The document discusses the artistic styles of Rococo and Neoclassicism that were prominent in 18th century Europe. It provides examples of paintings and architecture from the Rococo period characterized by fanciful, playful styles with pastel colors and delicate forms. Examples of Neoclassicism are also given, characterized by a return to classical Greek and Roman styles with emphasis on rationality, balance and proportion. Specific Spanish architects and their works from this period are discussed, including buildings in the town of Burgo de Osma inspired by Sabatini and influenced by classical Greek architecture.

1. Rococo and Neoclassicism
18TH CENTURY EUROPE
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2. Rococo and Neoclassicism
18th Century Europe
Saladim in Jerusalem, Fragonard
Aurora, Fragonard
Bonaparte Crossing the St. Bernard Pass. David
Intervention of The Sabine
Women. David
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3. Before we start: Neoclassical o Rococo?
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4. BRITISH MUSEUM. Robert Smirke. London
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5. BRANDENBURGH GATE.
BRANDENBURGH GATE. Carl Gotthard Langhans. Berlin
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SORIA.

6. ALCALA GATE. Sabatini. Madrid
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7. GREECE
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INSPIRATION

8. GREECE. Paestum (old city of Poseidonia. Sicily)
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INSPIRATION

9. Pantheon, Rome
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INSPIRATION

10. Oath of the Horatii, Jacques-Louis David,
The swing. Fragonard
1. According to your understanding of the test, which of the two is the neoclassical
painting?
2. To which style does the other one belong?
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11. Balthasar Neumann and others. Kaisersaal, the
Residenz. Weisburg, Germany. 1719-1744.
Vignon -La Madeleine Paris
CONTRAPOSITIONS
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12. The Rococo - 1700-1750
• “Rococo” derived from
rocaille, (pebble or shell) and
barocco.
• Refined, fanciful, and often
playful style, fashionable in
France at turn of century,
spread thru Europe in 18th
century
• Pastel colors, delicately curving
forms, dainty figures, light
hearted
• Reaction against rigidity and
solemnity of 17th century court
The Swing, Fragonard, 1766
Resemble. Se asemeja, se parece
Fanciful. Imaginativo, extravagante
Playful. Juguetón, bromista
Dainty. Refinadas. Refinadas
Light hearted. Desenfadado
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13. ROCOCÓ Enmanuel Heré de Corny.
Plaza Stanislas de Nancy (Francia) - Detalle.
1752-55.
Rococo Architecture
•Exterior: undulating forms in complex
curved shapes
•Dynamic and moving spatial
environment
•No empty spaces
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14. POPPELMANN : Swinger de Dresde
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ROCOCÓ

15. POPPELMANN : Swinger de Dresde
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SORIA.
ROCOCÓ

16. Church of the Vierzenheiligen
StaffelStein, Germany
Johann Balthasar Neumann
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ROCOCÓ

17. François Boucher - Diana Resting After Her Bath
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SORIA.
ROCOCÓ

18. GAINSBOROUGH. Mr and Mrs Andrews
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SORIA.
ROCOCÓ

19. GAINSBOROUGH - The Morning Walk
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ROCOCÓ

20. Joshua Reynolds
George Augustus Eliot,
Lord Heathfield
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ROCOCÓ

21. William Hogarth, Marriage à la Mode (series)
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22. Ricci -The Rape of the Sabine Women
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ROCOCÓ

23. CONTRAPOSITIONS
Which is which?
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ROCOCÓ

24. Signboard of Gersaint, Jean Antoine Watteau 1721
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ROCOCÓ

25. The Meeting, Jean H.
Fragonard,
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ROCOCÓ

26. Jean Honoré Fragonard, La
coquette fixée (The
Fascinated Coquette),
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ROCOCÓ

27. Neoclassicism
• Neoclassicism comprised a return to the classical
models, literary styles, and values of ancient
Greek and Roman authors.
• Neoclassicism refers to a broad tendency in
literature and art enduring from 1750 until
around 1800.
• The Classical values: the neoclassicists emphasis
upon the classical values of objectivity,
impersonality, rationality, decorum, balance,
harmony, proportion, and moderation.
• http://www.slideshare.net/gsill/greek-art-and-architect
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28. Oath of the
Horatii,
Jacques-Louis
David,
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Neoclassicism

29. Death of Marat, J.
Louis David 1793,
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Neoclassicism

30. The Emperor Napoleon I and Coronation. DAVID
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Neoclassicism

31. The Emperor
Napoleon I and
Coronation
DAVID
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Neoclassicism

32. Napoleon Crossing the Saint
Bernard, David
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Neoclassicism

33. Leonidas at Thermopylae
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Neoclassicism

34. Canova in 1817 by George Hayter
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Neoclassicism

35. Theseus
Vanquishing the
Minotaur
Canova
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Neoclassicism

36. Canova
Theseus and
Centaur
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Neoclassicism

37. Canova-Three Graces
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Neoclassicism

38. Perseus and the head of
Medusa. Antonio
Canova
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Neoclassicism

39. Jean Auguste . Dominique Ingres . Odalisque
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Neoclassicism

40. Rococo and Neoclassicism
18TH CENTURY SPAIN
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41. ALCALA GATE. Sabatini. Madrid

42. Juan de Villanueva
Museo del Prado

43. Olivieri, Corrado Giaquinto y Juan Bautista Sachetti
Real Academia de Bellas Artes de San Fernando

44. Convento de los Agustinos Filipinos, Valladolid.
Ventura Rodríguez

45. VENTURA
RODRÍGUEZ
Basilica del Pilar

46. Hospital General, hoy Museo Reina Sofía
Iniciado por VENTURA RODRÍGUEZ y concluido por SABATINI

47. Justo Antonio de Olaguíbel. Nueva Plaza de vitoria

48. Madrazo
La muerte de Viriato 1806-7
•Un tema histórico
•La importancia de dibujar
antes
de pintar
•Los colores no son
importantes
•Las figuras son como
esculturas
porque no existían
pinturas del
periodo clásico
•Una pintura lineal

49. Madrazo
La muerte de Viriato 1806-7

50. Madrazo
La condesa de Vilches

51. Madrazo Lectura de Zorrilla

52. RAFAEL MENGS
El Juicio de Paris (1757)
Museo del Ermitage de San Petersburgo

53. RAFAEL
MENGS
Flagelación de
Cristo (1769)

54. Francisco Gutiérrez 1782

55. Juan Pascual de Mena

56. J. ALVAREZ CUBERO
“La defensa de Zaragoza” realizada
en mármol de Carrara entre los años
1818 y 1825 por el cordobés José
Álvarez Cubero.

57. DO YOU NOW ANY MONUMENTS
IN YOUR AREA THAT WERE BUILT
IN THE EIGHTEENTH CENTURY?
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58. SABATINI?
VILLANUEVA? In El Burgo?
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59. NICANOR OTÍN. IES SANTA
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What’s
this?

60. NICANOR OTÍN. IES SANTA
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SORIA.
It was built under the patronage of Carlos III
(like the Palafox Chapel and the old Hospice)
with drawings of Sabatini and direction of
works by Bernasconi in 1787)

61. NICANOR OTÍN. IES SANTA
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62. NICANOR OTÍN. IES SANTA
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SORIA.

63. NICANOR OTÍN. IES SANTA
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SORIA.
What’s
this?

64. Bernasconi
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65. NICANOR OTÍN. IES SANTA
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Old Hospice

66. NICANOR OTÍN. IES SANTA
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It was built under the
patronage of Charles III
and the bishop Eleta with
planes of Bernasconi
( 1785-1790)

67. NICANOR OTÍN. IES SANTA
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What’s
this?

68. NICANOR OTÍN. IES SANTA
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69. Villanueva.
Chapel of
Palafox
on Sabatini
project
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70. NICANOR OTÍN. IES SANTA
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71. NICANOR OTÍN. IES SANTA
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72. NICANOR OTÍN. IES SANTA
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73. NICANOR OTÍN. IES SANTA
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74. NICANOR OTÍN. IES SANTA
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SORIA.
Where was Sabatini inspired?

75. NICANOR OTÍN. IES SANTA
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FUENTES
ANDREA FUENTES
http://es.slideshare.net/andreafuentes/rococo-neoclassicism-in-early-18th-
century?qid=443e1503-1f3b-4b6d-822f-
308aaa860a1d&v=default&b=&from_search=9
History social science. C. Echevarría y otros. Edt. Anaya