Surrealism lesson one
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This document outlines a lesson plan on surrealist film for students. The aims are for students to investigate and define surrealism and respond to the film "Un Chien Andalou". Key outcomes include defining surrealist art features, researching Freud and dreams, and responding to "Un Chien Andalou". Activities include storyboarding a dream, researching Dada art which influenced surrealism, creating a mood board of surrealist works, and noting memorable aspects of "Un Chien Andalou".
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Surrealism lesson one
This document provides an outline for a lesson on surrealist film. The aims of the lesson are for students to investigate and define surrealism and respond to the film Un Chien Andalou. Key outcomes include defining surrealist art features, researching Freud and dreams, and responding to a screening of Un Chien Andalou. Activities include storyboarding a dream, researching Dada art which influenced surrealism, creating a mood board of surrealist works, and noting memorable aspects of Un Chien Andalou.
Mod lit photorealism pp
Photorealism is a type of painting made to look like a photograph using extreme detail. It emerged in the 1960s-70s as a reaction to abstract expressionism. Photorealist painters carefully studied photographs through a gridding process to recreate scenes with hyperrealistic precision, often depicting urban or mundane subjects. Major photorealists included Chuck Close, known for his large-scale portraits; Richard Estes, who painted urban landscapes quickly; and Ralph Goings, who precisely recreated scenes from a single photo to find beauty in the ordinary. Sculptor Duane Hanson also created extremely realistic sculptures of everyday people.
Photorealism powerpoint
The document discusses the history and techniques of photorealism, an art movement that began in the late 1960s as a reaction to pop art and minimalism. It profiles several prominent photorealist artists like Richard Estes, Duane Hanson, Chuck Close, Ralph Goings, and Audrey Flack, and describes how they used photography and detailed painting techniques to create highly realistic depictions of everyday objects and scenes. The artists aimed to blur the line between photography and painting through their hyperrealistic renderings.
Photo Realism Power Point
Photorealism emerged in the late 1960s as a reaction against Abstract Expressionism and its focus on brushstrokes and splashes of paint. Photorealists aimed to depict life and scenes as precisely as possible using photographic reference. Their paintings and sculptures utilized techniques like gridding, projection, and casting to achieve photorealistic precision. Major artists in the movement included Ralph Goings, Duane Hanson, Chuck Close, and Audrey Flack, who sought to capture reality without commentary through their hyperrealistic styles and subjects of everyday American life.
PhotoRealism
PhotoRealism is a style of painting using photographs to create hyperrealistic images. Artists precisely replicate the details of a photograph using tools like cameras, projectors, and airbrushes. Popular in the 1960s-70s, PhotoRealist works depicted mundane urban environments and focused on technique over expression. Pioneering artists included Richard Estes, Ralph Goings, Chuck Close, and Duane Hanson, who created photo-realistic sculptures. While initially controversial, PhotoRealism influenced later hyperrealistic styles and can still be seen in video games and movies today.
Photorealism
Photorealism was a movement in the late 1960s that involved replicating photographs in paintings and sculptures with such meticulous detail that the works were indistinguishable from the original subjects. It reacted against the spontaneity of Abstract Expressionism by emphasizing planning and realistic depictions. Key photorealists mentioned include Richard Estes, known for paintings of reflective city scenes; Chuck Close, who used a grid technique; sculptor Duane Hanson, who created hyperrealistic figures; and Don Eddy, whose work progressed from objects to juxtaposed images.
Photorealism
Photorealism is a style of art that uses hyper-realistic painting techniques to depict photographic images with great attention to detail and without interpretation or distortion. Key characteristics include paintings based on photographs of everyday subjects like diners and street scenes that appear extremely realistic. Artists like Chuck Close and Richard Estes are known for their large-scale portraits and street scenes painted with invisible brush strokes using tools like projectors and grids to precisely scale up details from photographs. Sculptors like Duane Hanson and John De Andrea also contributed to the photorealism movement by creating disturbingly lifelike sculptures of ordinary people.
Photorealism
Photorealism is an art movement that originated in the 1960s in the United States involving the realistic replication of photographic images in paintings and sculptures. Artists would use photographs as references to capture precise realistic details in their works. Some notable photorealist artists mentioned are Chuck Close, Richard Estes, and Duane Hanson. While initially criticized for its straightforward representation, photorealism challenged artistic conventions and focused on depicting American consumerism and popular culture. It has had lasting influence with contemporary photorealist artists continuing to push the boundaries of realism using modern digital tools.
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Surrealism lesson one
This document provides an outline for a lesson on surrealist film. The aims of the lesson are for students to investigate and define surrealism and respond to the film Un Chien Andalou. Key outcomes include defining surrealist art features, researching Freud and dreams, and responding to a screening of Un Chien Andalou. Activities include storyboarding a dream, researching Dada art which influenced surrealism, creating a mood board of surrealist works, and noting memorable aspects of Un Chien Andalou.
Mod lit photorealism pp
Photorealism is a type of painting made to look like a photograph using extreme detail. It emerged in the 1960s-70s as a reaction to abstract expressionism. Photorealist painters carefully studied photographs through a gridding process to recreate scenes with hyperrealistic precision, often depicting urban or mundane subjects. Major photorealists included Chuck Close, known for his large-scale portraits; Richard Estes, who painted urban landscapes quickly; and Ralph Goings, who precisely recreated scenes from a single photo to find beauty in the ordinary. Sculptor Duane Hanson also created extremely realistic sculptures of everyday people.
Photorealism powerpoint
The document discusses the history and techniques of photorealism, an art movement that began in the late 1960s as a reaction to pop art and minimalism. It profiles several prominent photorealist artists like Richard Estes, Duane Hanson, Chuck Close, Ralph Goings, and Audrey Flack, and describes how they used photography and detailed painting techniques to create highly realistic depictions of everyday objects and scenes. The artists aimed to blur the line between photography and painting through their hyperrealistic renderings.
Photo Realism Power Point
Photorealism emerged in the late 1960s as a reaction against Abstract Expressionism and its focus on brushstrokes and splashes of paint. Photorealists aimed to depict life and scenes as precisely as possible using photographic reference. Their paintings and sculptures utilized techniques like gridding, projection, and casting to achieve photorealistic precision. Major artists in the movement included Ralph Goings, Duane Hanson, Chuck Close, and Audrey Flack, who sought to capture reality without commentary through their hyperrealistic styles and subjects of everyday American life.
PhotoRealism
PhotoRealism is a style of painting using photographs to create hyperrealistic images. Artists precisely replicate the details of a photograph using tools like cameras, projectors, and airbrushes. Popular in the 1960s-70s, PhotoRealist works depicted mundane urban environments and focused on technique over expression. Pioneering artists included Richard Estes, Ralph Goings, Chuck Close, and Duane Hanson, who created photo-realistic sculptures. While initially controversial, PhotoRealism influenced later hyperrealistic styles and can still be seen in video games and movies today.
Photorealism
Photorealism was a movement in the late 1960s that involved replicating photographs in paintings and sculptures with such meticulous detail that the works were indistinguishable from the original subjects. It reacted against the spontaneity of Abstract Expressionism by emphasizing planning and realistic depictions. Key photorealists mentioned include Richard Estes, known for paintings of reflective city scenes; Chuck Close, who used a grid technique; sculptor Duane Hanson, who created hyperrealistic figures; and Don Eddy, whose work progressed from objects to juxtaposed images.
Photorealism
Photorealism is a style of art that uses hyper-realistic painting techniques to depict photographic images with great attention to detail and without interpretation or distortion. Key characteristics include paintings based on photographs of everyday subjects like diners and street scenes that appear extremely realistic. Artists like Chuck Close and Richard Estes are known for their large-scale portraits and street scenes painted with invisible brush strokes using tools like projectors and grids to precisely scale up details from photographs. Sculptors like Duane Hanson and John De Andrea also contributed to the photorealism movement by creating disturbingly lifelike sculptures of ordinary people.
Photorealism
Photorealism is an art movement that originated in the 1960s in the United States involving the realistic replication of photographic images in paintings and sculptures. Artists would use photographs as references to capture precise realistic details in their works. Some notable photorealist artists mentioned are Chuck Close, Richard Estes, and Duane Hanson. While initially criticized for its straightforward representation, photorealism challenged artistic conventions and focused on depicting American consumerism and popular culture. It has had lasting influence with contemporary photorealist artists continuing to push the boundaries of realism using modern digital tools.
Photorealism
The document discusses the art movement of Photorealism which originated in the United States in the late 1960s. Photorealism aimed to create hyper-realistic paintings that resembled photographs through the use of mechanical means like projection and grid techniques. Key artists mentioned include Chuck Close, Don Eddy, Richard Estes, Robert Bechtle, and Duane Hanson. The document provides examples of their works and discusses their styles and subjects. Photorealism challenged artists and attracted audiences but also received criticism from art critics.
Performance art unit
Here are some key points about Marina Abramovic's relationship with Ulay:
- She met German artist Uwe Laysiepen, known as Ulay, in 1976 while both were performing solo work.
- They began collaborating on performance art pieces together from 1976-1988. Many of their performances explored themes of identity, duality, and their relationship.
- Some notable collaborative works included Rest Energy (1980) where they stood facing each other inches apart for several hours over 5 months, and The Lovers (1988) where they walked from opposite ends of the Great Wall of China to meet in the middle and then separate.
- Their personal and artistic relationship became romantic and they lived together for
Photorealism davies
Photorealism was an art movement from the 1960s-1970s that aimed to depict photographic reality in paintings. Key characteristics included using photos and camera techniques to transfer images accurately onto canvas. Major artists featured Richard Estes, known for urban scenes; Duane Hanson, who made photorealistic sculptures of people; and Chuck Close, known for large portrait paintings. While initially criticized for removing artistry, photorealism gained acceptance for its technical skill in recreating the world in hyperrealistic detail. The movement influenced later artists and photorealism remains practiced today.
Audrey Flack
The document provides biographical information about American artist Audrey Flack and an overview of her artistic career and style. It notes that she initially worked in Abstract Expressionism but later became interested in photorealism, pioneering its use. One of her first photorealistic works in 1965 depicting the Kennedy motorcade caused controversy for directly copying a photograph. The document also describes some of her key photorealistic paintings and discusses her use of symbolism in "vanitas" still life works addressing themes like war and mortality.
Pop art
Pop Art emerged in the 1950s-60s as a rebellion against abstract expressionism. It featured representations of popular culture and mass media imagery in a realistic style. Key characteristics included using imagery from advertisements, comics, and everyday objects to comment on consumerism and modern life. Major pop artists like Andy Warhol, Roy Lichtenstein, and Claes Oldenburg used techniques like silkscreening and appropriation to portray celebrities, consumer goods, and mundane items in a new context that was both ironic and critical of commercial culture.
Performance art
Performance art is a genre of art that uses the artist's own body as a medium. It emerged in the early 20th century from movements like Dada, Constructivism, and Futurism. Notable early performance artists included Yves Klein and Allan Kaprow, who created Happenings in the 1960s that involved audience participation. Pioneers in the 1970s like Vito Acconci, Chris Burden, and Marina Abramovic tested the boundaries between artist and viewer. Abramovic's 1974 piece Rhythm 0 had dangerous elements. Performance art gained more mainstream acceptance in the 1980s and 1990s, with works by Linda Montano and Tehching Hsieh and Karen Finley.
Stephen shore
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Pop Art was an art movement that emerged in the late 1950s in both Europe and the United States. It reflected popular and commercial culture, using imagery from advertisements, comic strips, and everyday mass-produced objects. Notable Pop Artists like Andy Warhol and Roy Lichtenstein took images from popular culture and reproduced them in an aesthetic manner using techniques like silkscreening. Their work blurred the lines between fine art and commercial art. Pop Art commented on consumer culture and mass media through the use of everyday imagery and objects. It challenged notions of what art could be and helped expand definitions of art.
Year 9 pop art powerpoint contextual studies support
Pop Art emerged in the late 1950s as a reaction against Abstract Expressionism. It used bright colors and images from popular culture like advertisements, comics, and movies that ordinary people could easily understand. Two of the most famous American Pop Artists were Andy Warhol and Roy Lichtenstein. Warhol took images from advertisements and mass media and used techniques like silkscreen printing to create multiples of the same work. Lichtenstein is known for painting comic strips in a highly stylized manner that referenced the dots used in printing. Pop Art spread from America to Britain, where artists like David Hockney also worked in the style.
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The review document outlines the parts and content for an art appreciation exam on modern and contemporary art movements. It lists five artworks from different periods that will be identified, including works by Magritte, Pollock, Warhol, Christo and Jeanne-Claude, and Sherman. Students will also be asked to compare artworks and answer short questions about modern art characteristics, terms like abstract, collage, specific movements and artists, traits of contemporary art, new mediums, societal issues in art, and post-modernism.
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The document provides an overview of Pop Art, including its origins in both America and Britain in the 1950s-60s. It describes key characteristics of Pop Art like an emphasis on mass production and popular culture. Several influential Pop Artists are profiled, including Richard Hamilton, Jasper Johns, Robert Rauschenberg, Roy Lichtenstein, Andy Warhol, and Claes Oldenburg. Their works frequently referenced advertisements, comics, and consumer brands to comment on post-war consumerism and popular culture. While initially controversial, Pop Art became more widely accepted by the public for making art more accessible and fun.
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Photorealism began in the late 1960s as a reaction to abstract art movements. It aimed to reclaim the value of imagery in art by using photographs and mechanical means to precisely replicate scenes and objects in paintings. Key photorealists discussed include Richard Estes, Chuck Close, Ralph Goings, and Duane Hanson. Their works captured frozen moments in time through highly detailed renditions of cityscapes, portraits, and everyday objects. While influenced by pop art, photorealism sought to elevate photographic images through technical mastery rather than critique popular culture.
Abstract expressionism power point
Abstract Expressionism emerged in New York City in the 1940s as artists rapidly applied paint to large canvases in an expressive style, drawing from Surrealist ideas of tapping the unconscious mind. There were two main types: action painting, which emphasized the artist's hand movements and texture, and color field painting, which used broad areas of color. Famous artists like Jackson Pollock, Willem de Kooning, Arshile Gorky, Mark Rothko, and Clyfford Still developed techniques like dripping and splattering paint to create emotional, non-representational works focused on the creative process over any subject matter.
Pop art slideshow
Pop Art was an art movement that emerged in the late 1950s and 1960s. [1] It reflected popular culture and everyday objects through images from advertisements, consumer goods, celebrities and more. [2] Pop artists like Andy Warhol used techniques like repetition, silkscreening and mass production to critique cultural ideas. [3] Pop Art challenged definitions of art and its role in society.
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Pop Art--Final Project
Pop Art emerged in the 1950s as a reaction to Abstract Expressionism, using imagery from popular culture and mass media. Major pop artists like Andy Warhol, Roy Lichtenstein, Jasper Johns, and Robert Rauschenberg incorporated symbols, objects, and graphics from advertisements, product packaging, and other commercial art into their brightly colored, photo-realistic paintings and sculptures. Pop Art blurred the lines between high and low art to comment on the growing role of consumerism and mass production in postwar Western culture.
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The document provides context on Samuel Beckett and his play Waiting for Godot. It discusses how Beckett contributed to the Theatre of the Absurd movement in response to the horrors of World War II. Waiting for Godot features no plot, vague characters, and incoherent dialogue to reflect the absurdity and meaninglessness of the human condition. The play was highly unconventional for its time in removing realism and replacing it with "bits and scraps" of language and dialogue.
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The document discusses the art movement of Photorealism which originated in the United States in the late 1960s. Photorealism aimed to create hyper-realistic paintings that resembled photographs through the use of mechanical means like projection and grid techniques. Key artists mentioned include Chuck Close, Don Eddy, Richard Estes, Robert Bechtle, and Duane Hanson. The document provides examples of their works and discusses their styles and subjects. Photorealism challenged artists and attracted audiences but also received criticism from art critics.
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Here are some key points about Marina Abramovic's relationship with Ulay:
- She met German artist Uwe Laysiepen, known as Ulay, in 1976 while both were performing solo work.
- They began collaborating on performance art pieces together from 1976-1988. Many of their performances explored themes of identity, duality, and their relationship.
- Some notable collaborative works included Rest Energy (1980) where they stood facing each other inches apart for several hours over 5 months, and The Lovers (1988) where they walked from opposite ends of the Great Wall of China to meet in the middle and then separate.
- Their personal and artistic relationship became romantic and they lived together for
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Photorealism was an art movement from the 1960s-1970s that aimed to depict photographic reality in paintings. Key characteristics included using photos and camera techniques to transfer images accurately onto canvas. Major artists featured Richard Estes, known for urban scenes; Duane Hanson, who made photorealistic sculptures of people; and Chuck Close, known for large portrait paintings. While initially criticized for removing artistry, photorealism gained acceptance for its technical skill in recreating the world in hyperrealistic detail. The movement influenced later artists and photorealism remains practiced today.
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The document provides biographical information about American artist Audrey Flack and an overview of her artistic career and style. It notes that she initially worked in Abstract Expressionism but later became interested in photorealism, pioneering its use. One of her first photorealistic works in 1965 depicting the Kennedy motorcade caused controversy for directly copying a photograph. The document also describes some of her key photorealistic paintings and discusses her use of symbolism in "vanitas" still life works addressing themes like war and mortality.
Pop art
Pop Art emerged in the 1950s-60s as a rebellion against abstract expressionism. It featured representations of popular culture and mass media imagery in a realistic style. Key characteristics included using imagery from advertisements, comics, and everyday objects to comment on consumerism and modern life. Major pop artists like Andy Warhol, Roy Lichtenstein, and Claes Oldenburg used techniques like silkscreening and appropriation to portray celebrities, consumer goods, and mundane items in a new context that was both ironic and critical of commercial culture.
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Performance art is a genre of art that uses the artist's own body as a medium. It emerged in the early 20th century from movements like Dada, Constructivism, and Futurism. Notable early performance artists included Yves Klein and Allan Kaprow, who created Happenings in the 1960s that involved audience participation. Pioneers in the 1970s like Vito Acconci, Chris Burden, and Marina Abramovic tested the boundaries between artist and viewer. Abramovic's 1974 piece Rhythm 0 had dangerous elements. Performance art gained more mainstream acceptance in the 1980s and 1990s, with works by Linda Montano and Tehching Hsieh and Karen Finley.
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Stephen Shore is an American photographer born in 1947 in New York City. He developed an interest in photography from a young age, receiving his first darkroom kit at age six. By age 10, he was getting recognition from established photographers. In 1971 at age 24, he had a solo exhibition at the Metropolitan Museum of Art in New York. Known for documenting American and Canadian landscapes in unique photos, Shore was also one of the first to embrace power lines in his photography. He has authored several books on photography and taught the subject at Bard College since 1982.
Pop art slideshow
Pop Art was an art movement that emerged in the late 1950s in both Europe and the United States. It reflected popular and commercial culture, using imagery from advertisements, comic strips, and everyday mass-produced objects. Notable Pop Artists like Andy Warhol and Roy Lichtenstein took images from popular culture and reproduced them in an aesthetic manner using techniques like silkscreening. Their work blurred the lines between fine art and commercial art. Pop Art commented on consumer culture and mass media through the use of everyday imagery and objects. It challenged notions of what art could be and helped expand definitions of art.
Year 9 pop art powerpoint contextual studies support
Pop Art emerged in the late 1950s as a reaction against Abstract Expressionism. It used bright colors and images from popular culture like advertisements, comics, and movies that ordinary people could easily understand. Two of the most famous American Pop Artists were Andy Warhol and Roy Lichtenstein. Warhol took images from advertisements and mass media and used techniques like silkscreen printing to create multiples of the same work. Lichtenstein is known for painting comic strips in a highly stylized manner that referenced the dots used in printing. Pop Art spread from America to Britain, where artists like David Hockney also worked in the style.
Final Review
The review document outlines the parts and content for an art appreciation exam on modern and contemporary art movements. It lists five artworks from different periods that will be identified, including works by Magritte, Pollock, Warhol, Christo and Jeanne-Claude, and Sherman. Students will also be asked to compare artworks and answer short questions about modern art characteristics, terms like abstract, collage, specific movements and artists, traits of contemporary art, new mediums, societal issues in art, and post-modernism.
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The document summarizes the emergence and evolution of major art movements in New York City following World War II. It describes how the New York School of abstract expressionism arose as European artists immigrated to New York during the war. Artists like Jackson Pollock and Mark Rothko developed new styles of abstract expressionism using techniques like action painting and color field painting. In the 1960s, new movements like pop art, conceptual art, and op art emerged, experimenting with popular culture, ideas over objects, and optical illusions.
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The document provides an overview of Pop Art, including its origins in both America and Britain in the 1950s-60s. It describes key characteristics of Pop Art like an emphasis on mass production and popular culture. Several influential Pop Artists are profiled, including Richard Hamilton, Jasper Johns, Robert Rauschenberg, Roy Lichtenstein, Andy Warhol, and Claes Oldenburg. Their works frequently referenced advertisements, comics, and consumer brands to comment on post-war consumerism and popular culture. While initially controversial, Pop Art became more widely accepted by the public for making art more accessible and fun.
Presentation
Photorealism began in the late 1960s as a reaction to abstract art movements. It aimed to reclaim the value of imagery in art by using photographs and mechanical means to precisely replicate scenes and objects in paintings. Key photorealists discussed include Richard Estes, Chuck Close, Ralph Goings, and Duane Hanson. Their works captured frozen moments in time through highly detailed renditions of cityscapes, portraits, and everyday objects. While influenced by pop art, photorealism sought to elevate photographic images through technical mastery rather than critique popular culture.
Abstract expressionism power point
Abstract Expressionism emerged in New York City in the 1940s as artists rapidly applied paint to large canvases in an expressive style, drawing from Surrealist ideas of tapping the unconscious mind. There were two main types: action painting, which emphasized the artist's hand movements and texture, and color field painting, which used broad areas of color. Famous artists like Jackson Pollock, Willem de Kooning, Arshile Gorky, Mark Rothko, and Clyfford Still developed techniques like dripping and splattering paint to create emotional, non-representational works focused on the creative process over any subject matter.
Pop art slideshow
Pop Art was an art movement that emerged in the late 1950s and 1960s. [1] It reflected popular culture and everyday objects through images from advertisements, consumer goods, celebrities and more. [2] Pop artists like Andy Warhol used techniques like repetition, silkscreening and mass production to critique cultural ideas. [3] Pop Art challenged definitions of art and its role in society.
Modern Artists - Robert Rauschenberg
Troy Buckner of Southampton, NY, studied art history at the University of Washington. Now a private art dealer, Troy Buckner collaborates with a variety of New York, NY, clients in their efforts to secure the pieces of art that interest them most, including works by Robert Rauschenberg.
Pop Art
Pop Art emerged in the 1950s in both the United States and Britain. It was inspired by mass culture and everyday commercial products like soup cans, Coke bottles, and comic strips. Key characteristics included using imagery from commercial art and popular culture that was mass-produced and accessible to a wide audience. Major Pop Artists included Andy Warhol, Roy Lichtenstein, Claes Oldenburg, and Tom Wesselmann, who created works parodying consumerism and critiquing abstract expressionism. Pop Art went on to influence later art forms, movies, fashion, and remain relevant today.
Robert rauschenberg updated
Robert Rauschenberg was an American artist born in 1925 who helped pioneer the Neo-Dada artistic movement and was a bridge into Pop Art. He was influenced by Dadaists like Marcel Duchamp and Joseph Cornell as well as Kurt Schwitters. Rauschenberg created "Combines" which employed non-traditional materials in innovative ways and pushed boundaries in his works like Bed and Monogram. He had a significant influence on other artists like Jasper Johns and Roy Lichtenstein and helped move art in a new direction with his use of everyday objects and pop culture imagery. Rauschenberg challenged notions of what art could be and helped establish concepts that shaped several subsequent decades of art.
Pop Art--Final Project
Pop Art emerged in the 1950s as a reaction to Abstract Expressionism, using imagery from popular culture and mass media. Major pop artists like Andy Warhol, Roy Lichtenstein, Jasper Johns, and Robert Rauschenberg incorporated symbols, objects, and graphics from advertisements, product packaging, and other commercial art into their brightly colored, photo-realistic paintings and sculptures. Pop Art blurred the lines between high and low art to comment on the growing role of consumerism and mass production in postwar Western culture.
A Lesson in Pop Art
A short lesson about the history of pop art and many examples to explain the techniques and themes seen in pop art. 2D pop art assignment on the end, geared towards middle to secondary education students.
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The document provides context on Samuel Beckett and his play Waiting for Godot. It discusses how Beckett contributed to the Theatre of the Absurd movement in response to the horrors of World War II. Waiting for Godot features no plot, vague characters, and incoherent dialogue to reflect the absurdity and meaninglessness of the human condition. The play was highly unconventional for its time in removing realism and replacing it with "bits and scraps" of language and dialogue.
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The document provides instructions for a Surrealist artwork assignment. Students will create a composition using a mannequin figure and at least one other object placed in an imagined landscape setting. They must use shading techniques to depict value and create a Surrealist style background. The composition should use the entire paper and demonstrate an interesting arrangement of foreground, middle ground and background. The artwork is meant to reflect the Surrealist art movement through an imaginative and creative finished piece.
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This document provides research on various theorists, practitioners, and social media influencers to assist in the creation of a final project. It summarizes key concepts from Cindy Sherman's work exploring common female roles and identities through self-portraiture. Richard Avedon's iconic celebrity portraits and minimalist style are discussed. Information is also given on Annie Leibovitz's engaging celebrity portraits and background in photography. Brief biographies are included of additional practitioners like Pamela Hanson, Alyana Cazalet, and Niki Demar. The document aims to compile useful context and notes to draw from for the final project.
Contextual Research [1.1,1.2]
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The document discusses auteur theory, which focuses on analyzing films based on the director's personal creative vision and stylistic choices rather than just the genre or studio production process. It originated in 1950s France as a way to elevate American and French films to an art form by highlighting the director's role. Key aspects of auteur theory include analyzing a director's technical competence, coherent personal style, and consistent worldview across multiple films. The document provides several examples of iconic directors and their recognizable stylistic traits, such as John Ford's use of landscape and Alfred Hitchcock's shot patterns. It also notes some critiques of auteur theory, such as its minimization of collaborative filmmaking.
8 b animating art
Here are some tips for your surrealism painting based on poetry:
- Focus on vivid, unusual images and objects from the poem that spark your imagination. Surrealism aims to blend reality and fantasy.
- Experiment with juxtaposing unrelated things in an unexpected, thought-provoking way. Surrealists often combined things that don't normally go together.
- Leave things open to interpretation. Surrealism explores the subconscious mind. Avoid being too literal and leave room for the viewer to make their own connections.
- Play with scale, perspective or proportions in an unsettling way. Surrealists distorted reality through techniques like this.
- Consider incorporating symbols or themes from dreams, the
Surrealism
Surrealism was an artistic movement that began in the early 1920s. It emphasized tapping into the subconscious mind to create dreamlike scenes and juxtapose unrelated objects. The founder was Andre Breton, who defined it as resolving the contradictions between dream and reality. Surrealist artists painted scenes with photographic precision but illogical elements, combining everyday objects in strange ways. The movement inspired other fields like film, literature, fashion and challenged conventional views of reality.
Digital media-semester lesson-5 (1)
This document provides information about a lesson on surrealism and the artist Salvador Dali. It defines key terms like surrealism, Dada, and automatism. It discusses how surrealism emerged from Dada and focused on using imagination and free association. Dali is presented as a famous surrealist artist who stressed using the subconscious for imagery. Examples of his works like The Persistence of Memory are mentioned. Students are assigned to create a landscape in Dali's style and learn more about surrealism through additional resources.
Experimental Photography Case Studies
This document contains summaries of four experimental photographers: Dominic Rouse, Hannah Hoch, John Heartfield, and Man Ray. Dominic Rouse uses multiple exposure techniques to deconstruct and reconstruct the human form. Hannah Hoch was a pioneer of photomontage and joined photographs to create surreal images. John Heartfield also used photomontage for his politically charged work opposing the Nazis. Man Ray created photograms by directly placing objects on photographic paper without a camera to produce surreal and abstract images. All four photographers used non-traditional photographic techniques and are considered pioneers of experimental photography.
Task 1 completed!
Jerry Uelsmann pioneered the art of photomontage in the 20th century in America. He is known for his black and white images that combine multiple prints to create surreal scenes. One iconic work shows hands emerging from a pavement holding a bird's nest, combining natural elements in an impossible way through traditional darkroom techniques. Uelsmann was influenced by photographers like Harry Callahan and explored surrealism through meticulously layered prints before the era of digital editing.
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3. Andy Warhol produced iconic works featuring Campbell's soup cans and images of celebrities. Roy Lichtenstein adopted a comic book style to depict familiar scenes and characters.
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This document summarizes Walter Benjamin's essay "The Work of Art in the Age of Mechanical Reproduction". In 3 sentences: Benjamin argues that technological advances in reproduction have transformed art by diminishing the authentic "aura" of original works and by allowing for mass consumption. He believes this has shifted art's purpose from ritualistic "cult value" to public "exhibition value". Benjamin also analyzes how these changes impact film as an emerging art form and its relationship to theater, and explores film's potential as a tool for psychoanalysis or political messaging.
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Surrealism 3
Surrealism is an avant-garde movement that combines elements of dreams and reality. It was founded in 1924 and was influenced by Sigmund Freud's theories of the unconscious mind. Some key surrealist artists explored their subconscious through automatic painting techniques, using unexpected juxtapositions of objects to push boundaries and express sexuality, anger, and desires in their work.
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This document discusses relationships between artists through several examples:
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- British sculptors Gilbert Proesch and George Passmore met in 1967 as students and have worked together as a couple and collaboratively ever since.
- Christo and Jeanne-Claude were a married couple who created environmental artworks together, such as wrapping the Reichstag in Berlin. They took separate planes in case one crashed.
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Casino royale micro essay
1. The document discusses an essay question about how cinematography and editing introduce a new James Bond in the opening sequence of the 2006 film Casino Royale.
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Surrealism
Surrealism emerged from the Dada art movement in the early 20th century. Surrealist films aimed to explore taboo topics like sex and religion by using unconventional editing techniques that juxtaposed random objects and events. Two influential early surrealist films were Un Chien Andalou (1929) and L'Age D'Or (1930) directed by Luis Bunuel, which featured surreal imagery and disrupted narrative continuity. While surrealism aimed to be free-form, filmmaking requires planning, raising questions about whether the medium is suited for surrealist ideals. The films of Jan Svankmajer provide an example of highly planned surrealism that was still anti-establishment.
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Surrealism lesson one
- 1. World Cinema Unit Surrealist Film: Lesson One
- 2. Aims: For students to investigate and define surrealism and respond to Un Chien Andalou Outcomes: By the end of the lesson students should be able to: âą Define some of the key features of surrealist art, photography and film; âą Define and give examples of Dada and the Roots of Surrealism âą Complete some initial research on Freud and The Interpretation of Dreams âą Respond to the first screening of un Chien Andalou
- 3. How can you film a Dream? http://www.youtube.com/watch?v=jpmdzHsC9-Y&feature=related Quick Activity: On a storyboard sheet try to storyboard either a dream you have had recently; or a dream that a friend has told you about. Try to be as specific as possible â include the key filmic elements â camerawork; mise-en-scene; lighting; editing; characters; performance
- 4. Dada and the Roots of Surrealism Surrealism was a cultural movement that had its roots in a previous art movement called âDadaâ. Dada is relevant to surrealist cinema as the aims and methods of the surrealists developed from the work of Dada artists; many of the founder members of the surrealist movement were associated with the Dada group. Quick research task: Google Dada; follow the link to Tate Glossary; produce a mood board that gives a description of the Dada movement and also gives some examples of Dada artists. What are your responses to the aims of the Dada Movement, especially given what was happening in Europe at the time?
- 5. The Dada was a radical group of artists who had no real common stylistic identity, however they shared an opposition to the First World War (1914-18) and the dominant culture of the time. They wanted to create art that had radical political ideas as the main content, rather than craft skills and middle class values. The Dada were against the nationalistic, romantic and religious art of the time. They thought that this art work ignored the reality of life for soldiers and civilians living through the First World War. The spirit of Dada has been revisited over the years, most notably being its influence on punk in the 1970s.
- 6. Marcel Duchamp Jamie Reid cover art for the Sex âMona Lisa with a Moustacheâ, 1919 Pistolsâ âGod Save The Queenâ, 1977
- 7. Research Activity: Go to the web site www.surrealists.org and Google âSurrealismâ. Create a mood board of surrealist works (they can be art, photography, multi-media, film). Aim for a range of different mediums. Have examples of contemporary and historical works. What are the artists trying to convey in their work? Do you think that their work is relevant today?
- 8. Un Chien Andalou On first watching the film note down: Visual imagery that is memorable Editing techniques that you think are effective âSurrealist films often have a dream-like quality; they depict unconscious desires and fantasies that are normally repressedâ. Can you find examples from the film to agree with this statement? Homework: go onto You Tube â print screen images from Un Chien Andalou that you find interesting and provocative. Present homework on Monday.