The document discusses creating mood boards for different target demographics of a product range for Surfers Against Sewage (SAS). It analyzes including social media posts to appeal to younger audiences, using bright colors and professional/amateur surfers to inspire women, and focusing on challenges and competition to attract men. Color schemes and fonts are selected accordingly - bright for youth, pastel for women, and darker tones for men. Images of clean beaches and SAS advocacy are included to showcase the charity's goals and impact. The document emphasizes using clear, readable fonts and experimenting with combinations of imagery, colors and styles to determine the most effective design.
This document contains summaries of several posters, logos, and marketing materials for the organization Surfers Against Sewage.
The first poster uses dark colors and imagery of surfboards in sand to depict the negative impact of sewage on beaches in a haunting way. Another poster takes a more humorous approach, showing a surfer covered in sewage to disgust viewers and raise awareness in a memorable way.
Logos for SAS include a simple, plain logo aimed at adults and an more image-heavy logo using whales and sea creatures to appeal to children. Merchandise like t-shirts promote the brand and raise awareness when worn.
Leaflets are used to both recruit new members and renew existing members.
Surfers Against Sewage (SAS) uses graphic designs and logos to promote their mission of protecting oceans and waves. Their logo features a wave that is also an eye, representing surfers. They use shocking imagery like a surfboard in a grave to emphasize how pollution threatens surfing. SAS merchandise targets different audiences, like a feminine shirt promoting beach conservation and a darker shirt for men. SAS also produces educational materials and campaigns to teach children about ocean stewardship. Overall, SAS crafts consistent yet versatile branding to engage various supporters.
The document discusses the logos and branding strategies of two environmental campaigns - Surfers Against Sewage (SAS) and Greenpeace. SAS uses a simple blue wave logo to represent surfing and the ocean. They produce diverse, colorful merchandise featuring their logo to raise awareness and funds across different audiences. Greenpeace also uses a simple green-colored logo with their name to be easily recognizable. However, they do not produce their own merchandise, unlike SAS which strategically uses branded goods as part of their outreach.
This document discusses several posters and logos created by Surfers Against Sewage (SAS) to raise awareness about the dangers of littering and dumping waste in oceans and waterways.
The first poster uses imagery of a plastic bag shaped like a shark to personify the threat of litter to surfers. It aims to build relationships and raise awareness among the general public. Another poster employs dark colors and negative imagery like a piece of litter shaped like a noose to strongly impact viewers.
The document analyzes the visual design elements, intended messages, and effectiveness of SAS's branding over time as the organization worked to establish recognition and expand from a local to national initiative on a limited budget. It provides suggestions for experiment
- Surfers Against Sewage (SAS) uses various print advertisements such as posters and leaflets to raise awareness about waste and its harmful impacts.
- The posters and leaflets employ simple, bold imagery and text in colors that represent the ocean to clearly convey their message to different audiences.
- SAS's materials aim to both educate people and motivate behavior change through attention-grabbing negative imagery and messages about the consequences of waste and pollution.
The document discusses branding and logos used by several environmental organizations, including Surfers Against Sewage, NRDC, WWF, and Trees for Cities. For each organization, 1-2 campaigns or pieces of merchandise are described in terms of imagery, intended audience, and purpose. The branding aims to raise awareness of environmental issues in an eye-catching way through shocking imagery and clear messaging. Logos incorporate symbolic imagery related to each organization's mission in an identifiable but not overly bold design.
The body confidence campaign aims to help teenagers accept themselves and have a positive body image through various platforms. They will create posters, t-shirts, kindness cards, a mirror installation, short film, and website to spread their message of self-love and positivity. Their designs feature a lotus flower logo in teal and white colors to represent purity, beauty, and enlightenment. The mirror installation is meant to show that mirrors distort views of oneself and promote appreciating what you like about your appearance. The campaign overall seeks to encourage teenagers to feel confident in who they are rather than how they compare to celebrities on social media.
This mood board focuses on attracting new, older members to an environmental organization. In contrast to previous boards targeting younger audiences and retaining existing customers, it proposes using persuasive text, attractive imagery, and a creative logo featuring a surfer surfing on marine litter to engage potential new members. Merchandise like clothing with the logo would appeal to this audience and help spread the organization's message. The board explores using a distinctive font, providing clear but detailed information, and hosting events to distribute membership forms to new audiences.
This document contains summaries of several posters, logos, and marketing materials for the organization Surfers Against Sewage.
The first poster uses dark colors and imagery of surfboards in sand to depict the negative impact of sewage on beaches in a haunting way. Another poster takes a more humorous approach, showing a surfer covered in sewage to disgust viewers and raise awareness in a memorable way.
Logos for SAS include a simple, plain logo aimed at adults and an more image-heavy logo using whales and sea creatures to appeal to children. Merchandise like t-shirts promote the brand and raise awareness when worn.
Leaflets are used to both recruit new members and renew existing members.
Surfers Against Sewage (SAS) uses graphic designs and logos to promote their mission of protecting oceans and waves. Their logo features a wave that is also an eye, representing surfers. They use shocking imagery like a surfboard in a grave to emphasize how pollution threatens surfing. SAS merchandise targets different audiences, like a feminine shirt promoting beach conservation and a darker shirt for men. SAS also produces educational materials and campaigns to teach children about ocean stewardship. Overall, SAS crafts consistent yet versatile branding to engage various supporters.
The document discusses the logos and branding strategies of two environmental campaigns - Surfers Against Sewage (SAS) and Greenpeace. SAS uses a simple blue wave logo to represent surfing and the ocean. They produce diverse, colorful merchandise featuring their logo to raise awareness and funds across different audiences. Greenpeace also uses a simple green-colored logo with their name to be easily recognizable. However, they do not produce their own merchandise, unlike SAS which strategically uses branded goods as part of their outreach.
This document discusses several posters and logos created by Surfers Against Sewage (SAS) to raise awareness about the dangers of littering and dumping waste in oceans and waterways.
The first poster uses imagery of a plastic bag shaped like a shark to personify the threat of litter to surfers. It aims to build relationships and raise awareness among the general public. Another poster employs dark colors and negative imagery like a piece of litter shaped like a noose to strongly impact viewers.
The document analyzes the visual design elements, intended messages, and effectiveness of SAS's branding over time as the organization worked to establish recognition and expand from a local to national initiative on a limited budget. It provides suggestions for experiment
- Surfers Against Sewage (SAS) uses various print advertisements such as posters and leaflets to raise awareness about waste and its harmful impacts.
- The posters and leaflets employ simple, bold imagery and text in colors that represent the ocean to clearly convey their message to different audiences.
- SAS's materials aim to both educate people and motivate behavior change through attention-grabbing negative imagery and messages about the consequences of waste and pollution.
The document discusses branding and logos used by several environmental organizations, including Surfers Against Sewage, NRDC, WWF, and Trees for Cities. For each organization, 1-2 campaigns or pieces of merchandise are described in terms of imagery, intended audience, and purpose. The branding aims to raise awareness of environmental issues in an eye-catching way through shocking imagery and clear messaging. Logos incorporate symbolic imagery related to each organization's mission in an identifiable but not overly bold design.
The body confidence campaign aims to help teenagers accept themselves and have a positive body image through various platforms. They will create posters, t-shirts, kindness cards, a mirror installation, short film, and website to spread their message of self-love and positivity. Their designs feature a lotus flower logo in teal and white colors to represent purity, beauty, and enlightenment. The mirror installation is meant to show that mirrors distort views of oneself and promote appreciating what you like about your appearance. The campaign overall seeks to encourage teenagers to feel confident in who they are rather than how they compare to celebrities on social media.
This mood board focuses on attracting new, older members to an environmental organization. In contrast to previous boards targeting younger audiences and retaining existing customers, it proposes using persuasive text, attractive imagery, and a creative logo featuring a surfer surfing on marine litter to engage potential new members. Merchandise like clothing with the logo would appeal to this audience and help spread the organization's message. The board explores using a distinctive font, providing clear but detailed information, and hosting events to distribute membership forms to new audiences.
The document is an evaluation by Savannah Hardwick of advertising products created for the charity SASH. Savannah believes the products are fit for purpose because they relate to the charity's message and use bright colors to catch attention. Savannah used techniques like fading colors and emotive images to draw in audiences. While the products provide some information about the charity, Savannah notes they could provide more details about services. Overall, the evaluation examines the effectiveness, appropriateness and potential impact of the advertising campaign.
The document provides details on the design of a logo, campaign posters, and merchandise for a marine litter campaign by the organization Surfers Against Sewage. It includes mockups of the main logo, variations of the logo, two poster ideas and the final poster design. It also outlines plans for a range of merchandise including t-shirts, mugs, soft toys, beach equipment and more featuring the campaign characters and logo. Membership forms are proposed with different visual designs including images of the campaign characters and information on sign up details and membership packages.
The document provides details about the development of a logo and branding for an organization called Surfers Against Sewage. It describes early logo concepts including using a surfboard or dolphins. Feedback was that the logos needed to be more complicated and say more about the organization. The final logo featured 3 dolphins in a brighter blue circle with writing above to make it recognizable. Further documents discuss merchandise like t-shirts, phone cases and mugs featuring the logo to promote the organization's campaigns against ocean pollution.
The document provides initial ideas for three different campaigns to raise awareness about ocean conservation.
The first idea is aimed at children and involves creating cartoon animal mascots to educate them about healthy sea life through books, games and posters.
The second targets adults interested in fitness with an event combining a beach run with litter collection. Merchandise and minimalist posters would promote the fun run for charity.
The third addresses fishing enthusiasts by using shocking imagery and facts on posters to illustrate the harmful effects of abandoned fishing equipment on wildlife.
Tom Armstrong created an advertising campaign focused on raising awareness about ocean pollution. His campaign utilized posters, logos, merchandise, and other materials to communicate his message. Throughout the campaign development process, Tom refined his techniques and content to best suit his target audience of all ages. He aimed to clearly convey facts about ocean pollution without using overly graphic or disturbing imagery. Based on feedback, Tom's campaign effectively communicated its message and was deemed appropriate for all audiences. [/SUMMARY]
1) The document contains analyses of various advertisements for IRN-BRU, Lucozade Sport, and Monster Energy.
2) The IRN-BRU ads use humor, minimal text, and contrasting colors to appeal to adults. Some ads have a "spot the difference" element to promote their sugar-free option.
3) The Lucozade Sport ad features soccer player Gareth Bale to endorse the product and uses hashtags to spread on social media. It aims to appeal to young male athletes and emphasizes hydration benefits over water.
4) The Monster Energy ad keeps the design simple but maintains the brand's recognizable black and green color scheme.
The document discusses planning an advertising campaign for a website about outdoor activities on the Norfolk coast. It notes that the campaign needs to communicate what the website is and does while maintaining the established brand tone. The central message should be clear and concise to avoid confusion. Materials and locations for the campaign will be limited to the Norwich area to target young urban professionals. While costs are a factor, creativity should not be limited. The campaign will likely take place in spring and summer to match the website's focus on outdoor activities.
This document contains a portfolio of graphic design work by Rosalyn Halford. It includes projects for branding, illustrations, book covers, posters, and wayfinding systems. The projects showcase Halford's skills in concept development, branding, print production, and working with clients in various industries such as charities, eco-friendly businesses, publishers, and educational institutions. Samples of Halford's design process and collaboration with clients are provided for several projects.
The document provides ideas for a logo, membership form, campaign poster, and merchandise for an organization called Surfers Against Sewage (SAS).
For the logo, ideas include a wave incorporating an eye, surfboards overlapping to form a cross, or a surfer leaving an 'SAS' trail in water. For the membership form, ideas focus on attracting new members with imagery and concise information, or retaining current members by showing their impact.
Campaign poster ideas involve promoting a beach clean event, using shocking imagery and facts about litter impacts, or using hashtags on social media. Finally, merchandise ideas include badges, stickers, toys and clothing like t-shirts or hoodies targeted towards different audiences
The document discusses an advertising campaign created for the charity SASH to prevent youth homelessness. The campaign includes three products: a bookmark, park bench advertisement, and two posters. The author believes the products are fit for purpose because they relate to the charity's goals, use bright colors to catch attention, and look cohesive as part of the same campaign. The products are also deemed appropriate for the target 16-24 year old audience through use of engaging fonts, colors, and simple designs. However, the author notes the products could more clearly communicate the charity's message and services provided.
Kanofski Design is a freelance graphic design, photo restoration and surface pattern design service that provides a high quality, professional service for the Deaf and Hearing Community Australia wide and internationally.
The document summarizes audience research from potential customers of Gap about an advertising campaign with the slogan "Dress Normal". It provides profiles of 7 individuals who were asked about their initial thoughts on the advert, relationship with the Gap brand, and likelihood of purchasing from Gap based on the advert. Overall, most participants felt the clothing was not stylish, colorful or unique enough for their tastes, and did not find the advert changed their negative perception of Gap's product offerings.
The document discusses the branding and marketing strategies of the Marine Conservation Society (MCS). It notes that the MCS logo features a dolphin and diver within a protective circle. It then analyzes some of the products and campaigns run by the MCS, including calendars, pins, cotton bags, and a program where children can "adopt" sea turtles. The document also discusses how the MCS aims to convey information to different audiences, including using simple language and images for children while providing more detailed information for adults.
The document discusses the development of a campaign poster for a client. It considers whether to use positive or negative themes, and decides on positive themes to appeal to a wider audience. Font, color, and image choices are explored to target multiple demographics and present a cohesive product range. Various fonts, colors, and images are considered before narrowing options down based on testing designs and ensuring appeal across age, gender, and social groups.
The document compares campaign posters from Surfers Against Sewage (SAS) to posters designed for a younger audience. The SAS posters use dark colors and disturbing images to raise awareness about a serious issue, but the author feels they would be hard to distribute to children. The author's posters use brighter colors and a lighter tone to attract children's attention while still delivering a meaningful message. Both posters employ colorful fonts and layouts to make the text stand out, though the author's provides more information about an upcoming beach cleanup event. Overall, the document analyzes design choices between the SAS posters and the author's to evaluate which better suits different target audiences.
The document discusses an evaluation of a social action advertising campaign for a charity called SASH. The evaluation addresses whether the campaign is fit for purpose, clearly communicates its message, and is appropriate for its target audience. The creator believes the campaign is effective because each ad highlights specific information simply and clearly. Images of regular teenagers help viewers relate to homeless youths. Contact details are prominently featured to allow urgent access to help. The tone is welcoming without being formal. Comparisons are made between the creator's intentions and final outcomes, noting changes made to improve layouts, colors and organization.
The document discusses an advertising campaign created for a youth homelessness charity called SASH.
The creator aimed to communicate the message of "preventing youth homelessness together" through various mediums including business cards, posters, and ads. The original intentions were to use purple tones and a house logo, but these were changed to seem more professional and appropriate for the target audiences.
Techniques like lowering image opacity and adding shapes were used to draw attention to key messages. The content is meant to raise awareness of SASH and get people interested in volunteering or learning more. One poster in particular uses a dark tone to emphasize the need for more volunteers. The campaign aims to have a positive impact by informing the public about
The document discusses color scheme options for a clothing line, including separate schemes for adult and children's products. For adults, the proposed scheme uses blue, black and purple tones. For children, brighter pastel colors and more illustrations are suggested to make the products more child-friendly and appealing. Sample logos, fonts, and designs are presented for inspiration.
The document discusses various products and marketing materials from environmental organizations Surfers Against Sewage (SAS), Greenpeace, and Friends of the Earth (FOE).
It analyzes a SAS t-shirt featuring marine litter, noting the environmentally friendly materials. It also examines SAS posters, including one using imagery of discarded surfboards to emphasize threats to waves. The document reviews Greenpeace logos and a campaign poster portraying future climate change. It also looks at FOE's online candle sales and a bee-focused campaign with bright, inviting design.
The document provides details on logo designs, campaign posters, merchandise designs, and membership forms for a charity focused on cleaning beaches and protecting wildlife.
The logo designs feature a simple surfboard logo to represent the organization. Campaign posters will use dark tones and emotive imagery to target adults rather than children. Merchandise designs include clothing, accessories, and printed items featuring penguins, starfish, and the charity's logo in bright colors for children or monochrome tones for adults. Membership forms will include information on the charity, benefits of joining, and space to provide contact details.
The document provides details on logo designs, campaign posters, and merchandise designs for a charity campaign aimed at reducing litter on beaches. For the logo, the designer improved it by simplifying the surfboard graphic and using a bold font with thick outlines. Three campaign posters were designed for adults using less imagery and more text in a formal tone. The posters use a deteriorating double exposure effect to emphasize the message. A two-sided membership form and designs for t-shirts, hats and bags are also presented, with the designs focusing on the logo or modern graphics related to beaches and wildlife.
Tom Armstrong created a campaign focused on stopping ocean pollution. His main goals were to gain worldwide attention and raise awareness of the issue. He produced logos, posters, merchandise and other materials to communicate his message. Through testing and feedback, Armstrong found that simpler, less graphic designs were most effective at clearly conveying his message to all audiences while remaining appropriate for his target demographic of people of all ages.
The document is an evaluation by Savannah Hardwick of advertising products created for the charity SASH. Savannah believes the products are fit for purpose because they relate to the charity's message and use bright colors to catch attention. Savannah used techniques like fading colors and emotive images to draw in audiences. While the products provide some information about the charity, Savannah notes they could provide more details about services. Overall, the evaluation examines the effectiveness, appropriateness and potential impact of the advertising campaign.
The document provides details on the design of a logo, campaign posters, and merchandise for a marine litter campaign by the organization Surfers Against Sewage. It includes mockups of the main logo, variations of the logo, two poster ideas and the final poster design. It also outlines plans for a range of merchandise including t-shirts, mugs, soft toys, beach equipment and more featuring the campaign characters and logo. Membership forms are proposed with different visual designs including images of the campaign characters and information on sign up details and membership packages.
The document provides details about the development of a logo and branding for an organization called Surfers Against Sewage. It describes early logo concepts including using a surfboard or dolphins. Feedback was that the logos needed to be more complicated and say more about the organization. The final logo featured 3 dolphins in a brighter blue circle with writing above to make it recognizable. Further documents discuss merchandise like t-shirts, phone cases and mugs featuring the logo to promote the organization's campaigns against ocean pollution.
The document provides initial ideas for three different campaigns to raise awareness about ocean conservation.
The first idea is aimed at children and involves creating cartoon animal mascots to educate them about healthy sea life through books, games and posters.
The second targets adults interested in fitness with an event combining a beach run with litter collection. Merchandise and minimalist posters would promote the fun run for charity.
The third addresses fishing enthusiasts by using shocking imagery and facts on posters to illustrate the harmful effects of abandoned fishing equipment on wildlife.
Tom Armstrong created an advertising campaign focused on raising awareness about ocean pollution. His campaign utilized posters, logos, merchandise, and other materials to communicate his message. Throughout the campaign development process, Tom refined his techniques and content to best suit his target audience of all ages. He aimed to clearly convey facts about ocean pollution without using overly graphic or disturbing imagery. Based on feedback, Tom's campaign effectively communicated its message and was deemed appropriate for all audiences. [/SUMMARY]
1) The document contains analyses of various advertisements for IRN-BRU, Lucozade Sport, and Monster Energy.
2) The IRN-BRU ads use humor, minimal text, and contrasting colors to appeal to adults. Some ads have a "spot the difference" element to promote their sugar-free option.
3) The Lucozade Sport ad features soccer player Gareth Bale to endorse the product and uses hashtags to spread on social media. It aims to appeal to young male athletes and emphasizes hydration benefits over water.
4) The Monster Energy ad keeps the design simple but maintains the brand's recognizable black and green color scheme.
The document discusses planning an advertising campaign for a website about outdoor activities on the Norfolk coast. It notes that the campaign needs to communicate what the website is and does while maintaining the established brand tone. The central message should be clear and concise to avoid confusion. Materials and locations for the campaign will be limited to the Norwich area to target young urban professionals. While costs are a factor, creativity should not be limited. The campaign will likely take place in spring and summer to match the website's focus on outdoor activities.
This document contains a portfolio of graphic design work by Rosalyn Halford. It includes projects for branding, illustrations, book covers, posters, and wayfinding systems. The projects showcase Halford's skills in concept development, branding, print production, and working with clients in various industries such as charities, eco-friendly businesses, publishers, and educational institutions. Samples of Halford's design process and collaboration with clients are provided for several projects.
The document provides ideas for a logo, membership form, campaign poster, and merchandise for an organization called Surfers Against Sewage (SAS).
For the logo, ideas include a wave incorporating an eye, surfboards overlapping to form a cross, or a surfer leaving an 'SAS' trail in water. For the membership form, ideas focus on attracting new members with imagery and concise information, or retaining current members by showing their impact.
Campaign poster ideas involve promoting a beach clean event, using shocking imagery and facts about litter impacts, or using hashtags on social media. Finally, merchandise ideas include badges, stickers, toys and clothing like t-shirts or hoodies targeted towards different audiences
The document discusses an advertising campaign created for the charity SASH to prevent youth homelessness. The campaign includes three products: a bookmark, park bench advertisement, and two posters. The author believes the products are fit for purpose because they relate to the charity's goals, use bright colors to catch attention, and look cohesive as part of the same campaign. The products are also deemed appropriate for the target 16-24 year old audience through use of engaging fonts, colors, and simple designs. However, the author notes the products could more clearly communicate the charity's message and services provided.
Kanofski Design is a freelance graphic design, photo restoration and surface pattern design service that provides a high quality, professional service for the Deaf and Hearing Community Australia wide and internationally.
The document summarizes audience research from potential customers of Gap about an advertising campaign with the slogan "Dress Normal". It provides profiles of 7 individuals who were asked about their initial thoughts on the advert, relationship with the Gap brand, and likelihood of purchasing from Gap based on the advert. Overall, most participants felt the clothing was not stylish, colorful or unique enough for their tastes, and did not find the advert changed their negative perception of Gap's product offerings.
The document discusses the branding and marketing strategies of the Marine Conservation Society (MCS). It notes that the MCS logo features a dolphin and diver within a protective circle. It then analyzes some of the products and campaigns run by the MCS, including calendars, pins, cotton bags, and a program where children can "adopt" sea turtles. The document also discusses how the MCS aims to convey information to different audiences, including using simple language and images for children while providing more detailed information for adults.
The document discusses the development of a campaign poster for a client. It considers whether to use positive or negative themes, and decides on positive themes to appeal to a wider audience. Font, color, and image choices are explored to target multiple demographics and present a cohesive product range. Various fonts, colors, and images are considered before narrowing options down based on testing designs and ensuring appeal across age, gender, and social groups.
The document compares campaign posters from Surfers Against Sewage (SAS) to posters designed for a younger audience. The SAS posters use dark colors and disturbing images to raise awareness about a serious issue, but the author feels they would be hard to distribute to children. The author's posters use brighter colors and a lighter tone to attract children's attention while still delivering a meaningful message. Both posters employ colorful fonts and layouts to make the text stand out, though the author's provides more information about an upcoming beach cleanup event. Overall, the document analyzes design choices between the SAS posters and the author's to evaluate which better suits different target audiences.
The document discusses an evaluation of a social action advertising campaign for a charity called SASH. The evaluation addresses whether the campaign is fit for purpose, clearly communicates its message, and is appropriate for its target audience. The creator believes the campaign is effective because each ad highlights specific information simply and clearly. Images of regular teenagers help viewers relate to homeless youths. Contact details are prominently featured to allow urgent access to help. The tone is welcoming without being formal. Comparisons are made between the creator's intentions and final outcomes, noting changes made to improve layouts, colors and organization.
The document discusses an advertising campaign created for a youth homelessness charity called SASH.
The creator aimed to communicate the message of "preventing youth homelessness together" through various mediums including business cards, posters, and ads. The original intentions were to use purple tones and a house logo, but these were changed to seem more professional and appropriate for the target audiences.
Techniques like lowering image opacity and adding shapes were used to draw attention to key messages. The content is meant to raise awareness of SASH and get people interested in volunteering or learning more. One poster in particular uses a dark tone to emphasize the need for more volunteers. The campaign aims to have a positive impact by informing the public about
The document discusses color scheme options for a clothing line, including separate schemes for adult and children's products. For adults, the proposed scheme uses blue, black and purple tones. For children, brighter pastel colors and more illustrations are suggested to make the products more child-friendly and appealing. Sample logos, fonts, and designs are presented for inspiration.
The document discusses various products and marketing materials from environmental organizations Surfers Against Sewage (SAS), Greenpeace, and Friends of the Earth (FOE).
It analyzes a SAS t-shirt featuring marine litter, noting the environmentally friendly materials. It also examines SAS posters, including one using imagery of discarded surfboards to emphasize threats to waves. The document reviews Greenpeace logos and a campaign poster portraying future climate change. It also looks at FOE's online candle sales and a bee-focused campaign with bright, inviting design.
The document provides details on logo designs, campaign posters, merchandise designs, and membership forms for a charity focused on cleaning beaches and protecting wildlife.
The logo designs feature a simple surfboard logo to represent the organization. Campaign posters will use dark tones and emotive imagery to target adults rather than children. Merchandise designs include clothing, accessories, and printed items featuring penguins, starfish, and the charity's logo in bright colors for children or monochrome tones for adults. Membership forms will include information on the charity, benefits of joining, and space to provide contact details.
The document provides details on logo designs, campaign posters, and merchandise designs for a charity campaign aimed at reducing litter on beaches. For the logo, the designer improved it by simplifying the surfboard graphic and using a bold font with thick outlines. Three campaign posters were designed for adults using less imagery and more text in a formal tone. The posters use a deteriorating double exposure effect to emphasize the message. A two-sided membership form and designs for t-shirts, hats and bags are also presented, with the designs focusing on the logo or modern graphics related to beaches and wildlife.
Tom Armstrong created a campaign focused on stopping ocean pollution. His main goals were to gain worldwide attention and raise awareness of the issue. He produced logos, posters, merchandise and other materials to communicate his message. Through testing and feedback, Armstrong found that simpler, less graphic designs were most effective at clearly conveying his message to all audiences while remaining appropriate for his target demographic of people of all ages.
Surfers Against Sewage Product Research (improved)cloestead
This document provides a review and analysis of various products and marketing materials from environmental organizations Surfers Against Sewage (SAS) and Greenpeace.
It examines a SAS t-shirt featuring marine litter, noting the simple but effective logo placement. It also reviews a SAS beach towel with a large prominent logo. For Greenpeace, it analyzes a children's whale magnet designed to educate and engage kids, and an adult-oriented mouse pad promoting the organization's name and website.
The review provides insights into the design elements, colors, imagery and messages used in each product and how they aim to promote the organizations and causes to different target audiences. Overall, the analysis offers a thorough breakdown of the marketing strategies employed
The SAS uses strong branding including a distinctive logo featuring a wave shape to promote awareness of their campaign against sewage pollution. Their branding incorporates both positive imagery like whales and negative imagery like plastic bags posing as sharks to draw attention. They target their messaging toward surfers but also educate children through materials using cartoons and games. The purpose is to both raise awareness and generate support through various mediums like posters, merchandise, and school programs. Facts and dramatic copy are included to legitimize the issues addressed and engage audiences emotionally.
The document provides an evaluation of a social action advertising campaign. It discusses whether the campaign is fit for purpose by clearly communicating its message to the target audience. The evaluation notes that the campaign catches attention with bright colors and happy images. It also keeps the message simple to understand. The campaign maintains consistency across different publications using the same colors, fonts, and positive tone. While original intentions changed somewhat in execution, key elements like the color scheme and fonts remained the same.
The document describes the process of designing logos and posters for a children's environmental organization called Seas for Life. The designer created a cartoon crab character logo to appeal to children while incorporating subtle elements of the existing Surfers Against Sewage logo. They refined the logo design through several iterations to make it distinct from the original yet flexible enough to work in different contexts. Three educational posters were also created with simple, clear messaging about litter and how it affects beach animals, tailored to be understood by and engage children. The techniques used, like hand drawing and Photoshop, helped make the logo and posters visually appealing yet understandable for their intended young audience.
The document provides an analysis and reflection on social action evaluation projects involving the design of promotional materials for a homeless charity called SASH.
The designer created a sticker and poster promoting SASH. For the sticker, they chose images and colors that portrayed SASH's message of caring and togetherness. The poster uses typography and color to guide the eye and stress the serious issue while still promoting SASH's services.
The designer compares their work to existing charity materials, noting techniques like using questions and shapes to engage viewers while still prioritizing informative content over aesthetics. They believe their techniques effectively communicate SASH's message and services in a way that could positively impact the public.
The document discusses the design process for a logo for Surfers Against Sewage. The designer got inspiration from an existing surf shop logo using a back-to-front S design. They tried different designs but ultimately settled on using just the initials "SAS" with an X behind to represent "against". The S was technically challenging to design but became the focal point of the logo. The designer also created a membership form, getting inspiration from SAS's existing form, and included pictures and information about the charity's campaigns and goals. Merchandise was created for both male and female audiences, including surfing-specific items like a wetsuit and surfboard fin to promote the charity within the surfing community.
The document summarizes the evaluation of an advertising campaign created for a charity called SASH that helps prevent youth homelessness. The campaign includes posters, billboards, leaflets, and bookmarks. The creator believes the campaign is fit for purpose because it uses techniques like bright colors and positive images to raise awareness about homelessness and encourage volunteerism. The message is communicated clearly through factual information and images showing groups of happy people. The designs are also appropriate for the target audience of 16-24 year olds and volunteers through the use of an engaging font, warm colors, and friendly pictures. Some improvements could be made like reducing text on the poster and increasing spacing and font size on the bookmark.
This document summarizes and evaluates a logo and posters created for a youth organization called the Social Action and Surfing (SAS) group.
The logo was designed to be simple, colorful, and eye-catching for its target audience of 6-12 year olds. It features bold letters in an oval shape resembling a surfboard with oars, communicating the SAS message through its design.
Four posters were created with the slogan "Beach Assault" to promote a cleanup campaign. They use simple graphics and military language/imagery like camouflage to excite children and spark their interest in the cause. Facts, symbols like treasure maps, and a character in army costume work to clearly communicate the
This document contains summaries of posters and merchandise from the Surfers Against Sewage (SAS) organization. The posters use negative photography with low contrast and saturation to convey serious messages about ocean pollution in a somber, emotive way. They aim to raise awareness, change attitudes, and encourage local/global change. The merchandise includes colorful, positive items like t-shirts and mugs that help spread awareness to wider audiences while fundraising. The SAS logo is simple yet distinctive, using shades of blue to represent water quality while also resembling a wave and eye.
I uploaded this a bit ago and its here again with even more 'creative' content than before. Enjoy.
I made every girl different and their perfect the way they are. people tell them that they're different and people are smart. You think you know beauty? Love? Trust me, you don't - I'm the one who created them - Bo Burnham as God
This document contains mood boards for different poster campaign ideas on the topics of marine litter, water quality, and toxic chemicals. For each campaign idea, the document provides color schemes, fonts, and images that set the visual tone. The colors, fonts and images focus on conveying dark, disturbing or contrasting themes that highlight the problems being addressed in a compelling way to draw viewers in. Some common elements across the boards include a mix of san-serif and serif fonts, photographs showing environmental issues or risks, and a focus on using visual design elements that remain clear and readable at different sizes. The mood boards are intended to help develop concepts for hard-hitting poster campaigns on these environmental topics.
Pitching is an important skill for entrepreneurs. To create an effective pitch, focus on clearly explaining your product or service, how it benefits customers, and how it will generate revenue. Keep the pitch concise by highlighting only the most important details in 3 minutes or less to engage potential investors or partners.
Pitch is a short summary of an idea or product in order to interest investors or customers. It should be brief and highlight the problem, solution, and call to action in 3 sentences or less. The document provides the name "Pitch" and "Task 10" as the title with "Patrick Gouldsbrough" likely being the author or presenter.
Here is a comparison of the original intentions versus the resulting outcomes for the key elements of this project:
Logo Design:
- Original intention was for a literal design featuring litter in the shape of a surfer to directly represent Surfers Against Sewage.
- Resulting outcome was a more abstract wave design using contrasting colors to make it eye-catching while positively representing surfing.
Poster:
- Originally wanted to use only positive imagery to promote SAS in a positive light
- Realized negative imagery works better to grab attention and elicit an emotional response, so resulting poster used slogans and listing of threatened beaches.
Merchandise:
- Initially wanted to directly adapt unused logo designs onto products
This document discusses case studies of Greenpeace and the NHS and their social media campaigns. For Greenpeace, the purposes of their campaigns are to raise awareness of environmental issues like global warming, change attitudes towards pollution, and challenge agendas that don't prioritize protecting the planet. Their techniques use bold colors and fonts to emphasize key messages and graphic images to depict potential consequences of inaction. For the NHS, the purposes of their anti-smoking campaigns are to change public attitudes towards smoking and raise awareness of health risks, like the link between smoking and cancer. Both campaigns aim to educate the public and encourage behavior change on important social issues.
This document summarizes a case study about a campaign by the University of Kent to promote careers in media for ethnic minority students. The purposes of the campaign are to bring about national change by increasing diversity in UK media, change attitudes about racial inequality in employment, raise awareness of the lack of representation of ethnic minorities in media jobs, and create more access and opportunities for non-traditional groups. The campaign aims to both inform ethnic minority students about career opportunities and educate non-ethnic groups about the inequality faced by ethnic minorities in media industries. Key techniques used in the campaign materials include using bold text to clearly communicate the purpose upfront and providing information and resources to build relationships with target audiences.
The document discusses the evaluation of various logo, membership form, merchandise, and poster designs created for Surfers Against Sewage. For the logo design, the author notes that their initial design featuring litter in the shape of a surfer fulfilled the purpose but was not eye-catching enough. Their subsequent surf-themed logo was more positive and customizable. For the membership form, the author's initial leaflet design fulfilled the content purpose but had layout issues. They improved it by changing to a booklet format. Some merchandise designs like a cushion were not effective. The author realized posters needed negative imagery to stand out, against their initial goal of positive imagery.
The document discusses final designs for Task 8. It was authored by Patrick Gouldsbrough and appears to pertain to a design project involving multiple tasks. The brief title and author name provide limited contextual information about the specific contents or purpose of the document.
The document outlines plans for a poster design. It discusses choosing simple sans serif fonts for readability. Potential color choices are considered, including lighter blues that appeal to all demographics or incorporating the logo's blue. Text amount is debated - too much bores readers but some information is needed to explain the charity's work and goals. Mockups show main copy over or within the logo with social media/website details. The final design may differ from these initial concepts.
The document discusses potential merchandise ideas for an environmental charity called SAS. It analyzes t-shirts, bags, posters, coffee cups, phone cases, and towels as potential merchandise options. T-shirts are identified as a popular, profitable option while bags would be more difficult to mass produce. Posters are suggested as an inexpensive impulse purchase. Coffee cups could sell through convenience rather than impulse. Phone cases are deemed inappropriate due to environmental concerns. Towels may not have high enough demand compared to other options. The document also notes some existing logo and design ideas that could be applied to merchandise, as well as other potential product types not featured on the mood board.
The document discusses the design of a membership form for a charity called SAS that works to reduce beach litter. It will include imagery to appeal to a mass market, short statistics and social media comments to encourage membership, enticing offers for new and existing members, direct debit information and payment methods to allow donations, and the charity's tagline and logo to increase familiarity. The goal is to promote the charity and increase its followers and popularity through an effective membership form and rebranding.
The document discusses final designs for Task 8. It was authored by Patrick Gouldsbrough and appears to pertain to a design project involving multiple tasks. The document title and author provide high-level context but no other details about the specific designs or task are included in the short document.
This document contains a SWOT analysis for a proposed new MP3 player that allows streaming music from Spotify. Some strengths identified include the innovative streaming feature, ability to undercut Apple's prices, and potential to break into the market. Weaknesses include potential issues streaming without internet and lack of brand recognition. Opportunities lie in partnerships, future product iterations, and resurrecting the MP3 format. Threats include over-reliance on Spotify, technical issues, inability to compete with Apple, and unresolved issues from past MP3 players like battery life.
The document discusses ideas for promotional posters for Surfers Against Sewage (SAS), a charity that campaigns against ocean pollution. It considers whether the posters should use positive or negative imagery. It also discusses whether the layout should be busy or clear, and what type of fonts would be most effective. While negative imagery and bold fonts have traditionally worked well for SAS, the document notes that a fresh approach using positive messaging or a clearer layout could help SAS expand its reach and impact. Any design choices would need to be carefully considered to avoid losing recognition or interest from the target audience.
This document summarizes a case study about a campaign by the University of Kent to promote careers in media for ethnic minority students. The purposes of the campaign are to bring about national change by increasing diversity in UK media, change attitudes about racial inequality in employment, raise awareness of the lack of representation of ethnic minorities in media jobs, and create more access and opportunities for non-traditional groups. The campaign aims to both inform ethnic minority students about career opportunities and educate non-ethnic groups about the inequality faced by ethnic minorities in media industries. Key techniques used in the campaign materials include using bold text to clearly communicate the purpose upfront and providing information and resources to build relationships with target audiences.
James Argent is a 55-year-old rock artist launching his first solo album "In the Wind" after previously being in the band Masonic Temple. The objectives for the album are to establish Argent as a solo artist with his own fanbase rather than being associated with his previous band, regain some fans of Masonic Temple who may have been divided after the band split, and sell 200,000 copies of the album within 3 months. The target audience includes previous Masonic Temple fans aged 50-55 as well as new, younger fans attracted by the album's soft rock and alternative genres. Publicity for the album would focus on magazines like MOJO and Q, TV shows on mainstream channels, and radio stations like Radio 2
James Argent is a 55-year-old rock artist launching his first solo album "In the Wind" after previously being in the band Masonic Temple. The objectives for the album are to establish Argent as a solo artist with his own fanbase rather than being associated with his previous band, target both existing fans of Masonic Temple as well as new fans interested in soft rock/alternative genres, and sell over 200,000 copies of the album within 3 months. The key messages that will be communicated are that this album shows Argent's ability to adapt genres and should be viewed as the work of a solo artist rather than a continuation of Masonic Temple.
This SWOT analysis examines a proposed new MP3 player that would stream music from Spotify. Strengths include the innovative streaming feature, ability to undercut Apple's prices, and potential to break into the market. Weaknesses are lack of offline functionality, potential need for dual storage of personal music, and lack of advanced features. Opportunities exist to compete with Apple on price and emulate Spotify's success, while threats include increased royalty demands and hacking risks from internet reliance.
This document discusses marketing and public relations issues for various companies across different industries. It analyzes advertising strategies used by Audi, Kia, John Lewis, Primark, Pretty Green, BMW, and Compare the Market. Key points made include:
- Audi focuses on quality over price in its advertising to target luxury car buyers.
- Kia includes more text, prices, and extras in its ads to appeal to budget-conscious buyers rather than relying solely on quality.
- John Lewis stands out from competitors with Christmas ads emphasizing family values rather than just product features.
- Primark heavily promotes low prices in ads to compensate for its lower quality products compared to brands like H&M.
This document discusses key concepts in marketing and public relations, including understanding clients and their requirements, market research techniques, audience profiling, and the four elements of the marketing mix (product, price, place, promotion).
It emphasizes the importance of understanding client needs and specifications when doing work for them. It discusses tools for researching markets like SWOT analysis and explains how understanding the target audience through profiling techniques like demographics, income levels, and geodemographics can help tailor products and marketing.
Finally, it provides an in-depth explanation of each element in the marketing mix - product features, pricing strategies, placement considerations, and promotional approaches - and how understanding these elements is essential for a successful marketing strategy.
Jamie Oliver conducted market research on childhood obesity rates and the health of British school children. He found shocking statistics that he used to launch a campaign promoting healthy eating in schools. His strategy focused on children to try to correct unhealthy eating habits early. Oliver received initial government funding for the project. He promoted his campaign through a television advert and series. While the goal was not profit, the campaign promoted Oliver's brand and businesses. Oliver worked to effectively message and advertise to children to make healthy eating appealing to them. The campaign received widespread positive publicity that helped drive changes to school meals in the UK.
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
Communicating effectively and consistently with students can help them feel at ease during their learning experience and provide the instructor with a communication trail to track the course's progress. This workshop will take you through constructing an engaging course container to facilitate effective communication.
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
Chapter wise All Notes of First year Basic Civil Engineering.pptxDenish Jangid
Chapter wise All Notes of First year Basic Civil Engineering
Syllabus
Chapter-1
Introduction to objective, scope and outcome the subject
Chapter 2
Introduction: Scope and Specialization of Civil Engineering, Role of civil Engineer in Society, Impact of infrastructural development on economy of country.
Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
Linear Measurements: Instruments used. Linear Measurement by Tape, Ranging out Survey Lines and overcoming Obstructions; Measurements on sloping ground; Tape corrections, conventional symbols. Angular Measurements: Instruments used; Introduction to Compass Surveying, Bearings and Longitude & Latitude of a Line, Introduction to total station.
Levelling: Instrument used Object of levelling, Methods of levelling in brief, and Contour maps.
Chapter 4
Buildings: Selection of site for Buildings, Layout of Building Plan, Types of buildings, Plinth area, carpet area, floor space index, Introduction to building byelaws, concept of sun light & ventilation. Components of Buildings & their functions, Basic concept of R.C.C., Introduction to types of foundation
Chapter 5
Transportation: Introduction to Transportation Engineering; Traffic and Road Safety: Types and Characteristics of Various Modes of Transportation; Various Road Traffic Signs, Causes of Accidents and Road Safety Measures.
Chapter 6
Environmental Engineering: Environmental Pollution, Environmental Acts and Regulations, Functional Concepts of Ecology, Basics of Species, Biodiversity, Ecosystem, Hydrological Cycle; Chemical Cycles: Carbon, Nitrogen & Phosphorus; Energy Flow in Ecosystems.
Water Pollution: Water Quality standards, Introduction to Treatment & Disposal of Waste Water. Reuse and Saving of Water, Rain Water Harvesting. Solid Waste Management: Classification of Solid Waste, Collection, Transportation and Disposal of Solid. Recycling of Solid Waste: Energy Recovery, Sanitary Landfill, On-Site Sanitation. Air & Noise Pollution: Primary and Secondary air pollutants, Harmful effects of Air Pollution, Control of Air Pollution. . Noise Pollution Harmful Effects of noise pollution, control of noise pollution, Global warming & Climate Change, Ozone depletion, Greenhouse effect
Text Books:
1. Palancharmy, Basic Civil Engineering, McGraw Hill publishers.
2. Satheesh Gopi, Basic Civil Engineering, Pearson Publishers.
3. Ketki Rangwala Dalal, Essentials of Civil Engineering, Charotar Publishing House.
4. BCP, Surveying volume 1
Temple of Asclepius in Thrace. Excavation resultsKrassimira Luka
The temple and the sanctuary around were dedicated to Asklepios Zmidrenus. This name has been known since 1875 when an inscription dedicated to him was discovered in Rome. The inscription is dated in 227 AD and was left by soldiers originating from the city of Philippopolis (modern Plovdiv).
বাংলাদেশের অর্থনৈতিক সমীক্ষা ২০২৪ [Bangladesh Economic Review 2024 Bangla.pdf] কম্পিউটার , ট্যাব ও স্মার্ট ফোন ভার্সন সহ সম্পূর্ণ বাংলা ই-বুক বা pdf বই " সুচিপত্র ...বুকমার্ক মেনু 🔖 ও হাইপার লিংক মেনু 📝👆 যুক্ত ..
আমাদের সবার জন্য খুব খুব গুরুত্বপূর্ণ একটি বই ..বিসিএস, ব্যাংক, ইউনিভার্সিটি ভর্তি ও যে কোন প্রতিযোগিতা মূলক পরীক্ষার জন্য এর খুব ইম্পরট্যান্ট একটি বিষয় ...তাছাড়া বাংলাদেশের সাম্প্রতিক যে কোন ডাটা বা তথ্য এই বইতে পাবেন ...
তাই একজন নাগরিক হিসাবে এই তথ্য গুলো আপনার জানা প্রয়োজন ...।
বিসিএস ও ব্যাংক এর লিখিত পরীক্ষা ...+এছাড়া মাধ্যমিক ও উচ্চমাধ্যমিকের স্টুডেন্টদের জন্য অনেক কাজে আসবে ...
Traditional Musical Instruments of Arunachal Pradesh and Uttar Pradesh - RAYH...
Task 6
1. Social Action and Community
media
Task 6 –Mood Board
Patrick Gouldsbrough
2.
3. The inclusion of the social media posts in this mood board
is because I want to try and entice a young demographic
toward my products that I create for SAS. This is due to
the fact that I think the education that the SAS give to
consumers should start a young age so it’s then part of
their ideologies later in life, which may then reduce the
issue of sewage and waste on the beaches of Britain. By
educating the young demographics, the problem in the
future will look after itself, as long as the same level of
intensity in terms of campaigning is kept up. By adding a
social media section to my products (my campaign poster
in particular) I will entice this young demographic and
hopefully educate this age group to support the SAS
because at the moment it’s very much an older
demographic charity. Even if I decrease the mean age of
the charities membership and consumers, this will be a
success in it’s own right.
In terms of the colour scheme for my product range, I wanted
bright colours which would entice my desired demographic, while
allowing for an environmental and marine theme to be fulfilled at
the same time. The blues and greens have connotations of both
marine and a greener planet and if used together, could contrast
well to make an effective piece or product range. While those two
colours would be effective and could be the colours I use for my
final piece, I want to experiment with further colours, like the
other two I have put on this particular mood board. While the light
blue colouration doesn’t directly link to marine life, it connotes
cleanliness and water which is the aim of SAS in the grand scheme
of things. As for the yellow colouring I have also added; I thought it
could be an effective colour to use for a young demographic
themed piece, despite it not directly linking to the environment or
the ocean. The brightness and the sharpness of the yellow will
appeal to the bright colours that conventionally entice younger
consumers and will hopefully do the same, should it be used for
the SAS products.
An important part of any product or
promotional tool is the imagery used
on it. The first thing I had to decide is
whether I wanted to use positive or
negative imagery for my product
range. While this decision was tough,
I finally concluded that I positive
imagery would be the most effective
way to go, due to the fact that most
of SAS’s existing products use
negative imagery already and the fact
that I’m trying t rebrand the charity
makes me think that an emulation of
the imagery isn’t the best choice for
this project.
Another key part of any product range is
the fontal and textual features used in
the layout. Like colour schemes, I have
added a range of fonts so I can
experiment with them further in future
tasks. Like I have established throughout
past projects, a combination of sans serif
ad serif fonts are the obvious choices
and can be effective when paired
together. A range of thin and bold fonts
are also included because I haven't
decided what style of text I want yet, I
just wanted to ensure that it was clear
and easy to read, due to the fact that
this is important when designing a
product range, especially for a young
demographic.
4. Surfers Against Sewage
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7. If I were to appeal to a female demographic for my product range, there is one factor
that needs considering over any other. Stereotypically, over the years, females have
been turned into sexual objects in advertising and promotional tools, despite some
adverts trying to appeal to this exact demographic. While I have considered trying to
fit into the traditional marketing campaign, I want to try and subvert the stereotype
and portray professional surfers that are at the top of the sport which may inspire
women and therefore get them to hopefully back the campaign. As well as this SAS
are looking for a professional look to their products, not an easy sale over cheap sales
techniques through portrayal of women. For this reason, I have decided to include
professional surfers to inspire the women who are either amateur surfers or people
who want to get involved in what way they can. However, putting too many images of
professional surfers can give the impression that surfing is for professionals only and
it’s not good for beginners or amateur surfers to part-take in this sport. This is why I
have also decided to add imagery which depicts amateur women surfers doing well on
the waves, which could inspire woman and give them the push to take up surfing and
join the SAS campaign (as well as the main focus which is selling the products I will
later make for the SAS).
While I have decided to include many
images of surfing in this mood board (due
to me wanting to get across the message
about what kind of charity SAS are) I have
also included an image of a clean beach,
which shows the effects of SAS’s work and
efforts and may persuade more people to
join the fight against waste on beaches,
due to the initiative needing momentum
to keep on top of the issue. While males
may look more for an instant impact and
want the issue resolved straight away,
women realise this issue is a long-term
campaign and can’t be solved with just
one piece of legislation , they realise SAS
must keep up their efforts to bring about
change. This is why I have included the
clean beach images; they not only depict
the change SAS have already brought
about, they show what the charities plans
are in the future and their vision for the
next few years and beyond.
As for the colour schemes, they are similar to the ones that I selected for the younger
demographic, despite the fact that I have made them more pastel orientated and toned
them down. The reason I chose these colours for my mood board was that instead of bright
colours and restrained colours, which appeal to young and make demographics, women look
for toned back colours that still have a bit of a striking elements to them. Another reason I
selected them was for the correlation between the colours I selected and the colouration in
the images I selected on my mood board. While the blues on the slide have an instant link to
the colours in the images, the oranges, reds, greens and yellows are good contrast colours
for the blues on the imagery (some primary contrast colours, some just work together well
on a layout. However, experimentation is needed to determine this fact and the result will
determine what colour I will select for my final products). Like the mood bard I created for a
younger demographic, I have used a collection of simple serif and sans serif fontal choices,
which will look effective if combined correctly on my product range. However, as for bold
fonts, I have tried to stay away from the inclusion of such fonts, due to women
stereotypically choosing products with more of a stylised, thin font. For this reason, most of
the fonts I selected for this particular mood board are thin, stylised fonts that are easy to
read (clear fonts are the most important factor when choosing fonts. No particular
demographic are appealed to by clear font but if you are hoping to sell large quantities of
products, you must ensure the textual features on your products are easy to read)
8.
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10. While I have so far included images of social media for the younger demographic and
amateur women surfers that will appeal to a female demographic, this mood board for a
male audience focuses on the idea of challenges and aspiring to be the best. In nature,
male demographics are more competitive than any other and to appeal to them some
brands try and get a competitive edge or some form of challenge to appeal to this
demographic. The idea that I have tried to create for this mood board is no different; I
want to try and challenge the male demographic to take up surfing and hopefully join the
campaign as a result. While I have used similar functions to the female mood board, such
as the mix of amateur and professional surfers that show that it can be competitive
(something men are enticed by) while suggesting anyone can take up and part-take in this
sport. As for the surf boards inclusion in the mood board; I wanted to attempt to find the
part of a male that cares about aesthetics while playing sport and the desire to not just
have any other surfboard but to have the best surfboards (Again, it’s challenging a male
stereotype and it’s playing on the idea of a competitive side of the male demographic).
The last piece of imagery used on this mood board is a picture depicting SAS’s trip to
parliament to try and get legislations changed in favour of their campaign. While it seems
like a strange addition; I stated on the female mood board analysis that they understand
that this campaign against beach waste is a long process and it can’t be solved instantly.
While this is still the case, males look for instant impact and the effect of the initiative,
which I will include on the products, due to the fact that it shows SAS are actually making
a monumental impact on the environment. For this reason, the charity may acquire more
male demographics and make more sales on their products.
In terms of colour choices on this mood
board, I have gone for restrained and
darker colours, compared the selections
I made for other demographics on
previous slides. As a general stereotype,
male demographics aren’t enticed by
bright coloured layouts or products and
they much rather prefer something that
is restrained in colour (another idea
could be a restrained colouration to the
product with a bright coloured band as
the secondary colour on the product). As
you can see from the mood board,
different shades and tones of blues have
been selected as potential choices for
my product range. The main reason for
this selection is that I think the blues will
link well and contrast effectively with
the colouration of the images I have
selected. As for the red, I think it will
contrast the blue well, despite the fact
that I believe two shades of blue will
work well on my product range.
Fontal choices are something that is hard to select for a product range, due to them been
key to a design and if chosen wrong they can make a product successful or unsuccessful,
dependant on the choice made. While I selected very stylised and thin fonts on my female
demographic mood board, I have gone for the opposite on the male audience one. With
the selection of many bold fonts, I’m hoping to still try and select a bold serif font and pair
it with a thin sans serif font, like I will whatever demographic I choose to produce for.
While this is a very definite idea to have at the idea generation stage of a project, I have
made the mistake in previous projects of choosing decorative or handwritten fonts that
aren’t clear and let my overall product down by appearing hard to read and therefore
failing as a concept. While I will experiment with lots of fonts, some easy to read and
some handwritten, this idea of easily readable fonts is pretty definite and will add a lot of
effectiveness to my final piece if applied successfully and to the correct degree.