Storyboarding
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Storyboards are essential planning tools used in film, video, and advertising to visually layout scenes and communicate how a story will unfold. They originated at Disney in the 1930s and are now standard in entertainment and advertising. A storyboard shows the position and size of shots, transitions between scenes, and rough dialogue to serve as a roadmap for production and guide all involved parties.
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1) Import raw footage files from a computer or camera into the project. Organize footage into bins.
2) Select clips to edit by setting in and out points on the source timeline. Drag clips onto the project timeline.
3) Add transitions between clips and apply video effects to clips using options in the effects panel.
4) Export the completed project from Premiere Pro in the desired file format, such as QuickTime.
Jan 2011
This document provides resource material for a GCE AS/A level Film Studies exam on British and American film. It includes three parts:
Part A includes posters and articles on the films Green Zone and The Hurt Locker, as well as an interview discussing why Iraq war films often fail at the box office. Part B includes box office figures for UK films in 2009, information on US investment in UK film production, and an article about Warner Bros plans to renovate Leavesden Studios. Part C provides similar resource material for use in comparing American films. The exam consists of answering three questions, one from each of the three sections.
Mini project
Over the next two weeks, students will work in groups of 4 on two mini film productions focusing on mise-en-scene. Each group member will be responsible for a different aspect of mise-en-scene like costumes, sets, or character positioning. They will also take on a production role like camera operator or director of actors. The groups will storyboard, film, and edit their short 4-minute films in-camera over the course of two lessons. At the end, they will submit their finished productions and planning materials for grading based on effective use of mise-en-scene rather than storyline or acting.
Lesson 2 Star Theory
This document discusses film stars and star theory. It introduces key theorists like Christine Gledhill and Richard Dyer who analyzed what makes someone a "film star" rather than just an actor. Some key aspects of star theory discussed are stars as capital value for studios, stars having constructed public images, stars exhibiting rule-breaking or deviant behavior, and stars representing cultural values. Case studies of Arnold Schwarzenegger and Tom Cruise are used to apply elements of star theory and identify their distinguishing star qualities. The document emphasizes how stars are commercial assets that studios use to attract audiences based on audience familiarity with a star's roles and persona.
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The document provides production tips for establishing character and context in film opening sequences through three main points:
1. Opening sequences need to introduce characters and set up intrigue or questions to engage audiences while establishing the setting.
2. Famous examples from films like Goodfellas and Four Weddings and a Funeral use techniques like narration and establishing characters' personalities to immerse viewers.
3. The goal is to help audiences understand the context but remain interested in why they should care about the story. Economical approaches are often necessary for student films.
The Features Of Single Camera Production
This document discusses single-camera production techniques for television and film. It begins by outlining some key considerations for single-camera productions such as budget, equipment, cast, and story/genre. It then provides examples of common television genres that use single-camera techniques like sitcoms, documentaries, and music videos. The rest of the document discusses techniques like establishing shots, coverage, following the 180-degree rule, and advantages of shooting out of sequence. It compares single-camera to multi-camera productions and provides an example of the popular British sitcom The Office, which utilized single-camera mockumentary style.
Story boarding
A storyboard is a creative planning tool used in film and game production to visualize sequences before filming. It helps filmmakers plan shots, camera angles, lighting, location requirements, and other production elements. The storyboard provides a visual reference for the editor and ensures continuity during production. Even rough sketches can be useful. Descriptions of shots, camera movements, sound, and transitions help everyone understand the creative vision.
Storyboarding
A storyboard is a creative planning tool used in film and game production to visualize sequences before filming. It helps plan shots, camera angles, location requirements, and other production elements. A storyboard provides reference for the editor and helps maintain continuity during production. While drawings can be simple, including relevant details helps the production team understand things like camera movement, lighting, and sound design. Proper terminology in a storyboard helps ensure everyone understands the creative vision.
Creative critical reflection
The document describes a student's 3-minute horror/mystery film opening. It includes details about the genre, story, and conventions used. The story is about a girl's diary whose tragic death bound her soul to the diary, forcing her to seek vengeance against her murderer. Typical horror conventions like isolating settings, dark lighting, costumes, and sounds are employed. The student aims to attract a teen and adult audience by crafting the film to their interests while staying true to common horror conventions.
Storyboarding
Storyboards are panels that illustrate scenes from a movie, animation, or interactive media in sequence to help visualize and plan shots. The Walt Disney Studios developed storyboarding in the early 1930s. A film storyboard acts like a comic strip of the film, helping the director and producers visualize scenes to plan the budget and find potential issues. Storyboards include arrows to indicate movement and give a visual layout of events through the camera lens. This planning allows for experimenting with changes and input from different people. However, storyboarding is not the best technique for planning dialog scenes as it can make them too fragmented with multiple camera additions.
Introduction to Filmmaking
I used this powerpoint presentation for my filmmaking workshop at the University of Bahrain and Bahrain Polytechnic. The contents of this book are from Antonio Manriquez and Thomas McCluskey's "Video Production 101: Delivering the Message."
Trailer conventions - Conventions Of Existing Media Texts
The document discusses conventions of horror film trailers in terms of narrative, camera use, editing, and sound. It explains that trailers typically begin with an "equilibrium" to introduce characters, then depict a confrontation or problem through intensifying editing and camera techniques to build tension. While not revealing endings, trailers aim to leave viewers wanting more through an abrupt conclusion. Common camera angles and shots are used to reflect mood, and editing increases pace to showcase key moments in a short time. Sound is manipulated to emphasize scares, build suspense through silence, or signify important events.
A-Level Media MIGRAiN - Zaahid Ziyaad Asvat
The document discusses M.I.G.R.A.I.N., an acronym to help structure answers about media topics. It covers the following areas:
- Media forms including print, film, television, and new media.
- Technical codes such as camera shots, editing techniques, and sound design.
- Symbolic codes including mise-en-scène, costumes, facial expressions and body language.
- Institutions involved in media like production companies, film ratings boards, and major film studios that dominate the market.
Mayan Kumar-Unit 4: Pre-Production
The document discusses several key aspects of pre-production for a moving image production:
Financing is one of the most important considerations, as films require budgets to cover costs like equipment rental, locations, marketing, and paying cast and crew. Effective time management is also essential, as production schedules must account for cast and crew availability as well as equipment rental windows. Locations, facilities, personnel, and additional materials like scripts, costumes, and props also need to be thoroughly planned during pre-production to ensure a successful shoot. Thorough planning in pre-production helps control costs and ensures the production stays on schedule.
Exploring the Differences Between Directing a Documentary and an Action Movie
Directing a documentary and an action movie are two completely different experiences. Documentary filmmaking requires a director to capture real-life events as they happen, while action movie directing requires the director to create a story and direct actors in scenes that are not real life.
Film language
The document defines several key terms related to film language, including opening sequences, diegesis, synchronous and asynchronous sound, parallel and contrapuntal sound, shot types, camera movements, and mise-en-scene. An opening sequence should introduce characters, location, genre, and a hook. Diegesis refers to everything visible within the film. Synchronous sound fits the on-screen action while asynchronous does not. Parallel sound matches mood and contrapuntal contrasts it. Shot types convey distance and camera movements create dynamics. Mise-en-scene encompasses visual elements that enhance storytelling.
Editing
Film editing is an important part of post-production that assembles raw footage into a coherent story. The editor works closely with the director to construct scenes through various shots that follow conventions like the 180-degree rule. This helps the audience understand spatial relationships. Transitions like cuts, fades, and dissolves affect the pace and mood. For example, in the battle scene from "Hot Fuzz", the editor builds tension by extending the duration through crosscutting between characters in different locations. Continuity editing, such as shot-reverse-shot, allows the audience to follow the conversation between characters.
Year 11 english studies the big screen student booklet
This document provides information about cinematic terms and techniques used in filmmaking. It discusses different types of films including narrative features, documentaries, short films, and advertisements. It also covers various film genres like action, horror, romance, comedy, and more. The document then examines key film techniques such as camera shots, camera angles, camera movement, lighting, cinematography, mise-en-scene, and special effects. It concludes by discussing aspects of sound, editing, and different types of documentaries.
Swede
The document summarizes the key stages involved in film production:
1. Development involves selecting a story and developing treatments, scripts, and storyboards.
2. Pre-production includes planning shots, securing funding, hiring crew members, and obtaining necessary props and equipment.
3. Production is when filming takes place, with crews recruited for tasks like operating cameras and recording audio.
4. Post-production consists of editing filmed content and adding visual effects, sound, and music.
5. Marketing publicizes and promotes the finished film for distribution and exhibition in theaters, on DVDs, streaming services, or television.
Engaging the Viewer Unit 16
The document discusses several methods for engaging viewers through film editing techniques. It explains that editors play a key role in crafting the final cut and pace of a film through choices like shot length, camera angles, and sound effects. Tension can be built through a mix of slow, gradual shots and faster cuts, with close-ups used to reveal emotions and establish conflict between characters. Different genres also employ distinct styles - horror uses slow shots to build unease while action favors fast cuts to keep up with non-stop movement. In the end, varying editing techniques help immerse audiences and elicit emotional responses.
FILM COMMUNICATION - Understanding Aspects of Films
The document discusses key aspects of filmmaking including the director, writer, mise-en-scene, cinematography, and editing. It defines these terms and explains their importance. The director translates the screenplay through their unique vision. Mise-en-scene refers to everything visible in a scene and helps set tone. Cinematography comprises all visual elements and sets the overall look, while editing combines shots to tell the story and create meaning.
Storyboarding
Storyboards are panels that illustrate sequences of shots through images and are used to plan movies, animations, and interactive media. The Walt Disney Studios developed storyboarding in the early 1930s to visualize scenes and help with budgeting and problem-finding before filming. A storyboard provides a comic-like visual layout of events from the script through the camera lens. It allows for experimenting with changes to emphasize reactions or interest and brainstorming ideas in a group by arranging panels on a wall. While useful for complex scenes, storyboarding is not the best technique for planning dialog scenes as it can result in too many camera changes. Better techniques involve writing down blocking or notation as used in music.
Year10 10/1/08
The document outlines objectives for completing posters, a screenplay, and storyboards for a film trailer project. It discusses the purpose of storyboards as visual representations of film scenes that show the sequence and details of shots. Students are instructed to finish their screenplay first before beginning to visualize the series of shots for their trailer through creating storyboards using provided blank sheets. Resources like digital cameras and ICT are available to help with location scouting and developing the storyboards.
Unit 10
The document provides details about the pre-production for a horror genre short film. It will follow a teenage girl who is home alone and senses she is being followed by an intruder. The film will be shot over two weeks at two indoor locations - a living room and bathroom. Production will involve a small cast and crew, with the filmmaker providing equipment and sourcing costumes. Post-production will include adding copyright-free music, sound effects and editing footage together to create suspense. The target audience is teenagers and the film will have no dialogue, relying on movements and emotions to tell the story.
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FILM COMMUNICATION - Understanding Aspects of Films
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The album is called Monkey Business by the Black Eyed Peas. It has a red and black color scheme throughout the digipak packaging to make it eye-catching and distinctive. The album cover features the four band members against a red carpet background continuing the animal theme from their previous album "Elephunk". Images and patterns of monkeys are used throughout the packaging to reinforce the album's title of Monkey Business.
Vibe productions headed_paper[1]
This document outlines a proposal for a 5 minute video about the community work of Reading Football Club and their Kickz program. The video will include interviews with the Head of the Community Scheme at Reading FC and participants in Kickz discussing how the program helps youth and reduces crime. It will provide statistics on youth issues in the area and show archive footage of Kickz in action. The target audience is those aged 10+ and the goal is to raise awareness of Kickz and how it benefits communities. The video will be uploaded to YouTube.
Reading fc
Reading Football Club's Community Trust represents Reading FC in the local community. It engages with local people through football and other activities across five pillars to make a positive impact on their lives. The Trust's motto is "Care, Develop, and Educate".
Mise en scene
The dominant contrast is Enid, dressed in bright blue. After taking her in, the eye is drawn to:
- Seymour, who is also a large object in focus. As the other person in the conversation, he is an important secondary focus.
- The kitchen backdrop and appliances, which provide context for the setting of the scene.
So in summary, after Enid, the eye moves between Seymour as the other character, and the kitchen setting around them, which provides information about where this interaction is taking place.
Filming schedule
The filming schedule outlines the plan for Day 4/04/12, including shooting from 10AM to 8PM in Maidenhead. Scenes will include shots outside featuring the characters Edith and Gwenith, with requirements for sex-related props and normal clothing. Multiple shots are scheduled throughout the day.
David fincher as auteur
David Fincher is renowned for his unique directorial style seen in films like Fight Club. His films are characterized by single frame inserts, fluid tracking shots, silhouettes, and low-key lighting. In Fight Club specifically, Fincher uses an intricate opening sequence depicting the inside of the brain and subtle pre-meeting shots of Tyler Durden. Through complex filming techniques and artistic choices in lighting, camerawork, and set design, Fincher establishes a dark, deconstructed world and implants subtle hints of the plot twist regarding Tyler's true nature. Fincher's elaborate titles sequences and emphasis on visual style cement his reputation as an auteur who meticulously crafts every element to serve the story.
200 word synopsis
The document describes an advertisement that will be produced for Nike Mercurial Vapour Superfly Boots. The 1-minute advert will be filmed in 3 different locations - a garden, park, and friend's garden - and edited to look like a single continuous shot. It will feature the producer wearing and demonstrating the boots. The target audience is people aged 16-35 who will be interested in the boots and more likely to purchase them, and the advert will air on Sky Sports during football matches to reach this concentrated, interested audience.
Shooting script for advert
The shooting script outlines various camera shots and angles for filming an athlete playing football, including close-ups of the actor kicking a goal post and jumping, point-of-view shots of dribbling the ball, medium shots of running and landing with heavy breathing, and close-ups behind the goal of shooting and the ball hitting the net.
The effects of television advertising to society
Television advertising has become ubiquitous over the last decade, with ads shown constantly across channels. However, ads don't always have positive effects on viewers as they are often dull and boring. The BBC is unique in that it is licensed to not show ads between programs or shows.
Jamie schwartz presentation
The marketing campaign for the historical drama film "The King's Speech" faced the challenge of appealing to both older and younger audiences for its January 2011 release during an crowded period. The campaign's goals were to position the film as a crown jewel and make it a British cultural institution. The campaign used inspirational, stylish, and British-themed marketing including posters, banners, newspaper ads, TV spots, and partnerships with exhibitors to unite the nation behind the film. The results were very successful, with the film becoming the highest grossing independent British film of all time globally.
Stars
This document discusses the concept of stars and star vehicles in film. It provides examples of how early feature films from the 1920s-1940s were often constructed around popular stars who had well-defined screen identities and personas. Star vehicles helped sell films based on the popularity of the star, not necessarily the story. Examples are provided of Greta Garbo and Eddie Murphy appearing in star vehicles. The document asks questions about what qualities modern stars highlight on their websites and how they are "sold" to audiences to build their fanbases. It also discusses whether some current actors make too many similar films exploiting their popularity.
Technology
Digital technologies are fundamentally changing the film industry from production to distribution to exhibition. Films themselves are being transformed as they are increasingly being shot in digital formats rather than film. Technologies like 3D and IMAX are also reshaping theatrical exhibition. At the same time, new platforms like DVDs, Blu-Rays, streaming, and online piracy are challenging traditional models of distribution and consumption. This technological evolution is both opening new opportunities for the film industry and posing new threats around piracy and windowing of content across platforms.
May 2011
This document provides resource materials for a GCE AS/A level Film Studies exam on British and American film. It includes instructions for the exam, which consists of answering 3 questions, one from each of 3 sections. Section A focuses on producers and audiences and provides resource materials on how technology is changing film consumption and the relevance of stars. Section B focuses on British film topics, and Section C focuses on comparative studies of American films.
May 2010
This document is an examination paper for the British and American Film section of a GCE AS/A level Film Studies exam. It provides instructions for the exam, which will last 2.5 hours. Students must answer 3 questions, choosing 1 from each of 3 sections: Producers and Audiences, British Film Topics, and American Film Comparative Study. Resource materials are provided to assist with answering the first section on producers and audiences. These include information on the independent film In Bruges and on independent films in general, as well as details on new technologies for watching films such as iTunes, LoveFilm, and online releases.
Jan 2010
This document provides instructions and questions for an exam on British and American film studies. Students must choose one question from each of three sections to answer in an assigned 12-page book. Section A deals with producers and audiences, Section B focuses on specific aspects of British film, and Section C requires a comparative analysis of American films. Students are reminded that writing quality will be assessed.
May 2009
This document provides instructions and questions for an exam on British and American film studies. It is divided into three sections. Section A contains two questions about producers, audiences and box office factors. Section B contains eight questions about British film topics such as genre, stars, production companies and cultural/social/identity studies. Students must choose one question from each section. Questions require discussion of at least two related films and refer to provided resource materials. The exam is 2.5 hours long and all questions are worth 40 marks.
Big fat quiz
Fight Club is a novel written by Chuck Palahniuk that was adapted into a film directed by David Fincher. It was released in 1999 and centers around a nameless protagonist played by Edward Norton who forms an underground fighting club with Tyler Durden, played by Brad Pitt. Helena Bonham Carter plays Marla Singer. The film was likened to The Rocky Horror Picture Show upon its release due to its cult status and controversial themes around masculinity and consumerism.
Critical approach
This document discusses critical approaches to the film Fight Club including:
1. The film raised many political and social messages around contemporary issues and identity. It questioned concepts of ownership and what it means to lose everything.
2. The film was highly controversial and debated when it was released in 1999. It touched on issues that resonated widely but was also criticized as irresponsible.
3. Marketing the film presented difficulties given its unconventional themes. Different strategies were tested including marketing it as an art film or tying it to WWE broadcasts to target certain audiences.
Narrator and marla’s transformation
The document analyzes how the characters of Jack and Marla transform throughout the movie Fight Club. Jack starts off exhibiting stereotypically feminine traits like caring about home decor, crying at support groups, and following Marla's lead. Marla enters exhibiting masculine traits like recklessness. As Jack meets Tyler and their alter ego emerges, he takes on more masculine traits while Marla faces her femininity through a breast lump scare. By the end of the movie, both characters have essentially switched traits, with Jack becoming assertive and violent while Marla becomes softer and caring.
Marla
The document discusses Marla Singer's role in the novel and film Fight Club. It argues that Marla represents both destruction and desire for the narrator. While she disrupts his lies about attending support groups, her presence also allows him to fully commit to another person for the first time. The film focuses on how the narrator's discovery of Marla as a source of desire emerges when facing his greatest fears and pain during destructive moments. Their relationship challenges traditional gender constructs in the story.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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The Future of Independent Filmmaking Trends and Job Opportunities
The landscape of independent filmmaking is evolving at an unprecedented pace. Technological advancements, changing consumer preferences, and new distribution models are reshaping the industry, creating new opportunities and challenges for filmmakers and film industry jobs. This article explores the future of independent filmmaking, highlighting key trends and emerging job opportunities.
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三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
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◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
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学校原件一模一样【微信：741003700 】《(Mercer毕业证书)摩斯大学毕业证》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
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Storyboarding
- 2. Why is it important to story board A storyboard is an essential tool for laying out a video or film project to communicate the look of a piece, to show how a story or plot unfolds and to organize the sequence of scenes before any time or money has been spent on studio sets, location shoots or special effects. It serves as a roadmap for producers, directors, casts, crews, animators, audio engineers and post- production editors. .
- 3. Where did storyboarding come from? First developed by Disney Studios back in the 1930’s for their early animated films (The three pigs was the first storyboarded film in 1933) and used in Hollywood ever since as a standard art director’s palette for visually expressing scripts or screenplays. Storyboards are now employed throughout the entertainment and advertising industries
- 5. Storyboard layout What goes into a storyboard? A storyboard should show the: Position of people in each shot – who is on the left and who on the right of the frame. The girl is on the left and the boy on the right as you are looking through the viewfinder of the camera, and as you see on the screen. This is known as camera left and camera right
- 6. Shot size. This is the size of the person in the shot. It tells you how much of the person is showing in a shot. This picture shows the head and shoulders and is called a Medium Close Up. It is the most popular shot size on television.
- 7. You should also include any transitions between shots along with rough dialogue