This document discusses different theories and typologies of music videos. It begins by outlining some common conventions and techniques used in music videos such as representing genre stereotypes, having a clear relationship between lyrics and visuals, and promoting the star image.
It then summarizes Simon Frith's theory that there are three broad types of music videos: performance videos which feature the artist singing to fans, narrative videos which tell a story, and conceptual videos which rely more on metaphor and mood over linear narrative. Some examples of each type are provided.
The document also discusses Andrew Goodwin's theories on music video analysis and how to examine elements like shot type, camerawork, editing, mise-en-scene, and
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
Are the X-Men Marvel or DC An In-Depth Exploration.pdfXtreame HDTV
The world of comic books is vast and filled with iconic characters, gripping storylines, and legendary rivalries. Among the most famous groups of superheroes are the X-Men. Created in the early 1960s, the X-Men have become a cultural phenomenon, featuring in comics, animated series, and blockbuster movies. A common question among newcomers to the comic book world is: Are the X-Men Marvel or DC? This article delves into the history, creators, and significant moments of the X-Men to provide a comprehensive answer.
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
Watchers can hope to see a greater amount of the enchanting and particular residents who have become fan top picks. Their connections and the one of a kind cut of-life situations give a reviving and interesting portrayal of provincial India, featuring the two its appeal and its difficulties.
A Mix of Humor and Heart
One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
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The creation quality remaining parts first rate, with the beautiful setting of Phulera town filling in as a scenery that upgrades the narrating. The meticulousness in portraying provincial life, joined with sharp composition and solid exhibitions, guarantees that "Panchayat" keeps on hanging out in the packed web series scene.
Expectation and Delivery
As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
All in all, the authority trailer for "Panchayat" Season 3 recommends that watchers are in for another drawing in and engaging ride. Yet again with its charming characters, convincing story, and ideal mix of humor and show, the new season is set to enamor crowds. Write in your schedules and prepare to get back to the endearing universe of "Panchayat."
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
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Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
2. Genre- videos should represent stereotypes and conventions of the genre.
e.g, girl band = dancing.
Sound and Vision- clear relationship between lyrics and visuals. for
example the video can be-
Illustrative- the visuals literally represent the lyrics.
Contradictory- the visuals contrast with the lyrics.
Amplification- manipulation of the audience through repetition of key
meanings.
Disjuncture- the songs meaning is ignored.
Notions of Looking- we are ‗watching‘ the performer and gaining pleasure
from it. Related to voyeurism. Typically features windows and mirrors etc.
Star Image- promotion of the star through the video using frequent close
ups and recurring motifs to represent the artist.
Intertextuality- reference to other media texts (such as other songs, films
etc.). Allows the audience to quickly decode the meaning.
3. Simon Frith stated that ―music videos may
be characterised by three broad typologies:
performance, narrative and conceptual‖
(1988)
4. Performance videos, the most common type
(Frith 1988) feature the star or group singing
in concert to wildly enthusiastic fans.
The aim is to convey a sense of the in-
concert experience.
http://www.youtube.com/watch?v=fmXLzY8k
bYA
5. Performance videos that display the star or
group in the studio remind the viewer that
the soundtrack and album are still important.
―Performance oriented visuals cue viewers
that, indeed, the recording of the music is the
most significant element‖ (Gow, 1992)
http://www.youtube.com/watch?v=xGPeNN9
S0Fg
6. A video may tell any kind of story in linear,
cause-effect sequencing. Love stories are
the most common narrative mode in music
video and normally follow the pattern of boy
meets girl, boy loses girl, boy gets girl back.
Action in the story is dominated by males
who do things and females who passively
react or wait for something to happen
(Schwichtenberg, 1992).
http://www.youtube.com/watch?v=M97vR2V
4vTs
7. Conceptual videos rely on poetic form, primarily
metaphor (Frith, 1988). The conceptual video can
be metaphysical poetry articulated through visual
and verbal elements.
―These videos make significant use of the visual
element, presenting to the eye as well as the ear,
and in doing so, conveying truths inexpressible
discursively‖ (Lorch 1988).
―Conceptual videos do not tell a story in linear
fashion, but rather create a mood, a feeling to be
evoked in the experience of viewing‖ (Frith 1988)
http://www.youtube.com/watch?v=uuZE_IRwLNI
http://www.youtube.com/watch?v=3O1_3zBUKM8
8. Continuing on with your video analysis,
consider how Frith‘s theory, which of his
three typologies is your video?
Performance?
Narrative?
Conceptual?
What about Andrew Goodwin‘s theory? How
does that apply?
You will be continuing this into next lesson.
9. In your video analysis you should include:
Shot type
Camera (position, angle and movement)
Transition (editing)
Mise-en-scene
Representation
Narrative
Genre
Iconography
Audience
Micro and Macro Elements!
10. ―Pop performer‖ and ―pop star‖ are not the
same thing.
‗Pop stars‘ have lasting significance and
have ―brand awareness.‖
11. Pop stars are constructed, they are artificial
images, even if they are represented as being
―real people‖.
Helps if they have a USP – they can therefore
be copied or parodied because of it.
Their representation may be metonymic.
Pop stars have the advantage over film stars in
that their constructed image may be much more
consistent over a period of time and is not
consistent over a period of time and is not
dependent on the creative input of others.
12. ―A star is an image not a real person this is
constructed (as any other aspect of fiction is)
out of a range of materials (e.g. advertising,
magazines etc. as well as films [music]).‖
13. Yet that construction process is neither automatic nor
fully understood. Record companies think they know
about it — but witness the number of failures on their
books. TV programmes such as The X Factor show us
the supposed construction process, how an ordinary
person is groomed, styled and coached into fulfilling a
set of record company and market expectations. This is
not true stardom, which must happen through a
combination of factors. None of them labelled 'X'.
http://www.youtube.com/watch?v=LWWMt_rZpwY
As a record buying public, we prefer to believe in stars
who are their own and our constructions rather than a
transparent offering designed explicitly to appeal to our
blander taste buds served up by a record company
interested only in our wallets.
14. Stars are manufactured by the music industry to serve a purpose — to
make money out of audiences, who respond to various elements of a
star persona by buying records and becoming fans.
Stars are the cogs around which a plethora of record company gears find
themselves turning. Record companies nurture and shape their stars —
as the TV talent show processes have shown us. They tend to
manufacture what they think audiences want, hence the 'photocopied'
nature of many boy bands, teen bands etc.
However, there are whole markets out there who are not convinced by
the hype and don't want to spend their money on blandness. The record
industry also has a duty to provide bands/artists who are perceived as
'real' (for 'real, maybe read 'ugly' or unpolished) for these audiences.
Stars can also be created by this route.
Pop stars, whatever their nature, are quite clearly the product of their
record company — and they must be sold.
―Stars are commodities produced and consumed on the strength of their
meanings.‖
15. The music industry is well aware of the range of audiences it caters to, the perky
pre-school Tweenie fan to the ageing hippy, and it does its best to keep us all
happy.
Historically, the industry has provided us with a range of commodities all with
different appeal. One way to achieve this is by producing new stars of different
types playing constantly mutating genres of music - there's always something and
someone fresh to choose from (important for the younger audience).
Another way is to produce a star with long-lasting appeal, who, once their brand is
established, can cater to a fan audience for decades (in the way U2 or the Rolling
Stones have done).
Unfortunately, these methods are oppositional. The 'conveyor belt' approach to
new stars means that talent isn't developed, and a star's value may be very short-
lived. A star may only be significant or relevant for two years, or two albums.
Too much focus on 'golden oldies' means that younger fans can't identify with
stars, whom they see as belonging to their parents' generation. A healthy music
industry develops both types of talent, and generates a diverse range of stars,
who mean different things to different audience segments.
Many pundits who say that the music industry is in the doldrums claim it is
because this range of meanings is absent, or because the meaning of the modern
star is superficial and transient.
16. Stars represent shared cultural values and attitudes, and promote a certain
ideology. Audience interest in these values enhances their 'star quality', and
it is through conveying beliefs, ideas, and opinions outside music that
performers help create their star persona.
A star may initiate a fashion trend, with legions of fans copying their
hairstyle and clothing. Stars initiate or benefit from cultural discourse (e.g.
via their Twitter feed), and create an on-going critical commentary. Now
more than ever before, social networks give pop stars the opportunity to
establish their own values outside their music. Lady Gaga tweets frequently
about LGBT issues, and expects her Little Monsters to engage with that
discourse just as much as she expects them to listen to her music.
Stardom, and star worship in general is a cultural value in itself. Ideologies
drawn upon include materialism and sexuality. Whole sites of institutional
support (e.g. radio & TV shows, magazines, websites) are devoted to star
scrutiny, and it seems we can never get enough information.
Stars also provide us with a focal point for our own cultural thinking —
particularly to do with Youth & Sexuality.
17. A star begins as a "real" human, possessing gender & race
characteristics, and existing against a socio-historic
background. The star transformation process turns them
into a construct, but the construct has a foundation in the
real. We tend to read them as not-entirely-fictional, as
being are very much of their time and culture, the product
of a particular generation.
Stars provide audiences with a focus for ideas of 'what
people are supposed to be like' (e.g. for women,
thin/beautiful) - they may support hegemony by conforming
to it (thin/beautiful) or providing difference (fat/still lovable).
Much of the discussion of stars in celebrity magazines is
about how stars compare to the current hegemonic ideal,
and how we compare to the stars.
http://www.youtube.com/watch?v=THdoZMeJx1Y
18. ―In these terms it can be argued that stars are representations of
persons which reinforce, legitimate or occasionally alter the
prevalent preconceptions of what it is to be a human being in
this society. There is a good deal at stake in such conceptions.
On the one hand, our society stresses what makes them like
others in the social group/class/gender to which they belong.
This individualising stress involves a separation of the person's
"self" from his/her social "roles", and hence poses the individual
against society. On the other hand society suggests that certain
norms of behaviour are appropriate to given groups of people,
which many people in such groups would now wish to contest
(e.g. the struggles over representation of blacks, women and
gays in recent years).Stars are one of the ways in which
conceptions of such persons are promulgated.‖
Richard Dyer – The Stars (BFI Education 1979)
19. Film stars are represented primarily through their
roles — written by faceless screenwriters. The
personality and characteristics making them
similar/different are created for them by others, and
their overall image is constructed from many
fragmented parts, which may or may not contradict
each other. They may indeed represent a perceived
appropriate norm of behaviour but it takes several
similar movies to create this effect. Film stars may
survive individual flops — there are always other
movies in the can — and embody several different
values simultaneously. It's more difficult if you're in
the music industry.
20. Pop stars, on the other hand, establish their character and personality
through songs and performance and will strive for immediate star identity
with a first album. They appear to have more control over their persona in
that many of them write their own songs, and that their body of work
develops, chronologically over time, along with society.
Pop stars don't do aberrant costume dramas or science fiction movies
which take them out of place in time and space and confuse their
audience.
They produce 45-74 minutes of music which gives a clear indication of
their interests, moods, appetites and lifestyle at a particular point in time;
audiences read music=person, and will base their understanding of the
star's persona on the sentiments expressed by their songs.
This understanding may be very personal and intimate, the star's music
can infiltrate every corner of a fan's life. Albums are continually read and
re-read as texts think of the 100+ times you might listen to a track,
whereas films tend to be watched once or twice only.
http://www.youtube.com/watch?v=w1oM3kQpXRo
21. Because a pop star's persona is constructed on the basis
of a narrow text, continually re-read and reassessed, this
may lead, in many cases, to second album syndrome,
when an artist is unable to sustain their persona over a
period of time (largely because they got rich off the back of
the first album and bought all the houses, cars, etc. they'd
ever wanted) and they are unable to create a consistent
account of their character and personality in their second
major release. The root of their persona then disappears,
or becomes confused.
A pop star's persona, therefore, as depicted in terms of
character and personality, is a fragile thing which needs
constant nurturing, and is the product of constant
discourse between the star and his or her audience.
http://www.youtube.com/watch?v=-3D5FwwtNVM
22. There needs to be a strong and coherent
relationship between narrative and
performance in music promos.
Music videos will cut between a narrative
and a performance of the song by the band.
A carefully choreographed dance might be
part of the artist‘s performance or an extra
aspect of the video designed to aid
visualisation and the ‗repeatability‘ factor.
23. You should have made a start on your video
analysis yesterday.
Which video are you doing?
24. In your video analysis you should include:
Shot type
Camera (position, angle and movement)
Transition (editing)
Mise-en-scene
Representation
Narrative
Genre
Iconography
Audience
Micro and Macro Elements!
Don‘t forget:
• Firth
• Goodwin
• Dyer
• Archer