Art 271 Conceptualism And Feminism
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The document provides an overview of several 20th century art movements including Conceptualism and Activist Art. It summarizes Conceptual Art as prioritizing ideas over physical objects, with the idea itself considered the work of art. Performance and body art are described as forms that use the artist's body as a medium. Feminist art emerged in the late 1960s/early 1970s as a revolutionary movement addressing gender issues not just a style. Key artists mentioned include Joseph Kosuth, Bruce Nauman, Nam June Paik, Chris Burden, Carolee Schneemann and Judy Chicago.
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Art 271 Pop Art
This document provides an overview of several post-World War II art movements including Assemblage, Happenings, and Pop Art from the 1950s-1960s. It discusses key artists and concepts for each movement. Assemblage involved gathering everyday objects to create new meanings. Happenings were ephemeral theatrical works meant to integrate art and life. Pop Art emerged from consumer culture and mass media, with American pop artists like Andy Warhol, Roy Lichtenstein, and Claes Oldenburg borrowing images from popular culture and mass production.
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“Everything is beautiful. Pop is everything.”- One of Any Warhol’s famous quotes rightly explains the rage with which Pop Art had taken over the world. The pop art movement, started in the mid-1950s has redefined the visuals of art and given it a whole new dimension. Following the abstract art popularity, pop art emerged as a complete contrast to the former.
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Pop Art was an art movement that began in the late 1950s and used imagery from popular culture and everyday life. Pop artists blurred the lines between fine art and commercial art by using images and styles from advertisements, consumer goods, celebrities and other mass media sources. Andy Warhol was one of the most famous Pop Artists, known for works like Campbell's Soup Cans that used repetition and references to popular culture to critique and comment on society. Pop Art challenged definitions of art by appropriating common objects and images and using new technologies like silkscreening. It reflected 1960s culture and had a lasting influence on contemporary art.
Pop art
Pop Art was an art movement in the late 1950s and 1960s that used imagery and objects from popular culture and everyday life. Pop artists blurred the line between fine art and commercial art by using images and styles from advertisements, consumer goods, celebrities and other mass media sources. Andy Warhol was one of the most famous Pop Artists, known for his silkscreen paintings of Campbell's Soup cans and celebrities. Warhol used repetition and appropriation to critique and comment on cultural ideas through his artwork. Pop art stretched definitions of what art could be and how it was made and continues to influence artists today.
Pop art
Pop Art was an art movement that began in the late 1950s and used imagery from popular culture and everyday life. Pop artists blurred the lines between fine art and commercial art by using things like advertisements, consumer goods, celebrities and common objects as subject matter. They used techniques like silkscreening, mass production and photography. One of the most famous Pop artists was Andy Warhol, who appropriated images from popular culture and used repetition to critique and comment on society and culture. Pop art challenged definitions of art by raising questions about what makes one work better than another and what art should represent. It stretched concepts of art-making and reflected ideas still seen in art today.
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Pop Art was an art movement that emerged in the late 1950s and 1960s, reflecting and representing everyday popular culture and mass-produced objects. Artists like Andy Warhol and Roy Lichtenstein used images and styles from commercial art, advertising, and mass media to challenge definitions of fine art. Their work incorporated techniques like repetition, appropriation, and magnification from popular culture to comment on consumerism and the relationship between art and commercial products.
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This document provides an overview of the pop art movement in America during the 1950s and 1960s. It summarizes key pop art styles and techniques like clear lines, bright colors, and representations of popular culture symbols. Several prominent pop artists are discussed, including Andy Warhol, Roy Lichtenstein, Claes Oldenburg, and their works featuring everyday objects depicted at a large scale or in multiple pieces. The document concludes by outlining a ceramics assignment asking students to create a realistic life-sized sculpture of a food container using pop art techniques.
Pop art
Pop Art was an art movement that began in the late 1950s and used imagery from popular culture and everyday life. Pop artists blurred the lines between fine art and commercial art by using images and styles from advertisements, consumer goods, celebrities and other mass media sources. Andy Warhol was one of the most famous Pop Artists, known for works like Campbell's Soup Cans that used repetition and references to popular culture to critique and comment on society. Pop Art challenged definitions of art by appropriating common objects and images and using new technologies like silkscreening. It reflected 1960s culture and had a lasting influence on contemporary art.
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This document provides an overview of several post-World War II art movements including Assemblage, Happenings, and Pop Art from the 1950s-1960s. It discusses key artists and concepts for each movement. Assemblage involved gathering everyday objects to create new meanings. Happenings were ephemeral theatrical works meant to integrate art and life. Pop Art emerged from consumer culture and mass media, with American pop artists like Andy Warhol, Roy Lichtenstein, and Claes Oldenburg borrowing images from popular culture and mass production.
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“Everything is beautiful. Pop is everything.”- One of Any Warhol’s famous quotes rightly explains the rage with which Pop Art had taken over the world. The pop art movement, started in the mid-1950s has redefined the visuals of art and given it a whole new dimension. Following the abstract art popularity, pop art emerged as a complete contrast to the former.
Pop art
Pop Art was an art movement that began in the late 1950s and used imagery from popular culture and everyday life. Pop artists blurred the lines between fine art and commercial art by using images and styles from advertisements, consumer goods, celebrities and other mass media sources. Andy Warhol was one of the most famous Pop Artists, known for works like Campbell's Soup Cans that used repetition and references to popular culture to critique and comment on society. Pop Art challenged definitions of art by appropriating common objects and images and using new technologies like silkscreening. It reflected 1960s culture and had a lasting influence on contemporary art.
Pop art
Pop Art was an art movement in the late 1950s and 1960s that used imagery and objects from popular culture and everyday life. Pop artists blurred the line between fine art and commercial art by using images and styles from advertisements, consumer goods, celebrities and other mass media sources. Andy Warhol was one of the most famous Pop Artists, known for his silkscreen paintings of Campbell's Soup cans and celebrities. Warhol used repetition and appropriation to critique and comment on cultural ideas through his artwork. Pop art stretched definitions of what art could be and how it was made and continues to influence artists today.
Pop art
Pop Art was an art movement that began in the late 1950s and used imagery from popular culture and everyday life. Pop artists blurred the lines between fine art and commercial art by using things like advertisements, consumer goods, celebrities and common objects as subject matter. They used techniques like silkscreening, mass production and photography. One of the most famous Pop artists was Andy Warhol, who appropriated images from popular culture and used repetition to critique and comment on society and culture. Pop art challenged definitions of art by raising questions about what makes one work better than another and what art should represent. It stretched concepts of art-making and reflected ideas still seen in art today.
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Pop Art was an art movement that emerged in the late 1950s and 1960s, reflecting and representing everyday popular culture and mass-produced objects. Artists like Andy Warhol and Roy Lichtenstein used images and styles from commercial art, advertising, and mass media to challenge definitions of fine art. Their work incorporated techniques like repetition, appropriation, and magnification from popular culture to comment on consumerism and the relationship between art and commercial products.
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This document provides an overview of the pop art movement in America during the 1950s and 1960s. It summarizes key pop art styles and techniques like clear lines, bright colors, and representations of popular culture symbols. Several prominent pop artists are discussed, including Andy Warhol, Roy Lichtenstein, Claes Oldenburg, and their works featuring everyday objects depicted at a large scale or in multiple pieces. The document concludes by outlining a ceramics assignment asking students to create a realistic life-sized sculpture of a food container using pop art techniques.
Pop art
Pop Art was an art movement that began in the late 1950s and used imagery from popular culture and everyday life. Pop artists blurred the lines between fine art and commercial art by using images and styles from advertisements, consumer goods, celebrities and other mass media sources. Andy Warhol was one of the most famous Pop Artists, known for works like Campbell's Soup Cans that used repetition and references to popular culture to critique and comment on society. Pop Art challenged definitions of art by appropriating common objects and images and using new technologies like silkscreening. It reflected 1960s culture and had a lasting influence on contemporary art.
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Pop Art was an art movement in the late 1950s and 1960s that used imagery and objects from popular culture and everyday life. Pop artists blurred the line between fine art and commercial art by using images and styles from advertisements, consumer goods, celebrities and other mass media sources. Andy Warhol was one of the most famous Pop Artists, known for his silkscreen paintings of Campbell's Soup cans and celebrities. Warhol used repetition and appropriation to critique and comment on cultural ideas through his artwork. Pop art stretched definitions of what art could be and how it was made.
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The document discusses various art movements from the 20th century onwards, including Pop Art pioneered by artists like Andy Warhol and Roy Lichtenstein who used imagery from popular culture. It also mentions Op Art, Happenings, Performance Art, Body Art, Conceptual Art, Land Art, Minimalism, Hyperrealism and contemporary artists working today. Key figures mentioned across these movements include Yves Klein, Joseph Beuys, Christo, Donald Judd, Lucien Freud, and contemporary artists Jean-Michel Basquiat and Vik Muniz.
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The document discusses the history and techniques of photorealism, an art movement that began in the late 1960s as a reaction to pop art and minimalism. It profiles several prominent photorealist artists like Richard Estes, Duane Hanson, Chuck Close, Ralph Goings, and Audrey Flack, and describes how they used photography and detailed painting techniques to create highly realistic depictions of everyday objects and scenes. The artists aimed to blur the line between photography and painting through their hyperrealistic renderings.
Photorealism
Photorealism is an art movement that originated in the 1960s in the United States involving the realistic replication of photographic images in paintings and sculptures. Artists would use photographs as references to capture precise realistic details in their works. Some notable photorealist artists mentioned are Chuck Close, Richard Estes, and Duane Hanson. While initially criticized for its straightforward representation, photorealism challenged artistic conventions and focused on depicting American consumerism and popular culture. It has had lasting influence with contemporary photorealist artists continuing to push the boundaries of realism using modern digital tools.
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Photorealism is a style of art that uses hyper-realistic painting techniques to depict photographic images with great attention to detail and without interpretation or distortion. Key characteristics include paintings based on photographs of everyday subjects like diners and street scenes that appear extremely realistic. Artists like Chuck Close and Richard Estes are known for their large-scale portraits and street scenes painted with invisible brush strokes using tools like projectors and grids to precisely scale up details from photographs. Sculptors like Duane Hanson and John De Andrea also contributed to the photorealism movement by creating disturbingly lifelike sculptures of ordinary people.
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Photorealism was a movement in the late 1960s that involved replicating photographs in paintings and sculptures with such meticulous detail that the works were indistinguishable from the original subjects. It reacted against the spontaneity of Abstract Expressionism by emphasizing planning and realistic depictions. Key photorealists mentioned include Richard Estes, known for paintings of reflective city scenes; Chuck Close, who used a grid technique; sculptor Duane Hanson, who created hyperrealistic figures; and Don Eddy, whose work progressed from objects to juxtaposed images.
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On pop art. basics
Pop Art emerged in the late 1950s as a reaction against Abstract Expressionism, utilizing imagery and techniques from popular culture such as advertisements, comics, and consumer goods. Pop artists like Andy Warhol, Roy Lichtenstein, and Claes Oldenburg appropriated mass media images and transformed everyday objects and celebrities through techniques like silkscreening that commented on consumer culture and mass production. Their use of recognizable imagery made Pop Art widely accessible and helped blur the lines between high and low art.
Pop Art
Pop Art was an art movement that began in the late 1950s and used imagery from popular culture and everyday life. Pop artists blurred the lines between fine art and commercial art by using images and styles from advertisements, consumer goods, celebrities and other mass media sources. Andy Warhol was one of the most famous Pop Artists, known for works like Campbell's Soup Cans that used repetition and appropriated popular images. Pop Art challenged definitions of art by treating popular objects as art and reflecting the culture of 1960s America through use of new materials, technologies and methods of production.
Week 11 Lecture, 20th Century
This document provides an overview of developments in art from 1960-1964, including the emergence of Pop Art in both the United States and United Kingdom. It discusses Clement Greenberg's theory of modernist painting and how artists like Roy Lichtenstein and Andy Warhol incorporated pop imagery and appropriation into their work. The document also covers the Fluxus movement, which aimed to blur boundaries between art and life through experimental performances and Happenings led by artists like Allan Kaprow and George Maciunas.
Pop art
from here http://www.slideshare.net/educ5254/pop-art-2627634 with info about Lichtenstein and Thiebaud added by me.
Pop art
Pop Art was an art movement of the late 1950s-1960s that used imagery from popular culture and everyday life. Pop artists blurred the lines between fine art and commercial art by using images and objects such as advertisements, consumer goods, celebrities and comic strips in their work. Notable Pop artists included Andy Warhol, Roy Lichtenstein, and Wayne Thiebaud. Warhol used techniques like photographic silkscreening and repetition to critique cultural ideas through works featuring products like Brillo boxes and celebrities like Marilyn Monroe.
Pop Art
Pop Art was an art movement that emerged in the late 1950s and 1960s, reflecting and critiquing everyday popular culture and mass media. Artists like Andy Warhol and Roy Lichtenstein used imagery and techniques from commercial art, advertisements, and comic books in their work. They employed methods of mechanical reproduction and repetition to comment on consumer culture and challenge definitions of fine art. Pop Art blurred distinctions between high and low art and influenced later artists to incorporate popular imagery and new technologies into their practice.
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This document provides an overview of installation art and performance art. It defines installation art as using sculptural materials and other media to modify how viewers experience space. Installation art is not confined to galleries and can be constructed publicly. Performance art uses the human body and actions in a particular time and place as the artwork. It may involve theater, dance or unexpected activities. The performer is the artist, and performances can vary in venue, duration, and level of improvisation. Examples of influential installation and performance artists from the Philippines are provided.
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This document summarizes major artistic developments and movements from the mid-20th century onwards. It discusses Neo-Dadaism, Minimalism, Pop Art, Photo-Realism, Superrealism, and Neo-Expressionism. Key artists mentioned include Robert Rauschenberg, Jasper Johns, Claes Oldenburg, Andy Warhol, Richard Estes, Chuck Close, Duane Hanson, and George Segal. It also provides background historical context and describes the mediums and methods used by these influential artists.
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Pop art emerged in the mid-1950s in England and spread to New York in the early 1960s. It reflected popular culture and everyday objects rather than traditional fine art techniques. Pop artists like Andy Warhol, Roy Lichtenstein, and David Hockney appropriated images and styles from advertising, comics, and consumer goods to blur the line between high and low art. Their use of techniques like silkscreening and mass production commented on commercialization and the increasing role of media and celebrity in culture.
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The document provides an overview of art history from 1960-1964, focusing on the development of Pop Art and other postmodern movements. It discusses how artists like Roy Lichtenstein, Claes Oldenburg, and Andy Warhol incorporated popular culture imagery and challenged notions of what constituted art. Key concepts examined include Clement Greenberg's theory of modernism, the blurring of boundaries between art and life in works by Allan Kaprow and Fluxus, and Warhol's commentary on mass media and the simulacrum through his repeated depictions of consumer goods and images of death.
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11821, 1030 AM Straight Photographyhttpscoastdistric
1. Straight photography emerged in the early 20th century as an objective style that aimed to capture scenes without manipulation. One pioneer was Alfred Stieglitz, who depicted everyday modern life in photos like The Terminal.
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11821, 1030 AM Straight Photographyhttpscoastdistric
11/8/21, 10:30 AM Straight Photography
https://coastdistrict.instructure.com/courses/86967/assignments/1594094?module_item_id=5260973 1/3
Straight Photography
Due Sunday by 11:59pm Points 30
Submitting a text entry box, a media recording, or a file upload
Start Assignment
Straight photography emerged in the early twentieth century and was a way of thinking about
photography as independent and unique from other artistic media like painting. It attempted to capture a
scene as objectively as possible therefore it didn't rely on methods of photographic manipulation. One of
the first photographers to experiment with straight photography was Alfred Stieglitz in the late nineteenth
and early twentieth centuries. He would often employ straight photography to depict everyday scenes of
modern life as seen in his photograph The Terminal.
Alfred Stieglitz, The Terminal. 1893, printed 1911. Photogravure. Source: flickr (https://www.flickr.com/phot
os/[email protected]/3775792984/in/photolist-6KDVH3) License: CC BY-NC 2.0 (https://creativecommons.org/licenses/by-nc/
2.0/)
Watch the 10 minute video segment below from the documentary film called Alfred Stieglitz: The
Eloquent Eye (https://www.youtube.com/watch?v=2j2N1Bdh830) to learn more about Alfred Stieglitz
https://www.flickr.com/photos/[email protected]/3775792984/in/photolist-6KDVH3
https://creativecommons.org/licenses/by-nc/2.0/
https://www.youtube.com/watch?v=2j2N1Bdh830
11/8/21, 10:30 AM Straight Photography
https://coastdistrict.instructure.com/courses/86967/assignments/1594094?module_item_id=5260973 2/3
Straight Photography (1)
and his photographs.
Instructions:
1. Visit the Metropolitan Museum of Art's website
(https://www.metmuseum.org/art/collection/search/270032) and read the short description about The
Terminal by Alfred Stieglitz.
2. Take your own Stieglitz inspired photograph using the method of straight photography. Keep to his
theme of illustrating the everyday scenes of modern life--but updated to illustrate life today.
3. In a paragraph (5-6 sentences) describe how your photograph uses the method of straight
photography. Also, describe how the subject matter represents life today.
Alfred StieglitzAlfred Stieglitz
https://www.metmuseum.org/art/collection/search/270032
https://www.youtube.com/watch?v=8nc6hHSyxv8
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Chapter 29: Between World Wars
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Conceptual art emerged in the 1960s as a reaction against formalism and the commodification of art. It privileged ideas and concepts over physical objects. Pioneers like Marcel Duchamp and later artists such as Joseph Kosuth, Sol LeWitt, and Bruce Nauman created conceptual works that consisted of photographs, texts, maps, or instructions that diverted attention from aesthetics to underlying ideas. Their goal was to question definitions of art and artistic value by removing the necessity of physical objects and manual skill.
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KCC Art 211 Ch 23 Postwar Modern Movements In The West
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Art 271 Conceptualism And Feminism
- 1. Art 271 Ch. 20 Conceptualism and Activist Art
- 2. Reminder: Due Dec. 3rd (Thurs) MAG Museum Papers EXAM 5 Also, please note: Take Guerilla Girls off of your syllabus. We will not cover them.
- 3. Review: Art Movement: Assemblage (also called Neo-Dada) Mixed media emerges Emphasis on everyday surroundings for subject matter Create their works from the “refuse” of modern society Artists: Robert Rauschenberg, Jasper Johns Influences: Composer John Cage, Artist Marcel Duchamp (Dada)
- 4. Review: Art Movement: Happenings Approach: Ephemeral works; chance; mixed media **Audience is necessary to “activate” the work of art Influenced by: John Cage Dadaism (Duchamp) Action Painting Artist: Allan Kaprow
- 5. Review: Art Movement: Pop Art (1960s) Backdrop was rise of consumer culture/ advertising/ celebrity Pop Art was the union of art and popular culture. They embraced mass culture, commercialism, consumerism. British Pop Art came first: Richard Hamilton American Pop Art: Claes Oldenburg, Roy Lichtenstein, Andy Warhol
- 6. Review: Minimalism Use of industrial materials Interest in viewer’s physical space Focus on artwork as a physical object Artists: Donald Judd, Frank Stella, Richard Serra
- 7. Conceptual Art An art about ideas. The idea is the work of art. Any painting, sculpture, drawing, print, photograph, or building created in response to that idea is simply a piece of documentation, a record of aesthetic expression as opposed to aesthetic expression itself. Sometimes no object at all, only words Influence of Marcel Duchamp - making art should be a mental, not a physical activity Attempt to be free from consumerism Artist: Joseph Kosuth
- 8. 22-1, Joseph Kosuth, One and Three Chairs, 1965, Wood folding chair, photo of chair, and photographic enlargement of dictionary definition of chair
- 9. Performance Art and Video Many Conceptual artists used their bodies as an artistic medium They engaged in activities or performances they considered works of art Like Conceptual art, attempt to make art outside the commercial system Produced no saleable artwork unless the artist’s activity was recorded on film or video Artists: Bruce Nauman, Nam June Paik
- 10. 22-15, Bruce Nauman, Self-Portrait as a Fountain, 1966-67. Color photo
- 11. 22-16, Bruce Nauman, Violins, Violence, Silence, 1981-82. Neon Tubing
- 12. 22-13, Nam June Paik, TV Bra for Living Sculpture, (Worn by Charlotte Moorman), 1969
- 13. Body Art A form of Performance Art Often induced a forced intimacy between the performer and the audience, with results that could be amusing, poetic, shocking, or make viewers uncomfortable Artist: Chris Burden
- 14. 22.22, Chris Burden, Shoot, 1971
- 15. Feminist Art When: late 1960s/early 1970s Where: Primarily Great Britain & the U.S. The counterculture of the 1960s inspired new social analysis & questioning. CHARACTERISTICS: Not a style; a revolutionary value system (What was radical: the content, not the forms). Feminist artists prioritized experience and meaning over form and style A movement within art history that addresses gender issues Artists: CaroleeSchneemann, Hannah Wilke, Ana Mendieta, Judy Chicago
- 16. 22.18, CaroleeSchneemann, Interior Scroll, 1975, Photo of Performance
- 17. 22.19, Hannah Wilke, S.O.S. Starification Object Series, 1974-82. Mixed Media.
- 18. 22.20, Ana Mendieta, Untitled, from Fetish series, 1977. Color photo on paperboard
- 19. 22.29, Judy Chicago, The Dinner Party, 1974-79, Brooklyn Museum of Art
- 20. Detail of Place Setting, ‘Mary Wollstonecraft’, Judy Chicago, The Dinner Party