Representation of...
 Stars 
Representation
 An image and an idea.
Stars & Stardom
 ‘Sometimes I just wish I could put
records out anonymously’ – Lou Reed
Think about Stardom
Meta-Narrative
Myth
Star
Qualities
Super Star Commodity
Create a Pop Star’s Life Story
 Where were they born
 What sort of life did they
have before stardom
 What sort of stories
circulate about them?
 How is their life event
reflected in their music?
 How are their personal
values and beliefs
expressed in their music?
Synergise the Star
 How can you use the
star image in other
media products?
 How can you use the
music in other media
products
 What benefit may be
gained by exploiting
the star in this way?
The Myth of Stardom
 In our society what
do we believe about:
• The nature of stars
• What benefits do they
get from being a star?
• In what ways are they
like us?
• I what ways are they
special?
Qualities of Stardom
 What sort of people
are stars?
 What attitudes and
beliefs do they hold?
 What do they do?
 How are they
‘allowed’ or
‘supposed’ to
behave?
Retaining Stardom
 Why do some stars
seem to go on and
on and on….
 Why do some stars
seem to be around
for the briefest time?
 What does a star
have to do to stay
around?
...STAR IMAGE?
Your task: analyse a...
Task - Using a range of
materials...
..describe the representation of a star/band
image similar to yours...
 Your evidence comes from:
• Biographical information
• Videos / Album Art
• The style / design of promotional materials
• The content of those material
• Material in other media texts about the star(s)
(Meta-narrative)
Lana Del Rey
Album Art
Official Videos
Other Media
Websites (Official and Fan)
Stars & Stardom
Some Star Theory 
Richard Dyer
 Dyer has written extensively about the role of
stars in film, TV and music.
 Irrespective of the medium, stars have some
key features in common:
• A star is an image, not a real person, that is
constructed (as any other aspect of fiction is) out
of a range of materials (eg advertising, magazines
etc as well as films [music])
• Stars are commodities produced and consumed
on the strength of their meanings.
Richard Dyer
 Stars depend upon a range of subsidiary
media (magazines, TV, radio, the web) in order to
construct an image which can be marketed to
their target audiences.
 The star image as commodity is valuable and
can be positively attached to other products
 Music can be consumed in many different
ways and appear in a variety of different media
Richard Dyer - Meta-narrative
 Stardom is a meta-narrative and can be
described as ‘mythical’
 Meta-narratives are something we will be studying in
G325 Postmodernism and is something you need to
learn.
Stars & Stardom
Some Superstar Theory…
Richard Dyer
 Fundamentally, the star image is
incoherent, that is at once ‘incomplete’
and ‘open’. Dyer says that this is
because it is based upon two key
paradoxes.
Paradox 1
 The star must be simultaneously
ordinary and extraordinary for the
consumer
Paradox 2
 The star must be simultaneously
present and absent for the consumer
Fulfilling the promise of
stardom…
 The incoherence of the star image ensures that
audiences continually strive to ‘complete’ or to ‘make
sense of’ of the image
 Completion is thought to be achieved by continued
consumption of the star through his or her products
 In the music industry, performance seems to
promise the completion of the image, but it is always
ultimately unsatisfying
• This means that fans will go away determined to continue
consuming the star in order to carry on attempting to complete
their image
Hegemony
 Finally, it can be argued that the star image
can be used to position the consumer in
relation to dominant social values, this is
called ‘hegemony’
• Depending upon the artist, this may mean that the
audience are positioned against the mainstream
(though only to a limited degree, since we are still
consumers within a capitalist system) or within the
mainstream, or somewhere in between.

Stars and stardom lana

  • 1.
  • 2.
  • 3.
    Stars & Stardom ‘Sometimes I just wish I could put records out anonymously’ – Lou Reed
  • 4.
  • 5.
    Create a PopStar’s Life Story  Where were they born  What sort of life did they have before stardom  What sort of stories circulate about them?  How is their life event reflected in their music?  How are their personal values and beliefs expressed in their music?
  • 6.
    Synergise the Star How can you use the star image in other media products?  How can you use the music in other media products  What benefit may be gained by exploiting the star in this way?
  • 7.
    The Myth ofStardom  In our society what do we believe about: • The nature of stars • What benefits do they get from being a star? • In what ways are they like us? • I what ways are they special?
  • 8.
    Qualities of Stardom What sort of people are stars?  What attitudes and beliefs do they hold?  What do they do?  How are they ‘allowed’ or ‘supposed’ to behave?
  • 9.
    Retaining Stardom  Whydo some stars seem to go on and on and on….  Why do some stars seem to be around for the briefest time?  What does a star have to do to stay around?
  • 10.
  • 11.
    Task - Usinga range of materials... ..describe the representation of a star/band image similar to yours...  Your evidence comes from: • Biographical information • Videos / Album Art • The style / design of promotional materials • The content of those material • Material in other media texts about the star(s) (Meta-narrative)
  • 12.
  • 13.
  • 14.
  • 15.
  • 16.
  • 17.
    Stars & Stardom SomeStar Theory 
  • 18.
    Richard Dyer  Dyerhas written extensively about the role of stars in film, TV and music.  Irrespective of the medium, stars have some key features in common: • A star is an image, not a real person, that is constructed (as any other aspect of fiction is) out of a range of materials (eg advertising, magazines etc as well as films [music]) • Stars are commodities produced and consumed on the strength of their meanings.
  • 19.
    Richard Dyer  Starsdepend upon a range of subsidiary media (magazines, TV, radio, the web) in order to construct an image which can be marketed to their target audiences.  The star image as commodity is valuable and can be positively attached to other products  Music can be consumed in many different ways and appear in a variety of different media
  • 20.
    Richard Dyer -Meta-narrative  Stardom is a meta-narrative and can be described as ‘mythical’  Meta-narratives are something we will be studying in G325 Postmodernism and is something you need to learn.
  • 21.
    Stars & Stardom SomeSuperstar Theory…
  • 22.
    Richard Dyer  Fundamentally,the star image is incoherent, that is at once ‘incomplete’ and ‘open’. Dyer says that this is because it is based upon two key paradoxes.
  • 23.
    Paradox 1  Thestar must be simultaneously ordinary and extraordinary for the consumer
  • 24.
    Paradox 2  Thestar must be simultaneously present and absent for the consumer
  • 25.
    Fulfilling the promiseof stardom…  The incoherence of the star image ensures that audiences continually strive to ‘complete’ or to ‘make sense of’ of the image  Completion is thought to be achieved by continued consumption of the star through his or her products  In the music industry, performance seems to promise the completion of the image, but it is always ultimately unsatisfying • This means that fans will go away determined to continue consuming the star in order to carry on attempting to complete their image
  • 26.
    Hegemony  Finally, itcan be argued that the star image can be used to position the consumer in relation to dominant social values, this is called ‘hegemony’ • Depending upon the artist, this may mean that the audience are positioned against the mainstream (though only to a limited degree, since we are still consumers within a capitalist system) or within the mainstream, or somewhere in between.

Editor's Notes

  • #4 Ref the students’ audience survey questionnaire which stated that for the audience the band was a hugely important factor in the purchasing habits, i.e. they want to follow a particular band and that the star image is therefore a important element. Thus Lou Reed’s wish is impossible
  • #6 Also that they will understand that the stars lives which are constructed / projected in the media help us understand their work.
  • #7 Music as product, music as part of conglomerates
  • #8 Elicit ideas of ordinary made extra ordinary The Fairy Tale of stardom is important here – Ideas of Celebrity
  • #9 Youthfulness, Rebellion, Romance (The Most Important – Love and Loss), An anti-authoritarian attitude, Originality, Creativity/talent, Aggression/anger, Sexual Magnetism, A disregard for social values relating to drugs, sex and polite behavior, Conspicuous consumption, of sex, drugs and material goods, Success against the odds …
  • #10 Stars remain by re-invention, that stars or their managers need to be aware of the zeitgeist and continually re-invent and evolve the star as society changes.