In the second seminar Ramon Ribera-Fumaz, director of the research group on Urban Transformation in the Knowledge Society of the IN3 (http://in3.uoc.edu/opencms_portalin3/opencms/en/investigadors/list/ribera_fumaz_ramon), described the frame and the impacts of policies to promote tourism in Barcelona, of the main European tourism destinations, that is also considered a smart city ecosystem.
Presentation by João Romão, University of Algarve - Hokkaido University
Advanced Brainstorm Carrefour (ABC): ‘Smart People in Smart Cities’ Matej Bel University, Banská Bystrica, Slovakia (August, 2016)
Un diverso modo di fare pubblicità sociale. L'esperienza Let's Screen e una rapida panoramica sulla valutazione dell'impatto e dell'effetto di una campagna
According to European Digital Agenda Action 59 "Prioritise digital literacy and skills in the 'New skills for jobs' flagship", these seminars are planned to promote graduate students empowerment trough digital literacy. In particular seminars' content is focused on personal web reputation, engagement of relevant communities, and planning of web marketing or social-media marketing strategies.
Presentation by João Romão, University of Algarve - Hokkaido University
Advanced Brainstorm Carrefour (ABC): ‘Smart People in Smart Cities’ Matej Bel University, Banská Bystrica, Slovakia (August, 2016)
Un diverso modo di fare pubblicità sociale. L'esperienza Let's Screen e una rapida panoramica sulla valutazione dell'impatto e dell'effetto di una campagna
According to European Digital Agenda Action 59 "Prioritise digital literacy and skills in the 'New skills for jobs' flagship", these seminars are planned to promote graduate students empowerment trough digital literacy. In particular seminars' content is focused on personal web reputation, engagement of relevant communities, and planning of web marketing or social-media marketing strategies.
Whose Culture Whose City”from The Cultures of Cities (199.docxtroutmanboris
“Whose Culture? Whose City?”
from The Cultures of Cities (1995)
Sharon Zukin
Editors’ Introduction
Sharon Zukin is a leading urban sociologist in the study of cities and culture. Her 1982 Loft Living,
which examined New York City’s SoHo neighborhood, is a landmark study of the intersection of culture
and urban development. In it, she carefully presents the complementary and contradictory roles artists,
tenants, manufacturers, real estate developers, and city officials play in the transforming of SoHo from a light
manufacturing loft district in the 1960s to a trendy, increasingly upscale residential and commercial district.
In the reading that follows, Zukin again addresses the interplay of various urban actors around issues of
culture, which, she argues, has taken on greater significance in how cities are built and how we experience
them.
Indeed, culture is the “motor of economic growth” for cities and forms the basis of what Zukin labels the
“symbolic economy.” The symbolic economy is comprised of two parallel production systems: the production
of space, in which aesthetic ideals, cultural meanings, and themes are incorporated into the look and feel of
buildings, streets, and parks, and the production of symbols, in which more abstract cultural representations
influence how particular spaces within cities should preferably be “consumed” or used and by whom. The
latter generates a good deal of controversy: as more and more ostensibly “public” spaces become identified
(and officially sanctioned) with particular, often commercially generated, themes, we are left to ask “whose
culture? whose city?”
We can easily see the symbolic economy at work in urban places such as Boston’s Faneuil Hall, New
York’s South Street Seaport, or Baltimore’s Harborplace. Here, cultural themes – mainly gestures toward
a romanticized, imaginary past of American industrial growth – are enlisted to define place and, more
specifically, what we should do there (shop, eat) and who we should encounter (other shoppers, tourists).
Such places, although carefully orchestrated in design and feel, are popular because they offer a respite from
the homogeneity and bland uniformity of suburban spaces. Local government officials and business alliances
have turned toward manufacturing new consumption spaces of urban diversity (albeit narrowly defined) or
showcasing existing ones – ethnic neighborhoods, revitalized historic districts, artist enclaves – as a
competitive economic advantage over suburbs and other cities.
Culture, then, is purposefully used by developers and city officials to frame urban space to attract new
residential tenants, to entice high-end shoppers, or court tourists and visitors from around the globe. But the
fusing of culture and space is not limited to governments, corporations, and the real estate industry. The arguably
less powerful inhabitants of the city – the ordinary residents, community associations, and block clubs – use
cultural representa.
Seminar Presentation, Edinburgh Napier University Business School, Graiglockh...Rodanthi Tzanelli
The economies of mega-events: Decolonising the Olympic norm of hospitality in social science scholarship
Rodanthi Tzanelli, University of Leeds, UK
r.tzanelli@leeds.ac.uk
My presentation considers mega-events as capitalist ventures, promoting re-organisations of time and space in host cultures to enable them to respond to various mobilities of business, technological and infrastructural development, tourism and professional migration, and cultural representation. I specifically examine the Olympic Games as a ‘hospitality enterprise’ still connected to the Olympic values of reciprocity and fair competition. However, contra Marxist and Foucaultian scholarship in the field, I argue that we should split this enterprise into two forms of economy that organise mega-event labour to ensure the provision of hospitality: the ‘artificial economy’ looks after surveillance, security and the control of leisure in the Olympic city; the ‘economy of imagination’ looks after the mega-event as a creative venture, thus producing architectural legacies and ceremonial art to enhance and circulate (broadcast) the host’s cultural atmospheres.
The current scholarly focus on the ‘artificial economy’ as an economy of guest and heritage protection, and the progressive displacement of the ‘imaginative economy’ to the fields of tourism, popular culture, leisure studies and so forth, are normative through and through. They introduce a symbolically gendered division of labour that we also encounter in tourism and hospitality business, moralising economic flows and demoting mega-event leisure regimes (associated with the mega-event’s architectural and ceremonial art, or tourism imaginaries connected to the host’s cultural atmosphere) to superficial, ‘cosmetic’ pursuits. Such arguments reproduce old political discourses that valorise (masculinise) nationalism and feminise national culture that do (should) not belong to contemporary globalised environments of economic transaction, cross-cultural fertilisation and international policy exchange.
Ubiquitous Commons workshop at transmediale 2015, Capture AllSalvatore Iaconesi
Here are the slides from the workshop, with a framing of the concept of Ubiquitous Commons, a series of examples and links, and an update about how the development of the toolkits (legal, technological, philosophical, aesthetic) are going, together with some source code and prototypes.
More info can also be gathered here:
human-ecosystems.com/home/ubiquitous-commons-the-slides-from-the-workshop-at-transmediale-festival-in-berlin
City is built not only for giving space for it residents but --more important than that-- is providing happiness both for its residents and visitors. It is the main reason why tourism development is highly recommended to be implemented for a city. It will make a city becomes a liveable place: not only a house but a home for its residents and visitors.
The Recurated Museum: I. Museums as Producers of MeaningChristopher Morse
Slides from the first session of the course "The Recurated Museum" by Sytze Van Herck & Christopher Morse at the University of Luxembourg (Summer Semester, 2020).
Presentazione e spunti di discussione per il ciclo di incontri "Donne in rete" promosso dall'Associazione Orlando di Bologna
https://women.it/evento/femtech-linternet-delle-mie-cose/
Whose Culture Whose City”from The Cultures of Cities (199.docxtroutmanboris
“Whose Culture? Whose City?”
from The Cultures of Cities (1995)
Sharon Zukin
Editors’ Introduction
Sharon Zukin is a leading urban sociologist in the study of cities and culture. Her 1982 Loft Living,
which examined New York City’s SoHo neighborhood, is a landmark study of the intersection of culture
and urban development. In it, she carefully presents the complementary and contradictory roles artists,
tenants, manufacturers, real estate developers, and city officials play in the transforming of SoHo from a light
manufacturing loft district in the 1960s to a trendy, increasingly upscale residential and commercial district.
In the reading that follows, Zukin again addresses the interplay of various urban actors around issues of
culture, which, she argues, has taken on greater significance in how cities are built and how we experience
them.
Indeed, culture is the “motor of economic growth” for cities and forms the basis of what Zukin labels the
“symbolic economy.” The symbolic economy is comprised of two parallel production systems: the production
of space, in which aesthetic ideals, cultural meanings, and themes are incorporated into the look and feel of
buildings, streets, and parks, and the production of symbols, in which more abstract cultural representations
influence how particular spaces within cities should preferably be “consumed” or used and by whom. The
latter generates a good deal of controversy: as more and more ostensibly “public” spaces become identified
(and officially sanctioned) with particular, often commercially generated, themes, we are left to ask “whose
culture? whose city?”
We can easily see the symbolic economy at work in urban places such as Boston’s Faneuil Hall, New
York’s South Street Seaport, or Baltimore’s Harborplace. Here, cultural themes – mainly gestures toward
a romanticized, imaginary past of American industrial growth – are enlisted to define place and, more
specifically, what we should do there (shop, eat) and who we should encounter (other shoppers, tourists).
Such places, although carefully orchestrated in design and feel, are popular because they offer a respite from
the homogeneity and bland uniformity of suburban spaces. Local government officials and business alliances
have turned toward manufacturing new consumption spaces of urban diversity (albeit narrowly defined) or
showcasing existing ones – ethnic neighborhoods, revitalized historic districts, artist enclaves – as a
competitive economic advantage over suburbs and other cities.
Culture, then, is purposefully used by developers and city officials to frame urban space to attract new
residential tenants, to entice high-end shoppers, or court tourists and visitors from around the globe. But the
fusing of culture and space is not limited to governments, corporations, and the real estate industry. The arguably
less powerful inhabitants of the city – the ordinary residents, community associations, and block clubs – use
cultural representa.
Seminar Presentation, Edinburgh Napier University Business School, Graiglockh...Rodanthi Tzanelli
The economies of mega-events: Decolonising the Olympic norm of hospitality in social science scholarship
Rodanthi Tzanelli, University of Leeds, UK
r.tzanelli@leeds.ac.uk
My presentation considers mega-events as capitalist ventures, promoting re-organisations of time and space in host cultures to enable them to respond to various mobilities of business, technological and infrastructural development, tourism and professional migration, and cultural representation. I specifically examine the Olympic Games as a ‘hospitality enterprise’ still connected to the Olympic values of reciprocity and fair competition. However, contra Marxist and Foucaultian scholarship in the field, I argue that we should split this enterprise into two forms of economy that organise mega-event labour to ensure the provision of hospitality: the ‘artificial economy’ looks after surveillance, security and the control of leisure in the Olympic city; the ‘economy of imagination’ looks after the mega-event as a creative venture, thus producing architectural legacies and ceremonial art to enhance and circulate (broadcast) the host’s cultural atmospheres.
The current scholarly focus on the ‘artificial economy’ as an economy of guest and heritage protection, and the progressive displacement of the ‘imaginative economy’ to the fields of tourism, popular culture, leisure studies and so forth, are normative through and through. They introduce a symbolically gendered division of labour that we also encounter in tourism and hospitality business, moralising economic flows and demoting mega-event leisure regimes (associated with the mega-event’s architectural and ceremonial art, or tourism imaginaries connected to the host’s cultural atmosphere) to superficial, ‘cosmetic’ pursuits. Such arguments reproduce old political discourses that valorise (masculinise) nationalism and feminise national culture that do (should) not belong to contemporary globalised environments of economic transaction, cross-cultural fertilisation and international policy exchange.
Ubiquitous Commons workshop at transmediale 2015, Capture AllSalvatore Iaconesi
Here are the slides from the workshop, with a framing of the concept of Ubiquitous Commons, a series of examples and links, and an update about how the development of the toolkits (legal, technological, philosophical, aesthetic) are going, together with some source code and prototypes.
More info can also be gathered here:
human-ecosystems.com/home/ubiquitous-commons-the-slides-from-the-workshop-at-transmediale-festival-in-berlin
City is built not only for giving space for it residents but --more important than that-- is providing happiness both for its residents and visitors. It is the main reason why tourism development is highly recommended to be implemented for a city. It will make a city becomes a liveable place: not only a house but a home for its residents and visitors.
The Recurated Museum: I. Museums as Producers of MeaningChristopher Morse
Slides from the first session of the course "The Recurated Museum" by Sytze Van Herck & Christopher Morse at the University of Luxembourg (Summer Semester, 2020).
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Presentazione e spunti di discussione per il ciclo di incontri "Donne in rete" promosso dall'Associazione Orlando di Bologna
https://women.it/evento/femtech-linternet-delle-mie-cose/
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The US House of Representatives is deeply concerned by ongoing and pervasive acts of antisemitic
harassment and intimidation at the Massachusetts Institute of Technology (MIT). Failing to act decisively to ensure a safe learning environment for all students would be a grave dereliction of your responsibilities as President of MIT and Chair of the MIT Corporation.
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• The Committee on Education and the Workforce has been investigating your institution since December 7, 2023. The Committee has broad jurisdiction over postsecondary education, including its compliance with Title VI of the Civil Rights Act, campus safety concerns over disruptions to the learning environment, and the awarding of federal student aid under the Higher Education Act.
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Smartketing Se 02 ep. 02 Making internet sense of tourism destinations
1. Smartketing
Making Internet sense of tourism destinations
Ramon Ribera-Fumaz
rriberaf@uoc.edu
Internet Interdisciplinary Institute
Universitat Oberta de Catalunya
2. How do you plan your holidays?
How do you keep record of your holidays?
Fundamental changes done by the intensive use
of internet, social media and in general ICT
A whole word to explore…
… but we have only 3 hours…
We will focus on one relation between:
Internet (virtuallity) and place (materiality)
Mostly based on the experience of Barcelona
3. Internet (virtuallity) vs place (materiality)
When we focus on Internet and Social Media, we
tend to forget about place:
1. Focus on what happens on the net
2. Place becomes virtually mediated and many
times de-materialised
BUT
Tourism as a business is based on delivering
experiences anchored to a place.
Place as the key competitive and differential
asset (even when is fake: i.e. Las Vegas)
And virtual technology have place impacts that
can be transformative
4. Plan of the class
1. A little about: Barcelona, experience economy, tourist
gaze, socio-technologies and place.
2. A little more about: Barcelona, experience economy,
tourist gaze, socio-technologies and place.
3. Sharing Destinations: sharing economy, sharing tourism
and its impacts
7. A little about: experience economy, tourist gaze, socio-technologies...
And place
8. A little about: experience economy, tourist gaze, socio-technologies...
And place
Experience economy
9. A little about: experience economy, tourist gaze, socio-technologies...
And place
Tourist gaze
10. A little about: experience economy, tourist gaze, socio-technologies...
And place
Socio-technologies
11. A little about: experience economy, tourist gaze, socio-technologies...
And place
place
12. A little about: experience economy, tourist gaze, socio-technologies...
And place
Materially & virtually Remaking place
13. A little more about: Place/Destination
Tourism is a place-based activity
14. A little more about: Place/Destination
From mass fordist to mass postmodern tourism
15. A little more about: Place/Destination
From mass fordist to mass postmodern tourism
16. A little more about: Place/Destination
Changes of place/destination
17. A little more about: Place/Destination
Monopoly rents and symbolic capital
Destination is about uniqueness & authentity:
If claims to uniqueness, authenticity, particularity and
speciality underlie the ability to capture monopoly rents,
then on what better terrain is it possible to make such claims
than in the field of historically constituted cultural artefacts
and practices and special environmental characteristics
(including, of course, the built, social and cultural
environments)? (Harvey 2001: 1003)
18. A little about: Place/Destination
Monopoly rents and symbolic capital
Destination is about uniqueness & authentity:
Many rest upon historical narratives, interpretations and
meanings of collective memories, significations of cultural
practices, and the like: there is always a strong social and
discursive element at work in the construction of such
claims. Once established, however, such claims can be
pressed home hard in the cause of extracting monopoly rents
since there will be, in many people’s minds at least, no other
place than London, Cairo, Barcelona, Milan, Istanbul, San
Francisco or wherever, in which to gain access to whatever it
is that is supposedly unique to such places (Harvey, 2001:
103).
19. A little more about: Place/Destination
Monopoly rents and symbolic capital
The rise of Barcelona … has in part been based on its steady
amassing of symbolic capital and its accumulating marks of
distinction. In this the excavation of a distinctively Catalan
history and tradition, the marketing of its strong artistic
accomplishments and architectural heritage (Gaudi, of
course) and its distinctive marks of lifestyle and literary
traditions… This has all been show-cased with new signature
architectural embellishments … and a whole host of
investments to open up the harbour and the beach… and turn
what was once a rather murky and even dangerous nightlife
into an open panorama of urban spectacle (Harvey, 2001:
104).
20. A little more about: Place/Destination
Monopoly rents and symbolic capital
But … as opportunities to pocket monopoly rents galore
present themselves on the basis of the collective symbolic
capital of Barcelona as a city (property prices have
skyrocketed …) so their irresistible lure draws more and
more homogenizing multinational commodification in its
wake. The later phases of waterfront development look
exactly like every other in the western world… multinational
stores replace local shops, gentrification removes long-term
residential populations and destroys older urban fabric, and
Barcelona loses some of its marks of distinction. There are
even unsubtle signs of Disneyfication. This contradiction is
marked by questions and resistance. Whose collective
memory is to be celebrated here ...
21. A little more about: Place/Destination
Monopoly rents and symbolic capital
(the anarchists like the Icarians who played such an
important role in Barcelona’s history, the republicans who
fought so fiercely against Franco, the Catalan nationalists,
immigrants from Andalusia, or a long-time Franco ally like
Samaranch)? Whose aesthetics really count (the famously
powerful architects of Barcelona like Bohigas)? Why accept
Disneyfication of any sort?(Harvey, 2001: 105).
22. A little more about: Place/Destination
City as spectacle
commodification: the city as a commodity, the
development of a consumer society where market
relations subsume and dominate social life (Gotham
Fox,2002).
New users of the city ... Some with more power that it
might look at first glance (Martinotti, 2011)
23. A little more about: Place/Destination
City as spectacle
society of spectacle (Debord 1973): the domination of
media images and consumer society over the individual
while obscuring the nature and effects of capitalism
the spectacle ... [as] a tool [that ]... ‘distracts’ and ‘seduces’
people using the mechanisms of leisure, consumption and
entertainment as ruled by the dictates of advertising and
commodified media culture (Gotham Fox, 2002 1737).
24. A little more about: Place/Destination
City as spectacle
Contradictions emerge in the meaning of spectacle and
the city, and the city and tourism itself.
25. A little more about: Place/Destination
But... Increasing inter-place competition and Increasing
generation of attractions in place
26. A little more about: Place/Destination
Monopoly rents and symbolic capital
27. A little more about: Experience economy
The distinctive feature of the experience economy is that
services need to be more than just mere ‘services’, which can
seem boring to the increasingly thrill-seeking consumer.
Services need to be somehow pleasurable and memorable;
they must be ‘experiences’, ‘revealed over a duration’ (Urry
and Larsen, 2011: 53).
28. A little more about: Experience economy
In a post-Fordist economy businesses need to think of
themselves as ‘theatres’ with their staff as performing artists
in order to engage with consumers (Pine and Gilmore, 1999:
104). Places of service encounters need to be imagined and
staged as affective venues of atmosphere and eventness
where memorable experiences come to be ‘revealed over
time’. Service producers must thus learn to perform, play,
enact and stage – not unlike actors in a theatre. They are no
longer providers of benefits but stagers of sensations (Urry
and Larsen, 2011: 53)
29. A little more about: Experience economy
Experience economy
Policy makers, urban planners and architects, who are
seeking to revitalise decaying places and commercialise
cultural institutions such as theatres and museums,
increasingly turn into ‘experiencescapes’ (Hayes and
MacLeod, 2007). Tourism and hospitality managers
also adopt [these] ideas so as to develop innovative
approaches to service performance (Landry, 2006; Bell,
2007) (Urry and Larsen, 2011: 53).
30. A little more about: Experience economy
Experience > function
31. A little more about: Experience economy
Experience > place?
Territorialization of experience
32. A little more about: socio-technologies
Technologies plays a fundamental role
- Social Media/Web 2.0
- Augmented reality
- Sharing
34. A little more about: socio-technologies
Tourist Gaze
The ‘tourist gaze’ is not a matter of individual psychology
but of socially patterned and learnt ‘ways of seeing’ (Berger,
1972). It is a vision constructed through mobile images and
representational technologies. Like the medical gaze, the
power of the visual gaze within modern tourism is tied into,
and enabled by, various technologies, including camcorders,
film, TV, cameras and digital images.
There is no single tourist gaze as such. It varies by society,
by social group and by historical period. Such gazes are
constructed (Urry and Larsen 2011: 2)
35. A little more about: socio-technologies
The history of capitalism:
is a history of the role of signification and meaning systems
in the economic life of society. This role is not confined
merely to the marketing of commodities. Rather, the entire
process of capital accumulation is shot through with
mechanisms that depend on symbolic processes for their
proper functioning (Gottdiener, 1997: 48).
36. A little more about: socio-technologies
Thus, “meanings systems” and other forms of signification
are not merely products of technology, media and consumer
culture or the selling of a destination
They are products produced into deeper cultural but as well
material social relations.
We need the bigger picture where these processes interact
37. A little more about: Tourism impacts (Urry 2013),
In mobile societies, tourist destinations are fluid:
Tourists, business travelers, commuters, commodities, ideas,
signs ….global connections through economic, social, cultural,
technological networks
Place (tourist destination) isn’t only constructed thru local
history and processes
Place is articulated in global relations constellations there
(and everywhere)
This could lead to conflict
38. A little more about: Tourism impacts (Urry 2013),
These impacts can be:
social: economic, cultural, political…
environmental: CO2, resources…
And these impacts depend on the intersection of various
economic, social, cultural, environmental, and as well
TECHNOLOGICAL!
41. Sharing Destinations: sharing economy
“I think it’s simple. If you care a bout
your fellow human beings, you share
what you know with them. You share
what you see. You give them anything you
can. If you care about their plight, their
suffering, their curiosity, their right to
learn and know anything the world
contains, you share with them. You share
what you have and what you see and
what you know. To me, the logic there is
undeniable.”
The audience cheered, and while
they did so, three new words, SHARING
IS CARING, appeared in the screen…
Mae Hollands, in Eggers (2013: 302)
45. Sharing Destinations: sharing economy
The sharing economy “is a socio-economic system
built around the sharing of human and physical
resources: shared creation, production, distribution
and consumption.
A common premise is that when information about
goods is shared, the value of those goods may
increase, for the business, for individuals, and fo the
community
Techology enables this system, it makes connections
between people. Goods and services more efficient,
resulting in new communities, organizations and biz
models for the public and private sector
(wikipedia)
46. Sharing Destinations: sharing economy
Guiding principles:
Unused value is a wasted value
Waste as food
Access not ownership
Transparent and open data
Trust
Urban density
(wikipedia)
47. Sharing Destinations: sharing economy
Driving forces
ICT: open data, mobiles, apps, social media…
(Urbanised) population growth
Rising income inequality
Increasing global crises
Increasing volatility and natural resources
(wikipedia)
58. Again: experience economy, tourist gaze, socio-technologies...
And place
So then,
Sharing economy?
City as spectacle?
Social media role?
And your experience?