Through a new Audiovisual Think Tank, visionary experts in the AV cultural heritage sector are working together to map out our shared strategic priorities and put into place a research and action agenda to shape the coming decade. The AV Think Tank looks to represent major AV archives and digital cultural heritage professionals from across the globe and closely connects these key players to work collectively at the forefront of the sector in consultation with the wider community. Initiated and actively supported by Sound and Vision, the AV Think Tank aims to lay the groundwork for an AV archiving sector that enables more long-term use of, learning with, and education through AV materials.
What will the next 10 years look like for the AV Archiving and Cultural Heritage sector? (and what to do about it?). By Johan Oomen and Peter Kaufman, as presented at the FIAT/IFTA World Conference in Mexico City, 2017.
Lorna Hughes, 'Welsh Newspapers Online' presented at Europeana Newspapers Information Day, ‘Enabling Access to Digitised Historic Newspapers’
British Library, June 9th 2014 #UKinfday
What`s That? Video Tagging Games for Audiovisual Heritage Collectionsbucurcristina
Waisda? (which translates to What`s That?) is an online video tagging game aimed at gathering tags for videos. Users tag what they see or hear and receive points for their tags. If there is mutual agreement between players for one tag, then the player receives more points.
What will the next 10 years look like for the AV Archiving and Cultural Heritage sector? (and what to do about it?). By Johan Oomen and Peter Kaufman, as presented at the FIAT/IFTA World Conference in Mexico City, 2017.
Lorna Hughes, 'Welsh Newspapers Online' presented at Europeana Newspapers Information Day, ‘Enabling Access to Digitised Historic Newspapers’
British Library, June 9th 2014 #UKinfday
What`s That? Video Tagging Games for Audiovisual Heritage Collectionsbucurcristina
Waisda? (which translates to What`s That?) is an online video tagging game aimed at gathering tags for videos. Users tag what they see or hear and receive points for their tags. If there is mutual agreement between players for one tag, then the player receives more points.
Towards a New Audiovisual Think Tank for Audiovisual Archivists & Cultural He...Sound and Vision R&D
This White Paper is commissioned by the Netherlands Institute for Sound and Vision in an effort to build a common platform for all the stakeholders – large, small; witting, unwitting – in the preservation of audiovisual heritage to consider the urgency of collective action in a fast-moving and increasingly strange world, a world where concerted efforts to preserve and share our information and knowledge are now more important than ever. The White Paper is intended for circulation in October 2017 among leaders of cultural and educational institutions participating in the 2017 FIAT/IFTA World Conference in Mexico – and at that meeting to help a new international thought leadership group to articulate, perhaps starting with the 10 key points below, an international research and action agenda and certain funding priorities for our audiovisual cultural heritage sector, broadly defined, over the next 10 years.
Digital Cultural Heritage: Experiences from British LibraryNora McGregor
Slides from seminar on Digital Cultural Heritage given to UCL Institute of Sustainable Heritage's two programmes: the MSc Sustainable Heritage and the MRes Science and Engineering in Arts, Heritage and Archaeology.
MOSAICA: Semantically Enhanced Multifaceted Collaborative Access to Cultural ...Dov Winer
Description of the Mosaica project that ran from 2006 to 2008 developing a toolbox of generic technologies for intelligent presentation, knowledge-based discovery, and interactive and creative educational experience covering a broad variety of diversified cultural heritages requirements.
LIBER fostering Open Science and Knowledge DiscoveryLIBER Europe
Presentation by Kristiina Hormia Poutanen, LIBER President. Delivered at 25th Anniversary Conference of The National Repository Library of Finland
Kuopio 22th of May 2015. Content is cc-by.
EUscreen offers free online access to videos, stills, texts and audio from European broadcasters and audiovisual archives. Explore selected content from early 1900s until today.
Digital transformations: new challenges for the arts and humanities - Andrew ...Jisc
‘Digital Transformations’ is one of four major stretegic themes currently being developed by the Arts and Humaniies Research Council.
In this presentation, the Theme Leader Fellow will explore some of the work that has been undertaken by projects funded within this strand and will consider how they reflect the wider possibilities and challenges presented to the arts and humanities by such developments as data analytics, linking of data, visulalisation and the internet of things. The way in which the arts and humanities can also offer a distinctive perspective on such issues as identity, authenticity, cretivity and the digital economy will also be discussed.
DH2013: Lars Wieneke – Workshop introduction dhlab
Introduction to the Europeana workshop on Strategies for user generated content and crowdsourcing in museums and cultural heritage at Digital Heritage 2013 in Marseille.
Kevin Feenan, President of Rockcliffe University Consortium, discusses the Rockcliffe Library Network, what is it, and where it is going. Topics cover the Rockcliffe Library mandate, resources, opportunities, and how it ties into other Rockcliffe services.
Slide 2 - 66: Shaping innovatin in education with cultural heritage by Fred Truyen, Steven Stegers, Evita Tasiopoulou and Marco Neves
Slides 67 - 152: Multilingual access and machine translation by Andy Neale, Antoine Isaac, Pavel Kats, Alex Raginsky and Sergiu Gordea
Slides 155 - 164: How to implement the FAIR principles in digital culture by Sara Di Giorgio, Saskia Scheltjens and Makx Dekkers, Seamus Ross, Franco Niccolucci and Erzsébet Tóth-Czifra
Slide 166: EuropeanaTech Unconference by Clemens Neudecker
Towards a New Audiovisual Think Tank for Audiovisual Archivists & Cultural He...Sound and Vision R&D
This White Paper is commissioned by the Netherlands Institute for Sound and Vision in an effort to build a common platform for all the stakeholders – large, small; witting, unwitting – in the preservation of audiovisual heritage to consider the urgency of collective action in a fast-moving and increasingly strange world, a world where concerted efforts to preserve and share our information and knowledge are now more important than ever. The White Paper is intended for circulation in October 2017 among leaders of cultural and educational institutions participating in the 2017 FIAT/IFTA World Conference in Mexico – and at that meeting to help a new international thought leadership group to articulate, perhaps starting with the 10 key points below, an international research and action agenda and certain funding priorities for our audiovisual cultural heritage sector, broadly defined, over the next 10 years.
Digital Cultural Heritage: Experiences from British LibraryNora McGregor
Slides from seminar on Digital Cultural Heritage given to UCL Institute of Sustainable Heritage's two programmes: the MSc Sustainable Heritage and the MRes Science and Engineering in Arts, Heritage and Archaeology.
MOSAICA: Semantically Enhanced Multifaceted Collaborative Access to Cultural ...Dov Winer
Description of the Mosaica project that ran from 2006 to 2008 developing a toolbox of generic technologies for intelligent presentation, knowledge-based discovery, and interactive and creative educational experience covering a broad variety of diversified cultural heritages requirements.
LIBER fostering Open Science and Knowledge DiscoveryLIBER Europe
Presentation by Kristiina Hormia Poutanen, LIBER President. Delivered at 25th Anniversary Conference of The National Repository Library of Finland
Kuopio 22th of May 2015. Content is cc-by.
EUscreen offers free online access to videos, stills, texts and audio from European broadcasters and audiovisual archives. Explore selected content from early 1900s until today.
Digital transformations: new challenges for the arts and humanities - Andrew ...Jisc
‘Digital Transformations’ is one of four major stretegic themes currently being developed by the Arts and Humaniies Research Council.
In this presentation, the Theme Leader Fellow will explore some of the work that has been undertaken by projects funded within this strand and will consider how they reflect the wider possibilities and challenges presented to the arts and humanities by such developments as data analytics, linking of data, visulalisation and the internet of things. The way in which the arts and humanities can also offer a distinctive perspective on such issues as identity, authenticity, cretivity and the digital economy will also be discussed.
DH2013: Lars Wieneke – Workshop introduction dhlab
Introduction to the Europeana workshop on Strategies for user generated content and crowdsourcing in museums and cultural heritage at Digital Heritage 2013 in Marseille.
Kevin Feenan, President of Rockcliffe University Consortium, discusses the Rockcliffe Library Network, what is it, and where it is going. Topics cover the Rockcliffe Library mandate, resources, opportunities, and how it ties into other Rockcliffe services.
Slide 2 - 66: Shaping innovatin in education with cultural heritage by Fred Truyen, Steven Stegers, Evita Tasiopoulou and Marco Neves
Slides 67 - 152: Multilingual access and machine translation by Andy Neale, Antoine Isaac, Pavel Kats, Alex Raginsky and Sergiu Gordea
Slides 155 - 164: How to implement the FAIR principles in digital culture by Sara Di Giorgio, Saskia Scheltjens and Makx Dekkers, Seamus Ross, Franco Niccolucci and Erzsébet Tóth-Czifra
Slide 166: EuropeanaTech Unconference by Clemens Neudecker
Mate Toth: Digitisation and creative re-use of cultural content #blokexpertuKISK FF MU
Slides for the lecture given at Department of Library and Information Studies. // Slajdy k přednášce pro předmět Blok expertů na KISKu (kisk.cz/blok-expertu).
Making cultural content available for everyone via mass digitisation is still a challenge for the European ALM (Archives, libraries and museums) sector. Most European memory institutions intend to digitise their whole collection and develop projects for the attractive presentation of their online available electronic content.
The creative industry expects content that is ready for remix and reuse even for business purposes. Based on the experiences of the meetings of Member States Expert Group on Digitisation and Digital Preservation the lecture will summarize the main factors that challenge the realization of this aim and outline possible solutions.
I will present the business needs (what creative reuse means), the legal barriers (how existing copyright rules make creative reuse difficult), the memory institutions’ perspective and some landmark projects from all over Europe that makes it clear that there is a light at the end of the tunnel!
Open, Smart and Connected access to Audiovisual CollectionsJohan Oomen
Talk given at COPEAM 2018.
“Heritage and Media – Preserving the future through our past: an opportunity for growth and democracy?”
Calviá - Mallorca, 10-12 May 2018
Hotel Meliá Calviá Beach
Calle Violeta, 1 Calviá Beach - 07181 Mallorca, Spain
Cultural heritage embraces resources inherited from the past and offers a great variety of opportunities to the present: monuments, sites and traditions, but also visual arts, cinema, TV and radio archives.
In this framework, the Media of the Euro-Mediterranean region – both traditional and new ones – have to play their role, particularly given the challenges that such issue implies in terms of content production, audiovisual documents preservation and impact of the digital transition as a tool for the safeguard and enhancement of our common heritage.
Fashion is an important part of the European Cultural Heritage, and it is increasingly recognised for its important research value to other academic disciplines, including arts, culture, sociology and communication. Since the beginning of the XX century some of the most important public and private cultural institutions and museums of applied arts in Europe have begun collecting and preserving garments, accessories, catalogues, fashion magazines and other documents and materials related to fashion.
This has resulted in a growing number of impressive and unique collections that Europeana Fashion will bring together online.
Despite the growing importance of fashion heritage, there is a lack of freely accessible fashion content and contextual information on-line.
That’s why the Europeana Fashion project has started a collaboration with the local Wikimedia Chapters around Europe -and not only- with the aim to bring new fashion related knowledge and content to Wikipedia, the World free encyclopaedia.
Since March 2013, the Europeana Fashion partners are organising a series of events in collaboration with Wikimedia, called edit-a-thons, in which volunteers from the Wikipedia support organisation and a crowd of students, bloggers, researchers, curators and fashionistas come together to edit and contribute new fashion related information to Wikipedia, using content made available by Europeana Fashion.
In his presentation, Marco Rendina will tell more about this collaboration and how it has started an online relationship that could expand our understanding of the fashion heritage and the online available knowledge of the fashion domain at large.
For more information on the project, please visit:
http://www.europeanafashion.eu
At this online web conference, the Europeana Aggregators’ Forum will open their virtual doors to cultural heritage professionals and anyone with an interest in high quality, open cultural heritage content.
The European (Digital) Library - Overview and OutlookOlaf Janssen
The European Library (www.theeuropeanlibrary.org) is a multilingual portal offering integrated access to the tens of millions of resources (books, magazines, journals...) of 18 national libraries in Europe. It offers free searching and delivers both digital and non-digital objects. It provides a vast virtual collection of mate-rials from all disciplines. The European Library is currently being expanded with the holdings of the national libraries of the 10 EU New Member States. From September 2006 onwards the remaining EU and EFTA na-tional libraries will be connected to TheEuropeanLibrary.org, bringing the total number of participating na-tional libraries to ±35 by the end of 2008.
In the beginning of 2006 the EC expressed support for The European Library to evolve into a much bigger European Digital Library (EDL), including access to the digital collections of other major cultural heritage institutions, such as museums and archives. The EDL is planned to include the holdings of all European na-tional libraries and a minimum of 2M digital works by the end of 2008. By 2010 the EDL needs to have ex-panded to include collections of archives, museums and other libraries, with a minimum of 6M digital works.
The European Library aims to remain a major player in the European cultural heritage field and is already strengthening its cooperation with other relevant key initiatives, such as MACS, DELOS, MICHAEL, BRICKS and MINERVA.
Janssen, O.D. (2006), “The European (Digital) Library - Overview and Outlook”, in: The e-volution of Information Communication Technology in Cultural Heritage, Joint event CIPA/VAST/EG/EuroMed, Project papers, M. Ioannides, D. Arnold, F. Niccolucci, K. Mania (Eds.), EPOCH publication, 2006, pp. 189-193 (and on CD-ROM)
Copyright challenges and policy choices in European heritage projects Tools, ...Phonothèque MMSH
La journée soutenue par le LabexMed (https://labexmed.hyptheses.org) ainsi que le Consortium Musica de la TGIR Huma-Num (https://humanum.hypotheses.org/503) s’inscrivait dans le cadre du projet de rédaction d’un recueil de bonnes pratiques sur les questions juridiques et éthiques pour la diffusion des données de la recherche en sciences humaines sociales (https://ethiquedroit.hypotheses.org).
New approaches towards accessing digital audiovisual heritage What will EUscr...Johan Oomen
During the past decade, a massive body of European audiovisual heritage has become accessible online: on video sharing sites and websites of archives, or through initiatives such as EUscreen.eu and Europeana.eu. Once online, audiovisual heritage circulates in diverse ways: users watch, share, like, or dislike it; they comment, appropriate, and download videos for remix and recirculation. It thus becomes part of the popular consumption of history, potentially creating new interpretations of heritage materials, challenging authorised perspectives.
Challenges to audiovisual heritage online
Heritage institutions perceive the consequences of the recent technological transformations of the sector as a major challenge and opportunity. Nevertheless, urgent questions regarding the circulation of audiovisual heritage online remain unanswered:
How do strategies of curation shape the appropriation of digitized heritage?
How does digitisation and online circulation of audiovisual heritage affect the mission, role, and structure heritage institutions, as well as their relationships with media producers and publics?
How can audiovisual archives better foster the re-use of Europe’s audiovisual heritage?
(How) do digital curation and other appropriations of audiovisual heritage create new perspectives on European history and identity do ?
How does online circulation of audiovisual heritage alter the power relationships between amateur and professional historians in a public history environment, potentially blurring the boundaries between authorised and popular visions of European history?
What new tools and methods do we need to analyse the circulation of audiovisual heritage online, and how have traditional methods to be adapted for this aim?
To discuss these challenges, Utrecht University's Centre of Television in Transition in collaboration with The Netherlands Institute for Sound and Vision and CLARIAH will organize a one day symposium on May 16th, 2018.
DIVE+: Explorative Search for Digital HumanitiesJohan Oomen
DIVE+ is an event-centric linked data digital collection browser aimed to provide an integrated and interactive access to multimedia objects from various heterogeneous online collections. It enriches the structured metadata of online collections with linked open data vocabularies with focus on events, people, locations and concepts that are depicted or associated with particular collection objects. DIVE+ is result of a true inter-disciplinary collaboration between computer scientists, humanities scholars, cultural heritage professionals and interaction designers. The tool allows humanities scholars to explore unexpected relations between entities and media objects and to construct and share navigation paths to develop research narratives.
Preserving Interactive Media - SXSW 2017Johan Oomen
http://schedule.sxsw.com/2017/events/PP96792
Interactive documentaries are at the vanguard of current media technologies. Taking into account every framework imaginable, its makers challenge some of our assumptions about how these technologies can or cannot support bringing a non-fiction storyline to a audience. In over a decade of IDFA DocLab’s existence, web technologies have changed dramatically and many producers experience how complicated it can be to keep their creations accessible and ‘experienceable’.
In this panel, chair Johan Oomen from Sound and Vision, will outline the challenges to creating dynamic web archives. We will then take a deeper look at particular cases. NFB collaborated with Google on the re-making of Bear 71 - porting it from a Flash-based to a WebVR online experience. Megan Lindsay will present this collaboration on re-representing a modern classic. After the presentations, there will be room for questions.
Slides presented by Jan Müller (CEO Netherlands Institute for Sound and Vision) at the CLARIAH kick-off.
http://www.clariah.nl/activiteiten/clariah-kick-off
The general aim of LinkedCulture is to describe how the information need of the Tussen Kunst & Kitsch (Antiques Roadshow) viewers can be satisfied from both their couch and on-the-go, supporting both passive and more active needs. Linking to external information and content, such as Europeana, museum collections but also auction information has been incorporated in these scenarios
Towards more smart, connected and open audiovisual archivesJohan Oomen
As a result of digitisation of analogue holdings and working processes, more and more material from audiovisual archies is being made available online. This marks a transformative shift, as archives and users are now sharing the same information space. Once digital and part of an open network, objects from audiovisual archives can be shared, recommended, remixed, embedded, cited, referenced to and so on. It is a far cry from several years ago, when users were obliged to visit brick and mortar institutions to access collections. This shift towards digital enables archives to fulfil their pubic missions better; crossing geographical boundaries, using new channels for content distribution, engage with user groups and use new technologies to make work processes more efficient and allow for new access points to collections. It also introduces fundamental challenges, forcing audiovisual archives to [1] rethink their role and function in the value chain of media production and modern society at large, [2] assess which activities and competences are vital to succeed in a digital context.
We envision the future audiovisual archives to be smart, connected and open; using smart technologies to optimise workflows for annotation and content distribution. Collaborating with third parties to co-design and co-develop new technologies in order to manifest themselves as frontrunners rather than followers. Being connected to other sources of information (other collections, contextual sources), to a variety of often niche user communities, researchers and the creative industries. To embrace the use of standards defined by external instances rather than by the cultural heritage communities themselves. Fully embrace ‘open’ as the default to have maximum impact in society: applying open licences for content delivery, using open source software and open standards wherever possible. Promote open access to publications and so on.
This keynote examines how the public mission of archives (i.e. supporting a myriad of users to utilize collections to learn, experience and create) can be achieved in a digital context. It addresses the challenges related to the role and function of institutions and provides practical insights in how archives can establish a culture of innovation to manage challenges they face today. It addresses some of the major questions audiovisual archives are faced with today.
Hoe breng je aan elkaar gerelateerde openbare gegevens ook echt met elkaar in verbinding? Die vraag brengt een grote groep mensen vanuit het bedrijfsleven, kennisinstituten en de overheid bijeen in de pilot Linked open data. Nadat in 2012/2013 de mogelijkheden voor het prepareren van data, het daadwerkelijke linken van data en het toepassen van linked data zijn onderzocht, is in november 2013 een vervolg van start gegaan: het Platform implementatie Linked Open Data (PiLOD). Focus van het PiLOD ligt op het toepassen en werken met Linked Open Data.
Op weg naar een Nederlandse Erfgoedthesaurus met Linked Open DataJohan Oomen
Steeds meer collectiebeheerders zijn bezig om de mogelijkheden voor eindgebruikers van Linked Open Data te onderzoeken en in praktijk te brengen. Door het toevoegen van externe informatie aan de eigen collectie (contextualisering) en het verbinden van de eigen collectie aan externe informatiebronnen wordt de collectie onderdeel van een groter geheel en ontstaat er een dynamische relatie van de inhoud van de eigen collectie met de buitenwereld. De thesauri van erfgoedinstellingen zijn bij uitstek geschikt om externe bronnen te verbinden. RCE, Nederlands Instituut voor Beeld en Geluid en Naturalis sloten een convenant om een erfgoedthesaurus voor het Nederlandse erfgoeddomein te ontwikkelen. Hiermee leggen zij de basis van een netwerk van thesauri, zodat instellingen en externe kennisnetwerken rijke verbindingen kunnen realiseren. Als onderdeel van dit proces ontwikkelen zij een gemeenschappelijke set tools die vrijelijk aan de Nederlandse erfgoedsector ter beschikking zullen worden gesteld. De presentatie toont de meerwaarde van Linked Open Data voor de erfgoedsector en plaatst de Nederlandse Erfgoedthesaurus in de context van de infrastructuur voor het erfgoeddomein. Verder zal de “Linked Open Data demonstrator” worden gepresenteerd, zoals deze door Beeld en Geluid en de RCE is gerealiseerd.
The many unexptected joys if being "out there": examples of user participatio...Johan Oomen
Contribution as part of the SXSW 2014 panel "100 Years of Oversharing: Tools for Time Travel" - http://schedule.sxsw.com/2014/events/event_IAP21645 @johanoomen
A typed journal from WWI passed on through generations fuels a young man's dreams of time travel and allows us to explore the power of personal stories and photos. Together with archival collections, these items take us through space and time, and the magical ability of cultural memory institutions to help individuals bring these incredibly compelling dreams to life. The World Wide Web provides the cultural, technological, and legal frameworks to open the doors to innovation and imagination, and also enables libraries, archives and museums the world over to play a critical role. We explore some of the diverse efforts to bring stories and memory to life in new ways, while also fostering open data and preservation, and the pros and cons at the intersection of public domain and private enterprise.
Europeana Awareness year 2 review slides for Workpackage 2 'End-user engagement'Johan Oomen
General information on the project: http://pro.europeana.eu/web/europeana-awareness
Scope of this presentation: following the success of the first year, WP2 continued to deliver results in this reporting period. Overall progress for this year has been good, with no major deviations from the work plan. The content gathering campaigns for Europeana 1914-1918 were successful, both in terms of public engagement and content added as well as audience reach.
This year also saw the launch of the Europeana 1989 campaign, aiming to create a digital archive of memorabilia connected to the fall of the Iron Curtain. Besides the objects that were gathered, the campaign provided important insights into the challenges of managing a campaign which deals with more recent events. These lessons have been documented and will be taken on board in future campaigns.
The collaboration with the Wikipedia community was launched in January and continued throughout the year. A great variety of events were organized as part of the project, including an ambitious international photo competition “Wiki Loves Public Monuments.” As one of the results, a strategic plan for future collaboration between the two communities (Europeana Network and the Wikipedia community) was written in December.
Europeana Sounds kick-off - Workpackage 2 Enrichment and ParticipationJohan Oomen
The objective of this workpackage is to support discovery and use by improving metadata through innovative methods including semantic enrichment and crowdsourcing. It coordinates the design and implementation on mechanisms to improve the quality of existing metadata and contextual information. This will support enhanced exploration, deepen understanding of the collections, and will increase end-user engagement. Significantly increase quality of existing and new Europeana metadata for audio and audio-related items though: (a) active participation with existing audiences; (b) machine-driven tools.
Specific goals
• Offer tools for metadata tagging and contextualisation to the wider community. This will (1) increase quality and user satisfaction in terms of content discovery; (2) promote increased engagement between institutions and their audiences.
• Apply semantic web technologies to enable enrichment of the Europeana Sounds collections. This will increase quality of the metadata and user satisfaction in terms of content discovery.
• Collaborate with Wikimedia chapters in Europe to add contextual knowledge on the Europeana Sounds collection. Six edit-a-thons (campaigns that aim to create wiki pages on focussed areas) will be organised in year two and three of the project. This will (1) add a layer of in-depth knowledge to the collections presented online;
(2) strengthen links between Europeana, the Europeana Network and the international Wikipedia community.
• Align music scores to text, to forge a dynamic connection between currently separated collections. By allowing for new types of exploration, the value for end-users of both the multimedia and digitised paper-based resources will be increased.
• Explore possibilities of music information retrieval to support innovative, language independent exploration of audio collections.
• Put in place policies and (in connection with WP5) infrastructural preconditions allowing enrichments to be re-ingested in the information systems of the contributing archives, wherever relevant.
BRIDGE addresses access to television archives. Television is not an isolated medium, but a key node in a complex information landscape. From an exclusive focus on producing radio, television and publishing program guides, broadcasting organisations have moved to cross-media production companies where users are directly involved in online follow-up discussions. To be meaningful, these additional materials need to be cross-linked to the traditionally archived television materials so as to arrive at a meaningful web of information.
The project will develop, test and deploy efficient, effective and robust methods for automatically creating meaningful links between dynamically expanding archived television data and other information sources that are centered around entities, themes and events.
More: http://ilps.science.uva.nl/node/735
Op 9 november is er een Hackathon op het Mediapark in Hilversum. Het thema is Omroep Data. Er komen allerlei interessante datasets beschikbaar, verder kan je kan teamen met programmamakers, omroepers, webguru’s, maar ook je eigen App uitbouwen. Deze Hackathon Publieke Omroep wordt mede mogelijk gemaakt door NPO, STER en Beeld en Geluid. - See more at: http://www.hackdeoverheid.nl/hackathon-publieke-omroep-2/#sthash.Zxjjw8OR.dpuf
Dev Dives: Train smarter, not harder – active learning and UiPath LLMs for do...UiPathCommunity
💥 Speed, accuracy, and scaling – discover the superpowers of GenAI in action with UiPath Document Understanding and Communications Mining™:
See how to accelerate model training and optimize model performance with active learning
Learn about the latest enhancements to out-of-the-box document processing – with little to no training required
Get an exclusive demo of the new family of UiPath LLMs – GenAI models specialized for processing different types of documents and messages
This is a hands-on session specifically designed for automation developers and AI enthusiasts seeking to enhance their knowledge in leveraging the latest intelligent document processing capabilities offered by UiPath.
Speakers:
👨🏫 Andras Palfi, Senior Product Manager, UiPath
👩🏫 Lenka Dulovicova, Product Program Manager, UiPath
GraphRAG is All You need? LLM & Knowledge GraphGuy Korland
Guy Korland, CEO and Co-founder of FalkorDB, will review two articles on the integration of language models with knowledge graphs.
1. Unifying Large Language Models and Knowledge Graphs: A Roadmap.
https://arxiv.org/abs/2306.08302
2. Microsoft Research's GraphRAG paper and a review paper on various uses of knowledge graphs:
https://www.microsoft.com/en-us/research/blog/graphrag-unlocking-llm-discovery-on-narrative-private-data/
Connector Corner: Automate dynamic content and events by pushing a buttonDianaGray10
Here is something new! In our next Connector Corner webinar, we will demonstrate how you can use a single workflow to:
Create a campaign using Mailchimp with merge tags/fields
Send an interactive Slack channel message (using buttons)
Have the message received by managers and peers along with a test email for review
But there’s more:
In a second workflow supporting the same use case, you’ll see:
Your campaign sent to target colleagues for approval
If the “Approve” button is clicked, a Jira/Zendesk ticket is created for the marketing design team
But—if the “Reject” button is pushed, colleagues will be alerted via Slack message
Join us to learn more about this new, human-in-the-loop capability, brought to you by Integration Service connectors.
And...
Speakers:
Akshay Agnihotri, Product Manager
Charlie Greenberg, Host
Software Delivery At the Speed of AI: Inflectra Invests In AI-Powered QualityInflectra
In this insightful webinar, Inflectra explores how artificial intelligence (AI) is transforming software development and testing. Discover how AI-powered tools are revolutionizing every stage of the software development lifecycle (SDLC), from design and prototyping to testing, deployment, and monitoring.
Learn about:
• The Future of Testing: How AI is shifting testing towards verification, analysis, and higher-level skills, while reducing repetitive tasks.
• Test Automation: How AI-powered test case generation, optimization, and self-healing tests are making testing more efficient and effective.
• Visual Testing: Explore the emerging capabilities of AI in visual testing and how it's set to revolutionize UI verification.
• Inflectra's AI Solutions: See demonstrations of Inflectra's cutting-edge AI tools like the ChatGPT plugin and Azure Open AI platform, designed to streamline your testing process.
Whether you're a developer, tester, or QA professional, this webinar will give you valuable insights into how AI is shaping the future of software delivery.
LF Energy Webinar: Electrical Grid Modelling and Simulation Through PowSyBl -...DanBrown980551
Do you want to learn how to model and simulate an electrical network from scratch in under an hour?
Then welcome to this PowSyBl workshop, hosted by Rte, the French Transmission System Operator (TSO)!
During the webinar, you will discover the PowSyBl ecosystem as well as handle and study an electrical network through an interactive Python notebook.
PowSyBl is an open source project hosted by LF Energy, which offers a comprehensive set of features for electrical grid modelling and simulation. Among other advanced features, PowSyBl provides:
- A fully editable and extendable library for grid component modelling;
- Visualization tools to display your network;
- Grid simulation tools, such as power flows, security analyses (with or without remedial actions) and sensitivity analyses;
The framework is mostly written in Java, with a Python binding so that Python developers can access PowSyBl functionalities as well.
What you will learn during the webinar:
- For beginners: discover PowSyBl's functionalities through a quick general presentation and the notebook, without needing any expert coding skills;
- For advanced developers: master the skills to efficiently apply PowSyBl functionalities to your real-world scenarios.
GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using Deplo...James Anderson
Effective Application Security in Software Delivery lifecycle using Deployment Firewall and DBOM
The modern software delivery process (or the CI/CD process) includes many tools, distributed teams, open-source code, and cloud platforms. Constant focus on speed to release software to market, along with the traditional slow and manual security checks has caused gaps in continuous security as an important piece in the software supply chain. Today organizations feel more susceptible to external and internal cyber threats due to the vast attack surface in their applications supply chain and the lack of end-to-end governance and risk management.
The software team must secure its software delivery process to avoid vulnerability and security breaches. This needs to be achieved with existing tool chains and without extensive rework of the delivery processes. This talk will present strategies and techniques for providing visibility into the true risk of the existing vulnerabilities, preventing the introduction of security issues in the software, resolving vulnerabilities in production environments quickly, and capturing the deployment bill of materials (DBOM).
Speakers:
Bob Boule
Robert Boule is a technology enthusiast with PASSION for technology and making things work along with a knack for helping others understand how things work. He comes with around 20 years of solution engineering experience in application security, software continuous delivery, and SaaS platforms. He is known for his dynamic presentations in CI/CD and application security integrated in software delivery lifecycle.
Gopinath Rebala
Gopinath Rebala is the CTO of OpsMx, where he has overall responsibility for the machine learning and data processing architectures for Secure Software Delivery. Gopi also has a strong connection with our customers, leading design and architecture for strategic implementations. Gopi is a frequent speaker and well-known leader in continuous delivery and integrating security into software delivery.
The Art of the Pitch: WordPress Relationships and SalesLaura Byrne
Clients don’t know what they don’t know. What web solutions are right for them? How does WordPress come into the picture? How do you make sure you understand scope and timeline? What do you do if sometime changes?
All these questions and more will be explored as we talk about matching clients’ needs with what your agency offers without pulling teeth or pulling your hair out. Practical tips, and strategies for successful relationship building that leads to closing the deal.
Transcript: Selling digital books in 2024: Insights from industry leaders - T...BookNet Canada
The publishing industry has been selling digital audiobooks and ebooks for over a decade and has found its groove. What’s changed? What has stayed the same? Where do we go from here? Join a group of leading sales peers from across the industry for a conversation about the lessons learned since the popularization of digital books, best practices, digital book supply chain management, and more.
Link to video recording: https://bnctechforum.ca/sessions/selling-digital-books-in-2024-insights-from-industry-leaders/
Presented by BookNet Canada on May 28, 2024, with support from the Department of Canadian Heritage.
PHP Frameworks: I want to break free (IPC Berlin 2024)Ralf Eggert
In this presentation, we examine the challenges and limitations of relying too heavily on PHP frameworks in web development. We discuss the history of PHP and its frameworks to understand how this dependence has evolved. The focus will be on providing concrete tips and strategies to reduce reliance on these frameworks, based on real-world examples and practical considerations. The goal is to equip developers with the skills and knowledge to create more flexible and future-proof web applications. We'll explore the importance of maintaining autonomy in a rapidly changing tech landscape and how to make informed decisions in PHP development.
This talk is aimed at encouraging a more independent approach to using PHP frameworks, moving towards a more flexible and future-proof approach to PHP development.
Builder.ai Founder Sachin Dev Duggal's Strategic Approach to Create an Innova...Ramesh Iyer
In today's fast-changing business world, Companies that adapt and embrace new ideas often need help to keep up with the competition. However, fostering a culture of innovation takes much work. It takes vision, leadership and willingness to take risks in the right proportion. Sachin Dev Duggal, co-founder of Builder.ai, has perfected the art of this balance, creating a company culture where creativity and growth are nurtured at each stage.
Kubernetes & AI - Beauty and the Beast !?! @KCD Istanbul 2024Tobias Schneck
As AI technology is pushing into IT I was wondering myself, as an “infrastructure container kubernetes guy”, how get this fancy AI technology get managed from an infrastructure operational view? Is it possible to apply our lovely cloud native principals as well? What benefit’s both technologies could bring to each other?
Let me take this questions and provide you a short journey through existing deployment models and use cases for AI software. On practical examples, we discuss what cloud/on-premise strategy we may need for applying it to our own infrastructure to get it to work from an enterprise perspective. I want to give an overview about infrastructure requirements and technologies, what could be beneficial or limiting your AI use cases in an enterprise environment. An interactive Demo will give you some insides, what approaches I got already working for real.
Kubernetes & AI - Beauty and the Beast !?! @KCD Istanbul 2024
SEAPAVAA 2018 Closing panel
1. Johan Oomen
Research and Development
Netherlands Institute for Sound and Vision
@johanoomen
Defining an Innovation Agenda for
Audiovisual Archivists and Cultural
Heritage Professionals
6. • audiovisual communication is the dominant form of
media today and the audiovisual archive lies at
its heart.
• interest in material for research, entertainment, inspiration…
• more and more producers and the need for
curation
• knowledge about organising collections
• digital archives connected and share same
information space.
• new user groups
• new forms of collaboration
• more insight in how archives are used
The potential
7. • audiovisual communication is the dominant form of
media today and the audiovisual archive lies at
its heart.
• interest in material for research, entertainment, inspiration…
• more and more producers and the need for
curation
• knowledge about organising collections
• digital archives connected and share same
information space.
• new user groups
• new forms of collaboration
• more insight in how archives are used
The potential
…more Americans prefer to watch their news (46%)
than to read it (35%) or listen to it (17%).
8. • audiovisual communication is the dominant form of
media today and the audiovisual archive lies at
its heart.
• interest in material for research, entertainment, inspiration…
• more and more producers and the need for
curation
• knowledge about organising collections
• digital archives connected and share same
information space.
• new user groups
• new forms of collaboration
• more insight in how archives are used
The potential
21. Innovation in
Cultural Heritage
Research
For an integrated European Research Policy
Research and
Innovation
March 2018
Experimental
Culture
A horizon scan
commissioned by
Arts Council England
Summary report and provocations
Under embargo until 00∶01 Thursday 15 March 2018
ReACHReproduction of Art and Cultural Heritage
in partnership with
Museums
22. NEM Position on Next Generation Internet
(January 2018 – by NEM NGI Working Group)
The publication has been supported by the Vital Media project, which initiated creation of
the NEM Working Group on Next Generation Internet - NGI, contributed to its content,
gathered inputs to the publication from the NEM Initiative community, followed up the
publication approval process, coordinated all related activities, and consolidated all version
of the publication.
VITAL MEDIA is a support action project under the Horizon 2020 Programme of the
European Union – number: 688310 – project duration: June 2016 – May 2018.
Media
23. Audiovisual Think Tank
Bill Thompson, BBC, Head of Partnership Development, Archive
Development & Partnership Lead, Make It Digital
Erwin Verbruggen, Netherlands Institute for Sound and Vision, Project
Lead R&D
Giovanna Fossati, EYE Film Institute Netherlands, Chief Curator &
University of Amsterdam, Professor of Film Heritage and Digital Film
Culture
Johan Oomen, Netherlands Institute for Sound and Vision, Manager,
Research & Development
Louise Broch, DR Arkiv (Danmarks Radio /Danish Broadcasting
Corporation), Information Specialist
Dr Phang Lai Tee, National Archives of Singapore, Deputy Director,
an institution of the National Library Board
Paul Gerhardt, BFI, Director of Education
Pelle Snickars, Umeå University, Professor of Media & Communication
Studies
Peter B. Kaufman, Intelligent Television, Founder and Executive
Producer & MIT Office of Digital Learning, Research Affiliate
Rachael Stoeltje, Indiana University Bloomington, Director, Indiana
University Libraries Moving Image Archive
Richard Ranft, The British Library, Head of Sound & Vision
Tony Ageh, New York Public Library, Chief Digital Officer
William Uricchio, MIT, Professor of Comparative Media Studies and
Principal Investigator Open Doc Lab & Utrecht University, Professor of
Comparative Media Histor
24.
25. Towards a New
Audiovisual
Think Tank
for Audiovisual
Archivists and
Cultural Heritage
Professionals
Peter B. Kaufman
Intelligent Television and MIT
January 2018
https://www.beeldengeluid.nl/en/
knowledge/hub/av-think-tank
26. Towards a New
Audiovisual
Think Tank
for Audiovisual
Archivists and
Cultural Heritage
Professionals
Peter B. Kaufman
Intelligent Television and MIT
January 2018
ten recommendations
27.
28. “We need guidelines of dealing
with new formats and new
materials”
“What can the film-
producer community do
to better promote our
archives?”
“Files without sufficient metadata constitute a black hole”
cc-by-sa: Erwin Verbruggen
cc-by-sa: Erwin Verbruggen
29. “we must focus on ‘the
diffusion of this patrimony’”
cc-by-sa: Erwin Verbruggen
cc-by-sa: Erwin Verbruggen
“We have to know our
catalogs - the size of the
whole dinosaur”
30. 1. Work more closely with producers and creators
2. Experiment within AV archives
3. Engage more fully with Wikipedia
4. Engage archivists to work more closely with
producers and creators
Hot topics
31. Future steps
Discuss the white paper with the
AV archiving community
See which actions can be taken
Research agenda
Joint projects
Writing research papers
Technology Watch