This document discusses planes and how they organize space in visual art. It defines a plane as a two-dimensional surface with length and width that has a position and direction in space. Planes can be geometric or organic. The surface an artist draws on is called a support. Planes organize space through composition, balance, and compensation. The rule of balance states important elements should be centered, while less important ones are evenly placed left or right. The rule of compensation means larger elements should be closer to the center to balance the composition. The document provides examples of abstract mural sketches applying these concepts and defines key terms like sketch, abstract, and collage.
Principles of ART
The principles of Art describe the ways that artists use the elements of art in a work of art.
Balance is the distribution of the visual weight of objects, colors, texture, and space. If the design was a scale, these elements should be balanced to make a design feel stable. In symmetrical balance, the elements used on one side of the design are similar to those on the other side; in asymmetrical balance, the sides are different but still look balanced. In radial balance, the elements are arranged around a central point and may be similar.
Emphasis is the part of the design that catches the viewer’s attention. Usually the artist will make one area stand out by contrasting it with other areas. The area could be different in size, color, texture, shape, etc.
Rhythm is created when one or more elements of design are used repeatedly to create a feeling of organized movement. Rhythm creates a mood like music or dancing. To keep rhythm exciting and active, variety is essential.
Variety is the use of several elements of design to hold the viewer’s attention and to guide the viewer’s eye through and around the work of art.
Harmony in art is the visually satisfying effect of combining similar, related elements. For instance: adjacent colors on the color wheel, similar shapes etc.
Movement is the path the viewer’s eye takes through the work of art, often to focal areas. Such movement can be directed along lines, edges, shape, and color within the work of art. Pattern is the repeating of an object or symbol all over the work of art.
Repetition is working with patterns to make the work of art seem active. The repetition of elements of design creates unity within the work of art.
Proportion is the feeling of unity created when all parts (sizes, amounts, or number) relate well with each other. When drawing the human figure, proportion can refer to the size of the head compared to the rest of the body.
Principles of ART
The principles of Art describe the ways that artists use the elements of art in a work of art.
Balance is the distribution of the visual weight of objects, colors, texture, and space. If the design was a scale, these elements should be balanced to make a design feel stable. In symmetrical balance, the elements used on one side of the design are similar to those on the other side; in asymmetrical balance, the sides are different but still look balanced. In radial balance, the elements are arranged around a central point and may be similar.
Emphasis is the part of the design that catches the viewer’s attention. Usually the artist will make one area stand out by contrasting it with other areas. The area could be different in size, color, texture, shape, etc.
Rhythm is created when one or more elements of design are used repeatedly to create a feeling of organized movement. Rhythm creates a mood like music or dancing. To keep rhythm exciting and active, variety is essential.
Variety is the use of several elements of design to hold the viewer’s attention and to guide the viewer’s eye through and around the work of art.
Harmony in art is the visually satisfying effect of combining similar, related elements. For instance: adjacent colors on the color wheel, similar shapes etc.
Movement is the path the viewer’s eye takes through the work of art, often to focal areas. Such movement can be directed along lines, edges, shape, and color within the work of art. Pattern is the repeating of an object or symbol all over the work of art.
Repetition is working with patterns to make the work of art seem active. The repetition of elements of design creates unity within the work of art.
Proportion is the feeling of unity created when all parts (sizes, amounts, or number) relate well with each other. When drawing the human figure, proportion can refer to the size of the head compared to the rest of the body.
This presentation is to help students and teachers to have more references in ART APPRECIATION Subject in General Education in Higher Education. Not for sale.
This presentation is to help students and teachers to have more references in ART APPRECIATION Subject in General Education in Higher Education. Not for sale.
También gracias a la fotografía hay memoria de una historia, un pasado, un presente que se recordará o un futuro que se idealiza. El mundo ve a través de ella la ilustración del arte, la historia y el ahora que ha dejado recuerdos en aquellos que la han contemplado.
Esta diapositiva es una pequeña muestra del importante papel que ha hecho la fotografía a través de la historia y como gracias a ella recordamos o conocemos de manera visual hechos que impactaron a la humanidad y dejaron una huella jamás olvidada.
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4. Definition
A plane is a two-dimension
surface, length and width, and it
has a position and a direction in
space.
5. We have two types:
Geometric: they can transmit strong visual
sensations of order and stability.
Organic: They give a visual sensation of
more dynamism than geometric forms.
9. HOW PLANE ORGANISE THE SPACE
THE COMPOSITION
The act of combining parts or elements to form a whole.
10. HOW PLANE ORGANISE THE SPACE
TWO RULES
THE RULE OF BALANCE THE RULE OF COMPENSATION
11. HOW PLANE ORGANISE THE SPACE
THE RULE OF BALANCE
The rule of balance dictates that the most important elements
should be in the centre of the support and the least important
ones should go evenly to the left or right of the composition.
13. HOW PLANE ORGANISE THE SPACE
THE RULE OF COMPENSATION
The rule of compensation tell us that, in order to balance a
composition, the bigger an elemnt is, the closer it should be to
the centre of an artwork.
29. Abstract
Abstract: of or pertaining to the formal
aspect of art, emphasizing lines, colors,
generalized or geometrical forms, etc.,
especially with reference to their relationship
to one another.
31. Collage
Collage: a collage (From the French: coller,
to glue) is a work of formal art, made from an
assemblage of different forms, thus creating a
new whole.
We're going to start a new activity.\nAnd we must start this activity all together, \nIf you haven't finished any of the previous activities, you have to finish later, \ntoday everyone has to start this new activity. \n
As you remember the essential elements of an image are the dot, the line, the plane, texture and colour. \nSo far, we have been working with the dot and with the line and today we start working with the plane. \n
As you remember the essential elements of an image are the dot, the line, the plane, texture and colour. \nSo far, we have been working with the dot and with the line and today we start working with the plane. \n
on page 38 you have a definition of a plane.\nWe have another one here:\n
We have two types:\nGeometric: they can transmit strong visual sensations of order and stability.\nFor example, we have a rectangle, a rhomboid, a hexagon, an oval, and a star polygon.\nOrganic: They give a visual sensation of more dynamism than geometric forms.\nthe type of shapes that we can find in nature.\n
The surface we draw on is a plane.\nso when we start drawing on a paper, we must know that this paper is a retangular plane and can be placed horizontally or vertically. \nYou must read about this on page 38 in you r book\n
Usualy our support has a retangular shape but can be a circle or an square as you can see in these examples. \n
when we start a drawing there´s something very important that sometimes we don´t think too much. the composition. \n\n
where to place the shapes, the figures, the objects that we´re going to draw on the support.\n
as you can read in your book\nwe can talk about two basic rules that define how to structure space and how to organise the forms in a drawing. \nthe rule of balance and the rule of compensation. \n
with the first rule, we find the most important elements in the centre, and the rest of the elements in both sides. \n
as you can see in this picture, the central figure the baby is in the centre with his mother in the left side and his father in the right side.\n
with the second rule, the rule of compensation, we have an important element on one side of the image, and several elements on the other side in order of compensate. \n
as you can see in this picture we have this big figure, this strange figure on the right, and the rest elements in the picture on the left\n
The activity, GO TO PAGE 47.\n\n
imagine that you are an artist, You dont have to imagine that because you are an artist,anyway, you have to prepare two abstract mural paintings. \n
first, you have to prepare sketches, on different papers, you have to draw different posibilities for the paintings. \n\n
When one of these posibilities is ok, and before to start painting the large mural, we have to prepare a definitive sketch. one for the first mural another one for the second mural. \n
When one of these posibilities is ok, and before to start painting the large mural, we have to prepare a definitive sketch. one for the first mural another one for the second mural. \n
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key concepts for this activity,\n sketch, can you read the definition?\n
as you can see a preparatory drawing for a painting, an sculpture, or for a building \n
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so the opposite of abstract is figurative.\n\n
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an example of this artistic tecnique. \n
We're going to start a new activity.\nAnd we must start this activity all together, \nIf you haven't finished any of the previous activities, you have to finish later, \ntoday everyone has to start this new activity. \n