Searching for music in the library catalog requires more complex search strategies than for books due to the many variations in musical works' titles, authors, formats, and other attributes. The document provides tips for effective searching, such as using boolean operators to combine search terms like composer names and titles, limiting searches to specific formats, and searching added author/title fields when available. Music librarians are available for assistance with constructing searches for musical scores, recordings, and other music materials in the catalog.
DE presentation to IISD on May 7, 2008. Title: Amazon Resilience and Busines...DE Design and Environment
Presentation given to the Natural Resources Management Group of the International Institute for Sustainable Development on May 7, 2008. The topics were: Estimating Resilience of Amazonian Ecosystems and Design and Business Evolution
Presentation given at the MODSIM 2009 conference in June in Montreal. The focus was on environmental applications of modelling and simulation with a special emphasis on Governance and Business applications.
Dear Board of Director’s, how much “energy spend” did your operations lose th...Veritatis Advisors, Inc.
Energy Efficiency in America is lacking?
Why? America inconsistently applies three key broad actions. Energy efficiency, to become successful, requires these three key ingredients:
1. Management and financial decision makers must engage new and innovative financing structures which create on-going funded programs and for those who cannot self fund, payment structures to but their way through.
2. Behavioral management (a polite word for accountability) needs to evolve and become a key metric transparent throughout the organization.
3. Capital projects must include life cycle features that span the depreciable life of the investment to fully account for its impact.
UL DQS offers part of the solution – behavioral based continual improvement GAP assessment and audit verification tools based on some of the globes best in class energy management standards and protocols.
The Carbon Nexus - Boilers, Power Plants, and Strategic Energy ManagementVeritatis Advisors, Inc.
Lender, Insurers, manufacturers, regulators lack standardized methods to gauge the accuracy of predicted energy consumption thus financial savings from energy efficiency upgrades. This presentation captures the nexus of relevant issues in recently published case study and market experience. Author Don Macdonald of Veritatis Advisors, 2015
A public work I developed while under contract with UL to build and operate their Sustainability and energy Practice across the US, global offices and management consultant base.
Created as a management consulting tool for "C" Suite executives to guide in strategy development, launch, operation, and assessment of internal programs controlling all forms of energy, behavioral or engineering based projects.
Discovering music: small-scale, web-scale, facets, and beyond-BelfordNASIG
Many libraries are implementing or developing web-scale discovery interfaces or other faceted browsing interfaces. There is exciting potential for new discovery interfaces to ease the difficulties users face when searching for music materials. However, the specialized discovery needs arising from unique characteristics of music materials are often overlooked. This session will examine how to meet the special demands for music discovery while improving access to materials that pose similar challenges, such as law, literature and religious studies, and video collections. The session will provide an overview of the topic, based on the Music Library Association’s Music Discovery Requirements document, and explore aspects of music discovery as realized through specific interfaces.
Rebecca Belford
Music Cataloger/Reference Librarian, University at Buffalo
Buffalo, NY
See accompanying presentation by
Tracey Snyder
Cornell University
http://www.slideshare.net/NASIG/discovering-music-smallscale-webscale-facets-and-beyond
Discovering Music: Small-Scale, Web-Scale, Facets, and BeyondNASIG
Many libraries are implementing or developing web-scale discovery interfaces or other faceted browsing interfaces. There is exciting potential for new discovery interfaces to ease the difficulties users face when searching for music materials. However, the specialized discovery needs arising from unique characteristics of music materials are often overlooked. This session will examine how to meet the special demands for music discovery while improving access to materials that pose similar challenges, such as law, literature and religious studies, and video collections. The session will provide an overview of the topic, based on the Music Library Association’s Music Discovery Requirements document, and explore aspects of music discovery as realized through specific interfaces.
Tracey Snyder
Cornell University
See accompanying presentation by
Rebecca Belford
University at Buffalo
http://www.slideshare.net/NASIG/discovering-music-small-scale-webscale-facets-and-beyondbelford
Classifying Music CDs: Unearthing the CollectionAngela Kroeger
Classifying a library music CD collection with Library of Congress call numbers and physically relocating it to bookstore-style browsers. Presentation delivered by Angela Kroeger and Jan Boyer of the Criss Library at the University of Nebraska at Omaha, presented at the Nebraska Library Association Technical Services Round Table Spring Meeting, April 25, 2008.
Music is an art that is commonly used every day. Music always brings great benefits and no one denies that. Music gives people a beautiful life, helps us relax after moments of tiring study and work. Music can turn an ordinary day into a day filled with happiness. The ability of music does not stop there, music also brings many other miracles.
--I need writing concert report as an example below.------.docxhoney725342
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***I need writing concert report as an example below.-***----------------------------------------------------------------------------------------------***
* I have attend to the concert and all the information you need it for the concert.
This is the web site.
@Here where you can fine the composers and what music they are sing
And the location, composer, all the information you need it.
https://cso.org/ticketsandevents/production-details-2016-17/cso-specials/cso-at-wheaton---dohnanyi/?perfNo=8040
**And this the information about concert program.
https://cso.org/globalassets/pdfsshared/program-notes/2016-17/programnotes_wheaton_beethoven_pastoral.pdf
There is a rubric as the professor will grade it base on the rubric
It is in the last paper you must follow the rubric
Please write on your on “world” No plagiarism .No subject does not content to the concert.!!!!
Thanks
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WRITING A CONCERT REPORT
Instructors in introductory music courses often require students to write one or more concert reports during a semester. Here are some guidelines for the preparation of such an assignment: first, a few suggestions on working with your own notes; second, points to consider for the content of your report; third, some information about usages or conventions in writing about music; and finally, an example of a concert report.
TRANSFORMING YOUR NOTES INTO A REPORT
You should plan to expand your notes into a complete report very soon after the concert—the same evening or during the next day or so.
It is often helpful to begin with an outline and then to write a rough draft. (If your instructor hands out a printed form for concert reports, that will serve as the outline.) Next, polish and edit your draft to produce the final version. Remember to check your grammar and the spellings of names (especially foreign names) and musical terms.
Below are recommendations for the actual content of your report—what to write. Following that, there is a section on vocabulary and usages, or conventions, involved in referring to musical works—that is, how to write about music.
WHAT TO WRITE: THE CONTENT OF A REPORT
The Concert as a Whole You should begin your report with a brief description of the concert attended, including the name and type of the performing group or soloists, the place, the date and time, and the music you heard.
You will also want to note whether the performers were attempting a historically "authentic" program. For example, in music by Johann Sebastian Bach, was a harpsichord (rather than a piano) used? For a symphony by Haydn or Mozart, was the size of the orchestra reduced? Did the performers use old instruments, or reconstructions of old instruments?
Then, you may want to describe your general reaction to the concert. Did you enjoy it? Did this event make you feel like going to other concerts in the near future?
Following this introduction, the paper might focus on t ...
The Indian economy is classified into different sectors to simplify the analysis and understanding of economic activities. For Class 10, it's essential to grasp the sectors of the Indian economy, understand their characteristics, and recognize their importance. This guide will provide detailed notes on the Sectors of the Indian Economy Class 10, using specific long-tail keywords to enhance comprehension.
For more information, visit-www.vavaclasses.com
How to Create Map Views in the Odoo 17 ERPCeline George
The map views are useful for providing a geographical representation of data. They allow users to visualize and analyze the data in a more intuitive manner.
The Art Pastor's Guide to Sabbath | Steve ThomasonSteve Thomason
What is the purpose of the Sabbath Law in the Torah. It is interesting to compare how the context of the law shifts from Exodus to Deuteronomy. Who gets to rest, and why?
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
Ethnobotany and Ethnopharmacology:
Ethnobotany in herbal drug evaluation,
Impact of Ethnobotany in traditional medicine,
New development in herbals,
Bio-prospecting tools for drug discovery,
Role of Ethnopharmacology in drug evaluation,
Reverse Pharmacology.
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
This is a presentation by Dada Robert in a Your Skill Boost masterclass organised by the Excellence Foundation for South Sudan (EFSS) on Saturday, the 25th and Sunday, the 26th of May 2024.
He discussed the concept of quality improvement, emphasizing its applicability to various aspects of life, including personal, project, and program improvements. He defined quality as doing the right thing at the right time in the right way to achieve the best possible results and discussed the concept of the "gap" between what we know and what we do, and how this gap represents the areas we need to improve. He explained the scientific approach to quality improvement, which involves systematic performance analysis, testing and learning, and implementing change ideas. He also highlighted the importance of client focus and a team approach to quality improvement.
22. If you want “Trauermusik” by Hindemith, this isn’t it! The uniform title for Mozart’s Mass in C happens to use the term “Trauermusik!”
23. Title of the piece: Trauermusik Composer: Hindemith Solo instrument: Viola Arrangement with Piano? No! For more targeted results, use more search terms:
37. There can be up to 20 tracks on a disc and some CDs are published as multi-disc sets: This CD has over 70 “authors!”
38. …and recordings can have Lots of titles! The title on the cover The titles of all the pieces Alternate titles & translations Titles of sections or movements Series titles Uniform title! (of course!)
39. …and Lots of publication information: Recording label (the “publisher”) Label number Recording date Release date Reissue date(s) Reissue number(s) Timings
40. Tips for searching for CDs: Combine search terms using Boolean commands Use “compact” as a keyword Titles are searchable from “Contents” or Added Author areas as title or keywords Use “Find on page” to verify the piece is on the disc (Ctrl + F, or Edit Find)
41. A typical aria CD (part 1): The performer is the “author.” There are many titles that may also appear on other CDs There could be many recording dates
44. None of these seems to “match” But our CD comes up in the list of CDs with this aria
45. Let’s say you want to listen to Hindemith’s Trauermusik The piece only runs about eight minutes ...so it won’t take up a whole Compact disk The title could found be in two places in the cataloging record other than “title” or “uniform title” Contents (track listing) Added Author-Title lines
46. For this recording, the uniform title is “Orchestra Music. Selections” and the title says “Viola Concertos”
51. A genre-based piece may be titled many ways, for example: By nickname By number within the genre By opus number By key In another language In a group In an unrelated title! “Eroica” Symphony Symphony No. 3 Symphony Op. 55 Symphony in E-Flat Major Symphonie Nr. 3 in Es-Dur The Symphonies The World’s Greatest Orchestral Music
52. The uniform title standardizes genre-based titles Elements of a uniform title: Genre (plural) Numbering system Key
53. A note about numbering systems Composers’ works can be numbered many ways! By the number in the genre By opus number By opus with internal number By index (Verzeichnis) number By scholar’s number String Quartet No. 6 String Quartet Op. 18 String Quartet Op. 18, No. 1 BWV 1006 K. 465 The uniform title uses only one system per composer. Publishers don’t pay attention to uniform titles!
54. Some numbering systems to know: Bach Beethoven Haydn Mozart Schubert Vivaldi Bach WerkeVerzeichnis (BWV) Opus numbers; Woo (Werkeohne opus, works without opus number) Hoboken (H.) Köchel (K.) Deutsch (D.) Shhhh don’t ask about Vivaldi ACK! You had to ask about VIVALDI!
55. Vivaldi’s works have been numbered several ways: RV is the current standard system, but... Sometimes opus numbers are used: La stravaganza : 12 violin concertos, opus 4 Sometimes titles are used: Cimento dell'armonia e dell'inventione. N. 1-4
56. You can use numbers as “keywords” This gets around the problem of uniform titles, symphony nicknames, etc.
62. Let’s say you want to hear DaDaTovarich! Russian Soprano Anna Netrebko ...singing in Russian ...for a whole opera ...not just on a CD of excerpts You can do that!
63. You can create a very specific search: Opera Not excerpts Netrebko Russian CD
69. Music Collection Staff are happy to help! Amy Edmonds Music Librarian BSUMusicLibn on AIM aledmonds@bsu.edu Jason Smith Music Collection Coordinator (7 a.m. – 4 p.m.) Kevin Blue Music Collection Nighttime Supervisor (6 p.m. – 3 a.m.)
70. Contact us: Music Collection: 285-8188 Music Librarian: 285-5065 Bracken Reference: 285-1101 Amy Edmonds on AIM: BSUMusicLibn Bracken Reference on AIM: BSUlibrarian