s maternal grandmother appointed two London merchants, Richard Abbey and John Rowland Sandell, as guardians. Abbey, a prosperous tea broker, assumed the bulk of this responsibility, while Sandell played only a minor role. When Keats was fifteen, Abbey withdrew him from the Clarke School, Enfield, to apprentice with an apothecary-surgeon and study medicine in a London hospital. In 1816 Keats became a licensed apothecary, but he never practiced his profession, deciding instead to write poetry. Around this time, Keats met Leigh Hunt, an influential editor of the Examiner, who published his sonnets “On First Looking into Chapman’s Homer” and “O Solitude.” Hunt also introduced Keats to a circle of literary men, including the poets Percy Bysshe Shelley and William Wordsworth. The group’s influence enabled Keats to see his first volume,Poems by John Keats, published in 1817. Shelley, who was fond of Keats, had advised him to develop a more substantial body of work before publishing it. Keats, who was not as fond of Shelley, did not follow his advice. Endymion, a four-thousand- line erotic/allegorical romance based on the Greek myth of the same name, appeared the following year. Two of the most influential critical magazines of the time, theQuarterly Review and Blackwood’s Magazine, attacked the collection. Calling the romantic verse of Hunt’s literary circle “the Cockney school of poetry," Blackwood’s declaredEndymion to be nonsense and recommended that Keats give up poetry. Shelley, who privately disliked Endymion but recognized Keats’s genius, wrote a more favorable review, but it was never published. Shelley also exaggerated the effect that the criticism had on Keats, attributing his declining health over the following years to a spirit broken by the negative reviews.
  • 8. Keats spent the summer of 1818 on a walking tour in Northern England and Scotland, returning home to care for his brother, Tom, who suffered from tuberculosis. While nursing his brother, Keats met and fell in love with a woman named Fanny Brawne. Writing some of his finest poetry between 1818 and 1819, Keats mainly worked on “Hyperion," a Miltonic blank-verse epic of the Greek creation myth. He stopped writing “Hyperion” upon the death of his brother, after completing only a small portion, but in late 1819 he returned to the piece and rewrote it as “The Fall of Hyperion” (unpublished until 1856). That same autumn Keats contracted tuberculosis, and by the following February he felt that death was already upon him, referring to the present as his “posthumous existence.” In July 1820, he published his third and best volume of poetry,Lamia, Isabella, The Eve of St. Agnes, and Other Poems. The three title poems, dealing with mythical and legendary themes of ancient, medieval, and Renaissance times, are rich in imagery and phrasing. The volume also contains the unfinished “Hyperion," and three poems considered among the finest in the English language, “Ode on a Grecian Urn," “Ode on Melancholy," and “Ode to a Nightingale.” The book received enthusiastic praise from Hunt, Shelley, Charles Lamb, and others, and in August, Frances Jeffrey, influential editor of the Edinburgh Review, wrote a review praising both the new book and Endymion. The fragment “Hyperion” was considered by Keats’s contemporaries to be his greatest achievement, but by that time he had reached an advanced stage of his disease and was too ill to be encouraged. He continued a correspondence with Fanny Brawne and—when he could no longer bear to write to her directly—her mother, but his failing health and his literary ambitions prevented their getting married. Under his doctor’s orders to seek a warm climate for the winter, Keats went to Rome with his friend, the painter Joseph Severn. He died there on February 23, 1821, at the age of twenty-five, and was buried in the Protestant cemetery.
  • 9.
  • 10. THE GRASSHOPPER AND THE CRICKET by JOHN KEATS The Poetry of earth is never dead: When all the birds are faint with the hot sun, And hide in cooling trees, a voice will run From hedge to hedge about the new-mown mead; That is the Grasshopper’s—he takes the lead In summer luxury,—he has never done With his delights; for when tired out with fun He rests at ease beneath some pleasant weed. The poetry of earth is ceasing never: On a lone winter evening, when the frost Has wrought a silence, from the stove there shrills The Cricket’s song, in warmth increasing ever, And seems to one in drowsiness half lost, The Grasshopper’s among some grassy hills.
  • 11. SUMMARY The poem “On the Grasshopper and the Cricket” by John Keats, reflects on the poet’s belief that the beauty of nature never ends. It depicts that the two animals; the grasshopper and the cricket, although seemingly different in many ways, are oddly similar. The poet stresses on the immortality of poetry which is demonstrated by two opposite seasons i.e. poetry continues to survive and lasts forever regardless of the scorching summer and the freezing winter. Following the iambic parameter, Keats poem is a Petrachan sonnet which is evident through the familiar structure and fourteen-verse arrangement. The poem is divided into an octave and a sestet, each relating to different themes. “A voice will run” shows that even when the world is exhausted by heat and is drowsy with sleep, the sounds of nature never really cease. They continue to make their impact through one thing or the other. In this poem, a unique arrangement of the lines is to be found. In order to place an emphasis on the theme of comparison and contrast, the author places certain lines one after the other, e.g. “hot sun” and “cooling trees”, “wrought a silence” and “there shrills”, etc. All these lines with opposing images are meant to
  • 12. on the theme that although these things are different, yet they continue to exist along with each other. Furthermore, the poet also makes use of the natural pauses and line endings in his poem to give more emphasis on certain words. Also, in this way, the author I able to relate the words at the end of the lines or at pauses with others that carry the same meaning, e.g. “luxury” and “delights”. As we come towards the sestet, the opening line sounds archaic and wiser as compared to the first line of the poem. In the sestet, the subject of the poem changes from the grasshopper to the cricket. Over here we see another example of contrasting ideas as the grasshopper is a fun loving, carefree creature while the cricket appears to be the more responsible and serious of the two. Thus, if viewed figuratively, Keat is suggesting that although the beauty of life is easily recognized in the youth, there is also plenty of beauty in old age. At the beginning of the sestet, the same line as the beginning of the poem is repeated, the only difference being that it is rephrased. The echo of the words “never” lays even more emphasis on the fact that the call of nature is never-ending and is ever living. This emphasis is compounded by the fact that the repeated phrase ends with the word “never”, thus laying more emphasis onto it. In the octave of the poem, the liveliness of the grasshopper is depicted. Although summer is at its peak with scorching heat, the grasshopper seems unaffected by it all, living only for the present. As the grasshopper is fond of warmth, he uses the season to his advantage, his life filled with
  • 13. jaunty mood of the octave. Quite on the contrary, the sestet forms the image of winter along with its bitter cold and loneliness. Thus on the whole, summer tends to be more poetic and cheerful, while winter is harsher and gloomier, both on different ends, neither surviving without the other. Thus the nature of beauty lives on.