This document discusses the target audience for a psychological thriller film. It describes the target audience as intelligent students aged 15-25 who enjoy being challenged by complex plots in films like Inception and The Woman in Black. It notes that focus groups of teens and young adults responded positively to the film opening and found the main character relatable as someone their own age. The document also compares the film opening to that of Face/Off, noting similarities in establishing mystery and intrigue. It proposes promoting the film through collaborations with artists like Taylor Swift who have audiences that overlap with the target demographic.
10 Insightful Quotes On Designing A Better Customer ExperienceYuan Wang
In an ever-changing landscape of one digital disruption after another, companies and organisations are looking for new ways to understand their target markets and engage them better. Increasingly they invest in user experience (UX) and customer experience design (CX) capabilities by working with a specialist UX agency or developing their own UX lab. Some UX practitioners are touting leaner and faster ways of developing customer-centric products and services, via methodologies such as guerilla research, rapid prototyping and Agile UX. Others seek innovation and fulfilment by spending more time in research, being more inclusive, and designing for social goods.
Experience is more than just an interface. It is a relationship, as well as a series of touch points between your brand and your customer. Here are our top 10 highlights and takeaways from the recent UX Australia conference to help you transform your customer experience design.
For full article, continue reading at https://yump.com.au/10-ways-supercharge-customer-experience-design/
10 Insightful Quotes On Designing A Better Customer ExperienceYuan Wang
In an ever-changing landscape of one digital disruption after another, companies and organisations are looking for new ways to understand their target markets and engage them better. Increasingly they invest in user experience (UX) and customer experience design (CX) capabilities by working with a specialist UX agency or developing their own UX lab. Some UX practitioners are touting leaner and faster ways of developing customer-centric products and services, via methodologies such as guerilla research, rapid prototyping and Agile UX. Others seek innovation and fulfilment by spending more time in research, being more inclusive, and designing for social goods.
Experience is more than just an interface. It is a relationship, as well as a series of touch points between your brand and your customer. Here are our top 10 highlights and takeaways from the recent UX Australia conference to help you transform your customer experience design.
For full article, continue reading at https://yump.com.au/10-ways-supercharge-customer-experience-design/
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Learn BEM fundamentals as fast as possible. What is BEM (Block, element, modifier), BEM syntax, how it works with a real example, etc.
How to Build a Dynamic Social Media PlanPost Planner
Stop guessing and wasting your time on networks and strategies that don’t work!
Join Rebekah Radice and Katie Lance to learn how to optimize your social networks, the best kept secrets for hot content, top time management tools, and much more!
Watch the replay here: bit.ly/socialmedia-plan
Content personalisation is becoming more prevalent. A site, it's content and/or it's products, change dynamically according to the specific needs of the user. SEO needs to ensure we do not fall behind of this trend.
Lightning Talk #9: How UX and Data Storytelling Can Shape Policy by Mika Aldabaux singapore
How can we take UX and Data Storytelling out of the tech context and use them to change the way government behaves?
Showcasing the truth is the highest goal of data storytelling. Because the design of a chart can affect the interpretation of data in a major way, one must wield visual tools with care and deliberation. Using quantitative facts to evoke an emotional response is best achieved with the combination of UX and data storytelling.
Succession “Losers”: What Happens to Executives Passed Over for the CEO Job?
By David F. Larcker, Stephen A. Miles, and Brian Tayan
Stanford Closer Look Series
Overview:
Shareholders pay considerable attention to the choice of executive selected as the new CEO whenever a change in leadership takes place. However, without an inside look at the leading candidates to assume the CEO role, it is difficult for shareholders to tell whether the board has made the correct choice. In this Closer Look, we examine CEO succession events among the largest 100 companies over a ten-year period to determine what happens to the executives who were not selected (i.e., the “succession losers”) and how they perform relative to those who were selected (the “succession winners”).
We ask:
• Are the executives selected for the CEO role really better than those passed over?
• What are the implications for understanding the labor market for executive talent?
• Are differences in performance due to operating conditions or quality of available talent?
• Are boards better at identifying CEO talent than other research generally suggests?
1. The ‘Sweet
Revenge’ fan
The ‘Sweet Revenge’ fans
are often at college or
university, intelligent and
witty, they like being
psychologically tested in a
film, are either male or
female and between 15
and 25. They enjoy reading
books, the newspapers and
fashion, music and TV
magazines. They spend
most of their money on
these and going out with
friends often to the cinema.
Most have twitter or
tumbler accounts where
they stay updated with the
recentness films and other
interests.
2. This target audience would be suitable for our film
because our film’s characters are aged 17 similar
to that of the target audience which makes the
characters more relatable for them. Also, the
rating for our film will be a 15 as it will be quite
scary at points. Our film will have a few twists in
it which will make it suitable for intelligent
students who enjoy trying to work out a
confusing plot.
Our audience also likes to watch other thriller and
psychological films such The Woman in Black
and Inception. The target audience of Inception
is predominately aimed at young men between
the age of 16-37 however the plot does appeal
to both genders. The target audience for The
Woman in Black was teens like our film and also
families which is why the rating was a 12A
instead of the usual 15 for thriller films.
3. Face Off
There are similarities between our
film opening and the opening to
the film ‘Face Off.’ Such as, it
opens with a flashback of when
the main character, played by John
Travolta, was happy, it then goes
to the future where he has lost his
son and we see a close up of his
face thinking about this. Our film is
similar to this because we open on
a shot of Joe and Kym which is a
flashback that Joe is thinking
about before he commits suicide.
4. Our opening has other similarities to Face Off attracting a similar audience, such as the
slow moving opening with a sudden event. In our film it is the suicide and in Face
Off it is the murder of John Travolta’s son. Both hold mystery behind them as to
why these events happened intriguing the audience into wanting to watch more. A
usual convention of thrillers is mystery and enigma and that is what both these
openings have.
The unique selling point of our film is that the main character, ‘the hero’ will be a
young woman rather than the common thriller convention of a wise middle aged
man. This means that our film should attract the usual thriller fans and a different
audience of young women who may relate to our character of Kym.
Synergy and convergence can be used to help promote our film, we could cross-
promote it with other products, such as using music from a well known band, this
would also promote them. Some films use games on apps or on the internet to
help promote their films however that may be more relevant to a children’s film or
a cartoon. We could cross promote our film with a song, such as a romantic sad
song by an artist such as Taylor Swift. Taylor Swift often sings this genre of song
and is also extremely famous which would get our film recognised by many
people. Taylor Swift also did two songs for the film The Hunger Games called “Eyes
Open” and “Safe and Sound,” these helped promote the film to people who
listened to Taylor Swift’s songs and were also beneficial to her as people who
watched The Hunger Games may have also enjoyed her music and bought it.
Face Off
5. Focus Groups
We have proven our film is relevant to our chosen target
audience by putting our opening on Facebook and
YouTube where it has been watched by many of our
friends who are 15-21 which is our main target audience.
We have had lots of good feedback from this age group.
It is also proven when an older generation watched our
film opening and did not enjoy/understand it as much as
the younger audience. We also created a questionnaire
for a focus group in the age range of our target audience.
The table on the next slide shows the answers to the
questionnaire after asking 7 male and 7 female and a
variety of different aged people in their teens. Only 3 our
of 14 admitted to not watching thrillers which shows that
the majority of young people would enjoy our film.